Online research in philosophy

We are able to think of empirical objects as capable of existing unperceived. What explains our grasp of this conception of objects? In this paper I examine the claim that experience explains our understanding of objects as capable of existing unperceived with reference to Kant’s Critique of Pure Reason. I argue that standard accounts of experience’s explanatory role are unsatisfactory, but that an alternative account can be extracted from the first Critique – one which relies on Kant’s transcendental idealism.

Scepticism is sometimes expressed about whether there is any interesting problem of other minds. In this paper I set out a version of the conceptual problem of other minds which turns on the way in which mental occurrences are presented to the subject and situate it in relation to debates about our knowledge of other people's mental lives. The result is a distinctive problem in the philosophy of mind concerning our relation to other people.

John McDowell’s original motivation of disjunctivism occurs in the context of a problem regarding other minds. Recent commentators have insisted that McDowell’s disjunctivism should be classed as an epistemological disjunctivism about epistemic warrant, and distinguished from the perceptual disjunctivism of Hinton, Snowdon and others. In this paper I investigate the relation between the problem of other minds and disjunctivism, and raise some questions for this interpretation of McDowell.

James Van Cleve has argued that Kant’s Transcendental Deduction of the categories shows, at most, that we must apply the categories to experience. And this falls short of Kant’s aim, which is to show that they must so apply. In this discussion I argue that once we have noted the differences between the first and second editions of the Deduction, this objection is less telling. But Van Cleve’s objection can help illuminate the structure of the B Deduction, and it suggests (...) an interesting reason why the rewriting might have been thought necessary. (shrink)

Peter Goldie has argued for a virtue theory of art, analogous to a virtue theory of ethics, one in which the skills and dispositions involved in the production and appreciation of art are virtues and not simply mere skills. In this note I highlight a link between the appreciation of art and its production, and explore the implications of such a link for a virtue theory of art.

Quassim Cassam has recently defended a perceptual model of knowledge of other minds: one on which we can see and thereby know that another thinks and feels. In the course of defending this model, he addresses issues about our ability to think about other minds. I argue that his solution to this 'conceptual problem' does not work. A solution to the conceptual problem is necessary if we wish to explain knowledge of other minds.