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  1. Arthur Coleman Danto (1998). The Wake of Art: Essays: Criticism, Philosophy and the Ends of Taste. G+B Arts Int'l.
    Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical elements in (...)
     
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  2. Arthur Coleman Danto (1997). Connections to the World: The Basic Concepts of Philosophy. University of California Press.
    Arthur C. Danto's lucid introduction to the central topics of Western philosophical thought remains an unparalleled guide to problems in metaphysics and epistemology that have engaged philosophers for several millennia. Examining the work of Plato, Berkeley, Descartes, Hume, and Wittgenstein, Danto explores debates about empiricism, the mind/body problem, the nature of matter, and the status of language, consciousness, and scientific explanation. In a new preface to this edition he considers the current relationship between philosophy and the humanities.
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  3. Arthur Coleman Danto (1992). Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective. Farrar Straus Giroux.
    In Danto's view, Andy Warhol's Brillo Box was not only a radical attack on traditional definitions of the art work; it brought the history of Western art to a close. In this collection of interconnected essays, he grapples with this and many more of the most challenging issues in art today, from the problems of contemporary pluralism to the dilemmas of censorship and state support for artists.
     
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  4. Arthur Coleman Danto (1991). Sartre. Fontana Press.
     
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  5. Arthur Coleman Danto (1988/1987). Mysticism and Morality: Oriental Thought and Moral Philosophy. Columbia University Press.
     
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  6. Arthur Coleman Danto (1986). The Philosophical Disenfranchisement of Art. Columbia University Press.
     
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  7. Arthur Coleman Danto (1985). Narration and Knowledge: Including the Integral Text of Analytical Philosophy of History. Columbia University Press.
     
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  8. Arthur Coleman Danto (1981). The Transfiguration of the Commonplace: A Philosophy of Art. Harvard University Press.
     
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  9. Arthur Coleman Danto (1975). Jean-Paul Sartre. Viking Press.
     
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  10. Arthur Coleman Danto (1973). Analytical Philosophy of Action. Cambridge, [Eng.]University Press.
    He is always prepared to venture novel ideas to stimulate further debate and research and the book as a whole is presented as an original contribution to a ...
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  11. Arthur Coleman Danto (1968). Analytical Philosophy of History. Cambridge, Cambridge U.P..
  12. Arthur Coleman Danto (1968). Analytical Philosophy of Knowledge. London, Cambridge U.P..
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  13. Arthur Coleman Danto (1968). What Philosophy Is. New York, Harper & Row.
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  14. Arthur Coleman Danto (1965/1980). Nietzsche as Philosopher. Columbia University Press.
    " The essays also consider specific works by Nietzsche, including Human, All Too Humanand The Genealogy of Morals, as well as the philosopher's artistic metaphysics and semantical nihilism.
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  15. Arthur Coleman Danto (1960). Philosophy of Science. New York, Meridian Books.
    Now it is of the utmost importance to observe that expressions peculiar to a science will possess meanings that are fixed by its own procedures, and that are therefore intelligible in terms of its own rules of usage, whether or not the science has ...
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