Search results for 'Art and science Philosophy' (try it on Scholar)

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  1. Roald Hoffmann (2012). Roald Hoffmann on the Philosophy, Art, and Science of Chemistry. Oxford University Press.score: 486.0
    Machine generated contents note: -- Preface -- Acknowledgments -- Introduction, by Michael Weisberg and Jeffrey Kovac. -- 1 Trying to Understand, Making Bonds, by Roald Hoffmann -- Part 1: Chemical Reasoning and Explanation -- 2. Why Buy That Theory?, by Roald Hoffmann. -- 3. What Might Philosophy of Science Look Like If Chemists Built It?, by Roald Hoffmann -- 4. Unstable, by Roald Hoffmann -- 5. Nearly Circular Reasoning, by Roald Hoffmann -- 6. Ockham's Razor and Chemistry, by (...)
     
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  2. Steve Fuller (2012). The Art of Being Human: A Project for General Philosophy of Science. [REVIEW] Journal for General Philosophy of Science 43 (1):113-123.score: 360.0
    Throughout the medieval and modern periods, in various sacred and secular guises, the unification of all forms of knowledge under the rubric of ‘science’ has been taken as the prerogative of humanity as a species. However, as our sense of species privilege has been called increasingly into question, so too has the very salience of ‘humanity’ and ‘science’ as general categories, let alone ones that might bear some essential relationship to each other. After showing how the ascendant Stanford (...)
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  3. Sangeetha Menon (ed.) (2006). Consciousness, Experience, and Ways of Knowing: Perspectives From Science, Philosophy & the Arts. National Institute of Advances Studies.score: 345.0
     
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  4. Hīrālāla Jaina, Dharmacandra Jaina & R. K. Sharma (eds.) (2002). Jaina Philosophy, Art & Science in Indian Culture. Sharada Pub. House.score: 333.0
     
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  5. Anthony O'Hear (1988). The Element of Fire: Science, Art, and the Human World. Routledge.score: 318.0
    First published in 1988, the aim of this book can be stated in Nietzsche’s words: ‘To look at science from the perspective of the artist, but at art from that of life’. The title contests the notions that science alone can provide us with the most objective truth about the world, and that artistic endeavour can produce nothing more valuable than entertainment. O’Hear argues that art and the study of art are not indispensable aspects of human life, and (...)
     
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  6. Paul Hoyningen-Huene (1993). Reconstructing Scientific Revolutions: Thomas S. Kuhn's Philosophy of Science. University of Chicago Press.score: 309.0
    Few philosophers of science have influenced as many readers as Thomas S. Kuhn. Yet no comprehensive study of his ideas has existed--until now. In this volume, Paul Hoyningen-Huene examines Kuhn's work over four decades, from the days before The Structure of Scientific Revolutions to the present, and puts Kuhn's philosophical development in a historical framework. Scholars from disciplines as diverse as political science and art history have offered widely differing interpretations of Kuhn's ideas, appropriating his notions of paradigm (...)
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  7. Karel Boullart, G. E. Lasker & Hiltrud Schinzel (eds.) (2008). Art and Science, Volume Vi: Proceedings of a Special Focus Symposium on Art and Science Held as Part of the 20th Anniversary International Conference on Systems Research, Informatics and Cybernetics, July 24-30, 2008, Baden-Baden, Germany. [REVIEW] International Institute for Advanced Studies in Systems Research and Cybernetics.score: 282.0
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  8. Jean-Claude Gens, Pierre Guenancia & Maryvonne Perrot (eds.) (2009). Au Risque de L'Existence: Le Mythe, la Science Et L'Art: Hommage à Maryvonne Perrot. Editions Universitaires de Dijon.score: 282.0
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  9. Harry Redner (1994). A New Science of Representation: Towards an Integrated Theory of Representation in Science, Politics, and Art. Westview Press.score: 282.0
     
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  10. Prabas Jivan Chaudhury (1966). Reflections on Science, Philosophy and Art. Calcutta, Progressive Publishers.score: 279.0
     
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  11. A. Janik (1989). Psychoanalysis: Science, Literature or Art? In Style, Politics and the Future of Philosophy. Boston Studies in the Philosophy of Science 114:190-196.score: 279.0
     
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  12. Axel Gelfert (2012). Art History, the Problem of Style, and Arnold Hauser's Contribution to the History and Sociology of Knowledge. Studies in East European Thought 64 (1-2):121-142.score: 276.0
    Much of Arnold Hauser’s work on the social history of art and the philosophy of art history is informed by a concern for the cognitive dimension of art. The present paper offers a reconstruction of this aspect of Hauser’s project and identifies areas of overlap with the sociology of knowledge—where the latter is to be understood as both a separate discipline and a going intellectual concern. Following a discussion of Hauser’s personal and intellectual background, as well as of the (...)
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  13. Peter Clark & Katherine Hawley (eds.) (2003). Philosophy of Science Today. Oxford University Press.score: 273.0
    Philosophy of Science Today offers a state-of-the-art guide to this fast-developing area. An eminent international team of authors covers a wide range of topics at the intersection of philosophy and the sciences, including causation, realism, methodology, epistemology, and the philosophical foundations of physics, biology, and psychology.
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  14. Lorraine Daston (ed.) (2004). Things That Talk: Object Lessons From Art and Science. Mit Press [Distributor].score: 270.0
     
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  15. Frederik le Roy (ed.) (2011). Tickle Your Catastrophe!: Imagining Catastrophe in Art, Architecture and Philosophy. Academia Press.score: 267.0
    A collection of essays that takes stock of the current impact of the image and imagination of the catastrophe in art, science and philosophy.
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  16. Karel Boullart (1989). On the Essential Difference Between Science, Art and Philosophy, or Philosophy as the Literature of Necessity in Cognition and Literature. Communication and Cognition. Monographies 22 (3-4):285-301.score: 261.0
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  17. Chukwunyere Kamalu (1990). Foundations of African Thought: A Worldview Grounded in the African Heritage of Religion, Philosophy, Science, and Art. Karnak House.score: 261.0
  18. George Boas (1937). The Ninth International Congress of Philosophy and the Second International Congress of Esthetics and of the Science of Art. Journal of Philosophy 34 (21):561-574.score: 252.0
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  19. Catherine Chevalley (1996). Physics as an Art: The German Tradition and the Symbolic Turn in Philosophy, History of Art and Natural Science in the 1920s. In. In Alfred I. Tauber (ed.), The Elusive Synthesis: Aesthetics and Science. Kluwer. 227--249.score: 252.0
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  20. Stephen Arnott (1999). In the Shadow of Chaos: Deleuze and Guattari on Philosophy, Science, and Art. Philosophy Today 43 (1):49-56.score: 252.0
     
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  21. Robert Burch (1995). Babette E. Babich, Nietzsche's Philosophy of Science: Reflecting Science on the Ground of Art and Life Reviewed By. Philosophy in Review 15 (5):304-306.score: 252.0
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  22. Israel Scheffler (1997). Symbolic Worlds: Art, Science, Language, Ritual. Cambridge University Press.score: 246.0
    Symbolism is a primary characteristic of the mind, deployed and displayed in every aspect of our thought and culture. In this important and broad-ranging book, Israel Scheffler explores the various ways in which the mind functions symbolically. This involves considering not only the world of science and the arts, but also such activities as religious ritual and child's play. The book offers an integrated treatment of ambiguity and metaphor, analyses of play and ritual, and an extended discussion of the (...)
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  23. Robert S. Lehman (2011). Between the Science of the Sensible and the Philosophy of Art. Angelaki 15 (2):171-185.score: 243.0
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  24. Chalmers C. Clark (1998). The Art of Science: Quine and the Speculative Reach of Philosophy in Natural Science. Dialectica 52 (4):275–290.score: 243.0
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  25. Lutz Geldsetzer (1998). Symposium “Analytical Philosophy and Philosophy of Science Today”, 23.–24. Juli 1995 in Peking, VR China. Journal for General Philosophy of Science 29 (1):123 - 127.score: 243.0
    Report on a symposium “Analytical Philosophy of Science today”, July 23–24, 1995, in Beijing. The symposium demonstrates the actual interest and familiarity of Chinese researchers with Western philosophy of science and especially with analytical philosophizing. Main topics were diagnoses of the actual state of the art, discussion and critique of some classics and classical analytical conceptions, application of analytical thinking on hermeneutical problems, and its possible social function.
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  26. Babette E. Babich (1994). Nietzsche's Philosophy of Science: Reflecting Science on the Ground of Art and Life. State University of New York Press.score: 243.0
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  27. Ilaria Boeddu (2007). Art and Science: Which Relationship? Some Reflections About Nelson Goodman's Philosophy. Epistemologia 30 (1):101-121.score: 243.0
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  28. Hans Gerald Hödl (1997). Babette E. Babich: Nietzsche's Philosophy of Science. Reflecting Science on the Ground of Art and Life. Nietzsche-Studien 26 (1).score: 243.0
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  29. K. D. D. Henderson (1969). Religion and Contemporary Western Culture (Readings From Ayer, Brunner, Bultmann, Christopher Dawson, Freud, Fromm, the Niebuhr Brothers, Sartre, Tillich and Others. With a Bibliography for Each of Seven Sections, Covering Religion in the Context of Culture, Modern Art, Modern Literature, Philosophy, Psychotherapy, Science and Sociology.) Edited by Edward Cell. (Abingdon Press. Nashville, N.Y.) 399 Pp. 7 Plates. $7.95. [REVIEW] Religious Studies 4 (2):303.score: 243.0
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  30. Tadeusz Sierotowicz (1999). Kiedy filozofia nauki staje się filozofią [recenzja] Babette E. Babich, Nietzsche's Philosophy of Science. Reflecting Science on the Ground of Art and Life, 1994. Zagadnienia Filozoficzne W Nauce 24.score: 243.0
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  31. Logan J. Fox (1972). Psychology as Philosophy, Science, and Art. Pacific Palisades, Calif.,Goodyear Pub. Co..score: 243.0
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  32. Maria Grazia Gangale (2004). Philosophy, Science and Art in the Systematic Theology of Paul Tillich. Filosofia 55 (2-3):53-80.score: 243.0
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  33. E. Garin (1988). Art and Natural-Science in the Renaissance, Ancient Philosophy in France, Festivals and Philosophy in the Renaissance. Rivista di Storia Della Filosofia 43 (1):121-129.score: 243.0
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  34. Joseph Head & S. L. Cranston (eds.) (1977/1994). Reincarnation: The Phoenix Fire Mystery: An East-West Dialogue on Death and Rebirth From the Worlds of Religion, Science, Psychology, Philosophy, Art, and Literature, and From Great Thinkers of the Past and Present. Theosophical University Press.score: 243.0
     
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  35. G. Hoedl (1997). B. Babich, Nietzsche's Philosophy of Science. Reflecting Science on the Ground of Art and Life. Nietzsche Studien 26:583-587.score: 243.0
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  36. Robert S. Lehman (2010). Between the Science of the Sensible and the Philosophy of Art: Finitude in Alain Badiou's Inaesthetics. Angelaki: Journal of Theoretical Humanities 15 (2):171-185.score: 243.0
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  37. John Raymaker (2006). Empowering Philosophy and Science with the Art of Love: Lonergan and Deleuze in the Light of Buddhist-Christian Ethics. University Press of America.score: 243.0
     
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  38. Don Ihde (2004). Has the Philosophy of Technology Arrived? A State‐of‐the‐Art Review. Philosophy of Science 71 (1):117-131.score: 231.0
    Using the occasion of the publication of a Blackwell anthology in the philosophy of technology, Philosophy of Technology: The Technological Condition (2003), as a key to the contemporary role of this subdiscipline, this article reviews the current state-of-this-art. Both philosophy of science and philosophy of technology are twentieth century inventions, but each has followed a somewhat different set of philosophical traditions and pursued sometimes divergent questions. Here the primary developments of recent philosophy of technology (...)
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  39. Soraya Nour & Olivier Remaud (eds.) (2010). War and Peace: The Role of Science and Art. Duncker & Humblot.score: 231.0
    Violence -- Poliltical philosophy -- Critical theory -- Science and arts in international relations -- Psyche -- Aesthetics -- Tolstoi's War and peace.
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  40. Marcello Pera & William R. Shea (eds.) (1991). Persuading Science: The Art of Scientific Rhetoric. Science History Publications, Usa.score: 228.0
     
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  41. Babette Babich (2011). Towards a Critical Philosophy of Science: Continental Beginnings and Bugbears, Whigs, and Waterbears. International Studies in the Philosophy of Science 24 (4):343-391.score: 225.0
    Continental philosophy of science has developed alongside mainstream analytic philosophy of science. But where continental approaches are inclusive, analytic philosophies of science are not?excluding not merely Nietzsche?s philosophy of science but Gödel?s philosophy of physics. As a radicalization of Kant, Nietzsche?s critical philosophy of science puts science in question and Nietzsche?s critique of the methodological foundations of classical philology bears on science, particularly evolution as well as style (in (...)
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  42. J. R. Leibowitz (2008). Hidden Harmony: The Connected Worlds of Physics and Art. Johns Hopkins University Press.score: 225.0
    Most "art and science" books focus on the science of perspective or the psychology of perception. Hidden Harmony does not. Instead, the book addresses the surprising common ground between physics and art from a novel and personal perspective. Viewing the two disciplines as creative processes, J. R. Leibowitz supplements existing and original research with illustrations to demonstrate that physics and art share guiding aesthetics and compositional demands and to show how each speaks meaningfully to the other. Leibowitz widens (...)
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  43. Paul H. Carr (2006/2007). Beauty in Science and Spirit. Beech River Books.score: 225.0
    Introduction Origin of this book The most beautiful thing we can experience is the mysterious. It is the source of all true art and science. ...
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  44. Ronald Bogue (2014). Review of Inna Semetsky, The Edusemiotics of Images: Essays on the Art–Science of Tarot. [REVIEW] Studies in Philosophy and Education 33 (5):563-569.score: 222.0
    For well over a decade Inna Semetsky has been at the forefront of an effort to introduce the thought of Gilles Deleuze into educational philosophy and theory. In her (2006) book, Deleuze, Education and Becoming, she set forth a sophisticated reading of Deleuze that drew enlightening parallels between his work and that of John Dewey and his Pragmatist predecessors. In Re-Symbolization of the Self (2011), she linked Deleuze to a very different tradition—that of Jungian psychology—and argued for the integration (...)
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  45. Rom Harré (1985). The Philosophies of Science. Oxford University Press.score: 219.0
    Harre shows how various views about the nature of science are related to the great historical schools of philosophy. He sets out his argument in terms of concrete episodes in the history of science. This new edition includes a chapter on science and society, which explores issues such as the morality of experimentation on live animals and the premise that knowledge is a basis for moral good. Harre also examines the theory that science is a (...)
     
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  46. Kathleen Kuiper (ed.) (2010). The Ideas That Change the World: The Essential Guide to Modern Philosophy, Science, Math, and the Arts. Fall River Press/Britannica Educational Pub. In Association with Rosen Educational Services.score: 218.0
    The biological sciences -- Mathematics and the physical sciences -- The arts -- The social sciences, philosophy, and religion -- Politics and the law.
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  47. Noel Boulting (2006). On Interpretative Activity: A Peircian Approach to the Interpretation of Science, Technology, and the Arts. Brill.score: 216.0
  48. Iannis Xenakis (1985/2010). Arts-Sciences, Alloys: The Thesis Defense of Iannis Xenakis Before Olivier Messiaen, Michel Ragon, Olivier Revault d'Allonnes, Michel Serres, and Bernard Teyssèdre. Pendragon Press.score: 213.0
    PRELIMINAR Y STA TEMENT BY IA NNIS XENA KIS Subtended Philosophy* The worlds of classical, contemporary, pop, folk, traditional, avant-garde, etc., ...
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  49. Sebastian de Haro & Thomas van Lier (2009). J.R. Leibowitz: Hidden Harmony. The Connected Worlds of Physics and Art. [REVIEW] Foundations of Physics 39 (4):407-410.score: 210.0
    The book Hidden Harmony—The Connected Worlds of Physics and Art by J.R. Leibowitz is critically reviewed. The book is intended for a general audience and does not assume prior knowledge of physics or the arts.
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  50. Raymond Tallis (1995). Newton's Sleep: The Two Cultures and the Two Kingdoms. St. Martin's Press.score: 210.0
    The most distinctive activities of humankind and the source of its greatest achievements are the scientific investigation of the world and the creation of art. Newton's Sleep examines their complementary roles in contemporary life and defends both against those who assert that science is spiritually empty and inherently dangerous and that art is trivialised by a lack of social mission.
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