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  1. Anthony Bonner (2010). Una Obra Nova I Un Títol Doble. Studia Lulliana 50 (105):105-109.
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  2. Anthony Bonner (2007). The Art and Logic of Ramon Llull: A User's Guide. Brill.
    The quaternary phase -- Changes in the art during the quaternary phase, and the transition to the ternary phase -- The ternary phase -- The post-art phase : logic -- Overview.
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  3. Anthony Bonner & Albert Soler (2007). La mise en texte de la primera versiô de l'art: Noves formes per a nous continguts. Studia Lulliana 47 (102):29-50.
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  4. Anthony Bonner (2003). Estadístiques sobre la recepciÓ de l'obra de Ramon Llull: Petita introducciÓ sobre el nombre d'obres autèntiques. Studia Lulliana 43 (99):83-92.
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  5. Anthony Bonner (2003). Les Estructures de l'Art Durant l'Etapa Quaternària. Studia Lulliana 43 (99):57-82.
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  6. Anthony Bonner (2002). Notes per a la cronologia del cicle de l'Art demostrativa. Studia Lulliana 42 (98):57-61.
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  7. Anthony Bonner (1997). Mark D. Johnston, The Evangelical Rhetoric of Ramon Llull: Lay Learning and Piety in the Christian West Around 1300. New York and Oxford: Oxford University Press, 1996. Pp. Xiii, 274; 1 Table and 3 Black-and-White Figures. $49.95. [REVIEW] Speculum 72 (3):842-844.
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  8. Anthony Bonner (1995). Dominique de Courcelles, La Parole Risquée de Raymond Lulle: Entre Judaïsme, Christianisme, Et Islam. Preface by Alain de Libera.(Problèmes Et Controverses.) Paris: J. Vrin, 1993. Paper. Pp. Iv, 192. F 162. [REVIEW] Speculum 70 (4):897-899.
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  9. Anthony Bonner (1993). Thomas Le Myésier, Breviculum Seu Electorium Parvum Thomae Migerii (Le Myésier), Ed. Charles Lohr, Theodor Pindl-Büchel, and Walburga Büchel.(Corpus Christianorum, Continuatio Mediaeualis, 77; Raimundi Lulli Opera Latina, Supplementi Lulliani 1.) Turnhout: Brepols, 1990. Pp. Xxvi, 414; Black-and-White and Color Plates. [REVIEW] Speculum 68 (1):194-196.
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