Search results for 'Architecture' (try it on Scholar)

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  1.  2
    Christoph Baumberger (2015). The Ethical Criticism of Architecture: In Defense of Moderate Moralism. Architecture Philosophy 1 (2):179-197.
    Abstract: The practice of architectural criticism is supercharged with ethical evaluations. But do they have any bearing on the architectural value of a building? And how are the ethical value of an architectural work and its aesthetic value related? I defend the following answers, which define a version of moderate moralism with respect to architecture: An architectural work will in some cases be (1) architecturally flawed (or meritorious) due to the fact that it has ethical flaws (or merits), (2) (...)
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  2.  44
    Ronald Rietveld & Erik Rietveld (2010). Vacant NL, Where Architecture Meets Ideas: Curatorial Statement 12th Venice Architecture Biennale. In Jurgen Bey, Joost Grootens, Erik Rietveld, Ronald Rietveld, Saskia Van Stein & Barbara Visser (eds.), Vacant NL, Where Architecture Meets Ideas. NAI
    For the Venice Architecture Biennale 2010, curator Rietveld Landscape has been invited by the Netherlands Architecture Institute (NAI) to make a statement about the potential of landscape architecture to contribute to resolving the complex challenges that our society faces today. These challenges call for innovation; for a culture centred on design skills and cooperation between scientists and creative pioneers. The installation ‘Vacant NL, where architecture meets ideas’ calls upon the Dutch government to make use of the (...)
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  3. Kengo Miyazono & Shen-yi Liao (2016). The Cognitive Architecture of Imaginative Resistance. In Amy Kind (ed.), The Routledge Handbook of Philosophy of Imagination. 233-246.
    Where is imagination in imaginative resistance? We seek to answer this question by connecting two ongoing lines of inquiry in different subfields of philosophy. In philosophy of mind, philosophers have been trying to understand imaginative attitudes’ place in cognitive architecture. In aesthetics, philosophers have been trying to understand the phenomenon of imaginative resistance. By connecting these two lines of inquiry, we hope to find mutual illumination of an attitude (or cluster of attitudes) and a phenomenon that have vexed philosophers. (...)
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  4.  50
    Tim Fuller & Richard Samuels (2014). Scientific Inference and Ordinary Cognition: Fodor on Holism and Cognitive Architecture. Mind and Language 29 (2):201-237.
    Do accounts of scientific theory formation and revision have implications for theories of everyday cognition? We maintain that failing to distinguish between importantly different types of theories of scientific inference has led to fundamental misunderstandings of the relationship between science and everyday cognition. In this article, we focus on one influential manifestation of this phenomenon which is found in Fodor's well-known critique of theories of cognitive architecture. We argue that in developing his critique, Fodor confounds a variety of distinct (...)
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  5.  45
    Luis M. Augusto (2014). Unconscious Representations 2: Towards an Integrated Cognitive Architecture. [REVIEW] Axiomathes 24 (1):19-43.
    The representational nature of human cognition and thought in general has been a source of controversies. This is particularly so in the context of studies of unconscious cognition, in which representations tend to be ontologically and structurally segregated with regard to their conscious status. However, it appears evolutionarily and developmentally unwarranted to posit such segregations, as,otherwise, artifact structures and ontologies must be concocted to explain them from the viewpoint of the human cognitive architecture. Here, from a by-and-large Classical cognitivist (...)
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  6.  43
    Andrew Benjamin (2013). Architecture and Technology: A Discontinuous Relation. [REVIEW] Foundations of Science 18 (1):201-204.
    Technology has a history structured by discontinuities. The first important philosophical expression of such a conception of technology was advanced by Walter Benjamin when he defined art works in relation to specific techniques of production. At the present art and architecture occur within an age defined by the move from ’technical reproducibility’ to digital reproducibility. The move has an impact on how technology is understood and its relation to architecture conceived. Adapting Walter Benjamin’s work in this area provides (...)
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  7.  8
    Michael Stahlman & Laura Mj Mccann (2012). Technology Characteristics, Choice Architecture, and Farmer Knowledge: The Case of Phytase. Agriculture and Human Values 29 (3):371-379.
    Phytase is an enzyme that frees the phosphorus bound in feed grains and thus reduces the amount of dicalcium phosphate supplementation required for non-ruminants, reducing phosphorous excretion and thus reducing water pollution. This innovation has been widely adopted by feed companies in the US due to decreased phytase production costs and increased dicalcium phosphate costs. The roles played by phytase characteristics and choice architecture in the widespread use of this win–win technology are examined. A recent survey has also revealed (...)
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  8.  73
    Andrea Sauchelli (2012). On Architecture as a Spatial Art. Nordic Journal of Aesthetics 23 (43):53-64.
    I present and evaluate various criticisms against the view that architecture and architectural value are to be understood solely in terms of internal space. I conclude that the architectural value of a building should not be limited to its internal spatial effects because the value of other elements, such as (non-spatial) function, materials, ornamentation, and so on cannot all be reduced to spatial values.
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  9.  66
    James W. Garson (1994). Cognition Without Classical Architecture. Synthese 100 (2):291-306.
    Fodor and Pylyshyn (1988) argue that any successful model of cognition must use classical architecture; it must depend upon rule-based processing sensitive to constituent structure. This claim is central to their defense of classical AI against the recent enthusiasm for connectionism. Connectionist nets, they contend, may serve as theories of the implementation of cognition, but never as proper theories of psychology. Connectionist models are doomed to describing the brain at the wrong level, leaving the classical view to account for (...)
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  10.  4
    Geert Booij & Jenny Audring (2015). Construction Morphology and the Parallel Architecture of Grammar. Cognitive Science 40 (4):n/a-n/a.
    This article presents a systematic exposition of how the basic ideas of Construction Grammar and the Parallel Architecture of grammar provide the framework for a proper account of morphological phenomena, in particular word formation. This framework is referred to as Construction Morphology. As to the implications of CxM for the architecture of grammar, the article provides evidence against a split between lexicon and grammar, in line with CxG. In addition, it shows that the PA approach makes it possible (...)
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  11.  45
    Joseph L. H. Cruz (1998). Mindreading: Mental State Ascription and Cognitive Architecture. Mind and Language 13 (3):323-340.
    The debate between the theory-theory and simulation has largely ignored issues of cognitive architecture. In the philosophy of psychology, cognition as symbol manipulation is the orthodoxy. The challenge from connectionism, however, has attracted vigorous and renewed interest. In this paper I adopt connectionism as the antecedent of a conditional: If connectionism is the correct account of cognitive architecture, then the simulation theory should be preferred over the theory-theory. I use both developmental evidence and constraints on explanation in psychology (...)
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  12.  6
    Christoph Baumberger (2009). Ambiguity in Architecture. In G. Ernst, O. Scholz & J. Steinbrenner (eds.), Nelson Goodman: From Logic to Art. Ontos 293--319.
    Buildings are frequently described as ambiguous and, indeed, they often involve the ambivalence associated with ambiguous symbols. In this paper, I develop a theory of architectural ambiguity within the framework of a Goodmanian symbol theory. Based upon Israel Scheffler’s study of verbal and pictorial ambiguity, I present a theory of denotational ambiguity of buildings which distinguishes four types of ambiguity: elementary ambiguity, interpretation-ambiguity, multiple meaning and metaphor, which proves to be a special case of multiple meaning. Denotationally ambiguous buildings are (...)
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  13.  14
    Napoleon Ono Imaah (2013). The Architecture of History. Dialogue and Universalism 19 (3/5):307-323.
    The paper examines the bond between architecture and history on the premise that everybody is familiar with both architecture and history. The paper views architecture as a profession that is satiated with imaginative and creative thinking; and contends that architecture extends, historically, into wherever human beings live their life. The author opines that architecture easily extends its influence, as a vivid universal metaphor into every sphere of human activity as a synonym, in building either (...)
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  14.  73
    Andrew A. Fingelkurts, Alexander A. Fingelkurts & Carlos F. H. Neves (2009). Phenomenological Architecture of a Mind and Operational Architectonics of the Brain: The Unified Metastable Continuum. In Robert Kozma & John Caulfield (eds.), Journal of New Mathematics and Natural Computing. Special Issue on Neurodynamic Correlates of Higher Cognition and Consciousness: Theoretical and Experimental Approaches - in Honor of Walter J Freeman's 80th Birthday. World Scientific 221-244.
    In our contribution we will observe phenomenal architecture of a mind and operational architectonics of the brain and will show their intimate connectedness within a single integrated metastable continuum. The notion of operation of different complexity is the fundamental and central one in bridging the gap between brain and mind: it is precisely by means of this notion that it is possible to identify what at the same time belongs to the phenomenal conscious level and to the neurophysiological level (...)
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  15.  32
    Helena Knyazeva (2011). The Cognitive Architecture of Embodied Mind. International Journal of the Humanities 8 (12):1-10.
    The dynamic approach to understanding of the human consciousness, its cognitive activities and cognitive architecture is one of the most promising approaches in the modern epistemology and cognitive science. The conception of embodied mind is under discussion in the light of nonlinear dynamics and of the idea co-evolution of complex systems developed by the Moscow scientific school. The cognitive architecture of the embodied mind is rather complex: data from senses and products of (...)
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  16.  14
    T. Hugh Crawford (2010). Minor Houses/Minor Architecture. AI and Society 25 (4):379-385.
    Deleuze and Guattari develop a notion of “minor literature” in their short book on Kafka, and the opposition major/minor has been used with varying degrees of success by critics working in a range of disciplines including architectural theory. Teasing out the potentially subversive implications of the major/minor opposition requires reading it in relation to other binarisms developed by Deleuze and Guattari in those same years, e.g., state/nomadic science, striated/smooth space, optic/haptic, as well as Guattari’s useful concept “machinic heterogenesis.” Then, one (...)
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  17.  40
    Avery Andrews (2010). Propositional Glue and the Projection Architecture of LFG. Linguistics and Philosophy 33 (3):141-170.
    Although ‘glue semantics’ is the most extensively developed theory of semantic composition for LFG, it is not very well integrated into the LFG projection architecture, due to the absence of a simple and well-explained correspondence between glue-proofs and f-structures. In this paper I will show that we can improve this situation with two steps: (1) Replace the current quantificational formulations of glue (either Girard’s system F, or first order linear logic) with strictly propositional linear logic (the quantifier, unit and (...)
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  18.  53
    J. C. Berendzen (2008). Institutional Design and Public Space: Hegel, Architecture, and Democracy. Journal of Social Philosophy 39 (2):291–307.
    Habermas's conception of deliberative democracy could be fruitfully supplemented with a discussion of the "institutional design" of civil society; for example the architecture of public spaces should be considered. This paper argues that Hegel's discussion of architecture in his 'Aesthetics' can speak to this issue. For Hegel, architecture culminates in the gothic cathedral, because of how it fosters reflection on the part of the worshiper. This discussion suggests the possibility that architecture could foster a similar kind (...)
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  19.  16
    Edward Winters & Marco Frascari (1993). Monsters of Architecture: Anthropomorphism in Architectural Theory. Philosophical Quarterly 43 (171):251.
    '...deserves serious attention among new theories in architecture, and is recommended for all university architectural collections.'|s CHOICE.
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  20.  18
    Robert F. Hadley (1999). Connectionism and Novel Combinations of Skills: Implications for Cognitive Architecture. [REVIEW] Minds and Machines 9 (2):197-221.
    In the late 1980s, there were many who heralded the emergence of connectionism as a new paradigm – one which would eventually displace the classically symbolic methods then dominant in AI and Cognitive Science. At present, there remain influential connectionists who continue to defend connectionism as a more realistic paradigm for modeling cognition, at all levels of abstraction, than the classical methods of AI. Not infrequently, one encounters arguments along these lines: given what we know about neurophysiology, it is just (...)
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  21.  12
    Juliet L. H. Foster (2014). What Can Social Psychologists Learn From Architecture? The Asylum as Example. Journal for the Theory of Social Behaviour 44 (2):131-147.
    In this paper I argue for a stronger consideration of the possible relationship between social psychology and architecture and architectural history. After a brief review of some of the ways in which other social psychologists have sought to develop links between social psychology and history, I consider the utility of architecture in more depth, especially to the social psychologist interested in the development of knowledge and understanding. I argue that, especially when knowledge is institutionalised, the design and use (...)
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  22. Gevork Hartoonian (1994). Ontology of Construction: On Nihilism of Technology in Theories of Modern Architecture. Cambridge University Press.
    Ontology of Construction explores theories of construction in modern architecture, with a particular focus on the relationship between nihilism of technology and architecture. Providing an historical context to the concept of making, the essays collected in this volume articulate the implications of technology in works by such architects as Le Corbusier, Frank Lloyd Wright, Adolf Loos, and Mies van der Rohe. Also provided is an interpretation of Gottfried Semper's discourse on the Tectonic and the relationship between architecture (...)
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  23.  13
    Michael H. Mitias (ed.) (1994). Philosophy and Architecture. Rodopi.
    Contents: PART I: AESTHETICS OF ARCHITECTURE: QUESTIONS. Francis SPARSHOTT: The Aesthetics of Architecture and the Politics of Space. Arnold BERLEANT: Architecture and the Aesthetics of Continuity. Stephen DAVIES: Is Architecture Art? PART II: NATURE OF ARCHITECTURE. B.R. TILGHMAN: Architecture, Expression, and the Understanding of a Culture. David NOVITZ: Architectural Brilliance and the Constraints of Time. Michael H. MITIAS: Expression in Architecture. Ralf WEBER: The Myth of Meaningful Forms. Michael H. MITIAS: Is Meaning in (...)
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  24.  39
    Camilo J. Cela-Conde & Gisèle Marty (1997). Mind Architecture and Brain Architecture. Biology and Philosophy 12 (3):327-340.
    The use of the computer metaphor has led to the proposal of mind architecture (Pylyshyn 1984; Newell 1990) as a model of the organization of the mind. The dualist computational model, however, has, since the earliest days of psychological functionalism, required that the concepts mind architecture and brain architecture be remote from each other. The development of both connectionism and neurocomputational science, has sought to dispense with this dualism and provide general models of consciousness – a uniform (...)
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  25.  9
    Marie Élizabeth Laberge (2012). Communiquer l'Architecture Par le Média Exposition (with an Abstract in English). Mediatropes 3 (2):82-108.
    Aborder l’exposition comme média implique de considérer le point de vue du producteur (commissaire), celui du récepteur (visiteur) et celui de l’exposition (à travers les moyens employés et l’aspect de l’architecture communiqué). Deux manières d’envisager la communication de l’architecture au musée sont abordées. Pour la première, et selon nous la plus ancienne, le terme architecture est pris au sens de bâtiment. Les commissaires tentent alors de transmettre à la fois l’expérience et la matérialité du bâtiment. Pour la (...)
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  26.  13
    Greg Bamford (2005). Understanding Sustainable Architecture: Terry Williamson, Antony Radford and Helen Bennetts. Spon Press, 2003. [REVIEW] Architecture Australia 94 (5):50.
  27.  19
    Yonca Hürol (2009). Can Architecture Be Barbaric? Science and Engineering Ethics 15 (2):233-258.
    The title of this article is adapted from Theodor W. Adorno’s famous dictum: ‘To write poetry after Auschwitz is barbaric.’ After the catastrophic earthquake in Kocaeli, Turkey on the 17th of August 1999, in which more than 40,000 people died or were lost, Necdet Teymur, who was then the dean of the Faculty of Architecture of the Middle East Technical University, referred to Adorno in one of his ‘earthquake poems’ and asked: ‘Is architecture possible after 17th of August?’ (...)
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  28.  18
    John Bolender (2001). A Two-Tiered Cognitive Architecture for Moral Reasoning. Biology and Philosophy 16 (3):339-356.
    The view that moral cognition is subserved by a two-tieredarchitecture is defended: Moral reasoning is the result both ofspecialized, informationally encapsulated modules which automaticallyand effortlessly generate intuitions; and of general-purpose,cognitively penetrable mechanisms which enable moral judgment in thelight of the agent's general fund of knowledge. This view is contrastedwith rival architectures of social/moral cognition, such as Cosmidesand Tooby's view that the mind is wholly modular, and it is argued thata two-tiered architecture is more plausible.
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  29.  16
    Marcello Guarini (1996). Tensor Products and Split-Level Architecture: Foundational Issues in the Classicism-Connectionism Debate. Philosophy of Science 63 (3):S239-S247.
    This paper responds to criticisms levelled by Fodor, Pylyshyn, and McLaughlin against connectionism. Specifically, I will rebut the charge that connectionists cannot account for representational systematicity without implementing a classical architecture. This will be accomplished by drawing on Paul Smolensky's Tensor Product model of representation and on his insights about split-level architectures.
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  30.  4
    Jennifer Carter (2012). Architecture by Design: Exhibiting Architecture Architecturally. Mediatropes 3 (2):28-51.
    Drawing on a series of exhibitions curated and installed at the Canadian Centre for Architecture in Montréal throughout the 1990s and the early millennium, this essay analyzes how architecture and its representation in museological exhibitions have innovated forms of communication and display practices, transcending the traditions established by the fine arts paradigm since the late eighteenth century. The author argues that in addition to providing a heightened recognition of the narrative and performative potential of the exhibitionary setting, the (...)
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  31.  4
    Yonca Hurol, Hülya Yüceer & Öznem Şahali (2015). Building Code Challenging the Ethics Behind Adobe Architecture in North Cyprus. Science and Engineering Ethics 21 (2):381-399.
    Adobe masonry is part of the vernacular architecture of Cyprus. Thus, it is possible to use this technology in a meaningful way on the island. On the other hand, although adobe architecture is more sustainable in comparison to other building technologies, the use of it is diminishing in North Cyprus. The application of Turkish building code in the north of the island has created complications in respect of the use of adobe masonry, because this building code demands that (...)
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  32.  3
    Ciprian Lupse (2010). Estetica Arhitecturii Moderne Si Productia Artistica/ The Aesthetics of Modern Architecture and the Artistic Production. Journal for the Study of Religions and Ideologies 2 (4):75-83.
    The period that has begun after the last quarter of the 19th century brings an open conflict between the ‘histori- cal’ aspect of modernity and the ‘aesthetical’ one. The situation raises a question about the modern architectural shape’s dependency on architectonic function. Utility, production, profit become the keywords of the ideology; new social utopias and their reflection on the architecture- for-the masses projects emerge. This leads to the urban alienation of the modern man, in spite of the well-intended architectural (...)
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  33.  5
    Kimmo Sarje (2011). Façades and Functions Sigurd Frosterus as a Critic of Architecture. Nordic Journal of Aesthetics 22 (40-41).
    Alongside his work as a practising architect, Sigurd Frosterus (1876–1956) was one of Finland’s leading architectural critics during the first decades of the 20th century. In his early life, Frosterus was a strict rationalist who wanted to develop architecture towards scientific ideals instead of historical, archaeological, or mythological approaches. According to him, an architect had to analyse his tasks of construction in order to be able to logically justify his solutions, and he must take advantage of the possibilities of (...)
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  34.  5
    Eric Buck (2006). Love and Tectonics: Epikurean Philosophy and Reparative Architecture. Philosophical Forum 37 (4):457–476.
    To highlight care in architecture, I resuscitate Epicurus’ valorization of friendship in philosophy, contending that friendly love of wisdom is a practice of well-being, ataractic know-how. I emphasize the body as the instrument of the ataractic project of living. John McDermott and architect Christopher Alexander argue that affection has a place in contemporary design: what a person feels love for in the initial situation guides design. I argue that friendship with things leads us to care for and repair them. (...)
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  35. Jean Baudrillard (2005). The Singular Objects of Architecture. Univ of Minnesota Press.
    What is a singular object? An idea, a building, a color, a sentiment, a human being. Each in turn comes under scrutiny in this exhilarating dialogue between two of the most interesting thinkers working in philosophy and architecture today. From such singular objects, Jean Baudrillard and Jean Nouvel move on to fundamental problems of politics, identity, and aesthetics as their exchange becomes an imaginative exploration of the possibilities of modern architecture and the future of modern life. Among the (...)
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  36. Andrew E. Benjamin (ed.) (1995). Complexity: Architecture, Art, Philosophy. Distributed to the Trade in the United States of America by National Book Network.
    JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. Complexity, (...)
     
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  37. David Goldblatt & Roger Paden (eds.) (2011). The Aesthetics of Architecture: Philosophical Investigations Into the Art of Building. Wiley-Blackwell.
    By some of the top philosophers in the field of aesthetics as well as those in the architectural profession, essays in this book related architecture to other artforms such as photography. literature and painting. relates architecture to other artforms such as photography, literature and painting contains essays by some of the world's top philosophers works with a diversity of architectural concepts and issues philosophical discussions are generated by professionally designed architectural projects as well as vernacular ones extends the (...)
     
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  38. Gavin Keeney (2011). "Else-Where": Essays in Art, Architecture, and Cultural Production 2002-2011. Cambridge Scholars Publishing.
    “Else-where” is a synoptic survey of the representational values given to art, architecture, and cultural production from 2002 through 2011. Written primarily as a critique of what is suppressed in architecture and what is disclosed in art, the essays are informed by the passage out of post-structuralism and its disciplinary analogues toward the real Real . While architecture nominally addresses an environmental ethos, it also famously negotiates its own representational values by way of its putative autonomy ; (...)
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  39. Harry Francis Mallgrave (2010). The Architect's Brain: Neuroscience, Creativity, and Architecture. Wiley-Blackwell.
    Introduction -- Historical essays -- The humanist brain : Alberti, Vitruvius, and Leonardo -- The enlightened brain : Perrault, Laugier, and Le Roy -- The sensational brain : Burke, Price, and Knight -- The transcendental brain : Kant and Schopenhauer -- The animate brain : Schinkel, Bötticher, and Semper -- The empathetic brain : Vischer, Wölfflin, and Göller -- The gestalt brain : the dynamics of the sensory field -- The neurological brain : Hayek, Hebb, and Neutra -- The phenomenal (...)
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  40.  43
    Colin St John Wilson (1992). Architectural Reflections: Studies in the Philosophy and Practice of Architecture. Butterworth Architecture.
    In this book of the world's greatest architects explores the original aims and principles of modern architecture.
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  41.  28
    William M. Taylor (2011). Prospects for an Ethics of Architecture. Routledge.
    Ethics, architecture and philosophy -- Architecture, ethics and aesthetics -- Architecture and culture -- Experiencing architetcure -- Writing on 'the Wall': memory, monuments and memorials -- Building community: new urbanism, planning and democracy.
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  42. David Trottin (ed.) (1999). In-Ex 01: Review of Peripheral Architecture = Revue Périphérique D'Architecture. [REVIEW] Birkhäuser.
    Ex/in Australia--anonymous architecture -- In/editorial --In/interviews: F. Soler, J. Ferrier, W.J. Neutelings & M. Riedijk, R. Ricciotti, J. Moussafir, P. Gazeau, C. Hauvette, F. Seigneur, MVRDV, J. Nouvel, D. Lyon & P. du Besset, M. Vitart & J-M Ibos, ACTAR Arquitecura, M. Fuksas, A. Gigon & M. Guyer ,F. Druot, J. Herzog & P. de Meuron -- Ex/exteriors--Road movie -- In/reflexion on the peripherical stance--Paul Ardenne --Ex/exhibitions: Cécile Paris, Stalker, Access local, Anne Frémy --In/interests: University Paris 8 St.-Denis, garden (...)
     
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  43. Jerry A. Fodor & Zenon W. Pylyshyn (1988). Connectionism and Cognitive Architecture. Cognition 28 (1-2):3-71.
    This paper explores the difference between Connectionist proposals for cognitive a r c h i t e c t u r e a n d t h e s o r t s o f m o d e l s t hat have traditionally been assum e d i n c o g n i t i v e s c i e n c e . W e c l a i m t h a t t h (...)
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  44.  8
    David E. Kieras, Gregory H. Wakefield, Eric R. Thompson, Nandini Iyer & Brian D. Simpson (2016). Modeling Two‐Channel Speech Processing With the EPIC Cognitive Architecture. Topics in Cognitive Science 8 (1):291-304.
    An important application of cognitive architectures is to provide human performance models that capture psychological mechanisms in a form that can be “programmed” to predict task performance of human–machine system designs. Although many aspects of human performance have been successfully modeled in this approach, accounting for multitalker speech task performance is a novel problem. This article presents a model for performance in a two-talker task that incorporates concepts from psychoacoustics, in particular, masking effects and stream formation.
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  45.  8
    John R. Anderson (2005). Human Symbol Manipulation Within an Integrated Cognitive Architecture. Cognitive Science 29 (3):313-341.
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  46. Vincent Bergeron (forthcoming). Functional Independence and Cognitive Architecture. British Journal for the Philosophy of Science:axv005.
    In cognitive science, the concept of dissociation has been central to the functional individuation and decomposition of cognitive systems. Setting aside debates about the legitimacy of inferring the existence of dissociable systems from behavioral dissociation data, the main idea behind the dissociation approach is that two cognitive systems are dissociable, and therefore viewed as distinct, if each can be damaged, or impaired, without affecting the other system’s functions. In this paper, I propose a notion of functional independence that does (...)
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  47. Eric Mandelbaum (2013). Numerical Architecture. Topics in Cognitive Science 5 (1):367-386.
    The idea that there is a “Number Sense” (Dehaene, 1997) or “Core Knowledge” of number ensconced in a modular processing system (Carey, 2009) has gained popularity as the study of numerical cognition has matured. However, these claims are generally made with little, if any, detailed examination of which modular properties are instantiated in numerical processing. In this article, I aim to rectify this situation by detailing the modular properties on display in numerical cognitive processing. In the process, I review literature (...)
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  48. Karsten Harries (1997). The Ethical Function of Architecture. Monograph Collection (Matt - Pseudo).
     
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    Rafael De Clercq (2015). Architecture. In Anna Christina Ribeiro (ed.), The Bloomsbury Companion to Aesthetics. Bloomsbury
    This survey chapter discusses four issues in architectural aesthetics: architectural design, architectural style, the justification of “optical correction”, and the metaphysics of reconstruction.
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    Evan Selinger & Kyle Powys Whyte (2010). Competence and Trust in Choice Architecture. Knowledge, Technology & Policy 23 (3-4):461-482.
    Richard Thaler and Cass Sunstein’s Nudge advances a theory of how designers can improve decision-making in various situations where people have to make choices. We claim that the moral acceptability of nudges hinges in part on whether they can provide an account of the competence required to offer nudges, an account that would serve to warrant our general trust in choice architects. What needs to be considered, on a methodological level, is whether they have clarified the competence required for choice (...)
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