Search results for 'Annik Schnitzler' (try it on Scholar)

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  1. Annik Schnitzler, Jean-Claude Génot, Maurice Wintz & Brack W. Hale (2008). Naturalness and Conservation in France. Journal of Agricultural and Environmental Ethics 21 (5):423-436.score: 240.0
    This article discusses the ecological and cultural criteria underlying the management practices for protected areas in France. It examines the evolution of French conservation from its roots in the 19th century, when it focused on the protection of scenic landscapes, to current times when the focus is on the protection of biodiversity. However, biodiversity is often socially defined and may not represent an ecologically sound objective for conservation. In particular, we question the current approach to protecting a specific type of (...)
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  2. Vanessa Krause, Claudia Wach, Martin Südmeyer, Stefano Ferrea, Alfons Schnitzler & Bettina Pollok (2014). Cortico-Muscular Coupling and Motor Performance Are Modulated by 20 Hz Transcranial Alternating Current Stimulation (tACS) in Parkinson's Disease. Frontiers in Human Neuroscience 7.score: 30.0
  3. Otto Schnitzler (1957). Besteht für die feststellung in einem feststellenden ein an-sich? Kant-Studien 48 (1-4):404-424.score: 30.0
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  4. Hans-Ulrich Schnitzler & Elisabeth K. V. Kalko (2001). Echolocation by Insect-Eating Bats. BioScience 51 (7):557.score: 30.0
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  5. Hans-Ulrich Schnitzler & Elisabeth K. V. Kalko (2001). Echolocation by Insect-Eating Bats We Define Four Distinct Functional Groups of Bats and Find Differences in Signal Structure That Correlate with the Typical Echolocation Tasks Faced by Each Group. BioScience 51 (7):557-569.score: 30.0
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  6. Aude Crétien (2013). L'écriture dramatique d'Arthur Schnitzler, Paul Claudel et Marguerite Duras : trois incarnations du temps bergsonien ? Temporalités 18.score: 18.0
    Trois auteurs dramatiques, Arthur Schnitzler (1862-1931) dans Au Grand Guignol, Paul Claudel (1868-1955) dans Le Soulier de Satin, et Marguerite Duras (1914-1996) dans Savannah Bay, nous placent au cœur même du processus de la représentation théâtrale, fait d’imprévus, d’incertitudes et d’accidents. Cette écriture rend sensible un temps dynamique, vivant et jaillissant, qui n’est pas sans rappeler la conception bergsonienne du temps comme « création continue d’imprévisible nouveauté ». Ces œuvres, dans leur mouvement de dépassement du caractère construit et fini (...)
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  7. Fernando Bayón (2011). La Profundidad En la Superficie : Espectros Del Tiempo En la Viena Literaria de 1900 (Hofmannsthal, Schnitzler, Kraus). In Joaquín Esteban Ortega & Rafael Argullol (eds.), Palabra y Ficción: Literatura y Pensamiento En Tiempo de Crisis Cultural. Universidad Europea Miguel de Cervantes.score: 15.0
     
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  8. Sigrid Schmid-Bortenschlager (2000). Illness as Social Indicator: Hysteria in Schnitzler and Freud. Semiotica 128 (3-4):513-526.score: 15.0
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  9. J. Allerhand (1985). Jüdische Elemente in den Werken A. Schnitzlers, F. Kafkas, J. Roths und P. Celans. Kairos 27 (3-4):288-329.score: 5.0
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  10. Thorsten Botz-Bornstein (2007). Dreams in Buddhism and Western Aesthetics: Some Thoughts on Play, Style and Space. Asian Philosophy 17 (1):65 – 81.score: 3.0
    Several Buddhist schools in India, China and Japan concentrate on the interrelationships between waking and dreaming consciousness. In Eastern philosophy, reality can be seen as a dream and an obscure 'reality beyond' can be considered as real. In spite of the overwhelming Platonic-Aristotelian-Freudian influence existent in Western culture, some Western thinkers and artists - Valéry, Baudelaire, and Schnitzler, for example - have been fascinated by a kind of 'simple presence' contained in dreams. I show that this has consequences for (...)
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  11. Claudine Burton-Jeangros & Annik Dubied Losa (2011). Human and Nonhuman Animals, Mutually at Risk: A Study of the Swiss Information Media. Society and Animals 19 (4):337-355.score: 3.0
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  12. Bettina Pollok Claudia Wach, Vanessa Krause, Vera Moliadze, Walter Paulus, Alfons Schnitzler (2013). The Effect of 10 Hz Transcranial Alternating Current Stimulation (tACS) on Corticomuscular Coherence. Frontiers in Human Neuroscience 7:511-511.score: 3.0
    Synchronous oscillatory activity at alpha (8-12 Hz), beta (13-30 Hz), and gamma (30-90 Hz) fre-quencies is assumed to play a key role for motor control. Corticomuscular coherence (CMC) represents an established measure of the pyramidal system’s integrity. Transcranial alternating current stimulation (tACS) offers the possibility to modulate ongoing oscillatory activity. Behaviourally, 20 Hz tACS in healthy subjects has been shown to result in movement slowing. However, the neurophysiological changes underlying these effects are not entirely understood yet. The present study aimed (...)
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  13. Patrick Linder & Annik Prat (1990). Baker's Yeast, the New Work Horse in Protein Synthesis Studies: Analyzing Eukaryotic Translation Initiation. Bioessays 12 (11):519-526.score: 3.0
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  14. Annik Dubied Losa & Claudine Burton-Jeangros (2011). Human and Nonhuman Animals, Mutually at Risk: A Study of the Swiss Information Media. Society and Animals 19 (4):337-355.score: 3.0
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