Search results for 'Animation' (try it on Scholar)

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  1. Maxine Sheets-Johnstone (2009). Animation: The Fundamental, Essential, and Properly Descriptive Concept. [REVIEW] Continental Philosophy Review 42 (3):375-400.
    As its title indicates, this article shows animation to be the fundamental, essential, and properly descriptive concept to understandings of animate life. A critical and constructive path is taken toward an illumination of these threefold dimensions of animation. The article is critical in its attention to a central linguistic formulation in cognitive neuroscience, namely, enaction ; it is constructive in setting forth an analysis of affectivity as exemplar of a staple of animate life, elucidating its biological and existential (...)
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  2. Spyros Papapetros (2012). On the Animation of the Inorganic: Art, Architecture, and the Extension of Life. University of Chicago Press.
    Animation victims: an abridged history of animated response -- Animated history -- The movement of accessories -- Fabric extensions and textual supplements from modern and antique fragments -- The movement of snakes -- Pneumatic impulses and bygone appendages from Philo to Warburg -- The afterlife of crystals -- Art historical biology and the animation of the inorganic -- Inorganic culture -- Nudes in the forest -- Models, sciences, and legends in a landscape by Léger -- Malicious houses -- (...)
     
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  3.  27
    Andrew Gleeson (2001). Animal Animation. Philosophia 28 (1-4):137-169.
    The original publication can be found at www.springerlink.com.
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  4.  5
    David H. Fleming (2013). Charcoal Matter with Memory: Images of Movement, Time and Duration in the Animated Films of William Kentridge. Film-Philosophy 17 (1):402-423.
    In his temporal philosophy based on the writing of Henri Bergson, Gilles Deleuze describes duration ( durée ) as a becoming that endures in time. Reifications of this complex philosophical concept become artistically expressed, I argue, in the form and content of South African artist William Kentridge's series of 'charcoal drawings for projection.' These exhibited art works provide intriguing and illuminating 'philosophical' examples of animated audio-visual media, which expressively plicate distinct images of movement and time. The composition of Kentridge's films (...)
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  5.  2
    K. F. Hollebrands (2015). Reasoning in a Dynamic Animation Environment. Constructivist Foundations 10 (3):350-351.
    Open peer commentary on the article “Elementary Students’ Construction of Geometric Transformation Reasoning in a Dynamic Animation Environment” by Alan Maloney. Upshot: Parnorkou and Maloney describe how a dynamic animation environment, Graphs ’n Glyphs, supported fourth-grade students’ understandings of translations and rotations. Two elements were critical in their teaching experiment: the design of the software and tasks. This commentary focuses on the decisions that they made and possible implications they had for students’ reasoning.
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  6.  9
    Maxine Sheets-Johnstone (2014). Animation: Analyses, Elaborations, and Implications. Husserl Studies 30 (3):247-268.
    This article highlights a neglected, if not wholly overlooked, topic in phenomenology, a topic central to Husserl’s writings on animate organism, namely, animation. Though Husserl did not explore animation to the fullest in his descriptions of animate organism, his texts are integral to the task of fathoming animation. The article’s introduction focuses on seminal aspects of animate organisms found within several such texts and elaborates their significance for a phenomenological understanding of animation. The article furthermore highlights (...)
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  7.  27
    Inger Birkeland (2008). Cultural Sustainability: Industrialism, Placelessness and the Re-Animation of Place. Ethics, Place and Environment 11 (3):283 – 297.
    A transition to a sustainable future depends on mobilizing social and cultural resources associated with a re-animation of place. Taking as its basis ongoing research in Rjukan, an industrial monocultural town in Norway, the article shows how industrialized regions in a post-industrial world are in the frontline of western societies' relationship to nature and the environment. There is much potential in the restoration of human relationships to place in industrial towns, in terms of health and social and economic development, (...)
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  8.  3
    Marcus Foth (2010). Participation, Animation, Design: A Tripartite Approach to Urban Community Networking. [REVIEW] AI and Society 25 (3):335-343.
    Theories of networked individualism and forms of urban alienation challenge the continued purpose and relevance of conventional community tools in urban neighbourhood. However, the majority of urban residents surveyed in this research still believe that there are people living in their immediate neighbourhood who may share their interests or who are at least personally compatible, but they do not know them. Web-based community networking systems have the potential to facilitate intra-neighbourhood interaction and support community-building efforts. Community networking studies have shown (...)
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  9.  1
    David Albert Jones (2013). Aquinas as an Advocate of Abortion? The Appeal to 'Delayed Animation' in Contemporary Christian Ethical Debates on the Human Embryo. Studies in Christian Ethics 26 (1):97-124.
    It has become common, in both popular and scholarly discourse, to appeal to ‘delayed animation’ as an argument for abortion (DAAA). Augustine and Aquinas seemingly held that the rational soul was infused midway in pregnancy, and therefore did not regard early abortion as homicide. The authority of these thinkers is thus cited by some contemporary Christians as a reason to tolerate or, for proportionate reasons, to promote first-trimester abortion and embryo experimentation. The present essay is an exercise in aetiology. (...)
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  10.  2
    Vesna Djukić‐Dojčinović (2010). Rural Tourism and Development in Vojvodina: The Animation of Tourism‐Cultural Relationships. World Futures 33 (1-3):189-197.
    (1992). Rural tourism and development in Vojvodina: The animation of tourism‐cultural relationships. World Futures: Vol. 33, Culture and Development: European Experiences and Challenges A Special Research Report of the European Culture Impact Research Consortium (EUROCIRCON), pp. 189-197.
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  11.  2
    Charles Forceville & Marloes Jeulink (2011). The Flesh and Blood of Embodied Understanding: The Source-Path-Goal Schema in Animation Film. Pragmatics and Cognition 19 (1):37-59.
    According to Conceptual Metaphor Theory , the Source-Path-Goal schema constitutes a central concept in cognition. Apart from literally structuring “movement“, SPG also shapes our understanding of “purposive activity“, including questing and story-telling. A problem in CMT, however, is that the existence of image schemas is almost exclusively postulated on the basis of verbal expressions. To examine the claim that people recruit image schemas such as SPG to make sense of life, it is essential to examine non-verbal modalities. Animation has (...)
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  12.  43
    Jacques Derrida (2008). The Animal That Therefore I Am. Fordham University Press.
    The animal that therefore I am (more to follow) -- But as for me, who am I (following)? -- And say the animal responded -- I don't know why we are doing this.
  13.  89
    Larry Morton & Beth Daly (2008). Empathic Correlates of Witnessing the Inhumane Killing of an Animal: An Investigation of Single and Multiple Exposures. Society and Animals 16 (3):243-255.
    Seventy-five adults who reported witnessing at least 1 animal being killed inhumanely participated in a study of 5 measures of empathy from the Interpersonal Reactivity Index and the Animal Attitude Scale : Perspective Taking , Fantasy , Emotional Concern , Personal Distress , and Animal Attitudes . Females showed greater sensitivity on a 2-way MANOVA with Sex and Witnessing Killing as independent variables. Individuals who witnessed multiple killings were higher on PT and lower on PD scales. Lower PD for those (...)
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  14.  86
    Caspar Wenk, James Parker & Wesley Jamison (2000). Every Sparrow That Falls: Understanding Animal Rights Activism as Functional Religion. Society and Animals 8 (3):305-330.
    This article reports original research conducted among animal rights activists and elites in Switzerland and the United States, and the finding that activism functioned in activists' and elites' lives like religious belief. The study used reference sampling to select Swiss and American informants. Various articles and activists have identified both latent and manifest quasi-religious components in the contemporary movement. Hence, the research followed upon these data and anecdotes and tested the role of activism in adherents' lives. Using extensive interviews, the (...)
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  15.  2
    N. Panorkou & A. Maloney (2015). Elementary Students’ Construction of Geometric Transformation Reasoning in a Dynamic Animation Environment. Constructivist Foundations 10 (3):338-347.
    Context: Technology has not only changed the way we teach mathematical concepts but also the nature of knowledge, and thus what is possible to learn. While geometric transformations are recognized to be foundational to the formation of students’ geometric conceptions, little research has focused on how these notions can be introduced in elementary schooling. Problem: This project addressed the need for development of students’ reasoning about and with geometric transformations in elementary school. We investigated the nature of students’ understandings of (...)
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  16. Guido Giglioni (1995). Panpsychism Versus Hylozoism: An Interpretation of Some Seventeenth-Century Doctrines of Universal Animation. Acta Comeniana 35:25-43.
     
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  17.  7
    Matthew Stone, Reproducing Natural Behaviors in Conversational Animation.
    Building animated conversational agents requires developing a fine-grained analysis of the motions and meanings available to interlocutors in face-to-face conversation and implementing strategies for using these motions and meanings to communicate effectively. In this paper, we describe our research on signaling uncertainty on an animated face as an end-to-end case study of this process. We sketch our efforts to characterize people’s facial displays of uncertainty in face-to-face conversation in ways that allow us to simulate those behaviors in an animated agent. (...)
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  18.  7
    Nicholas Tonti-Filippini (2003). The Embryo Rescue Debate: Impregnating Women, Ectogenesis, and Restoration From Suspended Animation. The National Catholic Bioethics Quarterly 3 (1):111-137.
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  19.  6
    Barbara Johnson (forthcoming). Apostrophe, Animation, and Abortion. Diacritics.
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  20.  5
    Allan B. Wolter (1998). Mediate Animation. Proceedings of the American Catholic Philosophical Association 72:25-39.
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  21.  2
    D. Beer (forthcoming). Questions of Digital Power and the Re-Animation of Critical Theory: An Interview with David Berry. Theory, Culture and Society.
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  22.  4
    R. Bishop (2006). Animation/Re-Animation. Theory, Culture and Society 23 (2-3):346-346.
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  23.  13
    Joseph Anthony Murphy (2006). Anime: From Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation (Review). Philosophy East and West 56 (3):493-495.
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  24.  1
    George Cardona (1974). P? $$ \Underset{\Raise0.3em\Hbox{$\Smash{\Scriptscriptstyle\Cdot}$}}{N}$$ Ini,s K?Rakas: Agency, Animation and Identity. [REVIEW] Journal of Indian Philosophy 2 (3-4):231-306.
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  25.  4
    Julianne H. Newton & Rick Williams (2010). Twenty-First-Century Journalism Juxtaposes Words with Still Photographs, Graphics, Cartoons, Video, Sound, and Animation in Seamless Presentations Intended to Be Understood as Real. As Images Work with Words and Music in Short-and Long-Form Journalistic Presentations Alongside Advertising and Entertainment Media, Fact and Fantasy Merge, Dancing Together in Human Memory as If All Are Real. These Increasingly Sophisticated Messages, Conveyed by Media of Every Function and Form, Deserve Careful Attention ... [REVIEW] In Christopher Meyers (ed.), Journalism Ethics: A Philosophical Approach. Oxford University Press 331.
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  26.  0
    Richard C. Dales (1980). The De-Animation of the Heavens in the Middle Ages. Journal of the History of Ideas 41 (4):531.
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  27.  1
    John Bell Henneman (1998). Philippe Contamine and Olivier Mattéoni, eds., La France des principautés: Les Chambres des comptes, XIVe et XVe siècles. Colloque tenu aux Archives départementales de l'Allier, à Moulins-Yzeure, les 6, 7 et 8 avril 1995. (Histoire Economique et Financière de la France, Animation de la Recherche.) Paris: Comité pour l'Histoire Economique et Financière de la France, Ministère de l'Economie et des Finances, 1996. Paper. Pp. xxxvii, 310 plus color and black-and-white figures; tables. F 145. [REVIEW] Speculum 73 (2):493-494.
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  28.  10
    Philip van der Eijk (2010). Luc Brisson, Marie-Helene Congourdeau, Jean-Luc Solere (eds.), Lembryon. Formation et animation. Antiquite grecque et latine, traditions hebraique, chretienne et islamique, Paris: Librairie Philosophique J. Vrin, 2008, pp. 290. ISBN: 978-2-7116-1957-3. Price 32. [REVIEW] International Journal of the Platonic Tradition 4 (1):79-81.
  29.  2
    A. H. Armstrong & A. -J. Festugiere (1955). La Revelation d'Hermes Trismegiste. III. Les Doctrines de L'Ame. Suivi de Jamblique, Traite de l'Ame, Traduction Et Commentaire, Porphyre, De l'Animation de L'Embryon. [REVIEW] Journal of Hellenic Studies 75:202.
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  30.  2
    Caroline Walker Bynum (2006). Suspended Animation: Pain, Pleasure, and Punishment in Medieval Culture. Common Knowledge 12 (3):516-517.
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  31.  2
    Tim Maloney (2009). Suzanne Buchan, Ed. (2006) Animation: An Interdisciplinary Journal. Film-Philosophy 11 (3):184-190.
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  32.  2
    Deng Jia (2011). Aesthetic Education in Animation Teaching for Teenagers. Journal of Aesthetic Education 1:009.
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  33.  1
    Eric S. Jenkins (2013). Another Punctum: Animation, Affect, and Ideology. Critical Inquiry 39 (3):575-591.
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  34.  8
    Philip der Eijvank (2010). L'embryon. Formation et animation. Antiquite grecque et latine, traditions hebraique, chretienne et islamique. International Journal of the Platonic Tradition 4 (1):79-81.
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  35.  5
    Costantino Ciampi (1987). LaBEO: A Knowledge-Based Expert System for the “Animation” of Legal Texts. Theoria 3 (1):341-362.
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  36.  9
    Judith Lee Kissell (2005). “Suspended Animation,” My Mother's Wife and Cultural Discernment: Considerations for Genetic Research Among Immigrants. Theoretical Medicine and Bioethics 26 (6):515-528.
    One of the most difficult contemporary issues facing the bioethics of clinical research is balancing the maintaining of a universality of ethics standards with a sensitivity to cultural issues and differences. The concept of “vulnerability” for research subjects is especially apt for investigating the ethical and cultural issues surrounding the conduct of genetic research among new immigrants to the United States, using the Sudanese Nuer and Dinka tribes, recently settled in the Midwest, as an example. Issues of cultural vulnerability arise (...)
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  37.  2
    Nan Li, Gang Wang & Dai-Ming Wang (2011). On the Narrative Model of TV Animation Series. Journal of Aesthetic Education 5:019.
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  38.  4
    Greg Tuck (2005). Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde. Historical Materialism 13 (1):195-206.
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  39.  3
    Joseph Anthony Murphy (2006). Anime: From Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation (Review). Philosophy East and West 56 (3):493-495.
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  40. Dan Ablan (2007). Digital Photography for 3d Imaging and Animation. Sybex.
     
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  41. Louise-Marie Antoniotti (2003). La Vérité de la Personne Humaine: Animation Différée Ou Animation Immédiate? Revue Thomiste 103 (4):547-576.
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  42. Raqs Media Collective (2009). Suspended Animation : Thoughts Recovered From the Memory of First Entering the Ex-Alumix Factory. In Eva Ebersberger, Daniela Zyman & Thordis Arrhenius (eds.), Jorge Otero-Pailos: The Ethics of Dust. Dist. By Art Publishers
     
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  43. M. -H. Congourdeau (1989). L'Animation de l'Embryon Humain Chez Maxime le Confesseur. Nouvelle Revue Théologique 111 (5):693-709.
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  44. Peter Drahos & Martin Sperka (2008). Face Expressions Animation in E-Learning. Communication and Cognition. Monographies 41 (1-2):27-40.
     
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  45. Philip van der Eijk (2010). L'embryon. Formation et animation. Antiquité grecque et latine, traditions hebraique, chrétienne et islamique. International Journal of the Platonic Tradition 4 (1):79.
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  46. Pauline Escande Gauquie (2009). " Persepolis": Transforming a Comic Strip Into Animation. Hermes 54:99 - +.
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  47. L. Guerrini (2004). Animation, Sensitivity, Ability. The Premise of Study of the Plant World in the'Syntagma Philosophicum'of Pierre Gassendi. Rivista di Storia Della Filosofia 59 (4):853-876.
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  48. D. A. Jones (2012). Thomas Aquinas, Augustine, and Aristotle on Delayed Animation. The Thomist 76 (1):1-36.
     
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  49.  0
    Thomas Jovanovski (1989). Toward the Animation of Nietzsche's�Bermensch. Man and World 22 (1):71-95.
  50. San Juan & Rose Marie (2011). Vertiginous Mirrors: The Animation of the Visual Image and Early Modern Travel. Distributed in the United States Exclusively by Palgrave Macmillan.
    Introduction. Dying to see -- The anthropomorphic image : negotiations of space between body and landscape -- The imperfect replica : departures and arrivals from Naples to Nagasaki -- The visionary image : the return of the image from Brazil to Rome -- The utopic image : unsettling circuits between Chile and Rome -- Epilogue : The proliferation of the body : Francis Xavier in Goa.
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