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  1.  9
    Barbara Obrist (2011). Le démoniaque dans l'iconographie cosmologique du XIIᵉ siècle. Chôra 3:139-158.
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  2.  9
    Barbara Obrist (2012). Visual Representation and Science Visual Figures of the Universe Between Antiquity and the Early Thirteenth Century. Spontaneous Generations 6 (1):15-23.
    The paper raises the question of the function of visual representations in medieval cosmographical texts. It proposes to view diverse functions of figures in relation to changing discursive environments, including differing philosophical positions and changing social and intellectual contexts. It further suggests a distinction between figures that were elaborated within the highly specialized disciplines of mathematics and philosophy of nature in Greek Antiquity and figures that were instrumental in transmitting accepted world models, thus avoiding the opposition between scientific and unscientific (...)
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  3. Barbara Obrist (1996). Art and Nature in Medieval Alchemy. Revue d'Histoire des Sciences 49 (2):215-286.
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  4.  2
    Barbara Obrist (1996). Art Et Nature Dans l'Alchimie Médiévale/Art and Nature in Medieval Alchemy. Revue d'Histoire des Sciences 49 (2-3):215-286.
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  5. Barbara Obrist (1994). Die alchemistische Lehrdichtung des Gratheus filius philosophi in Cod. Vind. 2372: Zugleich ein Beitrag zur okkulten Wissenschaft im SpatmittelalterHelmut Birkhan. Isis 85 (2):315-317.
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  6. Barbara Obrist & Irene Caiazzo (eds.) (2011). Guillaume de Conches: Philosophie Et Science au Xiie Siècle. Sismel Edizioni Del Galluzzo.
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  7. Barbara Obrist (2013). Jean-Patrice Boudet; Anna Caiozzo; Nicolas Weill-Parot .Images Et Magie:Picatrixentre Orient Et Occident. 389 Pp., Illus., Index. Paris: Honoré Champion, 2011. €105. [REVIEW] Isis 104 (2):389-390.
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  8. Barbara Obrist (2004). La Cosmologie Médiévale: Textes Et Images. Sismel, Edizioni Del Galluzzozioni Del Galluzzo.
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