Online research in philosophy

For the Venice Architecture Biennale 2010, curator Rietveld Landscape has been invited by the Netherlands Architecture Institute (NAI) to make a statement about the potential of landscape architecture to contribute to resolving the complex challenges that our society faces today. These challenges call for innovation; for a culture centred on design skills and cooperation between scientists and creative pioneers. The installation ‘Vacant NL, where architecture meets ideas’ calls upon the Dutch government to make use of the (...) enormous potential of inspiring, unoccupied buildings from the 17th, 18th, 19th, 20th and 21st centuries for innovation within the creative knowledge economy. Images of the installation can be found here: www.rietveldlandscape.nl/en/projects/439. (shrink)

In our contribution we will observe phenomenal architecture of a mind and operational architectonics of the brain and will show their intimate connectedness within a single integrated metastable continuum. The notion of operation of different complexity is the fundamental and central one in bridging the gap between brain and mind: it is precisely by means of this notion that it is possible to identify what at the same time belongs to the phenomenal conscious level and to the neurophysiological level (...) of brain activity organization, and what mediates between them. Implications for linguistic semantics, self-organized distributed computing algorithms, artificial machine consciousness, and diagnosis of dynamic brain diseases will be discussed briefly. (shrink)

Habermas's conception of deliberative democracy could be fruitfully supplemented with a discussion of the "institutional design" of civil society; for example the architecture of public spaces should be considered. This paper argues that Hegel's discussion of architecture in his 'Aesthetics' can speak to this issue. For Hegel, architecture culminates in the gothic cathedral, because of how it fosters reflection on the part of the worshiper. This discussion suggests the possibility that architecture could foster a similar kind (...) of intersubjective reflection. To make his thoughts more pertinent for current debates, Hegel's views are adapted to fit three contemporary secular institutions. (shrink)

Fodor and Pylyshyn (1988) argue that any successful model of cognition must use classical architecture; it must depend upon rule-based processing sensitive to constituent structure. This claim is central to their defense of classical AI against the recent enthusiasm for connectionism. Connectionist nets, they contend, may serve as theories of the implementation of cognition, but never as proper theories of psychology. Connectionist models are doomed to describing the brain at the wrong level, leaving the classical view to account for (...) the mind.This paper considers whether recent results in connectionist research weigh against Fodor and Pylyshyn's thesis. The investigation will force us to develop criteria for determining exactly when a net is capable of systematic processing. Fodor and Pylyshyn clearly intend their thesis to affect the course of research in psychology. I will argue that when systematicity is defined in a way that makes the thesis relevant in this way, the thesis is challenged by recent progress in connectionism. (shrink)

The use of the computer metaphor has led to the proposal of mind architecture (Pylyshyn 1984; Newell 1990) as a model of the organization of the mind. The dualist computational model, however, has, since the earliest days of psychological functionalism, required that the concepts mind architecture and brain architecture be remote from each other. The development of both connectionism and neurocomputational science, has sought to dispense with this dualism and provide general models of consciousness – a uniform (...) cognitive architecture –, which is in general reductionist, but which retains the computer metaphor. This paper examines, in the first place, the concepts of mind architecture and brain architecture, in order to evaluate the syntheses which have recently been offered. It then moves on to show how modifications which have been made to classical functionalist mind architectures, with the aim of making them compatible with brain architectures, are unable to resolve some of the most serious problems of functionalism. Some suggestions are given as to why it is not possible to relate mind structures and brain structures by using neurocomputational approaches, and finally the question is raised of the validity of reductionism in a theory which sets out to unite mind and brain architectures. (shrink)

In this book of the world's greatest architects explores the original aims and principles of modern architecture.

“Else-where” is a synoptic survey of the representational values given to art, architecture, and cultural production from 2002 through 2011. Written primarily as a critique of what is suppressed in architecture and what is disclosed in art, the essays are informed by the passage out of post-structuralism and its disciplinary analogues toward the real Real (denoted over the course of the studies as the “Real-Irreal” or “Else-where”). While architecture nominally addresses an environmental ethos, it also famously negotiates (...) its own representational values by way of its putative autonomy (autonomy as self-interest, versus selflessness); its main repression in this regard is “landscape,” figure of the Other and figure of the Real. Engaging forms of spectrality, and not necessarily speculative intelligence per se, architecture is also “conscious” of its own complicity in capitalist orders, a complicity that in part underwrites its avant-garde forms of agitation since the onset of modern architecture. As a result, and over the course of the twentieth century, architectural vanguards have successively been depleted such that they return only as reified half-measures in the late-modern production of difference. As such, the essay “Actually Existing Ground” (2008) examines the failed promise of Landscape Urbanism. Since the 1960s, as with the allied arts, architecture has evacuated many of the utopian gestures given to modernism and embraced a form of ultra-contingency in a direct alliance with the post-modern and post-Marxist concession to markets and to cultural production as principal means of establishing formal hegemony. This recourse or surrender to the economic-determinist ethos of post-modernity, regardless of attempts to problematize it and/or critique it through types of what Manfredo Tafuri has called “operative criticism” (works of architecture as criticism), has, arguably, all but failed, and with the suggestive return circa 2011 of new forms of resistance an exit from the accommodating spirit of the times is indicative of the expectation of strenuous, yet highly formal and non-discursive operations within artistic and architectural production. The essays collected in “Else-where” cross various disciplines, inclusive of landscape architecture, architecture, and visual art, to develop a nuanced critique of an emergent formal regard in the arts that is also an invocation of the highest coordinates given to the arts – formal ontology as speculative intelligence itself – or the return of the universal as utopian thought “here-and-now.”. (shrink)

Introduction -- Historical essays -- The humanist brain : Alberti, Vitruvius, and Leonardo -- The enlightened brain : Perrault, Laugier, and Le Roy -- The sensational brain : Burke, Price, and Knight -- The transcendental brain : Kant and Schopenhauer -- The animate brain : Schinkel, Bötticher, and Semper -- The empathetic brain : Vischer, Wölfflin, and Göller -- The gestalt brain : the dynamics of the sensory field -- The neurological brain : Hayek, Hebb, and Neutra -- The phenomenal (...) brain : Merleau-Ponty, Rasmussen, and Pallasmaa -- Neuroscience and architecture -- Anatomy : architecture of the brain -- Ambiguity : architecture of vision -- Metaphor : architecture of embodiment -- Hapticity : architecture of the senses -- Epilogue: The architect's brain. (shrink)

The debate between the theory-theory and simulation has largely ignored issues of cognitive architecture. In the philosophy of psychology, cognition as symbol manipulation is the orthodoxy. The challenge from connectionism, however, has attracted vigorous and renewed interest. In this paper I adopt connectionism as the antecedent of a conditional: If connectionism is the correct account of cognitive architecture, then the simulation theory should be preferred over the theory-theory. I use both developmental evidence and constraints on explanation in psychology (...) to support this claim. (shrink)

Do accounts of scientific theory formation and revision have implications for theories of everyday cognition? We maintain that failing to distinguish between importantly different types of theories of scientific inferencehas led to fundamental misunderstandings of the relationship between science andeveryday cognition. In this paper, we focus on one influential manifestation of this phenomenon which is found in Fodor’s well-known critique of theories of cognitive architecture. We argue that in developing his critique, Fodor confoundsa variety of distinct claims about the (...) holistic nature of scientific inference. Having done so, we outline more promising relations that hold between theories of scientific inference and ordinary cognition. (shrink)

Technology has a history structured by discontinuities. The first important philosophical expression of such a conception of technology was advanced by Walter Benjamin when he defined art works in relation to specific techniques of production. At the present art and architecture occur within an age defined by the move from ’technical reproducibility’ to digital reproducibility. The move has an impact on how technology is understood and its relation to architecture conceived. Adapting Walter Benjamin’s work in this area provides (...) the basis for a response to Soren Riis’ important treatment of the relationship between architecture and technology in his paper “Dwelling in-between walls: the architectural surround”. (shrink)

The dynamic approach to understanding of the human consciousness, its cognitive activities and cognitive architecture is one of the most promising approaches in the modern epistemology and cognitive science. The conception of embodied mind is under discussion in the light of nonlinear dynamics and of the idea co-evolution of complex systems developed by the Moscow scientific school. The cognitive architecture of the embodied mind is rather complex: data from senses and products of rational thinking, the verbal and the (...) pictorial, logic and intuition, the analytical and synthetic abilities of perception and of thinking, the local and the global, the analogue and the digital, the archaic and the post-modern are intertwined in it. In the process of cognition, co-evolution of embodied mind as an autopoietic system and its surroundings takes place. The perceptual and mental processes are bound up with the structure of human body. Nonlinear and circular connecting links between the subject of cognition and the world constructed by him can be metaphorically called a nonlinear cobweb of cognition. Cognition is an autopoietic activity because it is directed to the search of elements that are missed; it serves to completing integral structures. According to the theory of blow-up regimes in complex systems elaborated by Sergey P.Kudyumov and his followers, the idea of co-evolution is connected with the concept of tempoworlds. To co-evolve means to start to develop in one and the same tempoworld and to use the possibility – in case of a proper intergation into a whole structure – to accelerate the tempo of evolution. The cognitive activities of the human being can be considered as a movement (active walk) in landscapes of co-evolution when he cognizes and changes environment and is changed himself by the very activities. The similar conclusion can be drawn from Francisco Varela’s conception of enactive cognition. (shrink)

I present and evaluate various criticisms against the view that architecture and architectural value are to be understood solely in terms of internal space. I conclude that the architectural value of a building should not be limited to its internal spatial effects because the value of other elements, such as (non-spatial) function, materials, ornamentation, and so on cannot all be reduced to spatial values.

The representational nature of human cognition and thought in general has been a source of controversies. This is particularly so in the context of studies of unconscious cognition, in which representations tend to be ontologically and structurally segregated with regard to their conscious status. However, it appears evolutionarily and developmentally unwarranted to posit such segregations, as,otherwise, artifact structures and ontologies must be concocted to explain them from the viewpoint of the human cognitive architecture. Here, from a by-and-large Classical cognitivist (...) viewpoint, I show why this segregation is wrong, and elaborate on the need to postulate an ontological and structural continuity between unconscious and conscious representations. Specifically, I hypothesize that this continuity is to be found in the symbolic-based interplay between the syntax and the semantics of thought, and I propose a model of human information processing characterized by the integration of syntactic and semantic representations. (shrink)

In the late 1980s, there were many who heralded the emergence of connectionism as a new paradigm – one which would eventually displace the classically symbolic methods then dominant in AI and Cognitive Science. At present, there remain influential connectionists who continue to defend connectionism as a more realistic paradigm for modeling cognition, at all levels of abstraction, than the classical methods of AI. Not infrequently, one encounters arguments along these lines: given what we know about neurophysiology, it is just (...) not plausible to suppose that our brains are digital computers. Thus, they could not support a classical architecture. I argue here for a middle ground between connectionism and classicism. I assume, for argument's sake, that some form(s) of connectionism can provide reasonably approximate models – at least for lower-level cognitive processes. Given this assumption, I argue on theoretical and empirical grounds that most human mental skills must reside in separate connectionist modules or sub-networks. Ultimately, it is argued that the basic tenets of connectionism, in conjunction with the fact that humans often employ novel combinations of skill modules in rule following and problem solving, lead to the plausible conclusion that, in certain domains, high level cognition requires some form of classical architecture. During the course of argument, it emerges that only an architecture with classical structure could support the novel patterns of information flow and interaction that would exist among the relevant set of modules. Such a classical architecture might very well reside in the abstract levels of a hybrid system whose lower-level modules are purely connectionist. (shrink)

This paper responds to criticisms levelled by Fodor, Pylyshyn, and McLaughlin against connectionism. Specifically, I will rebut the charge that connectionists cannot account for representational systematicity without implementing a classical architecture. This will be accomplished by drawing on Paul Smolensky's Tensor Product model of representation and on his insights about split-level architectures.

Ethics, architecture and philosophy -- Architecture, ethics and aesthetics -- Architecture and culture -- Experiencing architetcure -- Writing on 'the Wall': memory, monuments and memorials -- Building community: new urbanism, planning and democracy.

JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. Complexity, (...) therefore, will be inextricably connected to the ontology of the object. What this means is that complexity, in resisting the hold of a semantic idealism on the one hand, and the attempt to give to it the position of being the basis of a new foundationalism on the other, becomes a way of thinking both the presence and the production of objects.' Andrew Benjamin The Journal of Philosophy and the Visual Arts has set new standards in its exploration of themes central to philosophy's relation to the visual arts, illuminating areas of art criticism, architecture, feminism as well as philosophy itself. Rather than simply reflecting current trends it provides a forum in which the real developments in the analysis of the visual arts and its larger cultural and political context can be presented. Articles by well known philosophers and theorists, as well as some lesser known, together with writings by artists and architects allow a strong interdisciplinary approach reflecting the Journal's roots in post-structural theory. Previous issues include: Philosophy & the Visual Arts (No 1) Philosophy & Architecture (No 2) Architecture, Space, Painting (No 3) The Body (No 4) Abstraction (No 5). (shrink)

By some of the top philosophers in the field of aesthetics as well as those in the architectural profession, essays in this book related architecture to other artforms such as photography. literature and painting. relates architecture to other artforms such as photography, literature and painting contains essays by some of the world's top philosophers works with a diversity of architectural concepts and issues philosophical discussions are generated by professionally designed architectural projects as well as vernacular ones extends the (...) bounds of architectural issues presently discussed by philosophers. (shrink)

Ontology of Construction explores theories of construction in modern architecture, with a particular focus on the relationship between nihilism of technology and architecture. Providing an historical context to the concept of making, the essays collected in this volume articulate the implications of technology in works by such architects as Le Corbusier, Frank Lloyd Wright, Adolf Loos, and Mies van der Rohe. Also provided is an interpretation of Gottfried Semper's discourse on the Tectonic and the relationship between architecture (...) and other crafts. Emphasising 'fabrication' as a critical theme for contemporary architectural theory and practice, Ontology of Construction is a provocative contribution to the current debate in these areas. (shrink)

Ex/in Australia--anonymous architecture -- In/editorial --In/interviews: F. Soler, J. Ferrier, W.J. Neutelings & M. Riedijk, R. Ricciotti, J. Moussafir, P. Gazeau, C. Hauvette, F. Seigneur, MVRDV, J. Nouvel, D. Lyon & P. du Besset, M. Vitart & J-M Ibos, ACTAR Arquitecura, M. Fuksas, A. Gigon & M. Guyer ,F. Druot, J. Herzog & P. de Meuron -- Ex/exteriors--Road movie -- In/reflexion on the peripherical stance--Paul Ardenne --Ex/exhibitions: Cécile Paris, Stalker, Access local, Anne Frémy --In/interests: University Paris 8 St.-Denis, garden (...) shed, Café musiques, etc. (shrink)

Important philosophical volume by foremost architectural conceptualist emphasizes organic design, interrelated study of all arts. He provides introductory, retrospective, and prospective analysis, explores the creative instinct, organic order, form and vitality, form and time, form and logic, form and function, the dogmatic, mechanized, and the creative mind, and more.

Kolb discusses postmodern architectural styles and theories within the context of philosophical ideas about modernism and postmodernism. He focuses on what it means to dwell in a world and within a history and to act from or against a tradition.

Essays centred on the methods, pleasures, and pitfalls of architectural interpretation.

Introduction -- Image in contemporary culture -- Language, thought and image -- The many faces of the image -- The anatomy of the poetic image -- The architectural image.

The idea that there is a “Number Sense” (Dehaene, 1997) or “Core Knowledge” of number ensconced in a modular processing system (Carey, 2009) has gained popularity as the study of numerical cognition has matured. However, these claims are generally made with little, if any, detailed examination of which modular properties are instantiated in numerical processing. In this article, I aim to rectify this situation by detailing the modular properties on display in numerical cognitive processing. In the process, I review literature (...) from across the cognitive sciences and describe how the evidence reported in these works supports the hypothesis that numerical cognitive processing is modular. I outline the properties that would suffice for deeming a certain processing system a modular processing system. Subsequently, I use behavioral, neuropsychological, philosophical, and anthropological evidence to show that the number module is domain specific, informationally encapsulated, neurally localizable, subject to specific pathological breakdowns, mandatory, fast, and inaccessible at the person level; in other words, I use the evidence to demonstrate that some of our numerical capacity is housed in modular casing. (shrink)

Walter Benjamin's Politics of 'bad tasteMichael Mac Modernity as an unfinished Project: Benjamin and Political RomanticismRobert Sinnerbrink Violence, ...

Richard Thaler and Cass Sunstein’s Nudge advances a theory of how designers can improve decision-making in various situations where people have to make choices. We claim that the moral acceptability of nudges hinges in part on whether they can provide an account of the competence required to offer nudges, an account that would serve to warrant our general trust in choice architects. What needs to be considered, on a methodological level, is whether they have clarified the competence required for choice (...) architects to prompt subtly our behaviour toward making choices that are in our best interest from our own perspectives. We argue that, among other features, an account of the competence required to offer nudges would have to clarify why it is reasonable to expect that choice architects can understand the constraints imposed by semantic variance. Semantic variance refers to the diverse perceptions of meaning, tied to differences in identity and context, that influence how users interpret nudges. We conclude by suggesting that choice architects can grasp semantic variance if Thaler and Sunstein’s approach to design is compatible with insights about meaning expressed in science and technology studies and the philosophy of technology. (shrink)

This volume rethinks the relations between form and forms of communication, calling for a new logic of representation; it examines the manner in which ...

Nature and civilisation -- Climate and the forms of the atmosphere -- Surface and the forms of the land -- Living forms -- The forms of metabolism -- Humans - anatomical and cultural forms -- City forms -- The forms of information, energy and ecology -- Emergence.

This paper explores the difference between Connectionist proposals for cognitive a r c h i t e c t u r e a n d t h e s o r t s o f m o d e l s t hat have traditionally been assum e d i n c o g n i t i v e s c i e n c e . W e c l a i m t h a t t h (...) e m a j o r d i s t i n c t i o n i s t h a t , w h i l e b o t h Connectionist and Classical architectures postulate representational mental states, the latter but not the former are committed to a symbol-level of representation, or to a ‘language of thought’: i.e., to representational states that have combinatorial syntactic and semantic structure. Several arguments for combinatorial structure in mental representations are then reviewed. These include arguments based on the ‘systematicity’ of mental representation: i.e., on the fact that cognitive capacities always exhibit certain symmetries, so that the ability to entertain a given thought implies the ability to entertain thoughts with semantically related contents. We claim that such arguments make a powerful case that mind/brain architecture is not Connectionist at the cognitive level. We then consider the possibility that Connectionism may provide an account of the neural (or ‘abstract neurological’) structures in which Classical cognitive architecture is implemented. We survey a n u m b e r o f t h e s t a n d a r d a r g u m e n t s t h a t h a v e b e e n o f f e r e d i n f a v o r o f Connectionism, and conclude that they are coherent only on this interpretation. (shrink)

Amongst philosophers and cognitive scientists, modularity remains a popular choice for an architecture of the human mind, primarily because of the supposed explanatory value of this approach. Modular architectures can vary both with respect to the strength of the notion of modularity and the scope of the modularity of mind. We propose a dilemma for modular architectures, no matter how these architectures vary along these two dimensions. First, if a modular architecture commits to the informational encapsulation of modules, (...) as it is the case for modularity theories of perception, then modules are on this account impenetrable. However, we argue that there are genuine cases of the cognitive penetrability of perception and that these cases challenge any strong, encapsulated modular architecture of perception. Second, many recent massive modularity theories weaken the strength of the notion of module, while broadening the scope of modularity. These theories do not require any robust informational encapsulation, and thus avoid the incompatibility with cognitive penetrability. However, the weakened commitment to informational encapsulation significantly weakens the explanatory force of the theory and, ultimately, is conceptually at odds with the core of modularity. We then propose a non-modular notion of functionally independent system that, we argue, achieves the explanatory force sought by modularity theorists. (shrink)

The aim of this paper is to achieve a better understanding of why modern buildings do not easily harmonize with one another. After proposing, and defending, an analysis of the concept of architectural harmony, the paper turns to three possible views on whether we can expect more harmony from modern architecture in the future.

This volume brings together specially written essays by leading researchers on the propositional imagination. This is the mental capacity we exploit when we imagine that Holmes has a bad habit or that there are zombies. It plays an essential role in philosophical theorizing, engaging with fiction, and indeed in everyday life. The Architecture of the Imagination capitalizes on recent attempts to give a cognitive account of this capacity, extending the theoretical picture and exploring the philosophical implications.

Sober and Wilson have propose a cluster of arguments for the conclusion that “natural selection is unlikely to have given us purely egoistic motives” and thus that psychological altruism is true. I maintain that none of these arguments is convincing. However, the most powerful of their arguments raises deep issues about what egoists and altruists are claiming and about the assumptions they make concerning the cognitive architecture underlying human motivation.

Recent work in cognitive neuroscience on the child's Theory of Mind (ToM) has pursued the idea that the ability to metarepresent mental states depends on a domain-specific cognitive subystem implemented in specific neural circuitry: a Theory of Mind Module. We argue that the interaction of several domain-general mechanisms and lower-level domain-specific mechanisms accounts for the flexibility and sophistication of behavior, which has been taken to be evidence for a domain-specific ToM module. This finding is of more general interest since it (...) suggests a parsimonious cognitive architecture can account for apparent domain specificity. We argue for such an architecture in two stages. First, on conceptual grounds, contrasting the case of language with ToM, and second, by showing that recent evidence in the form of fMRI and lesion studies supports the more parsimonious hypothesis. Theory of Mind, Metarepresentation, and Modularity Developmental Components of ToM The Analogy with Modularity of Language Dissociations without Modules The Evidence from Neuroscience Conclusion CiteULike Connotea Del.icio.us What's this? (shrink)

It is a characteristic feature of our mental make-up that the same perceptual input situation can simultaneously elicit conflicting mental perspectives. This ability pervades our perceptual and cognitive domains. Striking examples are the dual character of pictures in picture perception, pretend play, or the ability to employ metaphors and allegories. I argue that traditional approaches, beyond being inadequate on principle grounds, are theoretically ill equipped to deal with these achievements. I then outline a theoretical perspective that has emerged from a (...) theoretical convergence of perceptual psychology, ethology, linguistics, and developmental research. On the basis of this framework, I argue that corresponding achievements are brought forth by a specific type of functional architecture whose core features are as follows: (1) a perceptual system that is biologically furnished with a rich system of conceptual forms, (2) a triggering relation between the sensory input and conceptual forms by which the same sensory input can be exploited by different types or systems of conceptual forms, and (3) computational principles for handling semantically underspecified conceptual forms. Characteristic features of the proposed theoretical framework are pointed out using the Heider–Simmel phenomenon as an example. (shrink)

In The Aesthetics of Architecture, Roger Scruton makes at least four claims about rightness of architectural proportion. The present paper lists those claims, briefly discusses the way they are related, and, finally, selects one as the topic of discussion: the claim that there cannot be an exact, mathematical definition of rightness of proportion. Scruton’s arguments for this claim are reviewed. The first is found to be substantially correct, whereas the second is found to rely on a mistaken assumption, namely (...) the assumption that rightness of proportion is relative to a point of view. The paper ends by arguing that either the real or the apparent proportions of a building have to be definitely right, and that neither can be allowed to be definitely wrong. (shrink)

Article history: This article sketches the Parallel Architecture, an approach to the structure of grammar that Accepted 29 August 2006 contrasts with mainstream generative grammar (MGG) in that (a) it treats phonology, Available online 13 October 2006 syntax, and semantics as independent generative components whose structures are linked by interface rules; (b) it uses a parallel constraint-based formalism that is nondirectional; (c) Keywords: it treats words and rules alike as pieces of linguistic structure stored in long-term memory.

In this paper we compare two theories about the cognitive architecture underlying morality. One theory, proposed by Sripada and Stich (forthcoming), posits an interlocking set of innate mechanisms that internalize moral norms from the surrounding community and generate intrinsic motivation to comply with these norms and to punish violators. The other theory, which we call the M/C model was suggested by the widely discussed and influential work of Elliott Turiel, Larry Nucci and others on the “moral/conventional task”. This theory (...) posits two distinct mental domains, the moral and the conventional, each of which gives rise to a characteristic suite of judgments about rules in that domain and about transgressions of those rules. We give an overview of both theories and of the data each was designed to explain. We go on to consider a growing body of evidence that suggests the M/C model is mistaken. That same evidence, however, is consistent with the Sripada and Stich theory. Thus, we conclude that the M/C model does not pose a serious challenge for the Sripada and Stich theory. (shrink)

What type of artificial systems will claim to be conscious and will claim to experience qualia? The ability to comment upon physical states of a brain-like dynamical system coupled with its environment seems to be sufficient to make claims. The flow of internal states in such system, guided and limited by associative memory, is similar to the stream of consciousness. Minimal requirements for an artificial system that will claim to be conscious were given in form of specific architecture named (...) articon. Nonverbal discrimination of the working memory states of the articon gives it the ability to experience different qualities of internal states. Analysis of the inner state flows of such a system during typical behavioral process shows that qualia are inseparable from perception and action. The role of consciousness in learning of skills, when conscious information processing is replaced by subconscious, is elucidated. Arguments confirming that phenomenal experience is a result of cognitive processes are presented. Possible philosophical objections based on the Chinese room and other arguments are discussed, but they are insufficient to refute claims articon’s claims. Conditions for genuine understanding that go beyond the Turing test are presented. Articons may fulfill such conditions and in principle the structure of their experiences may be arbitrarily close to human. (shrink)

This paper addresses questions of ethics in the professional practice of architecture. It begins by discussing possible relationships between ethics and aesthetics. It then theorises ethics within concepts of 'practice', and argues for the importance of the context in architecture where narrative can be used to learn and to integrate past and present experience. Narrative reflection also takes in the future, and in the case of architecture there is a positive but not yet well accepted move (particularly (...) within the 'academy') to realise the imperative nature of architecture's responsibility with respect of global sustainability. Architects, more perhaps than other professions, use the faculty of imagination in their work, and this paper therefore maintains that architects as artists are uniquely qualified to exercise 'moral imagination' when it comes to situations where moral deliberation is needed. Pragmatism has given a new impetus to the importance of imagination in moral reflection, and I focus on John Dewey's categories of 'empathy' and 'dramatic rehearsal' as descriptors of moral imagination as applied in situations. I argue in conclusion firstly that empathy between end-users and architects is an essential but not always realised part of morality in architecture, and secondly that 'dramatic rehearsal', when extended more widely that a given situation, may lead architects to question the social, political and ecological contexts of their work and thus motivate them to prioritise the 'ethical' in all the choices they make. (shrink)

For the last thirty years, cognitive scientists have attempted to describe the cognitive architecture of typically developing human beings, using, among other sources of evidence, the dissociations that result from developmental psychopathologies such as autism spectrum disorders, Williams syndrome, and Down syndrome. Thus, in his recent defense of the massive modularity hypothesis, Steven Pinker insists on the importance of such dissociations to identify the components of the typical cognitive architecture (2005, 4; my emphasis): This kind of faculty psychology (...) has numerous advantages (...). It is supported by the existence of neurological and genetic disorders that target these faculties unevenly, such as a difficulty in recognizing faces (and facelike shapes) but not other objects, or a difficulty in reasoning about minds but not about objects or pictures. Similarly, Simon Baron-Cohen writes (1998, 335; my emphasis; see also Temple, 1997): I suggest that the study of mental retardation would profit from the application of the framework of cognitive neuropsychology (…). In cognitive neuropsychology, one key question running through the investigator’s mind is “Is this process or mechanism intact or impaired in this person?” When cognitive neuropsychology is done well, a patient’s cognitive system is examined with specific reference to a model of the normal cognitive system. And, not infrequently, evidence from the patient’s cognitive deficits leads to a revision of the model of the normal system. However, in recent years, the use of developmental psychopathologies to identify the components of the typical cognitive architecture has come under heavy fire. In a series of influential articles, neuropsychologist Annette Karmiloff-Smith has argued that findings about the pattern of impairments and preserved capacities in people with developmental psychopathologies say nothing about the cognitive architecture of.. (shrink)

The “grand problem” of AI has always been to build artificial agents of human-level intelligence, capable of operating in environments of real-world complexity. OSCAR is a cognitive architecture for such agents, implemented in LISP. OSCAR is based on my extensive work in philosophy concerning both epistemology and rational decision making. This paper provides a detailed overview of OSCAR. The main conclusions are that such agents must be capablew of operating against a background of pervasive ignorance, because the real world (...) is too complex for them to know more than a small fraction of what is true. This is handled by giving the agent the power to reason defeasibily. The OSCAR system of defeasible reasoning is sketched. It is argued that if epistemic cognition must be defeasible, planning must also be done defeasibly, and the best way to do that is to reason defeasibly about plans. A sketch is given about how this might work. (shrink)

Architectural Philosophy is the first book to outline a philosophical account of architecture and to establish the singularity of architectural practice and ...

Given the contemporary complexity of cities, landscape and society, urgent social tasks call for an integral, multidisciplinary approach. Rietveld Landscape’s strategic interventions focus and use the forces of existing developments and processes. This design method creates new opportunities for landscape, architecture, the public domain, ecology, recreation and economic activity.

It has become fashionable recently to speak of linguistic inquiry as biolinguistics, an attempt to frame questions of linguistic theory in a biological context. The Minimalist Program (Chomsky 1995, 2001) is of course the most prominent stream of research in this paradigm. However, an alternative stream within the paradigm, the Parallel Architecture, has been developing in my own work over the past 30 years; it includes two important subcomponents, Conceptual Structure and Simpler Syntax (Jackendoff 2002, 2007b; Culicover and Jackendoff (...) 2005). The present article will show how the Parallel Architecture is in many ways a more promising realization of biolinguistic goals than the Minimalist Program, and that it is more conducive to integration with both the rest of linguistic theory and the rest of cognitive science. (shrink)

This collection of essays explores what makes modern mathematics ‘modern’, where ‘modern mathematics’ is understood as the mathematics done in the West from roughly 1800 to 1970. This is not the trivial matter of exploring what makes recent mathematics recent. The term ‘modern’ (or ‘modernism’) is used widely in the humanities to describe the era since about 1900, exemplified by Picasso or Kandinsky in the visual arts, Rilke or Pound in poetry, or Le Corbusier or Loos in architecture (a (...) building by the latter graces the cover of this book’s dust jacket). (shrink)

Thomas Holden presents a fascinating study of theories of matter in the seventeenth and eighteenth centuries. These theories were plagued by a complex of interrelated problems concerning matter's divisibility, composition, and internal architecture. Is any material body infinitely divisible? Must we posit atoms or elemental minima from which bodies are ultimately composed? Are the parts of material bodies themselves material concreta? Or are they merely potentialities or possible existents? Questions such as these -- and the press of subtler questions (...) hidden in their amibiguities -- deeply unsettled philosophers of the early modern period. They seemed to expose serious paradoxes in the new world view pioneered by Galileo, Descartes, and Newton. The new science's account of a fundamentally geometrical Creation, mathematicizable and intelligible to the human inquirer, seemed to be under threat. This was a great scandal, and the philosophers of the period accordingly made various attempts to disarm the paradoxes. All the great figures address the issue: most famously Leibniz and Kant, but also Galileo, Hobbes, Newton, Hume, and Reid, in addition to a crowd of lesser figures. Thomas Holden offers a brilliant synthesis of these discussions and presents his own overarching interpretation of the controversy, locating the underlying problem in the tension between the early moderns' account of material parts on the one hand and the program of the geometrization of nature on the other. (shrink)

Some works of architecture have remarkable aesthetic value. According to certain philosophers, part of this value derives from the appearance of such constructions to fulfil the function for which they were built. I argue that one way of understanding the connection between function and aesthetic value resides in the concept of functional beauty. I analyse a number of recent accounts of this notion, then offer a better way of understanding it. I then focus my attention on the relation between (...) aesthetic and moral values and claim that, if the notion of functional beauty makes any sense at all, then we have a pro tanto case for holding that moral defects in works of architecture can have aesthetic merits. (shrink)

Japan's Ise Jingu shrine has been taken down and rebuilt every twenty years for more than a millenium - a practice called "shikinen sengu." A standard ontology of architecture, according to which buildings are material particulars, implies that Ise Jingu is no more than twenty years old. However, a correct ontology of architecture is implicit in practices of architecture appreciation. The Japanese appreciation of Ise Jingu and other buildings in its architectural tradition implies both that it is (...) no more than twenty years old and that it is more than a thousand years old. Two ontologies are considered that reconcile this paradox. A general lesson is also drawn, that ontology of art can profit from cross-cultural studies. (shrink)

Bringing together leading scholars in the fields of criminology, international law, philosophy and architectural history and theory, this book examines the interrelationships between architecture and justice, highlighting the provocative and curiously ambiguous juncture between the two. Illustrated by a range of disparate and diverse case studies, it draws out the formal language of justice, and extends the effects that architecture has on both the place of, and the individuals subject to, justice. With its multi-disciplinary perspective, the study serves (...) as a platform on which to debate the relationships between the ceremonial, legalistic, administrative and penal aspects of justice, and the spaces that constitute their settings. (shrink)

Although ‘glue semantics’ is the most extensively developed theory of semantic composition for LFG, it is not very well integrated into the LFG projection architecture, due to the absence of a simple and well-explained correspondence between glue-proofs and f-structures. In this paper I will show that we can improve this situation with two steps: (1) Replace the current quantificational formulations of glue (either Girard’s system F, or first order linear logic) with strictly propositional linear logic (the quantifier, unit and (...) exponential free version of either MILL or ILL, depending on whether or not tensors are used). (2) Reverse the direction of the standard σ-projection from f-structure to meaning, giving one going from the (atomic nodes of) the glue-proof to the f-structure, rather than from the f-structure to a ‘semantic projection’ which is itself somehow related to the glue-proof. As a side effect, the standard semantic projection of LFG glue semantics can be dispensed with. A result is that LFG sentence structures acquire a level composed of strictly binary trees, constructed out of nodes representing function application and lambda abstraction, with a significant resemblance to external and internal merge in the Minimalist Program. This increased resemblance between frameworks might assist in making useful comparisons. (shrink)

The basic premise of the Parallel Architecture (Jackendoff 1997, 2002) is that phonology, syntax, and semantics are independent generative components in language, each with its own primitives and principles of combination. The theory builds on insights about linguistic structure that emerged in the 1970s. First, phonology was demonstrated to have highly articulated structure that cannot be derived directly from syntax: structured units such as syllables and prosodic constituents do not correspond one-to-one with syntactic units. Moreover, phonological structure includes several (...) independent substructures or tiers, each with its own type of generative structure: segmental-syllabic structure, the metrical grid, intonation contour, and (in tone languages) the tone tier. The tiers are correlated with each other by interface rules: principles that establish optimal correspondence between structures of two independent types. Such rules are not derivational. Since these phonological structures cannot be derived from syntactic structures, the connection between syntax and phonology must also be mediated not by derivations, but by a component of interface rules. (shrink)

Present Hope is a compelling exploration of how we think philosophically about the present. Andrew Benjamin considers examples in philosophy, architecture and poetry to illustrate crucial themes of loss, memory, tragedy, hope and modernity. The book uses the work of Walter Benjamin and Martin Heidegger to illustrate the ways the notion of hope was weaved into their philosophies. Andrew Benjamin maintains that hope is a vital part of the present, rather than an expression only of the future. Present Hope (...) shows how Judaism and philosophy interact; how the Holocaust provides an important link between modernity and the present. Benjamin's writings on the significance of the Jewish Museum in Berlin and the poetry of Paul Celan unite toward understanding the present. (shrink)

Cognitive architectures - task-general theories of the structure and function of the complete cognitive system - are sometimes argued to be more akin to frameworks or belief systems than scientific theories. The argument stems from the apparent non-falsifiability of existing cognitive architectures. Newell was aware of this criticism and argued that architectures should be viewed not as theories subject to Popperian falsification, but rather as Lakatosian research programs based on cumulative growth. Newell's argument is undermined because he failed to demonstrate (...) that the development of Soar, his own candidate architecture, adhered to Lakatosian principles. This paper presents detailed case studies of the development of two cognitive architectures, Soar and ACT-R, from a Lakatosian perspective. It is demonstrated that both are broadly Lakatosian, but that in both cases there have been theoretical progressions that, according to Lakatosian criteria, are pseudo-scientific. Thus, Newell's defense of Soar as a scientific rather than pseudo-scientific theory is not supported in practice. The ACT series of architectures has fewer pseudo-scientific progressions than Soar, but it too is vulnerable to accusations of pseudo-science. From this analysis, it is argued that successive versions of theories of the human cognitive architecture must explicitly address five questions to maintain scientific credibility. (shrink)

Martin Heidegger and Vincent Scully, writing from very different positions, agree that the enclosure of human life and the disclosure of a moral universe are the chief functions of architecture, and they agree further that the traditional house best exemplifies the first function and the Greek temple the second. The culture of technology has emptied the home of many substantial engagements, and it has reduced the monumental structures, the high-rises and expressways, to instrumental status. Architects need to understand (...) the cultural force of technology, the ways buildings shape the conduct of our lives, and the responsibilities that follow from the comprehension of contemporary culture. (shrink)

(A) Larry Shiner address some central issues about architecturein particular, he is interested in the extent to which architectural beauty is dependent on, or independent of, various functions of buildings. What role does or should our knowledge of the functions of a building play in our aesthetic appreciation of it? I would say that a building may have various functions in addition to its aesthetic functions. One crucial question is over the way that the aesthetic and nonaesthetic functions may (...) be interwoven, so that there may be the “aesthetic expression” of nonaesthetic functions, which is also an aesthetic function of the building. I think that there are important unsolved and unresolved issues here, of great importance in aesthetics. What exactly is it to be beautiful as something with a function. What, exactly, is the aesthetic realization of a nonaesthetic function? I hoped to make a start on these matters by invoking the notion of “dependent beauty”, roughly as Kant described it, but perhaps with some recasting. I am pleased that Shiner appreciates the utility of the Kantian dependent beauty framework for thinking about certain substantive debates about architecture. A theoretical framework should have fruitful and illuminating application in particular cases. Recasting the form/function debates in architecture as debates about different kinds of function, I think, is helpful, especially because the framework allows for more or less aesthetically significant interaction between pure aesthetic and nonaesthetic functions. Shiner pursues some architectural debates in this frameworkhe is especially insightful on issues about the reuse of buildings. (B) In Aesthetic Creation, I raised a worry about how to specify exactly which functions are relevant to the aesthetic assessment of architecture. Architectural assessment is broader than aesthetic assessment; leaking roofs are an architectural defect but not (usually) an aesthetic defect of a building.. (shrink)

We present a theoretical account of implicit and explicit learning in terms of ACT-R, an integrated architecture of human cognition as a computational supplement to Dienes & Perner's conceptual analysis of knowledge. Explicit learning is explained in ACT-R by the acquisition of new symbolic knowledge, whereas implicit learning amounts to statistically adjusting subsymbolic quantities associated with that knowledge. We discuss the common foundation of a set of models that are able to explain data gathered in several signature paradigms of (...) implicit learning. (shrink)

This paper describes how meta-cognitive processes (i.e., the self monitoring and regulating of cognitive processes) may be captured within a cognitive architecture Clarion. Some currently popular cognitive architectures lack sufficiently complex built-in meta-cognitive mechanisms. However, a sufficiently complex meta-cognitive mechanism is important, in that it is an essential part of cognition and without it, human cognition may not function properly. We contend that such a meta-cognitive mechanism should be an integral part of a cognitive architecture. Thus such a (...) mechanism has been developed within the Clarion cognitive architecture. The paper demonstrates how human data of two meta-cognitive experiments are simulated using Clarion. The simulations show that the meta-cognitive processes represented by the experimental data (and beyond) can be adequately captured within the Clarion framework. (shrink)

The view that moral cognition is subserved by a two-tieredarchitecture is defended: Moral reasoning is the result both ofspecialized, informationally encapsulated modules which automaticallyand effortlessly generate intuitions; and of general-purpose,cognitively penetrable mechanisms which enable moral judgment in thelight of the agent's general fund of knowledge. This view is contrastedwith rival architectures of social/moral cognition, such as Cosmidesand Tooby's view that the mind is wholly modular, and it is argued thata two-tiered architecture is more plausible.

This theoretical note proposes a two-dimensional cognitive architecture for dual-process theories of reasoning and decision making. Evans (2007b, 2008a, 2009) distinguishes between two types of dual-processing models: parallel-competitive , in which both types of processes operate in parallel, and default-interventionist , in which heuristic processes precede the analytic processes. I suggest that this temporal dimension should be enhanced with a functional distinction between interactionist architecture, in which either type of process influences the content and valence of the other, (...) and independent architecture, in which they do not. Override architecture is a special case of the latter, which postulates statistical interaction, but no interaction of valence and content. I show that this added dimensional distinction casts doubt on two assumptions of statistical modelling that Evans makes: independence and linearity. However, Evans' (2007b) point, that statistical modelling is underspecified vis- -vis the verbal theory, is given further support. The functional dimension is crucial to interpreting the statistical model, as well as to theoretical understanding of the cognitive architecture and its educational applications. (shrink)

The “grand problem” of AI has always been to build artificial agents with human-like intelligence. That is the stuff of science fiction, but it is also the ultimate aspiration of AI. In retrospect, we can understand what a difficult problem this is, so since its inception AI has focused more on small manageable problems, with the hope that progress there will have useful implications for the grand problem. Now there is a resurgence of interest in tackling the grand problem head-on. (...) Perhaps AI has made enough progress on the little problems that we can fruitfully address the big problem. The objective is to build agents of human-level intelligence capable of operating in environments of real-world complexity. I will refer to these as GIAs — “generally intelligent agents”. OSCAR is a cognitive architecture for GIAs, implemented in LISP.1 OSCAR draws heavily on my work in philosophy concerning both epistemology (Pollock 1974, 1986, 1990, 1995, 1998, 2008b, 2008; Pollock and Cruz 1999; Pollock and Oved, 2005) and rational decision making (2005, 2006, 2006a). (shrink)

The notion of architectural experience has been explored by Roger Scruton in an essay in which he provides an account of both its structure and content, along with clarifications of certain key concepts in architectural criticism, such as architectural success and architectural beauty. In this article, I introduce Scruton’s theory and argue that, despite its intuitive appeal, some crucial elements for the appreciation of buildings as works of architecture are not adequately addressed there. I then propose various ways of (...) addressing these criticisms. (shrink)

Mental spatial knowledge processing often uses spatio-analogical or quasipictorial representation structures such as spatial mental models or mental images. The cognitive architecture Casimir is designed to provide a framework for computationally modeling human spatial knowledge processing relying on these kinds of representation formats. In this article, we present an overview of Casimir and its components. We briefly describe the long-term memory component and the interaction with external diagrammatic representations. Particular emphasis is placed on Casimir’s working memory and control mechanisms. (...) Regarding working memory, we describe the conceptual foundations and the processing mechanisms employed in mental spatial reasoning. With respect to control, we explain how it is realized as a distributed, emergent facility within Casimir. (shrink)

The Education of the Eye examines the origins of visual culture in eighteenth-century Britain. It claims that at the moment when works of visual art were first displayed and contemplated as aesthetic objects two competing descriptions of the viewer or spectator promoted two very different accounts of culture. The first was constructed on knowledge, on what one already knew, while the second was grounded in the eye itself. Though the first was most likely to lead to a socially and politically (...) elite form for visual culture, the second, it was held, would almost certainly end up in the chaos of the mob. But there was another route through these conflicting accounts of the visual that preserved the education of the eye while at the same time allowing the eye freedom to enter into the realm of culture. This third route, that of the sentimental look, is explored in a series of contexts: the gallery, the pleasure garden, the landscape park, and the country house. The Education of the Eye sets out to reclaim visual culture for the democracy of the eye and to explain how aesthetic contemplation may, once more, be open to all who have eyes to look. The book will interest historians of eighteenth-century British culture and historians of architecture, art, and landscape, as well as readers generally curious about the origins of our current visual culture. (shrink)

As a spiritual or meditative practice solitude implies more than mere silence or being alone. While these are perhaps indispensablecomponents, it is possible to be alone or to live in silence and nevertheless be unable to reconfigure these into genuine solitude. Solitude is also more than being in some remote or inaccessible place. Even though geographical isolation might be conducive to solitude, with rare exceptions human beings have seldom sought solitude in complete seclusion in the wilderness. The places where human (...) beings have sought solitude have in the end been human places, human-built places. It should come as no surprise then that through architecture humans beings have sought to build solitude, to construct, through stone and glass and wooden structures, placesthat are conducive to and encourage solitude. Such structures include individual hermitages, monasteries, temples, and even cathedrals. In each case the purpose is to translate or reconfigure a natural geographical place into a space, a human space, where solitude as a spiritual or meditative practice becomes possible. What the individual sojourner brings to the experience is an inner openness to the architecture, to the natural environment and to the spiritual realm which interweave to create solitude. This paper examines (1) the spiritual need to experience solitude, (2) what it is that solitude requires, and (3) the endeavor to create solitudethrough architecture and the challenges it poses to both architecture and spiritual practice. In particular the paper explores and compares solitude’s architectural expression in three Medieval Christian monastic orders—the Camaldolese Order, the Carthusian Order, and the Cistercian Order. Despite their common heritage these orders realize solitude, as an essential spiritual value, through unique architectural expressions. (shrink)

This paper is about how to give human-like powers to complete agents. For this the most important design choice concerns the overall architecture. Questions regarding detailed mechanisms, forms of representations, inference capabilities, knowledge etc. are best addressed in the context of a global architecture in which different design decisions need to be linked. Such a design would assemble various kinds of functionality into a complete coherent working system, in which there are many concurrent, partly independent, partly mutually supportive, (...) partly potentially incompatible processes, addressing a multitude of issues on different time scales, including asynchronous, concurrent, motive generators. Designing human like agents is part of the more general problem of understanding design space, niche space and their interrelations, for, in the abstract, there is no one optimal design, as biological diversity on earth shows. (shrink)

Oleg Grabar has argued that there was not a system of visual symbols in Islamic culture; consequently it is difflcult to hold that an Islamic architecture exists; that is, if we were to stand before a mosque and try to experience it aesthetically or see what kind of building it is we would not be able to say that it is a mosque. In this paper we argue against this proposition. We, first, present a brief analysis of Grabar's view. (...) Second, we critically evaluate this view. Third, we explicate how the mosque as an architectural type embodies uniquely Islamic symbols. We shall illustrate this point by an analysis of one basic Islamic symbol: the Mihrab. The thesis we defend is that there are basic Islamic symbols and that these symbols inhere in the mosque. It is this fact that lends credibility to the claim that an Islamic architecture exists. /// Oleg Grabar defendeu a tese de que não existe um sistema de símbolos visuais na cultura islâmica; consequentemente, é difícil defender a existência de uma arquitectura islâmica; ou seja, se estivéssemos diante de uma mesquita e tentássemos fazer uma experiência estética da mesma ou analisar que tipo de edifício se trata, não seríamos capazes de dizer que se trata de uma mesquita. No presente artigo, os autores argumentam contra esta proposição. Em primeiro lugar, os autores começam por apresentar uma breve análise do ponto de vista de Grabar. Em segundo lugar, avaliam criticamente esta posição. Em terceiro lugar tentam explicar até que ponto a mesquita como tipo arquitectónico apenas incorpora símbolos islâmicos. Os autores exemplificam este ponto mediante a análise de um dos símbolos básicos do Islamismo: o Mihrab. O artigo defende, portanto, a tese de que existem símbolos islâmicos básicos e de que estes símbolos estão presentes na mesquita. Ora é precisamente este facto que dá credibilidade à afirmação de que existe uma arquitectura islâmica propriamente dita. (shrink)

A landmark study in the field of political science, The Changing Architecture of Politics charts the profound structural changes taking place in the late twentieth-century state. Looking at both theory and practice, Cerny argues that political structures--states in the broadest sense--are the key to understanding both the history and the future of modern politics. Included for discussion are such salient topics as the problem of locating institutional and structural theory within political and social science, how to describe and classify (...) the main elements of political structures, and a penetrating analysis of the structured action field that lies at the crossroads of political structuration. In addition, he explores several core areas in practice, including how states will operate in the next century and how states will interact with the manifold changes in social and economic processes--at both the domestic and international levels. Through his masterly portrayal of the architecture of contemporary politics, Cerny lays the foundations for an understanding of new political structures that are needed if the pursuit of human values is to continue into the next century. As such, this fascinating volume will appeal to all those interested in the paradigms of political and social science, whether from a purely theoretical or from a more empirical standpoint. "This is the best introduction available in English to contemporary academic discussions about the purpose and prospects of applying the comparative method to political science. Cerny's book is comprehensive in scope and accomplishes three, quite rare tasks: it brings together material on North America, Western Europe, and Japan; it combines theories of comparative politics and international relations; it pays equal attention to systems of party competition and of interest intermediation, although its primary focus is upon the state. Philip Cerny has produced a tour de force, an intelligent, erudite, and comprehensive text that cuts decisively through artificial barriers within the discipline." --Political Science Quarterly. (shrink)

Silos, mills, sheds, and refineries: Across most of Oklahoma’s gently rolling prairie countryside these artistically uninformed structures often provide the only vertical punctuation to a landscape otherwise made of mostly horizontal lines. One of the pleasures of teaching architecture here is to participate in the intellectual progress of students—many of whom hail from rural areas and have traveled little—as they eventually come to regard these structures with much the same admiration expressed for them some eighty years ago by Le (...) Corbusier in his rallying polemic against the arbitrariness of nineteenth-century architecture: Vers Une Architecture.1 Like Le Corbusier, many of my students would have their work .. (shrink)

Despite its computational elegancy, Jackendoff's proposal to reconcile competing approaches by postulating a parallel architecture for phonological, syntactic, and semantic modules is disappointing. We argue that it is a pragmatic version of the leading module which Jackendoff would probably prefer, but which he does not explicitly acknowledge. This internal conflict leads to several shortcomings and even distortions of information presented in the book.

Plant succession is a phenomenon ascribed to vegetation dynamics at the scale of the plant community. The study of plant succession implies the analysis of the species involved and their relationships. Depending on the research done, the characteristics of trees have been studied according to either static, dimensional or partial approaches. We have revised the principal theories of succession, the methods of describing structure and development of tree and relationship established between tree species' attributes and their successional status. During studies (...) of succession, we propose that the profile of plant species be completed by including the organizational attributes of their structure as well as their development dynamics. We suggest an approach to the architecture that gives a general overview of the mode of development, revealing, among other things, that a limited number of architectural models may be found in nature. We hypothesize that community dynamics, in succession, may to a certain degree arise from the dynamic nature of plant development. This line of reasoning is in accordance with the current school of thought on process structuralism. (shrink)

This volume provides the reader with an integrated overview of state-of-the-art research in philosophy and ethics of design in engineering and architecture.

It has been argued that dual process theories are not consistent with Oaksford and Chater’s probabilistic approach to human reasoning (Oaksford and Chater in Psychol Rev 101:608–631, 1994 , 2007 ; Oaksford et al. 2000 ), which has been characterised as a “single-level probabilistic treatment[s]” (Evans 2007 ). In this paper, it is argued that this characterisation conflates levels of computational explanation. The probabilistic approach is a computational level theory which is consistent with theories of general cognitive architecture that (...) invoke a WM system and an LTM system. That is, it is a single function dual process theory which is consistent with dual process theories like Evans’ ( 2007 ) that use probability logic (Adams 1998 ) as an account of analytic processes. This approach contrasts with dual process theories which propose an analytic system that respects standard binary truth functional logic (Heit and Rotello in J Exp Psychol Learn 36:805–812, 2010 ; Klauer et al. in J Exp Psychol Learn 36:298–323, 2010 ; Rips in Psychol Sci 12:29–134, 2001 , 2002 ; Stanovich in Behav Brain Sci 23:645–726, 2000 , 2011 ). The problems noted for this latter approach by both Evans Psychol Bull 128:978–996, ( 2002 , 2007 ) and Oaksford and Chater (Mind Lang 6:1–38, 1991 , 1998 , 2007 ) due to the defeasibility of everyday reasoning are rehearsed. Oaksford and Chater’s ( 2010 ) dual systems implementation of their probabilistic approach is then outlined and its implications discussed. In particular, the nature of cognitive decoupling operations are discussed and a Panglossian probabilistic position developed that can explain both modal and non-modal responses and correlations with IQ in reasoning tasks. It is concluded that a single function probabilistic approach is as compatible with the evidence supporting a dual systems theory. (shrink)

This paper is about how to give human-like powers to complete agents. For this the most important design choice concerns the overall architecture. Questions regarding detailed mechanisms, forms of representations, inference capabilities, knowledge etc. are best addressed in the context of a global architecture in which different design decisions need to be linked. Such a design would assemble various kinds of functionality into a complete coherent working system, in which there are many concurrent, partly independent, partly mutually supportive, (...) partly potentially incompatible processes, addressing a multitude of issues on different time scales, including asynchronous, concurrent, motive generators. Designing human like agents is part of the more general problem of understanding design space, niche space and their interrelations, for, in the abstract, there is no one optimal design, as biological diversity on earth shows. (shrink)

The architecture of the hazard management system underlying precautionary behavior makes functional sense, given the adaptive computational problems it evolved to solve. Many seeming infelicities in its outputs, such as behavior with “apparent lack of rational motivation” or disproportionality, are susceptibilities that derive from the sheer computational difficulty posed by the problem of cost-effectively deploying countermeasures to rare, harmful threats. (Published Online February 8 2007).

Cognitive pragmatics is concerned with the mental processes involved in intentional communication. I discuss a few issues that may help clarify the relationship between this area and the broader cognitive science and the contribution that they give, or might give, to each other. Rather than dwelling on the many technicalities of the various theories of communication that have been advanced, I focus on the different conceptions of the nature and the architecture of the mind/brain that underlie them. My aims (...) are, first, to introduce and defend mentalist views of communication in general; second, to defend one such view, namely that communication is a cognitive competence, that is, a faculty, and the underlying idea that the architecture of the mind/brain is domain-specific; and, third, to review the (scarce) neuropsychological evidence that bears on these issues. (shrink)

The notion that the mind is a physical symbol system (Newell) with a determinate functional architecture (Pylyshyn) provides a compelling conception of the relation of cognitive inquiry to neuroscience inquiry: cognitive inquiry explores the activity within the symbol system while neuroscience explains how the symbol system is realized in the brain. However, the view the the mind is a physical symbol system is being challenged today by researchers in artificial intelligence who propose that the mind is a connectionist system (...) and not simply a rule processing system. I describe this challenge and offer evidence that indicates the challenge may be well motivated. I then turn to the question of how such changes in the conception of the activity of the mind will affect our understanding of the relation of neuroscience to cognitive inquiry and sketch a framework in which the cognitive system consists of several levels and in which both neuroscience and cognitive science can make contributions at several of these levels. (shrink)

Schmitt has equivocated about the underlying psychology of sociosexuality, but from the data presented in the target article, it would appear that he has drawn out the underlying cognitive architecture. In this commentary, I describe this architecture and discuss two emerging hypotheses about heterosexual and homosexual male sociosexuality.

The model of parallel architecture for language presented by Jackendoff is a kind of stratificational model in the spirit of Sydney Lamb. It differs from the more usual stratificationalism most importantly in its clear commitment to nativism, though the variety of nativism is greatly modified from what is more usual among Chomskyans. The revised model presents a potential for fruitful discussion with proponents of stratificationalism, and the potential for enrichment via a relational implementation.

The sustainability movement, currently gathering considerable attention from architects, derives much of its moral foundation from the theoretical initiatives of environmental ethics. How is the value of sustainability to mesh with architecture’s time-tested values? The idea that an ethic of sustainability might serve architects’ efforts to reground their practices in something that opposes consumer values of the marketplace has intuitive appeal and makes a certain amount of sense. However, it is far from obvious that the sustainability movement provides a (...) strong enough conceptual framework for an entire designphilosophy. This issue is complicated by two different sustainable design outlooks which parallel two conceptions of environmental ethics: the practical and the radical. Neverthleless, sustainability need not resort to the philosophical excess of its radical branch to help foster a new public-spiritedness. (shrink)

There are two classical and opposite positions about scientific discovery: the one that conceives scientific discovery activity as fully rational and the one that conceives scientific discovery activity as fully irrational. In the first case, machines are regarded as able to perform the scientific discovery process whereas, in the second case, machines are considered unable to perform any part of the scientific discovery process.We adopt a third intermediate approach that envisages a new role for machines, which are conceived as descriptions (...) of the results of scientific discovery activity. More precisely, the purpose of the paper is to illustrate the multilevel structure of a machine, called creative dynamic agency, that represents the articulated and incremental description of the product of scientific discovery process. The multilevel architecture reflects the composition relation that holds among phenomena described by creative agents that compose creative dynamic agency. (shrink)

The Rural Studio, which was founded by Samuel Mockbee in 1992 and lead by him until his death in 2001, continues its activities. Its specialty is, now as before, the design of innovative houses for poor people living in Alabama's second-poorest county, Hale County, by relying largely on donated and salvaged materials. The houses are made of car windshields, surplus carpet tiles, baled cardboard, old street signs, license plates, etc. Alexis de Tocqueville has said that democracy lowers the standards of (...) creation,1 and it seems that, for architecture, this has become a sad truth in many cases in industrialized countries. The Rural Studio wants to contradict this tendency by showing that even within the context of .. (shrink)

Architecture is about to enter its first magical phase: a time when buildings actively co-operate with their inhabitants; when objects know what they are, where they are, what is near them; when social and physical space lose their type coupling; when wall and partitions change with mood and task. As engineers and scientists explore how to digitse the world around us, the classical constraints of design, ruled so long by the physics of space, time, and materials, are starting to (...) crumble. Documents can be laid down in one place, automatically cloned, and a copy picked up in another. Meetings scheduled for 9am to 10am can be joined by latecomers at noon, who then participate in a captured form of the event and are ‘edited into’ the past. People on the West coast of the USA can participate, in a telepresent way, with their colleagues on the East coast, and hold a meeting against a virtual backdrop, such as a production line in their Taiwanese factory. Walls seem to dematerialise, remote objects can be touched virtually, shaped, passed through one another. Technology is moving inexorably so that being in one place at a time no longer need dominate how we work and play. Material boundaries are losing their meaning, and interface and information space are catch words that architects must master. -/- In this article I will discuss some of the theoretical ideas shaping our new conception of form, function, and interactivity. My view is that of a cognitive scientist interested in how cognition is distributed throughout our environment. Since the ground rules defining the structure of environments are changing, our very idea of how we are embedded in the world is changing. Architecture is at a new frontier. (shrink)

The neural blackboard architecture is a localist structured connectionist model that employs a novel connection matrix to implement dynamic bindings without requiring propagation of temporal synchrony. Here I note the apparent need for many distinct matrices and the effect this might have for scale-up to semantic processing. I also comment on the authors' initial foray into the symbol grounding problem.

The title of this article is adapted from Theodor W. Adorno’s famous dictum: ‘To write poetry after Auschwitz is barbaric.’ After the catastrophic earthquake in Kocaeli, Turkey on the 17th of August 1999, in which more than 40,000 people died or were lost, Necdet Teymur, who was then the dean of the Faculty of Architecture of the Middle East Technical University, referred to Adorno in one of his ‘earthquake poems’ and asked: ‘Is architecture possible after 17th of August?’ (...) The main objective of this article is to interpret Teymur’s question in respect of its connection to Adorno’s philosophy with a view to make a contribution to the politics and ethics of architecture in Turkey. Teymur’s question helps in providing a new interpretation of a critical approach to architecture and architectural technology through Adorno’s philosophy. The paper also presents a discussion of Adorno`s dictum, which serves for a better understanding of its universality/particularity. (shrink)