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Barbara Saunders [12]Barbara A. C. Saunders [1]
  1. Barbara Saunders (1995). Disinterring Basic Color Terms : A Study in the Mystique of Cognitivism. History of the Human Sciences 8 (4):19-38.
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  2.  1
    Barbara A. C. Saunders (1993). Disenshrining the Cartesian Self. Behavioral and Brain Sciences 16 (1):77.
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    Barbara Saunders (1998). What is Empirical About Atran's Taxonomies? Behavioral and Brain Sciences 21 (4):587-588.
    Atran reifies Fodor's metaphor of modularity to create a truth-producing apparatus to generate a priori taxonomies or natural kinds that lock a tautology in place.
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    Barbara Saunders (1999). One Machine Among Many. Behavioral and Brain Sciences 22 (6):969-970.
    In this commentary I point out that Palmer mislocates the source of the inverted spectrum, misrepresents the nature of colour science, and offers no reason for prefering one colour machine over another. I conclude nonetheless that talk about “colour machines” is a step in the right direction.
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    Barbara Saunders (2004). Counting Down the Days. Feminist Studies 30:510-521.
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    Barbara Saunders & Jaap van Brakel (2002). Kleur: Een exosomatisch orgaan? Tijdschrift Voor Filosofie 64 (2):299 - 324.
    According to the state of the art in psychology and philosophy, colour sensations are located in a 'quality space'. This space has three dimensions: hue (the chromatic aspect of colour), saturation (the 'intensity' of hue), and brightness. This space is structured further via a small number of primitive hues or landmark colours, usually four (red, yellow, green, blue) or six (if white and black are included). It has also been suggested that there are eleven semantic universals — the six colours (...)
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    Barbara Saunders & Jaap van Brakel (2002). Kleur: Een exosomatisch orgaan? Tijdschrift Voor Filosofie 64 (2):299-324.
    According to the state of the art in psychology and philosophy, colour sensations are located in a 'quality space'. This space has three dimensions: hue , saturation , and brightness. This space is structured further via a small number of primitive hues or landmark colours, usually four or six . It has also been suggested that there are eleven semantic universals — the six colours previously mentioned plus orange, pink, brown, purple, and grey. Against the standard view, we argue that (...)
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  8.  1
    Barbara Saunders & J. van Brakel (1987). Art and Science as Ways of Worldmaking. In Paul Weingartner & Gerhard Schurz (eds.), Proceedings of the 11th International Wittgenstein Symposium. Hölder-Pichler-Tempsky
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    Barbara Saunders (2009). Peirce on Colour (with Reference to Wittgenstein) in Munz. In V. Munz, J. Wang & K. Puhl (eds.), Language and World. Niederösterreichkultur 370--372.
  10.  1
    Barbara Saunders (2003). Surreptitious Substitution. Behavioral and Brain Sciences 26 (1):47-48.
    In this commentary I argue that Byrne & Hilbert commit a number of philosophical solecisms: They beg the question of “realism,” they take the phenomenon and the theoretical model to be the same thing, and they surreptitiously substitute data sets for the life-world.
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  11. Barbara Saunders & Jaap van Brakel (2002). Edited Volumes-Theories, Technologies, Instrumentalities of Color. Anthropological and Historiographic Perspectives. History and Philosophy of the Life Sciences 24 (2):347.
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  12. Barbara Saunders & Jaap Van Brakel (eds.) (2002). Theories, Technologies, Instrumentalities of Color: Anthropological and Historiographic Perspectives. University Press of America.
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  13. Barbara Saunders & Van Jaap Brakel (eds.) (2002). Theories, Technologies, Instrumentalities of Color: Anthropological and Historiographic Perspectives. Upa.
    Theories, Technologies, Instrumentalities of Color is the outcome of a workshop, held in Leuven, Belgium, in May 2000.
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