Search results for 'Art and society' (try it on Scholar)

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  1. William Morris & William Morris Society (1961). Mr. William Morris on Art Matters. William Morris Society.
     
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  2. Meyer Schapiro (1994). Theory and Philosophy of Art: Style, Artist, and Society. George Braziller.
     
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  3.  2
    Catherine Rau (1952). Art and Society: A Reinterpretation of Plato. Journal of Philosophy 49 (6):192-196.
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  4. Catherine Rau (1951). Art and Society. New York, R. R. Smith.
     
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  5. Meyer Schapiro (1994). Theory and Philosophy of Art Style, Artist, and Society : Selected Papers.
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  6. G. Gebauer, C. Wulf & D. Reneau (1997). Mimesis: Culture-Art-Society. Philosophy East and West 47:291-292.
    Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and has been most frequently associated with Aristotle. Less well documented is the great importance of mimetic theories of literature, theater, and the visual arts during the Renaissance and the Enlightenment. In this book, the most comprehensive overview of the theory of mimesis since Auerbach's monumental study, Gunter Gebauer and Christoph Wulf provide a thorough introduction to the complex and shifting (...)
     
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  7. Don Reneau (ed.) (1996). Mimesis: Culture—Art—Society. University of California Press.
    Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and has been most frequently associated with Aristotle. Less well documented is the great importance of mimetic theories of literature, theater, and the visual arts during the Renaissance and the Enlightenment. In this book, the most comprehensive overview of the theory of mimesis since Auerbach's monumental study, Gunter Gebauer and Christoph Wulf provide a thorough introduction to the complex and shifting (...)
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  8. Tom Sorell (1992). Art, Society and Morality. In Oswald Hanfling (ed.), Philosophical Aesthetics: An Introduction. Open University 297--347.
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  9.  16
    Gene Fendt (1997). Book Review: Mimesis: Culture, Art, Society. [REVIEW] Philosophy and Literature 21 (1):199-201.
  10.  5
    Peter Bekes (1978). Aesthetics and History. Investigations of the Connection of the Foundations of Art, Society, and Science. Philosophy and History 11 (1):40-42.
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  11.  1
    Witold M. Nowak (2014). Art, Society, and Transgression. An Essay in the Philosophy of Culture / Sztuka, Społeczeństwo, Transgresja. Esej Z Filozofii Kultury. Annales Umcs. Sectio I 39 (1):21-31.
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  12.  12
    Gunter Gebauer, Christoph Wulf & tr Reneau, Don (1997). Book Review: Mimesis: Culture, Art, Society. [REVIEW] Philosophy and Literature 21 (1).
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  13. Yves Laberge (1998). Gunter Gebauer and Christof Wulf, Mimesis. Culture—Art—Society Reviewed By. Philosophy in Review 18 (2):101-103.
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  14.  2
    E. Sevanen (2001). Art as an Autopoietic Sub-System of Modern Society: A Critical Analysis of the Concepts of Art and Autopoietic Systems in Luhmann's Late Production. Theory, Culture and Society 18 (1):75-103.
    This article is concerned with Niklas Luhmann's theory of art which he formulated in the 1990s, based on his general theory of autopoietic systems. This theory regards modern society as a functionally differentiated formation whose sub-systems operate according to their inner principles of communication. According to this, the domain of art can also be seen as an operationally closed and self-referential communicative system. The basic problem in these notions lies in the way in which their description of the relationships (...)
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  15. Chika Okeke Agulu & Julienne Lemb (2013). L'Art Society et la construction du modernisme postcolonial au Nigeria. Multitudes 53 (2):59.
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  16. Yves Laberge (1998). Gunter Gebauer and Christof Wulf, Mimesis. Culture—Art—Society. [REVIEW] Philosophy in Review 18:101-103.
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  17.  13
    David Roberts (1997). Paradox Preserved: From Ontology to Autology. Reflections on Niklas Luhmann's the Art of Society. Thesis Eleven 51 (1):53-74.
    As a universal theory Luhmann's systems theory of society includes art in its ambit. The Art of Society (1995) reconstructs the formal and the social-historical conditions of the functional differentiation of a system of art since the Renaissance. The methodological focus of the reconstruction - Luhmann's theory of form (perception, first and second order observation, medium and form) and of systemic differentiation (social function, self-organization, codes and programmes, evolution and self-description of art) - are analysed in the first (...)
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  18.  22
    Christine Magerski (2012). Arnold Gehlen Modern Art as Symbol of Modern Society. Thesis Eleven 111 (1):81-96.
    Arnold Gehlen is one of the most controversial figures of German intellectual history. Gehlen’s commitment to National Socialism (a commitment he never disavowed) is mostly seen in close connection with his theoretical focus on institutions. According to Gehlen, what mankind requires above all is order and thus the protection of institutions. And yet, by reducing Gehlen’s sociology to the necessity of order one misses the analytical scope of his writings. As this article aims to show, the strength of Gehlen’s sociology (...)
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  19. Stephen Davies (ed.) (2001). Art and its Messages: Meaning, Morality, and Society. Penn State University Press.
    This volume brings together essays by leading philosophers of art who consider what can be learned from the meaning of art about society, morality, and life in general. This subject inevitably leads to discussion of other issues. Is art distinct from life? Is a concern with art's messages consistent with an appropriately aesthetic appreciation of its works? Is there anything distinctive about the manner in which art communicates its messages, or about the messages it conveys? The topic of art's (...)
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  20.  16
    David James (2009). Art, Myth, and Society in Hegel's Aesthetics. Continuum.
    Introduction -- The symbolic form of art -- Kant's theory of the mathematical sublime and the boundlessness of the symbolic form of art -- The classical sublimity of Judaism -- The classical form of art -- The original epic -- The ideal -- The transition to the revealed religion and the romantic form of art -- The revealed religion -- Representational thought and the romantic form of art -- Traces of left-hegelianism in Hegel's lectures on aesthetics -- The end of (...)
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  21. Luo Songtao (2013). Art and Society in Light of Adorno's Non-Identity Philosophy. Frontiers of Philosophy in China 8 (2):349-361.
     
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  22.  5
    James A. Leith & George Whalley (eds.) (1987). Symbols in Life and Art: The Royal Society of Canada Symposium in Memory of George Whalley. Published for the Royal Society of Canada by Mcgill-Queen's University Press.
    Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session.
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  23. William Sener Rusk (1943). Art in a Democratic Society. Journal of Aesthetics and Art Criticism 2 (7):32-39.
  24.  11
    Malcolm Budd (2014). Morality, Society, and the Love of Art. Estetika: The Central European Journal of Aesthetics 51 (2):170-207.
    The principal focus of the essay is the idea of artistic value, understood as the value of a work of art as the work of art it is, and the essay explores the connections, if any, between artistic value and a variety of other values in human life. I start with a series of observations about social values and then turn to moral values. Beginning from Goethe’s claim that ‘music cannot affect morality, nor can the other arts, and it would (...)
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  25.  21
    Lydia Goehr (1993). The Institutionalization of a Discipline: A Retrospective of the Journal of Aesthetics and Art Criticism and the American Society for Aesthetics, 1939-1992. Journal of Aesthetics and Art Criticism 51 (2):99-121.
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  26.  10
    Mary Bittner Wiseman (2011). Art Intervenes in Society: A New Artistic Relationship by Wang, Chunchen. Journal of Aesthetics and Art Criticism 69 (4):417-419.
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  27.  6
    Mikhail Lifshitz (1949). Responsibility of Art to Society in Belinsky's Esthetics. Science and Society 13 (3):243 - 257.
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  28.  3
    John Schwartzman (1977). Art, Science, and Change in Western Society. Ethos: Journal of the Society for Psychological Anthropology 5 (3):239-262.
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  29. J. Manuel & O. P. Misra (2005). Buddhist Society: Their Use and Sustenance of Trade Routes, Technology and Art Forms on the Basis of Antiquarian Remains From Madhya Pradesh. In G. Kamalakar & M. Veerender (eds.), Buddhism: Art, Architecture, Literature & Philosophy. Sharada Pub. House 1--215.
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  30. Meyer Schapiro (1996). Selected Papers. Vol. 4, Theory and Philosophy of Art: Style, Artist, and Society. Journal of Aesthetics and Art Criticism 54 (1):77-79.
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  31. Linda Weintraub, Arthur C. Danto & Thomas Mcevilley (1998). Art on the Edge and Over: Searching for Art's Meaning in Contemporary Society, 1970s-1990s. Journal of Aesthetics and Art Criticism 56 (4):412-414.
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  32. L. Renou (1955). Book Reviews : The Art of India Through the Ages by Stella Kramrisch (London: The Phaidon Press, I954.) Pp. 28i. India : Paintings From Ajanta Caves (New York Graphic Society, by Arrangement with Unesco, I954.). [REVIEW] Diogenes 3 (12):118-120.
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  33. R. S. Walker & T. Kuwabara (1981). Art in Today's Society. Diogenes 29 (115):37-54.
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  34.  16
    Victor R. Yanitelli (1953). Art and Society. Thought: A Journal of Philosophy 28 (1):110-113.
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  35.  2
    Kenneth Clark (2015). From Art to Society. The Chesterton Review 41 (3):687-687.
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  36.  47
    Harold Osborne (1974). Primitive Art and Society. British Journal of Aesthetics 14 (4):290-305.
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  37.  5
    Robert D. Mack (1952). Art and Society: A Reinterpretation of Plato. [REVIEW] Journal of Philosophy 49 (6):192-196.
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  38. R. Webb (1994). A Slavish Art? Language and Grammar in Late Byzantine Education and Society. Dialogos 1:81-103.
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  39.  11
    John C. McEnroe (2007). The Invention of Art History in Ancient Greece: Religion, Society, and Artistic Rationalisation (Review). American Journal of Philology 128 (3):423-427.
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  40.  10
    N. Spivey (1996). R.D De Puma, J.P. Small (Edd.): Murlo and the Etruscans: Art and Society in Ancient Etruria. (Winsconsin Studies in Classics.) Madison, WI.: University of Wisconsin Press, 1994.#M. Blumhofer: Etruskische Cippi: Untersuchungen Am Beispiel von Cerveteri, Arbeiten Zu Archaologie. Cologne, Weimar, Vienna: Bohlau Verlag, 1993. [REVIEW] The Classical Review 46 (1):133-135.
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  41.  5
    R. L. N. Barber & N. Marinatos (1987). Art and Religion in Thera: Reconstructing a Bronze Age Society. Journal of Hellenic Studies 107:242.
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  42.  7
    Malcolm A. R. Colledge (1989). Art and Propaganda Niels Hannestad: Roman Art and Imperial Policy. (Jutland Archaeological Society Publications, XIX.) Pp. 485; 203 Monochrome Plates, 2 Maps, 2 Plans. Aarhus University Press, 1986. D.Kr. 336 (£38). [REVIEW] The Classical Review 39 (02):344-346.
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  43.  6
    Karen Rose Mathews (2006). Heather Ecker, Caliphs and Kings: The Art and Influence of Islamic Spain. Selections From the Hispanic Society of America, New York. Washington, D.C.: Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, 2004. Pp. Xiv, 178; 89 Color Figures and Many Black-and-White Figures. $35. Distributed by University of Washington Press, P.O. Box 50096, Seattle, WA 98145. [REVIEW] Speculum 81 (1):180-181.
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  44.  2
    Stanley Ireland (2002). S. Scott: Art and Society in Fourth-Century Britain. Villa Mosaics in Context . Pp. 192, Figs. Oxford: Oxbow Books, 2000. Paper, £28. ISBN:0-947816-53-. [REVIEW] The Classical Review 52 (01):196-.
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  45.  4
    A. J. Dowler (2007). Art and Archaeology (A.) Meadows and (R.) Williams Eds. Sylloge Nummorum Graecorum 13: The Collection of the Society of Antiquaries, Newcastle Upon Tyne. Oxford and New York: Oxford UP and Spink and Son for The British Academy, 2005. Pp. 97 Incl. 48 of Plates. £50. 0197263100. [REVIEW] Journal of Hellenic Studies 127:234-.
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  46.  4
    Gordon Grahan (1991). The Politics of Culture: Art in a Free Society. History of European Ideas 13 (6):763-774.
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  47.  8
    Lyvia Morgan (1987). Thera Nanno Marinatos: Art and Religion in Thera. Reconstructing a Bronze Age Society. Pp. 128; 83 Figures. Athens: D. & I. Mathioulakis, 1984. Paper, 700 Drs. (DM 19.80). [REVIEW] The Classical Review 37 (01):67-68.
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  48.  2
    Nele Bemong, Pieter Borghart, Michael De Dobbeleer, Kristoffel Demoen & Koen De (2011). John Aberth. From the Brink of the Apocalypse: Confronting Famine, War, Plague, and Death in the Later Middle Ages (London: Routledge, 2010), Xxi+ 327 Pp.£ 18.99 Paper. David B. Allison and Babette Babich, Eds. New Nietzsche Studies: Art and Aesthetics. The Journal of the Nietzsche Society (New York: New Nietzsche Studies, 2010), Vii+ 219 Pp. [REVIEW] The European Legacy 16 (6):847-850.
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  49.  1
    Dušan M. Bošković (1996). Art and Society: Disputes in Yugoslav Thought. Filozofija I Društvo 9:77-83.
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  50.  1
    Joseph P. Byrne (1995). Paul F. Gehl, A Moral Art: Grammar, Society, and Culture in Trecento Florence. Ithaca, NY, and London: Cornell University Press, 1993. Pp. X, 310; 5 Black-and-White Plates. $38.95. [REVIEW] Speculum 70 (2):369-371.
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