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  1. Andy Hamilton (2012). Artistic Truth. Royal Institute of Philosophy Supplement 71:229-261.
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  2. Andy Hamilton (2011). Rhythm and Stasis: A Major and Almost Entirely Neglected Philosophical Problem. Proceedings of the Aristotelian Society 111 (1pt1):25-42.
    This article develops a dynamic account of rhythm as ‘order-in-movement’ that opposes static accounts of rhythm as abstract time, as essentially a pattern of possibly unstressed sounds and silences. This dynamic account is humanistic: it focuses on music as a humanly-produced, sonorous phenomenon, privileging the human as opposed to the abstract, or the organic or mechanical. It defends the claim that movement is the most fundamental conceptualization of music—the basic category in terms of which it is experienced—and suggests, against Scruton, (...)
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  3. Andy Hamilton (2011). The Aesthetics of Design. In Jessica Wolfendale & Jeanette Kennett (eds.), Fashion – Philosophy for Everyone: Thinking with Style. Blackwell. 51--69.
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  4. Andy Hamilton (2010). Review: Guyer, Knowledge, Reason and Taste: Kant's Response to Hume. [REVIEW] Australasian Journal of Philosophy 88 (4):737-739.
  5. Andy Hamilton (2010). The Oxford Handbook to Continental Philosophy. British Journal for the History of Philosophy 18 (1):171-175.
  6. Andy Hamilton & Sébastien Motta (2010). Mémoire, Conscience de Soi Et Identification de Soi. Philosophie 106 (2):104.
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  7. Andy Hamilton (2009). Scruton's Philosophy of Culture: Elitism, Populism, and Classic Art. British Journal of Aesthetics 49 (4):389-404.
    Scruton is a self-confessed elitist for whom culture is ‘the creation and creator of elites’, though its meaning ‘lies in emotions and aspirations that are common to all’. This article argues that one can uphold his humane conception of the value of high culture without endorsing elitism. It develops a surprisingly unelitist strand in Scruton's thinking into a meritocratic middle way between elitism and populism, in order to explain why art is in some sense an elite product, but with communal (...)
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  8. Andy Hamilton (2009). Adorno and the Autonomy of Art. In Stefano Giacchetti Ludovisi & G. Agostini Saavedra (eds.), Nostalgia for a Redeemed Future: Critical Theory. University of Delaware.
     
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  9. Andy Hamilton (2009). Memory and Self-Consciousness: Immunity to Error Through Misidentification. [REVIEW] Synthese 171 (3):409 - 417.
    In The Blue Book, Wittgenstein defined a category of uses of “I” which he termed “I”-as-subject, contrasting them with “I”-as-object uses. The hallmark of this category is immunity to error through misidentification (IEM). This article extends Wittgenstein’s characterisation to the case of memory-judgments, discusses the significance of IEM for self-consciousness—developing the idea that having a first-person thought involves thinking about oneself in a distinctive way in which one cannot think of anyone or anything else—and refutes a common objection to the (...)
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  10. Andy Hamilton (2009). The Sound of Music. In Matthew Nudds & Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays. Oup Oxford.
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  11. Andy Hamilton (2008). Elucidating the Tractatus: Wittgenstein's Early Philosophy of Language and Logic - by Marie McGinn. Philosophical Books 49 (3):266-269.
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  12. Andy Hamilton (2008). Intention and the Authority of Avowals. Philosophical Explorations 11 (1):23 – 37.
    There is a common assumption that intention is a complex behavioural disposition, or a motivational state underlying such a disposition. Associated with this position is the apparently commonsense view that an avowal of intention is a direct report of an inner motivational state, and indirectly an expression of a belief that it is likely that one will A. A central claim of this article is that the dispositional or motivational model is mistaken since it cannot acknowledge either the future-direction of (...)
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  13. Andy Hamilton (2008). Routledge Philosophy Guidebook to Wittgenstein and on Certainty. Routledge.
    Ludwig Wittgenstein is arguably he most important philosopher of the twentieth-century. In On Certainty he discusses central issues in epistemology concerning the nature of knowledge and sceptism. The Routledge Philosophy Guidebook to Wittgenstein and On Certainty introduces and assesses: Wittgenstein's life and the background to his early philosophy the central ideas and text of On Certainty, including its links with the arguments of G.E.Moore and its discussion of some fundamental issues in the theory of knowledge Wittgenstein's continuing importance and influence (...)
     
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  14. Andy Hamilton (2008). The Russell/Bradley Dispute and its Significance for Twentieth Century Philosophy - by Stewart Candlish. Philosophical Books 49 (3):264-266.
  15. Andy Hamilton (2007). Music and the Aural Arts. British Journal of Aesthetics 47 (1):46-63.
    The visual arts include painting, sculpture, photography, video, and film. But many people would argue that music is the universal or only art of sound. In the modernist era, Western art music has incorporated unpitched sounds or ‘noise’, and I pursue the question of whether this process allows space for a non-musical soundart. Are there non-musical arts of sound—is there an art phonography, for instance, to parallel art photography? At the same time, I attempt a characterization of music, contrasting acoustic, (...)
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  16. Andy Hamilton (2006). An Analytic Retrospect. Philosophical Books 47 (4):342-351.
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  17. Andy Hamilton (2006). Mild Cognitive Impairment: Which Kind Is It? Philosophy, Psychiatry, and Psychology 13 (1):51-52.
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  18. Andy Hamilton (2006). Against the Belief Model of Delusion. In Man Cheung Chung, Bill Fulford & George Graham (eds.), Reconceiving Schizophrenia. Oup Oxford.
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  19. Andy Hamilton (2005). Proprioception as Basic Knowledge of the Body. In Rene van Woudenberg, Sabine Roeser & Ron Rood (eds.), Basic Belief and Basic Knowledge. Ontos-Verlag.
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  20. Stanley Bates & Andy Hamilton (2003). Aesthetics. Philosophical Books 44 (2):187-192.
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  21. Andy Hamilton (2003). 'Scottish Commonsense' About Memory: A Defence of Thomas Reid's Direct Knowledge Account. Australasian Journal of Philosophy 81 (2):229-245.
    Reid rejects the image theory --the representative or indirect realist position--that memory-judgements are inferred from or otherwise justified by a present image or introspectible state. He also rejects the trace theory , which regards memories as essentially traces in the brain. In contrast he argues for a direct knowledge account in which personal memory yields unmediated knowledge of the past. He asserts the reliability of memory, not in currently fashionable terms as a reliable belief-forming process, but more elusively as a (...)
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  22. Andy Hamilton (2003). The Art of Recording and the Aesthetics of Perfection. British Journal of Aesthetics 43 (4):345-362.
    Recording has transformed the nature of music as an art by reconfiguring the opposition between the aesthetics of perfection and imperfection. A precursor article, ‘The Art of Improvisation and the Aesthetics of Imperfection’, contrasted the perfectionist aesthetic of the ‘work-concept’ with the imperfectionist aesthetic of improvisation. Imperfectionist approaches to recording are purist in wanting to maintain the diachronic and synchronic integrity of the performance, which perfectionist recording creatively subverts through mixing and editing. But a purist transparency thesis cannot evade the (...)
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  23. Andy Hamilton (2003). The Cambridge History of Nineteenth-Century Music. British Journal of Aesthetics 43 (1):86-89.
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  24. Andy Hamilton (2002). The Quest for Voice: On Music, Politics, and the Limits of Philosophy. British Journal of Aesthetics 42 (3):327-328.
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  25. Andy Hamilton (2001). Aesthetics and the Environmen: The Appreciation of Nature, Art and Architecture. British Journal of Aesthetics 41 (4):444-446.
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  26. Andy Hamilton (2000). The Authority of Avowals and the Concept of Belief. European Journal of Philosophy 8 (1):20-39.
  27. Andy Hamilton (1999). Book Reviews. [REVIEW] British Journal of Aesthetics 39 (1):429-432.
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  28. Andy Hamilton & Roger Scruton (1999). The Aesthetics of Western Art Music. Philosophical Books 40 (3):145-159.
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  29. Andy Hamilton (1998). Book Reviews. [REVIEW] British Journal of Aesthetics 38 (3):429-432.
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  30. Andy Hamilton (1998). False Memory Syndrome and the Authority of Personal Memory-Claims: A Philosophical Perspective. Philosophy, Psychiatry, and Psychology 5 (4):283-297.
  31. Andy Hamilton (1998). Mill, Phenomenalism, and the Self. In John Skorupski (ed.), The Cambridge Companion to Mill. Cambridge University Press. 139--75.
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  32. Andy Hamilton (1998). Response to the Commentaries. Philosophy, Psychiatry, and Psychology 5 (4):311-316.
  33. Andy Hamilton (1997). Book Reviews. [REVIEW] British Journal of Aesthetics 37 (4):429-432.
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  34. Andy Hamilton (1996). Book Reviews. [REVIEW] British Journal of Aesthetics 36 (4):429-432.
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  35. Andy Hamilton (1996). Philosophy at 331/3 R.P.M.: Themes in Classic Rock Music. Philosophical Books 37 (1):77-78.
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  36. Andy Hamilton (1995). The Interpretation of Music: Philosophical Essays. Philosophical Books 36 (1):78-80.
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  37. Andy Hamilton (1994). Experience and Expression: Wittgenstein's Philosophy of Psychology. Philosophical Books 35 (2):108-110.
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  38. Andy Hamilton (1993). Kant's Theory of Self-Consciousness. Philosophical Books 34 (1):19-21.
  39. Andy Hamilton (1993). The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Philosophical Books 34 (3):186-188.
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  40. Andy Hamilton (1992). The Tractatus Suite. Philosophical Books 33 (4):217-219.
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  41. Andy Hamilton (1991). Anscombian and Cartesian Scepticism. Philosophical Quarterly 41 (162):39-54.
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  42. Andy Hamilton (1991). Listening to Music. Philosophical Books 32 (4):253-256.
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  43. Andy Hamilton (1991). Russell, Idealism and the Emergence of Analytic Philosophy. Philosophical Books 32 (2):88-89.
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  44. Andy Hamilton (1990). The Aesthetics of Imperfection. Philosophy 65 (253):323 - 340.
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  45. Andy Hamilton (1990). Ernst Mach and the Elimination of Subjectivity. Ratio 3 (2):117-135.
  46. Andy Hamilton & Brian McGuinness (1990). Wittgentein: A Life. Young Ludvig 1889-1921. Philosophical Quarterly 40 (158):106.
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