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Arthur C. Danto [109]Arthur Coleman Danto [22]
  1. Arthur Coleman Danto (1981). The Transfiguration of the Commonplace: A Philosophy of Art. Harvard University Press.
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  2. Arthur C. Danto (2013). What Art Is. Yale University Press.
    What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, _What Art Is _challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: (...)
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  3.  3
    Arthur C. Danto (1983). Science as an International System. Behavioral and Brain Sciences 6 (3):359.
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  4.  1
    Arthur C. Danto (1985). Consciousness and Motor Control. Behavioral and Brain Sciences 8 (4):540.
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  5.  6
    Arthur Coleman Danto (1986). The Philosophical Disenfranchisement of Art. Columbia University Press.
    In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, _The Philosophical Disenfranchisement of (...)
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  6.  24
    Arthur C. Danto (1955). Democracy and Marxism. [REVIEW] Journal of Philosophy 52 (23):696-698.
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  7. Arthur Coleman Danto (1985). Narration and Knowledge: Including the Integral Text of Analytical Philosophy of History. Columbia University Press.
     
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  8.  54
    Arthur C. Danto (1973). Analytical Philosophy of Action. Cambridge, [Eng.]University Press.
    He is always prepared to venture novel ideas to stimulate further debate and research and the book as a whole is presented as an original contribution to a ...
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  9.  96
    Arthur C. Danto (1965). Basic Actions. American Philosophical Quarterly 2 (2):141 - 148.
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  10.  6
    Arthur C. Danto (1998). After the End of Art: Contemporary Art and the Pale of History. Princeton University Press.
    Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to a (...)
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  11.  13
    Arthur C. Danto (1954). Introduction to Symbolic Logic. [REVIEW] Journal of Philosophy 51 (8):250-252.
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  12.  13
    Arthur C. Danto (1956). La Quarta Critica Kantiana. [REVIEW] Journal of Philosophy 53 (14):450-453.
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  13.  3
    Arthur Coleman Danto (1965/1980). Nietzsche as Philosopher. Columbia University Press.
    " The essays also consider specific works by Nietzsche, including Human, All Too Humanand The Genealogy of Morals, as well as the philosopher's artistic metaphysics and semantical nihilism.
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  14.  11
    Arthur C. Danto (1957). Logic and Knowledge; Essays, 1901-1950. [REVIEW] Journal of Philosophy 54 (11):360-362.
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  15.  11
    Arthur C. Danto (1956). Symbolic Logic. [REVIEW] Journal of Philosophy 53 (15):479-481.
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  16.  11
    Arthur C. Danto (1955). The Theory of Knowledge. [REVIEW] Journal of Philosophy 52 (20):552-554.
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  17.  27
    Arthur Coleman Danto (1968). Analytical Philosophy of History. Cambridge, Cambridge U.P..
  18.  12
    Arthur C. Danto (1997). Playing with the Edge: The Photographic Achievement of Robert Mapplethorpe. Journal of Aesthetics and Art Criticism 55 (1):74-77.
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  19.  62
    Arthur C. Danto (2001). Seeing and Showing. Journal of Aesthetics and Art Criticism 59 (1):1-9.
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  20.  10
    Arthur C. Danto (1959). Determinism and Freedom in the Age of Modern Science. [REVIEW] Journal of Philosophy 56 (8):369-373.
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  21.  10
    Arthur C. Danto (1955). The End of Time; a Meditation on the Philosophy of History. [REVIEW] Journal of Philosophy 52 (12):331-333.
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  22.  82
    Arthur C. Danto (1973). Artworks and Real Things. Theoria 39 (1-3):1-17.
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  23.  2
    Arthur Coleman Danto (1988/1987). Mysticism and Morality: Oriental Thought and Moral Philosophy. Columbia University Press.
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  24. Arthur Coleman Danto (1991). Sartre. Fontana Press.
     
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  25.  8
    Arthur C. Danto (1984). Mind as Feeling, Form as Presence. Journal of Philosophy 81 (11):641-647.
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  26. Arthur C. Danto (1999). Indiscernibility and Perception: A Reply to Joseph Margolis. British Journal of Aesthetics 39 (4):321-329.
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  27.  1
    Arthur C. Danto (2005). Nietzsche as Philosopher: Expanded Edition. Columbia University Press.
    Few philosophers are as widely read or as widely misunderstood as Friedrich Nietzsche. When Danto's classic study was first published in 1965, many regarded Nietzsche as a brilliant but somewhat erratic thinker. Danto, however, presented a radically different picture, arguing that Nietzsche offered a systematic and coherent philosophy that anticipated many of the questions that define contemporary philosophy. Danto's clear and insightful commentaries helped canonize Nietzsche as a philosopher and continue to illuminate subtleties in Nietzsche's work as well as his (...)
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  28.  19
    Arthur C. Danto (2001). The Pigeon Within Us All: A Reply to Three Critics. Journal of Aesthetics and Art Criticism 59 (1):39-44.
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  29.  93
    Arthur C. Danto (1981). Deep Interpretation. Journal of Philosophy 78 (11):691-706.
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  30.  70
    Arthur C. Danto (1998). The End of Art: A Philosophical Defense. History and Theory 37 (4):127–143.
    This essay constructs philosophical defenses against criticisms of my theory of the end of art. These have to do with the definition of art; the concept of artistic quality; the role of aesthetics; the relationship between philosophy and art; how to answer the question "But is it art?"; the difference between the end of art and "the death of painting"; historical imagination and the future; the method of using indiscernible counterparts, like Warhol's Brillo Box and the Brillo cartons it resembles; (...)
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  31.  77
    Arthur C. Danto (1974). The Transfiguration of the Commonplace. Journal of Aesthetics and Art Criticism 33 (2):139-148.
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  32.  89
    Arthur C. Danto (2007). Embodied Meanings, Isotypes, and Aesthetical Ideas. Journal of Aesthetics and Art Criticism 65 (1):121–129.
  33.  7
    Arthur Coleman Danto (1992). Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective. Farrar Straus Giroux.
    In Danto's view, Andy Warhol's Brillo Box was not only a radical attack on traditional definitions of the art work; it brought the history of Western art to a close. In this collection of interconnected essays, he grapples with this and many more of the most challenging issues in art today, from the problems of contemporary pluralism to the dilemmas of censorship and state support for artists.
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  34.  63
    Arthur C. Danto (1982). Depiction and Description. Philosophy and Phenomenological Research 43 (1):1-19.
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  35.  53
    Arthur C. Danto (1991). Narrative and Style. Journal of Aesthetics and Art Criticism 49 (3):201-209.
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  36.  7
    Arthur Coleman Danto (1968). Analytical Philosophy of Knowledge. London, Cambridge U.P..
    A central theme of this book is that the main problems of philosophy and certainly the main traditional problems in the theory of knowledge, concern the space between language and the world. Professor Danto distinguishes between descriptive concepts, concerned with saying how the world is and semantic concepts, which have to do with the application of descriptions of the world. Failure to make these distinctions is responsible for a class of seemingly irresolvable disputes over the foundations of knowledge; but when (...)
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  37.  32
    Arthur C. Danto (1979). Basic Actions and Basic Concepts. Review of Metaphysics 32 (3):471 - 485.
  38.  46
    Arthur C. Danto (1996). From Aesthetics to Art Criticism and Back. Journal of Aesthetics and Art Criticism 54 (2):105-115.
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  39.  30
    Arthur C. Danto (1984). Philosophy as/and/of Literature. Proceedings and Addresses of the American Philosophical Association 58 (1):5 - 20.
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  40.  1
    Arthur C. Danto & Jonathan Gilmore (2004). The Philosophical Disenfranchisement of Art. Cup.
    In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact -- especially the essay "The End of Art," which dramatically announced that art ended in the 1960s -- this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, (...)
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  41.  46
    Arthur C. Danto (1959). The Paradigm Case Argument and the Free-Will Problem. Ethics 69 (2):120-124.
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  42.  38
    Arthur C. Danto (1993). A Future for Aesthetics. Journal of Aesthetics and Art Criticism 51 (2):271-277.
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  43.  56
    Arthur C. Danto (2005). Symposium: Arthur Danto, the Abuse of Beauty. Inquiry 48 (2):189 – 200.
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  44.  21
    Arthur C. Danto (1982). Narration and Knowledge. Philosophy and Literature 6 (1-2):17-32.
    Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and humanist (...)
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  45.  23
    Arthur C. Danto (1973). Language and the Tao: Some Reflections on Ineffability. Journal of Chinese Philosophy 1 (1):45-55.
  46.  47
    Arthur C. Danto & Sidney Morgenbesser (1957). Character and Free Will. Journal of Philosophy 54 (16):493-505.
  47. Arthur Coleman Danto & Berel Lang (1984). The Death of Art.
     
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  48. Arthur Coleman Danto (1968). What Philosophy Is. New York, Harper & Row.
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  49.  18
    Arthur C. Danto (1979). Causality, Representations, and the Explanation of Actions. Tulane Studies in Philosophy 28:1-19.
  50. Arthur C. Danto (1960). On Consciousness in Machines. In Sidney Hook (ed.), Dimensions of Mind. New York University Press
     
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