Search results for 'Animation' (try it on Scholar)

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  1. Maxine Sheets-Johnstone (2009). Animation: The Fundamental, Essential, and Properly Descriptive Concept. [REVIEW] Continental Philosophy Review 42 (3):375-400.score: 24.0
    As its title indicates, this article shows animation to be the fundamental, essential, and properly descriptive concept to understandings of animate life. A critical and constructive path is taken toward an illumination of these threefold dimensions of animation. The article is critical in its attention to a central linguistic formulation in cognitive neuroscience, namely, enaction ; it is constructive in setting forth an analysis of affectivity as exemplar of a staple of animate life, elucidating its biological and existential (...)
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  2. Spyros Papapetros (2012). On the Animation of the Inorganic: Art, Architecture, and the Extension of Life. University of Chicago Press.score: 24.0
    Animation victims: an abridged history of animated response -- Animated history -- The movement of accessories -- Fabric extensions and textual supplements from modern and antique fragments -- The movement of snakes -- Pneumatic impulses and bygone appendages from Philo to Warburg -- The afterlife of crystals -- Art historical biology and the animation of the inorganic -- Inorganic culture -- Nudes in the forest -- Models, sciences, and legends in a landscape by Léger -- Malicious houses -- (...)
     
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  3. Andrew Gleeson (2001). Animal Animation. Philosophia 28 (1-4):137-169.score: 21.0
    The original publication can be found at www.springerlink.com.
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  4. Inger Birkeland (2008). Cultural Sustainability: Industrialism, Placelessness and the Re-Animation of Place. Ethics, Place and Environment 11 (3):283 – 297.score: 18.0
    A transition to a sustainable future depends on mobilizing social and cultural resources associated with a re-animation of place. Taking as its basis ongoing research in Rjukan, an industrial monocultural town in Norway, the article shows how industrialized regions in a post-industrial world are in the frontline of western societies' relationship to nature and the environment. There is much potential in the restoration of human relationships to place in industrial towns, in terms of health and social and economic development, (...)
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  5. Matthew Stone, Reproducing Natural Behaviors in Conversational Animation.score: 16.0
    Building animated conversational agents requires developing a fine-grained analysis of the motions and meanings available to interlocutors in face-to-face conversation and implementing strategies for using these motions and meanings to communicate effectively. In this paper, we describe our research on signaling uncertainty on an animated face as an end-to-end case study of this process. We sketch our efforts to characterize people’s facial displays of uncertainty in face-to-face conversation in ways that allow us to simulate those behaviors in an animated agent. (...)
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  6. David H. Fleming (2013). Charcoal Matter with Memory: Images of Movement, Time and Duration in the Animated Films of William Kentridge. Film-Philosophy 17 (1):402-423.score: 14.0
    In his temporal philosophy based on the writing of Henri Bergson, Gilles Deleuze describes duration ( durée ) as a becoming that endures in time. Reifications of this complex philosophical concept become artistically expressed, I argue, in the form and content of South African artist William Kentridge's series of 'charcoal drawings for projection.' These exhibited art works provide intriguing and illuminating 'philosophical' examples of animated audio-visual media, which expressively plicate distinct images of movement and time. The composition of Kentridge's films (...)
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  7. Maxine Sheets-Johnstone (2014). Animation: Analyses, Elaborations, and Implications. Husserl Studies 30 (3):247-268.score: 12.0
    This article highlights a neglected, if not wholly overlooked, topic in phenomenology, a topic central to Husserl’s writings on animate organism, namely, animation. Though Husserl did not explore animation to the fullest in his descriptions of animate organism, his texts are integral to the task of fathoming animation. The article’s introduction focuses on seminal aspects of animate organisms found within several such texts and elaborates their significance for a phenomenological understanding of animation. The article furthermore highlights (...)
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  8. Vesna Djukić‐Dojčinović (2010). Rural Tourism and Development in Vojvodina: The Animation of Tourism‐Cultural Relationships. World Futures 33 (1-3):189-197.score: 12.0
    (1992). Rural tourism and development in Vojvodina: The animation of tourism‐cultural relationships. World Futures: Vol. 33, Culture and Development: European Experiences and Challenges A Special Research Report of the European Culture Impact Research Consortium (EUROCIRCON), pp. 189-197.
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  9. Marcus Foth (2010). Participation, Animation, Design: A Tripartite Approach to Urban Community Networking. [REVIEW] AI and Society 25 (3):335-343.score: 12.0
    Theories of networked individualism and forms of urban alienation challenge the continued purpose and relevance of conventional community tools in urban neighbourhood. However, the majority of urban residents surveyed in this research still believe that there are people living in their immediate neighbourhood who may share their interests or who are at least personally compatible, but they do not know them. Web-based community networking systems have the potential to facilitate intra-neighbourhood interaction and support community-building efforts. Community networking studies have shown (...)
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  10. David Albert Jones (2013). Aquinas as an Advocate of Abortion? The Appeal to 'Delayed Animation' in Contemporary Christian Ethical Debates on the Human Embryo. Studies in Christian Ethics 26 (1):97-124.score: 12.0
    It has become common, in both popular and scholarly discourse, to appeal to ‘delayed animation’ as an argument for abortion (DAAA). Augustine and Aquinas seemingly held that the rational soul was infused midway in pregnancy, and therefore did not regard early abortion as homicide. The authority of these thinkers is thus cited by some contemporary Christians as a reason to tolerate or, for proportionate reasons, to promote first-trimester abortion and embryo experimentation. The present essay is an exercise in aetiology. (...)
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  11. Philip van der Eijk (2010). Luc Brisson, Marie-Helene Congourdeau, Jean-Luc Solere (eds.), Lembryon. Formation et animation. Antiquite grecque et latine, traditions hebraique, chretienne et islamique, Paris: Librairie Philosophique J. Vrin, 2008, pp. 290. ISBN: 978-2-7116-1957-3. Price 32. [REVIEW] International Journal of the Platonic Tradition 4 (1):79-81.score: 10.0
  12. Philip der Eijvank (2010). L'embryon. Formation et animation. Antiquite grecque et latine, traditions hebraique, chretienne et islamique. International Journal of the Platonic Tradition 4 (1):79-81.score: 10.0
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  13. Joseph Anthony Murphy (2006). Anime: From Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation (Review). Philosophy East and West 56 (3):493-495.score: 10.0
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  14. Judith Lee Kissell (2005). “Suspended Animation,” My Mother's Wife and Cultural Discernment: Considerations for Genetic Research Among Immigrants. Theoretical Medicine and Bioethics 26 (6):515-528.score: 10.0
    One of the most difficult contemporary issues facing the bioethics of clinical research is balancing the maintaining of a universality of ethics standards with a sensitivity to cultural issues and differences. The concept of “vulnerability” for research subjects is especially apt for investigating the ethical and cultural issues surrounding the conduct of genetic research among new immigrants to the United States, using the Sudanese Nuer and Dinka tribes, recently settled in the Midwest, as an example. Issues of cultural vulnerability arise (...)
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  15. R. Bishop (2006). Animation/Re-Animation. Theory, Culture and Society 23 (2-3):346-346.score: 10.0
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  16. Greg Tuck (2005). Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde. Historical Materialism 13 (1):195-206.score: 10.0
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  17. Charles Forceville & Marloes Jeulink (2011). The Flesh and Blood of Embodied Understanding: The Source-Path-Goal Schema in Animation Film. Pragmatics and Cognition 19 (1):37-59.score: 10.0
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  18. Barbara Johnson (forthcoming). Apostrophe, Animation, and Abortion. Diacritics.score: 10.0
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  19. Julianne H. Newton & Rick Williams (2010). Twenty-First-Century Journalism Juxtaposes Words with Still Photographs, Graphics, Cartoons, Video, Sound, and Animation in Seamless Presentations Intended to Be Understood as Real. As Images Work with Words and Music in Short-and Long-Form Journalistic Presentations Alongside Advertising and Entertainment Media, Fact and Fantasy Merge, Dancing Together in Human Memory as If All Are Real. These Increasingly Sophisticated Messages, Conveyed by Media of Every Function and Form, Deserve Careful Attention ... [REVIEW] In Christopher Meyers (ed.), Journalism Ethics: A Philosophical Approach. Oxford University Press. 331.score: 10.0
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  20. A. H. Armstrong & A. -J. Festugiere (1955). La Revelation d'Hermes Trismegiste. III. Les Doctrines de L'Ame. Suivi de Jamblique, Traite de l'Ame, Traduction Et Commentaire, Porphyre, De l'Animation de L'Embryon. [REVIEW] Journal of Hellenic Studies 75:202.score: 10.0
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  21. Caroline Walker Bynum (2006). Suspended Animation: Pain, Pleasure, and Punishment in Medieval Culture. Common Knowledge 12 (3):516-517.score: 10.0
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  22. George Cardona (1974). P? $$ \Underset{\Raise0.3em\Hbox{$\Smash{\Scriptscriptstyle\Cdot}$}}{N}$$ Ini,s K?Rakas: Agency, Animation and Identity. [REVIEW] Journal of Indian Philosophy 2 (3-4):231-306.score: 10.0
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  23. Costantino Ciampi (1987). LaBEO: A Knowledge-Based Expert System for the “Animation” of Legal Texts. Theoria 3 (1):341-362.score: 10.0
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  24. Deng Jia (2011). Aesthetic Education in Animation Teaching for Teenagers. Journal of Aesthetic Education 1:009.score: 10.0
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  25. Nan Li, Gang Wang & Dai-Ming Wang (2011). On the Narrative Model of TV Animation Series. Journal of Aesthetic Education 5:019.score: 10.0
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  26. Tim Maloney (2009). Suzanne Buchan, Ed. (2006) Animation: An Interdisciplinary Journal. Film-Philosophy 11 (3).score: 10.0
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  27. Dan Ablan (2007). Digital Photography for 3d Imaging and Animation. Sybex.score: 10.0
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  28. Louise-Marie Antoniotti (2003). La Vérité de la Personne Humaine: Animation Différée Ou Animation Immédiate? Revue Thomiste 103 (4):547-576.score: 10.0
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  29. D. Beer (forthcoming). Questions of Digital Power and the Re-Animation of Critical Theory: An Interview with David Berry. Theory, Culture and Society.score: 10.0
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  30. Raqs Media Collective (2009). Suspended Animation : Thoughts Recovered From the Memory of First Entering the Ex-Alumix Factory. In Eva Ebersberger, Daniela Zyman & Thordis Arrhenius (eds.), Jorge Otero-Pailos: The Ethics of Dust. Dist. By Art Publishers.score: 10.0
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  31. M. -H. Congourdeau (1989). L'Animation de l'Embryon Humain Chez Maxime le Confesseur. Nouvelle Revue Théologique 111 (5):693-709.score: 10.0
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  32. Peter Drahos & Martin Sperka (2008). Face Expressions Animation in E-Learning. Communication and Cognition. Monographies 41 (1-2):27-40.score: 10.0
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  33. Philip van der Eijk (2010). L'embryon. Formation et animation. Antiquité grecque et latine, traditions hebraique, chrétienne et islamique. International Journal of the Platonic Tradition 4 (1):79.score: 10.0
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  34. Pauline Escande Gauquie (2009). " Persepolis": Transforming a Comic Strip Into Animation. Hermes 54:99 - +.score: 10.0
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  35. Guido Giglioni (1995). Panpsychism Versus Hylozoism: An Interpretation of Some Seventeenth-Century Doctrines of Universal Animation. Acta Comeniana 35:25-43.score: 10.0
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  36. L. Guerrini (2004). Animation, Sensitivity, Ability. The Premise of Study of the Plant World in the'Syntagma Philosophicum'of Pierre Gassendi. Rivista di Storia Della Filosofia 59 (4):853-876.score: 10.0
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  37. John Bell Henneman (1998). Philippe Contamine and Olivier Mattéoni, eds., La France des principautés: Les Chambres des comptes, XIVe et XVe siècles. Colloque tenu aux Archives départementales de l'Allier, à Moulins-Yzeure, les 6, 7 et 8 avril 1995. (Histoire Economique et Financière de la France, Animation de la Recherche.) Paris: Comité pour l'Histoire Economique et Financière de la France, Ministère de l'Economie et des Finances, 1996. Paper. Pp. xxxvii, 310 plus color and black-and-white figures; tables. F 145. [REVIEW] Speculum 73 (2):493-494.score: 10.0
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  38. Eric S. Jenkins (2013). Another Punctum: Animation, Affect, and Ideology. Critical Inquiry 39 (3):575-591.score: 10.0
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  39. D. A. Jones (2012). Thomas Aquinas, Augustine, and Aristotle on Delayed Animation. The Thomist 76 (1):1-36.score: 10.0
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  40. Thomas Jovanovski (1989). Toward the Animation of Nietzsche's�Bermensch. Man and World 22 (1):71-95.score: 10.0
  41. San Juan & Rose Marie (2011). Vertiginous Mirrors: The Animation of the Visual Image and Early Modern Travel. Distributed in the United States Exclusively by Palgrave Macmillan.score: 10.0
    Introduction. Dying to see -- The anthropomorphic image : negotiations of space between body and landscape -- The imperfect replica : departures and arrivals from Naples to Nagasaki -- The visionary image : the return of the image from Brazil to Rome -- The utopic image : unsettling circuits between Chile and Rome -- Epilogue : The proliferation of the body : Francis Xavier in Goa.
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  42. M. A. Ning-Zhou (2012). The Combination of Animation and Peking Opera. Journal of Aesthetic Education 1:017.score: 10.0
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  43. LéA. Pasqualotti & Thierry Baccino (2014). Online Advertisement: How Are Visual Strategies Affected by the Distance and the Animation of Banners? Frontiers in Psychology 5.score: 10.0
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  44. Sara Price (2004). Processing Animation: Integrating Information From Animated Diagrams. In. In A. Blackwell, K. Marriott & A. Shimojima (eds.), Diagrammatic Representation and Inference. Springer. 360--364.score: 10.0
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  45. Laura Rizzerio (1989). Le Problème des Parties de l'Âme Et de l'Animation Chez Clément d'Alexandrie. Nouvelle Revue Théologique 111 (3):389-416.score: 10.0
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  46. M. Sheets-Johnstone (2003). Answering the Challenges of Animation: Response to Crease's Review Essay. Phenomenology and the Cognitive Sciences 2:84-93.score: 10.0
     
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  47. Paul Tihon (2008). Sur l'animation des communautés catholiques: La présidence de l'eucharistie, un débat clos? Revue Théologique de Louvain 39 (4):492-519.score: 10.0
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  48. Nicholas Tonti-Filippini (2003). The Embryo Rescue Debate: Impregnating Women, Ectogenesis, and Restoration From Suspended Animation. The National Catholic Bioethics Quarterly 3 (1):111-137.score: 10.0
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  49. Strindberg und van Gogh (1970). De-Animation: The Sense of Becoming Psychotic* Waltraut J. Stein. In Erwin W. Straus & Richard Marion Griffith (eds.), Aisthesis and Aesthetics. Pittsburgh, Pa.,Duquesne University Press. 77.score: 10.0
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