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Arthur C. Danto [90]Arthur Coleman Danto [25]
  1. Explaining Action, David S. Shwayder, Charles Taylor, David Rayficld, Colin Radford, Joseph Margolis, Arthur C. Danto, James Cargile, K. Robert & B. May (forthcoming). Recent Issues Have Included. Foundations of Language.
     
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  2. Arthur C. Danto (forthcoming). Metonymy and Transition in Carrier's Writing. Journal of Aesthetic Education.
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  3. Arthur C. Danto & Florence Perronin (forthcoming). Grand article: Le corps dans la philosophie et l'art. Cités.
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  4. Arthur C. Danto, Ewa D. Bogusz-Boltuc, David Reed, Sean Scully, Thomas Rose & Gerard Vilar (2013). The Philosophy of Arthur C. Danto. Open Court.
    Arthur C. Danto is the Johnsonian Professor Emeritus of Philosophy at Columbia University and the most influential philosopher of art in the last half-century. As an art critic for the Nation and frequent contributor to other widely read outlets such as the New York Review of Books, Danto also has become one of the most respected public intellectuals of his generation. He is the author of some two dozen important books, along with hundreds of articles and reviews that have been (...)
     
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  5. Arthur C. Danto (2011). From Photography to Philosophy: Two Moments of Post-Traditional Art. Rivista di Estetica 51 (46):33-43.
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  6. Arthur C. Danto (2010). Philosophy and/as/of Literature. In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
     
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  7. Arthur C. Danto (2009). Artistieke grootheid en het einde van de kunst. Nexus 52.
    Al eerder stelde filosoof en kunstkenner Arthur Danto vast dat de kunst ten einde is gekomen in onze tijd. Alles kan nu een kunstwerk zijn, en in deze openheid en onbepaaldheid is geen plaats meer voor grote verhalen. Het einde van de kunst is dus ook het einde van grootheid. Toch wordt er ook na dat einde kunst gemaakt, en ontstaat er ook nog altijd grote kunst. Sterker nog: grootheid, als 'absolute geest', is volgens Danto de essentie van kunst. Juist (...)
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  8. Arthur C. Danto (2009). The Future of Aesthetics. In Francis Halsall, Julia Jansen & Tony O'Connor (eds.), Rediscovering Aesthetics: Transdisciplinary Voices From Art History, Philosophy, and Art Practice. Stanford University Press.
     
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  9. Arthur C. Danto (2008). Lectio magistralis*: 2 ottobre 2007, università di torino. Rivista di Estetica 48 (38):11-19.
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  10. Arthur C. Danto (2008). Philosophers and the Ritual of Marriage. Think 6 (17-18):7-14.
    A philosophical inquiry into whether, and, if so, why, marriage is good.
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  11. Arthur C. Danto (2007). Arthur C Danto 1u. In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. 113.
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  12. Arthur C. Danto (2007). Embodied Meanings, Isotypes, and Aesthetical Ideas. Journal of Aesthetics and Art Criticism 65 (1):121–129.
  13. Arthur C. Danto (2007). Significati incorporati corne idee estetiche. Rivista di Estetica 47 (35):15-29.
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  14. Arthur C. Danto (2007). Unnatural Wonders: Essays From the Gap Between Art and Life. Columbia University Press.
    Danto considers the work of such young artists as John Currin and Renee Cox and older living masters including Gerhard Richter and Sol LeWitt.
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  15. Arthur C. Danto (2006). Le corps dans la philosophie et l'art. Cités 26 (2):129.
    « ... sans le sentiment de l’organe corporel, la vie serait la simple conscience de son existence, mais ne serait pas le sentiment du bien-être ou du malaise, c’est-à-dire le sentiment de la stimulation ou de l’inhibition des forces vitales. En effet, l’esprit n’est en lui-même que vie dans le rapport avec son corps. »Il m’est arrivé deux fois qu’un point de philosophie..
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  16. Arthur C. Danto (2005). Mijn testament. Nexus 43.
    ‘Ik vind het idee van het sterven vreselijk, want ik houd van het leven zolang ik het werkelijk kan leven. Maar de dood is een gift van de goden, een manier om aan het leven te ontsnappen als het werkelijk ondraaglijk is. Hoewel ik een filosofisch systeem heb ontworpen, bevat dat geen levensfilosofie. Ik heb een levensfilosofie, namelijk blijven leven tot ik omval.’.
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  17. Arthur C. Danto (2005). Nietzsche as Philosopher: Expanded Edition. Columbia University Press.
     
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  18. Arthur C. Danto (2005). On Writing Nietzsche as Philosopher. Rivista di Estetica 45 (28):17-23.
     
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  19. Arthur C. Danto (2005). Symposium: Arthur Danto, the Abuse of Beauty. Inquiry 48 (2):189 – 200.
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  20. Arthur C. Danto (2005). Symposium: Arthur Danto, The Abuse of Beauty: Embodiment, Art History, Theodicy, and the Abuse of Beauty: A Response to My Critics. Inquiry 48 (2):189-200.
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  21. Arthur C. Danto (2004). In Memoriam: Robert Denoon Cumming. Journal of Philosophy 101 (11):607 - 608.
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  22. Arthur C. Danto (2004). Prudence, History, Time and Truth. In David Carr, Thomas R. Flynn & Rudolf A. Makkreel (eds.), The Ethics of History. Northwestern University Press. 76--88.
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  23. Arthur C. Danto (2003). Belleza en vez de cenizas. Estudios de Filosofía 27:9-24.
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  24. Arthur C. Danto (2003). The Madonna of the Future: Essays in a Pluralistic Art World. Journal of Aesthetics and Art Criticism 61 (2):198-201.
     
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  25. Arthur C. Danto, Bernard Berofsky, Isaac Levi & Charles D. Parsons (2003). In Memoriam. Journal of Philosophy 100 (5):272-272.
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  26. Arthur C. Danto, Bernard Berofsky, Isaac Levi & Charles D. Parsons (2003). In Memoriam: James J. Walsh. Journal of Philosophy 100 (5):272 -.
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  27. Arthur C. Danto (2002). Historia a pojęcie sztuki. Estetyka I Krytyka 3 (3):107-116.
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  28. Arthur C. Danto (2001). Seeing and Showing. Journal of Aesthetics and Art Criticism 59 (1):1-9.
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  29. Arthur C. Danto (2001). The Pigeon Within Us All: A Reply to Three Critics. Journal of Aesthetics and Art Criticism 59 (1):39-44.
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  30. Arthur C. Danto (2000). Mysticism And. In Roger T. Ames (ed.), The Aesthetic Turn: Reading Eliot Deutsch on Comparative Philosophy. Open Court. 3.
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  31. Arthur C. Danto (2000). Marcel Duchamp en het einde van de smaak. Een apologie van de moderne kunst. Nexus 27.
    Danto reageert op het essay van Jean Clair uit Nexus 27 en op zijn typering van de hedendaagse kunst als die van 'afschuw en walging'; Danto plaatst deze walging tegenover het begrip smaak. Hij gaat in op Clairs oordeel dat Duchamp meer dan wie ook het walgelijke in het hedendaagse artistieke repertoire binnenleidde.
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  32. Arthur C. Danto (1999). Indiscernibility and Perception: A Reply to Joseph Margolis. British Journal of Aesthetics 39 (4):321-329.
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  33. Arthur C. Danto (1998). After the End of Art: Contemporary Art and the Pale of History. Princeton University Press.
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  34. Arthur C. Danto (1998). The End of Art: A Philosophical Defense. History and Theory 37 (4):127–143.
    This essay constructs philosophical defenses against criticisms of my theory of the end of art. These have to do with the definition of art; the concept of artistic quality; the role of aesthetics; the relationship between philosophy and art; how to answer the question "But is it art?"; the difference between the end of art and "the death of painting"; historical imagination and the future; the method of using indiscernible counterparts, like Warhol's Brillo Box and the Brillo cartons it resembles; (...)
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  35. Arthur Coleman Danto (1998). The Wake of Art: Essays: Criticism, Philosophy and the Ends of Taste. G+B Arts Int'l.
    Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical elements in (...)
     
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  36. Linda Weintraub, Arthur C. Danto & Thomas Mcevilley (1998). Art on the Edge and Over: Searching for Art's Meaning in Contemporary Society, 1970s-1990s. Journal of Aesthetics and Art Criticism 56 (4):412-414.
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  37. Arthur C. Danto (1997). Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe. Journal of Aesthetics and Art Criticism 55 (1):74-77.
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  38. Arthur Coleman Danto (1997). Connections to the World: The Basic Concepts of Philosophy. University of California Press.
    Arthur C. Danto's lucid introduction to the central topics of Western philosophical thought remains an unparalleled guide to problems in metaphysics and epistemology that have engaged philosophers for several millennia. Examining the work of Plato, Berkeley, Descartes, Hume, and Wittgenstein, Danto explores debates about empiricism, the mind/body problem, the nature of matter, and the status of language, consciousness, and scientific explanation. In a new preface to this edition he considers the current relationship between philosophy and the humanities.
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  39. Arthur C. Danto (1996). Art, Essence, History, and Beauty: A Reply to Carrier, a Response to Higgins. Journal of Aesthetics and Art Criticism 54 (3):284-287.
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  40. Arthur C. Danto (1996). From Aesthetics to Art Criticism and Back. Journal of Aesthetics and Art Criticism 54 (2):105-115.
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  41. Arthur C. Danto (1993). A Future for Aesthetics. Journal of Aesthetics and Art Criticism 51 (2):271-277.
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  42. Arthur C. Danto (1993). Responses and Replies. In Mark Rollins (ed.), Danto and His Critics. Blackwell. 193--216.
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  43. Arthur Coleman Danto (1992). Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective. Farrar Straus Giroux.
    In Danto's view, Andy Warhol's Brillo Box was not only a radical attack on traditional definitions of the art work; it brought the history of Western art to a close. In this collection of interconnected essays, he grapples with this and many more of the most challenging issues in art today, from the problems of contemporary pluralism to the dilemmas of censorship and state support for artists.
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  44. Arthur C. Danto (1991). Narrative and Style. Journal of Aesthetics and Art Criticism 49 (3):201-209.
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  45. Arthur Coleman Danto (1991). Sartre. Fontana Press.
     
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  46. Arthur C. Danto (1989). Variations in Pictorial Culture. Behavioral and Brain Sciences 12 (1):77.
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  47. M. A. Notturno, Arthur C. Danto, Stanley Fish, Joseph Margolis, Paul R. McHugh & Karl R. Popper (1989). Brill's Studies in Epistemology, Psychology, and Psychiatry. Erkenntnis 30:272.
  48. Arthur C. Danto (1988). Deception and Explanatory Economy. Behavioral and Brain Sciences 11 (2):252.
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  49. Arthur C. Danto (1988). The Notional World of D. C. Dennett. Behavioral and Brain Sciences 11 (3):509.
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  50. Arthur Coleman Danto (1988/1987). Mysticism and Morality: Oriental Thought and Moral Philosophy. Columbia University Press.
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