Search results for 'Arts, Japanese Philosophy' (try it on Scholar)

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  1. Rodica Frentiu (2014). Religious Art and Meditative Contemplation in Japanese Calligraphy and Byzantine Iconography. Journal for the Study of Religions and Ideologies 13 (38):110-136.score: 198.0
    Far Eastern calligraphy has always been regarded by the Occident as an “esoteric” issue, laden with a peculiar “mysticism,” which presents spiritual and philosophical aspects too outlandish to truly comprehend. That is probably the reason why calligraphy was amongst the last artistic “disciplines” to gain access to the international world of the arts. This study focuses on Japanese calligraphy as a visual and verbal image, conducting a hermeneutic investigation into the nature and function of this type of image, into (...)
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  2. Caroline van Eck, James McAllister & Renée van de Vall (eds.) (1995). The Question of Style in Philosophy and the Arts. Cambridge University Press.score: 196.0
    The eighteenth and nineteenth centuries witnessed a change in the perception of the arts and of philosophy. In the arts this transition occurred around 1800, with, for instance, the breakdown of Vitruvianism in architecture, while in philosophy the foundationalism of which Descartes and Spinoza were paradigmatic representatives, which presumed that philosophy and the sciences possessed a method of ensuring the demonstration of truths, was undermined by the idea, asserted by Nietzsche and Wittgenstein, that there exist alternative styles (...)
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  3. Makoto Ueda (1967/1991). Literary and Art Theories in Japan. Center for Japanese Studies, University of Michigan.score: 195.0
  4. Matthew Kieran & Dominic Lopes (eds.) (2003). Imagination, Philosophy, and the Arts. Routledge.score: 192.0
    Imagination is a central concept in aesthetics with close ties to issues in the philosophy of mind and the philosophy of language, yet it has not received the kind of sustained, critical attention it deserves. Imagination, Philosophy and the Arts represents the work of fifteen young yet distinguished philosophers of art, who critically examine just how and in what form the notion of imagination illuminates fundamental problems in the philosophy of art. All new papers, a strong (...)
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  5. Hugh J. Silverman (ed.) (1990). Postmodernism: Philosophy and the Arts. Routledge.score: 192.0
    The essays collected here present a cross section of the debates on postmodernism being waged in philosophy and the arts. Some contributors raise general questions about postmodernism, for example, its language and its politics. Others offer specific readings of architecture, painting, literature, theatre, photography, film, and television.
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  6. Sor-Ching Low (2010). The Japanese Arts and Self-Cultivation (Review). Philosophy East and West 60 (1):pp. 123-125.score: 189.0
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  7. Sor-Ching Low (2009). The Japanese Arts and Self-Cultivation (Review). Philosophy East and West 60 (1):123-125.score: 189.0
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  8. Shūzō Kuki (2009). "Cui" de Gou Zao. Lian Jing Chu Ban Shi Ye Gu Fen You Xian Gong Si.score: 180.0
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  9. David Davies (2011). Philosophy of the Performing Arts. Wiley-Blackwell.score: 174.0
    This book provides an accessible yet sophisticated introduction to the significant philosophical issues concerning the performing arts.
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  10. Urbain Vermeulen & D. Smedet (eds.) (1998). Philosophy and Arts in the Islamic World: Proceedings of the Eighteenth Congress of the Union Européenne des Arabisants Et Islamisants Held at the Katholieke Universiteit Leuven, September 3-September 9, 1996. [REVIEW] Uitgeverij Peeters.score: 174.0
    The volume contains 26 contributions to literature, philosophy, linguistics and epigraphy in Islamic culture, ranging from pre-Islamic poetry to contemporary ...
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  11. Brian Massumi (2011). Semblance and Event: Activist Philosophy and the Occurrent Arts. Mit Press.score: 168.0
    Introduction. Activist philosophy and the occurrent arts -- The ether and your anger toward a speculative pragmatism -- The thinking-feeling of what happens putting the radical back in empiricism -- The diagram as technique of existence ovum of the universe segmented -- Arts of experience, politics of expression In four movements. First movement. To dance a storm -- Second movement. Life unlimited -- Third movement. The paradox of content -- Fourth movement. Composing the political.
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  12. Henk Oosterling & Ewa Płonowska Ziarek (eds.) (2010). Intermedialities: Philosophy, Arts, Politics. Lexington Books.score: 168.0
    At stake here are the political analyses of new modes of being in common that transcend national boundaries, the critique of the new forms of domination that accompany them, and the search for new emancipatory possibilities.
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  13. Philip Alperson (ed.) (1992). The Philosophy of the Visual Arts. Oxford University Press.score: 168.0
    Most instructors who teach introductory courses in aesthetics or the philosophy of arts use the visual arts as their implicit reference for "art" in general, yet until now there has been no aesthetics anthology specifically orientated to the visual arts. This text stresses conceptual and theoretical issues, first examining the very notion of "the visual arts" and then investigating philosophical questions raised by various forms, from painting, the paradigmatic form, to sculpture, photography, film, dance, kitsch, and other forms on (...)
     
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  14. Herman Kauz (1977). The Martial Spirit: An Introduction to the Origin, Philosophy, and Psychology of the Martial Arts. Overlook Press.score: 168.0
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  15. Jhoon Rhee (2000). Jhoon Rhee Martial Arts: Philosophy & Life Skills. Jhoon Rhee Foundation for International Leadership.score: 168.0
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  16. Paul Thom (1993). For an Audience: A Philosophy of the Performing Arts. Temple University Press.score: 168.0
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  17. Kathleen Kuiper (ed.) (2010). The Ideas That Change the World: The Essential Guide to Modern Philosophy, Science, Math, and the Arts. Fall River Press/Britannica Educational Pub. In Association with Rosen Educational Services.score: 156.0
    The biological sciences -- Mathematics and the physical sciences -- The arts -- The social sciences, philosophy, and religion -- Politics and the law.
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  18. Bert Olivier (2009). Philosophy and the Arts: Collected Essays. Peter Lang.score: 152.7
    This collection of philosophical essays addresses important issues in the arts, encompassing painting, sculpture, photography, film and architecture.
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  19. Robert Anderson (2012). Martial Arts and Philosophy: Beating and Nothingness. Australasian Journal of Philosophy 90 (4):820 - 820.score: 152.0
    Australasian Journal of Philosophy, Volume 90, Issue 4, Page 820, December 2012.
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  20. Sangeetha Menon (ed.) (2006). Consciousness, Experience, and Ways of Knowing: Perspectives From Science, Philosophy & the Arts. National Institute of Advances Studies.score: 146.7
     
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  21. David Goldblatt & Lee Brown (eds.) (2011). Aesthetics: A Reader in Philosophy of the Arts. Pearson Education.score: 146.0
    Painting -- Photography and film -- Architecture and the third dimension -- Music -- Literature -- Performance -- Popular art and everyday aesthetics -- Classic sources -- Contemporary sources.
     
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  22. Irwin Edman (1947). The Challenge of the Arts to Philosophy. Journal of Philosophy 44 (15):407-412.score: 146.0
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  23. Gordon Graham (2000). Philosophy of the Arts: An Introduction to Aesthetics. Routledge.score: 144.0
    Most books on aesthetics tend to be either too theoretical for the arts or not theoretical enough for philosophy. This book strikes a new and better balance between these competing interests. By taking a normative question--why should we value the arts?--it manages to develop a genuinely philosophical understanding of art and its value while never losing sight of the poems, pictures and music which draw and sustain interest in the arts. In this new second edition, chapters have been revised (...)
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  24. John Ayotunde Isola Bewaji (2012). Black Aesthetics: Beauty and Culture: An Introduction to African and African Diaspora Philosophy of Arts. Africa World Press.score: 144.0
    Introduction -- Biographical details -- The nature of the philosophic enterprise: initial issues -- Contemporary scholarship on (African) arts -- Artistic expression in Africa -- Philosophy and artistic expression in Africa -- Arts, memory and identity -- Conclusion.
     
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  25. William Alexander Hammond (1934). A Bibliography of Aesthetics and of the Philosophy of the Fine Arts From 1900 to 1932. New York, Longmans, Green, and Company.score: 144.0
     
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  26. Joseph Margolis (ed.) (1987). Philosophy Looks at the Arts: Contemporary Readings in Aesthetics. Temple University Press.score: 144.0
     
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  27. Morris[from old catalog] Weitz (1950/1964). Philosophy of the Arts. Cambridge, Harvard University Press.score: 144.0
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  28. Graham Priest & Damon Young (eds.) (forthcoming). Martial Arts and Philosophy. Open Court.score: 140.0
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  29. Patrick R. Daly (2009). A Theory of Health Science and the Healing Arts Based on the Philosophy of Bernard Lonergan. Theoretical Medicine and Bioethics 30 (2):147-160.score: 138.0
    This paper represents a preliminary investigation relating Bernard Lonergan’s thought to health science and the healing arts. First, I provide background for basic elements of Lonergan’s theoretical terminology that I employ. As inquiry is the engine of Lonergan’s method, next I specify two questions that underlie medical insights and define several terms, including health, disease, and illness, in relation to these questions. Then I expand the frame of reference to include all disciplines involved in the cycle of clinical interaction under (...)
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  30. Dale Jacquette (ed.) (1996). Schopenhauer, Philosophy, and the Arts. Cambridge University Press.score: 132.0
    This collection brings together thirteen new essays by some of the most respected contemporary scholars of Schopenhauer's aesthetics from a wide spectrum of philosophical perspectives. The dynamics of the empirical will and Will as a thing-in-itself in the interplay of Schopenhauer's metaphysics and philosophy of fine art has important implications for the freedom, salvation, and tragic suffering of the artist, the representation of Platonic Ideas in art, and the role of artistic inspiration, emotion, and aesthetic pleasure in the beautiful (...)
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  31. Salim Kemal, Ivan Gaskell & Daniel W. Conway (eds.) (1998). Nietzsche, Philosophy and the Arts. Cambridge University Press.score: 132.0
    Nietzsche's writings have shaped much contemporary reflection on the relation between philosophy and art. This book brings together a number of distinguished contributors to examine his aesthetic account of the origins and ends of philosophy. They discuss the transformative power which Nietzsche ascribes to aesthetic activity, including his aesthetic justification of existence and its fusion of social and personal existence, and they investigate his experiments with an 'aesthetic politics' and a politicisation of aesthetics. Together their essays set out (...)
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  32. Peter Kivy (1997). Philosophies of Arts: An Essay in Differences. Cambridge University Press.score: 132.0
    Since the beginning of the eighteenth century the philosophy of art has been engaged on the project of trying to find out what the fine arts have in common and, thus, how they might be defined. Peter Kivy's purpose in this accessible and lucid book is to trace the history of that enterprise and argue that the definitional project has been unsuccessful. He offers a fruitful change of strategy: instead of engaging in an obsessive quest for sameness, let us (...)
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  33. Joseph Margolis (1962). Philosophy Looks at the Arts. New York, Scribner.score: 132.0
    Of the 24 articles included more than half are new to this edition.The new edition emphasizes opposing currents in aesthetics with contributions from the most ...
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  34. Bryan Magee (2005). Philosophy's Neglect of the Arts. Philosophy 80 (3):413-422.score: 132.0
    It is widely agreed that the arts can give us some of the most valuable and profound experiences of which we are capable, yet the conceptions of experience to which epistemology has addressed itself during its long history have usually omitted experience of the arts. This has had harmful consequences, because it has led to theories of experience being accepted which would have been falsified by a consideration of experience of the arts. The error still occurs, and there are important (...)
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  35. Egbert P. Bos & H. A. Krop (eds.) (1993). John Buridan, a Master of Arts: Some Aspects of His Philosophy: Acts of the Second Symposium Organized by the Dutch Society for Medieval Philosophy Medium Aevum on the Occasion of its 15th Anniversary, Leiden-Amsterdam (Vrije Universiteit), 20-21 June, 1991. [REVIEW] Ingenium Publishers.score: 132.0
  36. Herbert Wallace Schneider, Craig Walton & John Peter Anton (eds.) (1974). Philosophy and the Civilizing Arts: Essays Presented to Herbert W. Schneider. Ohio University Press.score: 132.0
     
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  37. Richard Buchanan (2001). Design and the New Rhetoric: Productive Arts in the Philosophy of Culture. Philosophy and Rhetoric 34 (3):183-206.score: 126.0
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  38. Donald Arnstine (1997). The Arts of Schooling and the Role of Philosophy: Response to Colin Wringe. [REVIEW] Studies in Philosophy and Education 16 (4):423-427.score: 126.0
  39. C. W. Berenda (1957). The Liberal Arts Function of Philosophy. Journal of Philosophy 54 (1):19-20.score: 126.0
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  40. Christine Doddington (2010). Mimesis and Experience Revisited: Can Philosophy Revive the Practice of Arts Education? Journal of Philosophy of Education 44 (4):579-587.score: 126.0
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  41. Graham Priest (2013). The Martial Arts and Buddhist Philosophy. Royal Institute of Philosophy Supplement 73:17-28.score: 126.0
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  42. ed van Eck, Caroline, ed McAllister, James & Renée deed Valvanl (1997). Book Review: The Question of Style in Philosophy and the Arts. [REVIEW] Philosophy and Literature 21 (1).score: 126.0
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  43. Harvey Siegel (1991). Reconceptions In Philosophy and Other Arts and Sciences, by Nelson Goodman and Catherine Z. Elgin. Philosophy and Phenomenological Research 51 (3):710-713.score: 126.0
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  44. Allan Bäck & Daeshik Kim (1979). Towards A Western Philosophy of the Eastern Martial Arts. Journal of the Philosophy of Sport 6 (1):19-28.score: 126.0
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  45. Deborah L. Black (1991). Aristotle's 'Peri Hermeneias' in Medieval Latin and Arabic Philosophy: Logic and the Linguistic Arts. Canadian Journal of Philosophy 21 (sup1):25-83.score: 126.0
  46. Jeffrey R. Di Leo (1997). Book Review: The Question of Style in Philosophy and the Arts. [REVIEW] Philosophy and Literature 21 (1):187-188.score: 126.0
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  47. Ivan Moscati & Judea Pearl (2010). José Luis Berm Udez is Professor of Philosophy at Washington University in St Louis, Where He is Director of the Philosophy–Neuroscience–Psychology Program and Director of the Center for Programs in Arts and Sciences. His Books Include The Paradox of Self-Consciousness (MIT, 1998), Thinking Without Words (Oxford University Press, 2003), Philosophy. [REVIEW] Economics and Philosophy 26:119-120.score: 126.0
  48. Jane Cauvel (1988). Philosophy Looks at the Arts. Teaching Philosophy 11 (4):355-356.score: 126.0
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  49. E. F. Carritt (1951). Philosophy of the Arts. By M. Weitz. (Harvard University Press and London, G. Cumberlege. Pp. 240. $4.00.). Philosophy 26 (99):363-.score: 126.0
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  50. Thom Heyd (1993). Paul Thom, For An Audience: A Philosophy of the Performing Arts Reviewed By. Philosophy in Review 13 (5):274-276.score: 126.0
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