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  1. Arno Böhler (2013). Filozofia ako výskům využívajúci umenie filozofia na scéně. Filozofia 68 (5).
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  2. Arno Böhler (2013). Meditation Im Kontext der Indischen Philosophie. Paragrana 22 (2):29-40.
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  3. Arno Böhler (2010). The Time of Drama in Nietzsche and Deleuze: A Life as Performative Interaction. Deleuze Studies 4 (1):70-82.
    Nietzsche's model of eternal return triggers a drama of affirmation, the overcoming of a simple miming of our ancestors in favour of an active participation in the counter-actualisation of hidden potentials in recurrent events. Based on a close study of Zarathustra's struggle to free himself from a suffocating nihilism, the paper focuses on the revelatory caesura that ushers in what Deleuze calls the third synthesis of time, a time of ‘doing’ rather than reflection.
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  4. Arno Böhler, Leyla Haferkamp & Peter Hertz-Ohmes (2010). Forum Introduction: Sense, Sensation and Deleuze's Transcendental Empiricism. Deleuze Studies 4 (2):60-61.
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