Search results for 'Art and morality' (try it on Scholar)

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  1. Joseph H. Kupfer (2013). Extreme Makeover: Art and Morality in The Shape of Things. Film-Philosophy 17 (1):296-314.score: 78.0
    Many of us might welcome a makeover in our appearance, but how would we feel if it involved being emotionally manipulated in the name of art? The story of a young woman’s reshaping of her boyfriend encourages us to consider whether the creation of art could justify what would otherwise be immoral behavior. For example, do moral considerations always take precedence over other values, such as the aesthetic? The subordinate themes of gender and narrative inform Neil LaBute’s cinematic portrayal of (...)
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  2. José Luis Bermúdez & Sebastian Gardner (eds.) (2003). Art and Morality. Routledge.score: 62.0
    Art and Morality is a collection of groundbreaking new papers on the theme of aesthetics and ethics, and the link between the two subjects. A group of world-class contributors tackle the important question that arise when one thinks about the moral dimensions of art and the aesthetic dimension of moral life. The volume is a significant contribution to the philosophical literature, opening up unexplored questions and shedding new light on more traditional debates in aesthetics. The topics explored include the (...)
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  3. Matthew Kieran (2010). Teaching & Learning Guide For: Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter-Relations to Artistic Value. Philosophy Compass 5 (5):426-431.score: 60.0
    Up until fairly recently it was philosophical orthodoxy – at least within analytic aesthetics broadly construed – to hold that the appreciation and evaluation of works as art and moral considerations pertaining to them are conceptually distinct. However, following on from the idea that artistic value is broader than aesthetic value, the last 15 years has seen an explosion of interest in exploring possible inter-relations between the appreciative and ethical character of works as art. Consideration of these issues has a (...)
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  4. Andrea Sauchelli, Art and Morality. Oxford Bibliographies Online.score: 60.0
  5. Matthew Kieran (2003). Art and Morality. In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford. 451--470.score: 60.0
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  6. Paul Russell (2008). Free Will, Art and Morality. Journal of Ethics 12 (3/4):307 - 325.score: 57.0
    The discussion in this paper begins with some observations regarding a number of structural similarities between art and morality as it involves human agency. On the basis of these observations we may ask whether or not incompatibilist worries about free will are relevant to both art and morality. One approach is to claim that libertarian free will is essential to our evaluations of merit and desert in both spheres. An alternative approach, is to claim that free will is (...)
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  7. Noël Carroll (2002). The Wheel of Virtue: Art, Literature, and Moral Knowledge. Journal of Aesthetics and Art Criticism 60 (1):3–26.score: 48.0
    In this essay, then, I would like to address what I believe are the most compelling epistemic arguments against the notion that literature (and art more broadly) can function as an instrument of education and a source of knowledge.
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  8. Reed Winegar (2011). Good Sense, Art, and Morality in Hume's ''Of the Standard of Taste''. Journal of Scottish Philosophy 9 (1):17-35.score: 48.0
    In his essay ‘‘Of the Standard of Taste,’’ Hume argues that artworks with morally flawed outlooks (including Homer's poems) are, to some extent, aesthetically flawed. While Hume's remarks regarding the relationship between art and morality have influenced contemporary aestheticians, Hume's own position has struck many people as incoherent. For Hume appears to entangle himself in two separate contradictions. First, Hume seems to claim both that true judges should not enter into vicious sentiments and that true judges should adopt the (...)
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  9. Katrin Froese (2008). The Art of Becoming Human: Morality in Kant and Confucius. Dao: A Journal of Comparative Philosophy 7 (3):257-268.score: 48.0
    Kant and Confucius maintain that the art of becoming human is synonymous with the unending process of becoming moral. According to Kant, I must imagine a world in which the universality of my maxims were possible, while realizing that if such a world existed, then morality would disappear. Morality is an impossible possibility because it always meets resistance in our encounter with nature. According to Confucius, human beings become moral by integrating themselves into the already meaningful natural order (...)
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  10. Casey Haskins (2001). Art, Morality, and the Holocaust: The Aesthetic Riddle of Benigni's Life is Beautiful. Journal of Aesthetics and Art Criticism 59 (4):373–384.score: 48.0
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  11. Andrea Sauchelli (2012). Ethicism and Immoral Cognitivism: Gaut Versus Kieran on Art and Morality. Journal of Aesthetic Education 46 (3):107-118.score: 48.0
    The aims of this paper are (1) to reconstruct the dialectic between two rival theories on the relation between art and morality, (2) to argue against Berys Gaut’s recent defense of ethicism, and (3) to elaborate some of my critical remarks and propose new considerations in favor of immoralism. To a first approximation, an ethicist maintains that the moral value of a work of art, when relevant, is an important element of its artistic value. In particular, assuming that the (...)
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  12. Katherine Thomson (2004). Art and Morality. Australasian Journal of Philosophy 82 (3):544 – 547.score: 48.0
    Book Information Art and Morality. Art and Morality José Luis Bermùdez and Sebastian Gardener , London : Routledge , 2003 , 303 , £50 ( cloth ) By José Luis Bermùdez. and Sebastian Gardener. Routledge. London. Pp. 303. £50 (cloth:).
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  13. Daryl Koehn (2010). Ethics, Morality, and Art in the Classroom. Journal of Business Ethics Education 7:213-232.score: 48.0
    Scholars are increasingly interested in possible relationships between aesthetics and ethics and in the pedagogical value of art. This paper considers some specific works of art and explores their multi-faceted relation to ethics and morality. I argue that art has both positive and negative relationships to ethics and morality (which I distinguish in a very rough way as the paper progresses). Art works of various sorts may productively be used in the business ethics classroom,but instructors need to keep (...)
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  14. Otfried Höffe (2010). Can Virtue Make Us Happy?: The Art of Living and Morality. Northwestern University Press.score: 48.0
    Ethics plus theory of action -- Thinking the good through -- Fallacious conclusions -- Animal morabile -- Action -- The principle of happiness: eudaimonia -- The happiness of aspiration -- The art of living -- Four life goals -- Virtue -- Prudence, composure, selflessness -- Wisdom rather than calculation -- Does virtue make one happy? -- Euthanasia of morals? -- From an ethic of teleological aspiration to an ethic of the will -- The principle of freedom: autonomy -- Locating moral (...)
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  15. Matthew Kieran (2006). Art, Morality and Ethics: On the (Im)Moral Character of Art Works and Inter-Relations to Artistic Value. Philosophy Compass 1 (2):129–143.score: 45.0
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  16. Donovan Miyasaki (2007). Against the Moral Appraisal of Art: Wayne Booth and the Case of Huck Finn. Philosophy and Literature 31 (1):125-32.score: 45.0
    In this essay, I argue that it is sometimes inappropriate to appeal to moral criteria in artistic judgments, even when the moral content of an artwork contributes to its artistic value. I suggest that this is the case with artworks that (1) are “interrogative” in form, posing a question or problem that remains unresolved in the work, and (2) have moral dilemmas as a principal theme. Using Mark Twain’s The Adventures of Huckleberry Finn as an example of morally interrogative artwork, (...)
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  17. Kenneth L. Buckman (1997). Gadamer on Art, Morality, and Authority. Philosophy and Literature 21 (1):144-150.score: 45.0
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  18. Lorna Collins (2010). Making Restorative Sense with Deleuzian Morality, Art Brut and the Schizophrenic. Deleuze Studies 4 (2):234-255.score: 42.0
    The essay consists of three parts: the first argues that Deleuze's moral philosophy in The Logic of Sense provides an ethical model of counter-actualisation; the second shows how three different practices of art therapy offer a means to effect this counter-actualisation and thereby demonstrate the restorative power of art; the third explores how such a power might form part of what Guattari calls the ‘ethico-aesthetic paradigm’ (Guattari 1995).
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  19. Paul Crowther (1989). The Kantian Sublime: From Morality to Art. Oxford University Press.score: 39.0
    With this, the first volume in the Oxford Philosophical Monographs series, Paul Crowther breaks new ground by providing what is probably the first study in any language to be devoted exclusively to Kant's theory of the sublime. It fills a gap in an area of scholarship where Kant makes crucial links between morality and aesthetics and will be particularly useful for Continental philosophers, among whom the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. (...)
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  20. Lawrence W. Hyman (1989). Art's Autonomy is its Morality: A Reply to Casey Haskins on Kant. Journal of Aesthetics and Art Criticism 47 (4):376-377.score: 39.0
  21. Morris Grossman (1973). Art and Morality: On the Ambiguity of a Distinction. Journal of Aesthetics and Art Criticism 32 (1):103-106.score: 39.0
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  22. Peter K. Machamer & George W. Roberts (1968). Art and Morality. Journal of Aesthetics and Art Criticism 26 (4):515-519.score: 39.0
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  23. Genia Schönbaumsfeld (2013). Art and the 'Morality System': The Case of Don Giovanni. European Journal of Philosophy 21 (2):n/a-n/a.score: 39.0
    Mozart's great opera, Don Giovanni, poses a number of significant philosophical and aesthetic challenges, and yet it remains, for the most part, little discussed by contemporary philosophers. A notable exception to this is Bernard Williams's important paper, ‘Don Juan as an Idea’, which contains an illuminating discussion of Kierkegaard's ground-breaking interpretation of the opera, ‘The Immediate Erotic Stages or the Musical-Erotic’, in Either/Or. Kierkegaard's pseudonymous author's (A) approach here is, in some respects, reminiscent of a currently rather fashionable narrative-inspired moral (...)
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  24. Wendy Donner (2010). Morality, Virtue and Aesthetics in Mill's Art of Life. In Ben Eggleston, Dale E. Miller & D. Weinstein (eds.), John Stuart Mill and the Art of Life. Oxford University Press.score: 39.0
     
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  25. Roman Kubicki (2007). Art and Morality in the World of Cyborgs. Art Inquiry. Recherches Sur les Arts 9:49-66.score: 39.0
     
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  26. C. A. J. Coady & Onora O'Neill (1990). Messy Morality and the Art of the Possible. Aristotelian Society Supplementary Volume 64:259 - 294.score: 36.0
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  27. Michiel Korthals (1989). Art and Morality: Critical Theory About the Conflict and Harmony Between Art and Morality. Philosophy and Social Criticism 15 (3):241-251.score: 36.0
  28. Ruben Berrios (2004). José Luis Bermúdez and Sebastian Gardner, Eds., Art and Morality. New York: Routledge, 2003, 303 Pp. (Indexed). ISBN 0-415-19252-8, US$96.95 (Hb). [REVIEW] Journal of Value Inquiry 38 (3):419-423.score: 36.0
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  29. John Anderson (1941). Art and Morality. Australasian Journal of Philosophy 19 (3):253 – 266.score: 36.0
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  30. Dinesh C. Mathur (1981). Abhinavagupta and Dewey on Art and its Relation to Morality: Comparisons and Evaluations. Philosophy and Phenomenological Research 42 (2):224-235.score: 36.0
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  31. Herbert Ellsworth Cory (1926). Beauty and Goodness: Art and Morality. International Journal of Ethics 36 (4):394-402.score: 36.0
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  32. Alessandro Giovannelli (2005). Review: Art and Morality. [REVIEW] Mind 114 (453):119-124.score: 36.0
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  33. Steven Fesmire (1999). Morality as Art: Dewey, Metaphor, and Moral Imagination. Transactions of the Charles S. Peirce Society 35 (3):527 - 550.score: 36.0
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  34. Mary A. McCloskey (1990). The Kantian Sublime: From Morality to Art By Paul Crowther Oxford: The Clarendon Press, 1989, X + 178 Pp., £22.50. [REVIEW] Philosophy 65 (253):380-.score: 36.0
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  35. Daniel Came (2004). Nietzsche's Attempt at a Self-Criticism: Art and Morality in The Birth of Tragedy. Nietzsche-Studien 33 (1):37-67.score: 36.0
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  36. Robert W. Hall (forthcoming). Art and Morality in Plato: A Reappraisal. Journal of Aesthetic Education.score: 36.0
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  37. Lev Kreft (forthcoming). Hedonistic Morality and the Art of Life: Jean-Marie Guyau Revisited. Sport, Ethics and Philosophy:1-10.score: 36.0
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  38. C. A. Bennett (1920). Art as an Antidote for Morality. International Journal of Ethics 30 (2):160-171.score: 36.0
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  39. Alicja Kuczyńska & Lech Petrowicz (2012). Art and Morality. Dialectics and Humanism 7 (2):39-49.score: 36.0
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  40. James Laing (1903). Art and Morality. International Journal of Ethics 14 (1):55-66.score: 36.0
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  41. A. H. Hannay (1930). Morality in Art. Proceedings of the Aristotelian Society 31:37 - 54.score: 36.0
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  42. Matthew Kieran (2003). Forbidding Knowledge: The Challenge of Immoralism. In Jose Luis Bermudez & Sebastian Gardner (eds.), Art and Morality. Routledge.score: 36.0
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  43. Richard Kuhns (1975). That Kant Did Not Complete His Argument Concerning the Relation of Art to Morality and How It Might Be Completed. Idealistic Studies 5 (2):190-206.score: 36.0
  44. Louis Arnaud Reid (1936). Art and Morality. By O. De Selincourt. (London: Methuen & Co., Ltd.. 1935. Pp. Ix + 284. Price 10s. 6d. Net.). Philosophy 11 (42):215-.score: 36.0
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  45. Amy Mullin (2003). Review of Jose Bermudez, Art and Morality. [REVIEW] Notre Dame Philosophical Reviews 2003 (9).score: 36.0
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  46. Yves R. Simon (1961). On Art and Morality. New Scholasticism 35 (3):338-341.score: 36.0
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  47. J. Beil Waugh (forthcoming). Art and Morality: The End of an Ancient Rivalry? Journal of Aesthetic Education.score: 36.0
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  48. Jm Beil Waugh (1986). Art and Morality: The End of an Ancient Rivalry? Journal of Aesthetic Education 20 (1):5-17.score: 36.0
     
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  49. Ciaran Benson (2001). The Cultural Psychology of Self: Place, Morality and Art in Human Worlds. Routledge.score: 36.0
    Philosophers and psychologists both investigate the self, but often in isolation from one another. this book brings together studies by philosophers and psychologists in an exploration of the self and its function. It will be of interest to all those involved in philosophy, psychology and sociology.
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  50. Stephen Davies (ed.) (2001). Art and its Messages: Meaning, Morality, and Society. Penn State University Press.score: 36.0
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