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Annemarie Weyl Carr [5]Ann Carr [1]
  1. Annemarie Weyl Carr (2011). Clemena Antonova, Space, Time, and Presence in the Icon: Seeing the World with the Eyes of God. Preface by Martin Kemp.(Ashgate Studies in Theology, Imagination and the Arts.) Farnham, Eng., and Burlington, Vt.: Ashgate, 2010. Pp. Xii, 193; Black-and-White Figures. $99.95. [REVIEW] Speculum 86 (3):722-723.
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  2. Annemarie Weyl Carr (2009). Ann Terry and Henry Maguire, Dynamic Splendor: The Wall Mosaics in the Cathedral of Eufrasius at Poreč, 1: Text; 2: Illustrations. University Park, Pa.: Pennsylvania State University Press, 2007. 1: Pp. Xiii, 224; Black-and-White Frontispiece and 1 Black-and-White Figure. 2: Pp. Xiv, 205; Color Frontispiece and 300 Black-and-White and Color Figures. $95. [REVIEW] Speculum 84 (1):223-224.
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  3. Annemarie Weyl Carr (2005). David Winfield and June Winfield, The Church of the Panaghia Tou Arakos at Lagoudhera, Cyprus: The Paintings and Their Painterly Significance. (Dumbarton Oaks Studies, 37.) Washington, D.C.: Dumbarton Oaks Research Library and Collection, 2003. Pp. 349 Plus 35 Color Plates and 309 Black-and-White Figures; Color Frontispiece and 50 Black-and-White Text Figures. $100. [REVIEW] Speculum 80 (3):999-1001.
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  4. Annemarie Weyl Carr (1996). Sophocles Sophocleous, Icons of Cyprus, 7th–20th Century. Nicosia, Cyprus: Museum Publications, 1994. Pp. 239; 39 Color Figures, 87 Color Plates. Distributed by Center of Cultural Heritage, PO Box 119, Nicosia, Cyprus. [REVIEW] Speculum 71 (4):1024-1027.
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  5. Annemarie Weyl Carr (1993). Kurt Weitzmann and George Galavaris, The Monastery of Saint Catherine at Mount Sinai: The Illuminated Greek Manuscripts, 1: From the Ninth to the Twelfth Century. Princeton: Princeton University Press, 1990. Pp. Xxvii, 203; 28 Color Plates and 170 Black-and-White Plates Following Text, 4 Black-and-White Illustrations. [REVIEW] Speculum 68 (4):1233-1236.
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  6. Ann Carr (1991). In Whose Image? God and Gender. Thought 66 (4):414-415.