Search results for 'Benjamin Braude' (try it on Scholar)

1000+ found
Sort by:
  1. T. J. Blakeley, Edward M. Swiderski, Benjamin Braude & Stephen Baier (1982). Reviews. [REVIEW] Studies in East European Thought 23 (1):77-90.score: 240.0
    Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  2. Benjamin Braude (1987). Rudi Paul Lindner, Nomads and Ottomans in Medieval Anatolia. (Indiana University Uralic and Altaic Series, 144.) Bloomington: Research Institute for Inner Asian Studies, 1983. Pp. Xiv, 167. $20. [REVIEW] Speculum 62 (3):701-703.score: 240.0
    No categories
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  3. Andrew E. Benjamin & Charles Rice (eds.) (2009). Walter Benjamin and the Architecture of Modernity. Re.Press.score: 150.0
    Walter Benjamin's Politics of 'bad tasteMichael Mac Modernity as an unfinished Project: Benjamin and Political RomanticismRobert Sinnerbrink Violence, ...
    Direct download  
     
    My bibliography  
     
    Export citation  
  4. Andrew Benjamin (2012). Morality, Law and the Place of Critique: Walter Benjamin's The Meaning of Time in the Moral World. Critical Horizons 12 (3):281 - 301.score: 150.0
    Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
    Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  5. Andrew Benjamin (2003). Being Roman Now: The Time of Fashion A Commentary on Walter Benjamin's 'Theses on the Philosophy of History' XIV. Thesis Eleven 75 (1):39-53.score: 150.0
    Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield (...)
    No categories
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  6. Andrew Benjamin (2010). Porosity at the Edge : Working Through Walter Benjamin's "Naples". In Walter Benjamin & Gevork Hartoonian (eds.), Walter Benjamin and Architecture. Routledge.score: 150.0
     
    My bibliography  
     
    Export citation  
  7. Andrew E. Benjamin & Peter Osborne (eds.) (2000). Walter Benjamin's Philosophy: Destruction and Experience. Clinamen Press.score: 150.0
    Why read Walter Benjamin today? There as many answers to this question as there are "Walter Benjamins"--Benjamin as critic, Benjamin as modernist, Benjamin as marxist, Benjamin as Jew. . . . Yet it is Benjamin as philosopher that in one way or another stands behind all these. This collection explores, in Adorno's description, Benjamin's "philosophy directed against philosophy." The essays cover all aspects of Benjamin's writings, from his early work in the philosophy (...)
     
    My bibliography  
     
    Export citation  
  8. Andrew Benjamin, Working with Walter Benjamin: Recovering a Political Philosophy.score: 120.0
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  9. Andrew Benjamin, Benjamin and the Baroque: Posing the Question of Historical Time.score: 120.0
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  10. Beatrice Hanssen & Andrew Benjamin, Walter Benjamin's Critical Romanticism : An Introduction.score: 120.0
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  11. Andrew Benjamin, The Absolute as Translatability : Working Through Walter Benjamin on Language.score: 120.0
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  12. Andrew E. Benjamin (ed.) (1991). The Problems of Modernity: Adorno and Benjamin. Routledge.score: 120.0
  13. Walter Benjamin (2007). Walter Benjamin 160. In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. 160.score: 120.0
    No categories
     
    My bibliography  
     
    Export citation  
  14. Walter Benjamin & Gevork Hartoonian (eds.) (2010). Walter Benjamin and Architecture. Routledge.score: 120.0
     
    My bibliography  
     
    Export citation  
  15. Harold Raymond Wayne Benjamin (1968). Wakan; the Spirit of Harold Benjamin. Minneapolis, Burgess Pub. Co..score: 120.0
     
    My bibliography  
     
    Export citation  
  16. Andrew E. Benjamin (1991). Art, Mimesis, and the Avant-Garde: Aspects of a Philosophy of Difference. Routledge.score: 60.0
    Art, Mimesis and the Avant-Garde explores the relationship between art and philosophy. Andrew Benjamin argues for a reworking of the task of philosophy in terms of the centrality of ontology. It is in relation to this centrality, understood through the differences between modes of being, that art, mimesis, and the avant-garde come to be presented. A fundamental part of this book is the original interpretations of important contemporary painters and their themes: Lucian Freud's self-portraits, Francis Bacon's use of (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  17. Andrew Benjamin (2013). Architecture and Technology: A Discontinuous Relation. [REVIEW] Foundations of Science 18 (1):201-204.score: 60.0
    Technology has a history structured by discontinuities. The first important philosophical expression of such a conception of technology was advanced by Walter Benjamin when he defined art works in relation to specific techniques of production. At the present art and architecture occur within an age defined by the move from ’technical reproducibility’ to digital reproducibility. The move has an impact on how technology is understood and its relation to architecture conceived. Adapting Walter Benjamin’s work in this area provides (...)
    Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  18. Andrew E. Benjamin (1997). Present Hope: Philosophy, Architecture, Judaism. Routledge.score: 60.0
    Present Hope is a compelling exploration of how we think philosophically about the present. Andrew Benjamin considers examples in philosophy, architecture and poetry to illustrate crucial themes of loss, memory, tragedy, hope and modernity. The book uses the work of Walter Benjamin and Martin Heidegger to illustrate the ways the notion of hope was weaved into their philosophies. Andrew Benjamin maintains that hope is a vital part of the present, rather than an expression only of the future. (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  19. Jessica Benjamin (1997). Shadow of the Other: Intersubjectivity and Gender in Psychoanalysis. Routledge.score: 60.0
    Shadow of the Other is a discussion of how the individual has two sorts of relationships with an "other"--other individuals. The first regards the other as a s work apart is her brilliant utilization of a systematic dialectical approach to her subject, always maintaining the delicate balance between opposing tensions: masculinity and femininity, subjectivity and objectivity, passivity and activity, love and aggression, fantasy and reality, modernism and postmodernism, the intrapsychic and the intersubjective. Benjamin s work apart is her brilliant (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  20. Andrew E. Benjamin (1993). The Plural Event: Descartes, Hegel, Heidegger. Routledge.score: 60.0
    Nothing is more simple or more complicated than the event. In recent years, the attack on any attempts to provide a foundation for philosophy has focused on the "logic of the event." In The Plural Event , Andrew Benjamin reconsiders and reworks philosophy in terms of events and how they are judged. Benjamin offers a sustained philosophical reworking of ontology, providing important readings of key canonical texts in the history of philosophy. In order to avoid the charge of (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  21. Hillel D. Braude (2013). Unraveling the Knot of Suffering: Combining Neurobiological and Hermeneutic Approaches. Philosophy, Psychiatry, and Psychology 19 (4):291-294.score: 60.0
    The title of my paper, “Affecting the Body and Transforming Desire,” (Braude 2012a) is inspired from Plato’s Symposium, where the physician Eryximachus presents a purely neurophysiological discourse on love. James Giordano’s and Gerrit Glas’s commentaries on my paper have the timbre of a contemporary symposium, in this instance to discern the nature of suffering. Thus, I take Giordano’s and Glas’s commentaries to be generally sympathetic to my offering, although providing further critical insights that deepen the multidimensional understanding of suffering (...)
    No categories
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  22. Andrew E. Benjamin (ed.) (1995). Complexity: Architecture, Art, Philosophy. Distributed to the Trade in the United States of America by National Book Network.score: 60.0
    JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. Complexity, therefore, (...)
     
    My bibliography  
     
    Export citation  
  23. Andrew Benjamin (2014). Translation and the Nature of Philosophy (Routledge Revivals): A New Theory of Words. Routledge.score: 40.0
    This engrossing study, first published in 1989, explores the basic mutuality between philosophy and translation. By studying the conceptions of translation in Plato, Seneca, Davidson, Walter Benjamin and Freud, Andrew Benjamin reveals the interplay between the two disciplines not only in their relationship to language, but also at a deeper, cognitive level. Benjamin engages throughout with the central tenets of post-structuralism: the concept of a constant yet illusive ‘true’ meaning has lost authority, but remains a problem. The (...)
    No categories
     
    My bibliography  
     
    Export citation  
  24. John T. Sanders (2006). Benjamin Franklin and the League of the Haudenosaunee. In St Petersburg Center for the History of Ideas (ed.), The Philosophical Age, Almanac 32: Benjamin Franklin and Russia, to the Tercentenary of His Birth. St. Petersburg Center for the History of Ideas.score: 21.0
    Benjamin Franklin's social and political thought was shaped by contacts with and knowledge of ancient aboriginal traditions. Indeed, a strong case can be made that key features of the social structure eventually outlined in the United States Constitution arose not from European sources, and not full-grown from the foreheads of European-American "founding fathers", but from aboriginal sources, communicated to the authors of the Constitution to a significant extent through Franklin. A brief sketch of the main argument to this effect (...)
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  25. Abraham Akkerman (2012). Gender Myth and the Mind-City Composite: From Plato’s Atlantis to Walter Benjamin’s Philosophical Urbanism. GeoJournal (in Press; Online Version Published) 78.score: 18.0
    In the early twentieth century Walter Benjamin introduced the idea of epochal and ongoing progression in interaction between mind and the built environment. Since early antiquity, the present study suggests, Benjamin’s notion has been manifest in metaphors of gender in city-form, whereby edifices and urban voids have represented masculinity and femininity, respectively. At the onset of interaction between mind and the built environment are prehistoric myths related to the human body and to the sky. During antiquity gender projection (...)
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  26. Ari Hirvonen (2012). Marx and God with Anarchism: On Walter Benjamin's Concepts of History and Violence. [REVIEW] Continental Philosophy Review 45 (4):519-543.score: 18.0
    The article analyses relationships between profane and religious illumination, materialism and theology, politics and religion, Marxism and Messianism. For Walter Benjamin, every second is “the small gateway in time through which the Messiah might enter”. This is the starting point in the reading of Benjamin’s works, where we confront various liaisons and couplings of radical politics and messianic events. Through the reading of Benjamin and through the analysis of his conceptions of history and time, the article addresses (...)
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  27. Alexei Procyshyn (2013). The Origins of Walter Benjamin's Concept of Philosophical Critique. Metaphilosophy 44 (5):655-681.score: 18.0
    Focusing on Walter Benjamin's earliest pieces dedicated to school reform and the student movement, this article traces the basic critical approaches informing his mature thought back to his struggle to critically implement and transform the theory of concept formation and value presentation developed by his Freiburg teacher, Heinrich Rickert. It begins with an account of Rickert's work, specifically of the concept of Darstellung (presentation) and its central role in Rickert's postmetaphysical theory of historical research (which he characterizes as exclusively (...)
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  28. Benjamin Aldes Wurgaft (2010). The Uses of Walter : Walter Benjamin and the Counterfactual Imagination. History and Theory 49 (3):361-383.score: 18.0
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  29. Stefan Gandler (2003). ¿Por Qué El Ángel de la Historia Mira Hacia Atrás? Acerca de Las Tesis Sobre El Concepto de Historia de Walter Benjamín. Utopía y Praxis Latinoamericana 8 (20):7-39.score: 18.0
    El ángel de la historia, en las tesis de Walter Benjamin, mira hacia atrás por tres razones: Primero, porque epistemológicamente es inevitable y necesario mirar hacia atrás, o sea: el ángel no puede ver adelante y tiene que mirar hacia atrás para poder entender su entorno. Segundo, porque onto..
    No categories
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  30. Tupac Cruz (2007). Ur phänomen y su transposición:: Benjamin y el Idealismo goetheano. Ideas y Valores 56 (135):51-76.score: 18.0
    Una lectura de la "Erkenntnis-kritische Vorrede" a Ursprung des deutsches Trauerspiels busca determinar en qué sentido Benjamin efectúa, en la teoría de las ideas allí esbozada, lo que él mismo llamó después una "tranposicion" del concepto goetheano de Urphänomen. El cotejo con algunos de los naturw..
    No categories
    Translate to English
    | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  31. Luciano Ferreira Gatti (2011). O ideal de Baudelaire por Walter Benjamin. Trans/Form/Ação 31 (1):127-142.score: 18.0
    O artigo examina a interpretação feita por Walter Benjamin dos poemas de Charles Baudelaire marcados pela noção de ideal, a qual se opõe ao spleen. Benjamin encontra aí o esforço de rememoração de uma experiência plena, a qual constituiria, por sua vez, um elemento essencial à compreensão da modernidade como impossibilidade desta forma de experiência. Com as noções de beleza e de aura, o artigo busca ainda salientar a importância da categoria da distância para a configuração desta forma (...)
    Translate to English
    | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  32. Marcos Santos Gómez (2010). Los oprimidos como luz. Benjamin, Kafka, teología de la liberación. Revista de Filosofía (Madrid) 34 (2):157-174.score: 18.0
    This article highlights the dialect of failure and hope you can find in the oppressed, which every utopical thought should take into consideration. To justify it, we start from Walter Benjamin’s ideas on History, and in particular, we consider the perspective of the oppressed in Kafka’s literature, although he considered hope as a weak hint among catastrophe. And finally, we show this dialect as a specific and explicit place of the Liberation Theology.
    No categories
    Translate to English
    | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  33. Eduardo Maura Zorita (2012). Benjamin y el tiempo. Daímon 57:137-149.score: 18.0
    En estas páginas se trata de explicar, a partir de la reflexión de Walter Benjamin (1892-1940), en qué sentido el espacio mercantil puede comprenderse en términos epistemológicos y ontológicos. Más específicamente, constituye un dominio calculable de los objetos propio de la modernidad capitalista. Se persigue enlazar esa problemática con la cuestión filosófica del tiempo y con la teoría crítica de la industria cultural.
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  34. Alison Ross (2014). Walter Benjamin's Concept of the Image. Routledge.score: 18.0
    In this book, Alison Ross engages in a detailed study of Walter Benjamin’s concept of the image, exploring the significant shifts in Benjamin’s approach to the topic over the course of his career. Using Kant’s treatment of the topic of sensuous form in his aesthetics as a comparative reference, Ross argues that Benjamin’s thinking on the image undergoes a major shift between his 1924 essay on ‘Goethe’s Elective Affinities ,’ and his work on The Arcades Project from (...)
     
    My bibliography  
     
    Export citation  
  35. Benjamin Libet, Walter Sinnott-Armstrong & Lynn Nadel (eds.) (2010). Conscious Will and Responsibility: A Tribute to Benjamin Libet. Oxford University Press.score: 15.0
    Benjamin Libet, Do we have free will? -- Adina L. Roskies, Why Libet's studies don't pose a threat to free will? -- Alfred r. mele, libet on free will : readiness potentials, decisions, and awareness? -- Susan Pockett and Suzanne Purdy, Are voluntary movements initiated preconsciously? : the relationships between readiness potentials, urges, and decisions? -- William P. Banks and Eve A. Isham, Do we really know what we are doing? : implications of reported time of decision for theories (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  36. Michael Löwy (2009). Capitalism as Religion: Walter Benjamin and Max Weber. Historical Materialism 17 (1):60-73.score: 15.0
  37. Marc Berdet (2012). Chiffonnier contre flâneur: Construction et position de la Passagenarbeit de Walter Benjamin. Archives de Philosophie 75 (3):425-447.score: 15.0
    Translate to English
    | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  38. Guglielmo Bilancioni (2010). Aby Warburg e Walter Benjamin. Il metodo della memoria. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 15.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  39. Giuseppe Di Giacomo (2010). L'immagine-tempo da Warburg a Benjamin e Adorno. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 15.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  40. Raoul Kirchmayr (2010). Spazi per pensare. Topografia e immagine in Warburg e Benjamin. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 15.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  41. Elena Tavani (2010). L'esperienza estetica come esperienza di immagini. Walter Benjamin e Theodor W. Adorno. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 15.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  42. Sônia Campaner Miguel Ferrari (2011). Kafka, Benjamin: o natural e o sobrenatural. Trans/Form/Ação 30 (2):151-165.score: 15.0
    Pretende-se explorar alguns aspectos da obra de Franz Kafka que vinculam as experiências do escritor às experiências do homem das grandes cidades modernas, e, por outro lado, colocam essas mesmas experiências “sob violenta tensão em relação às místicas”. Alguns elementos da obra de Kafka, como a impessoalidade, o anonimato, os inúmeros corredores ou repartições sufocantes, representam um diagnóstico, tido muitas vezes como sombrio, mas essencialmente crítico da modernidade. A partir da parábola Diante da Lei, inserida no romance O Processo e (...)
    Translate to English
    | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  43. Silvia Ferretti (2010). «… la fatica di ricostruire la naturale unità fra parola e immagine». Warburg, Benjamin e ciò che la storia non può dire. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 15.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  44. Giovanni Gurisatti (2010). Benjamin, Adorno E la “Fisiognomica”. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 15.0
    No categories
    Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  45. Vladimir Milisavljević (2012). Une violence qui se présuppose: la question de la violence de Benjamin à Deleuze et Guattari. Actuel Marx 2 (2):78-91.score: 15.0
    Translate to English
    | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  46. Antonio Valentini (2010). Tra Benjamin e Adorno: il valore testimoniale del realismo di Kafka. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 15.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  47. Marco Bertozzi (2010). Walter Benjamin: un melanconico allievo di Aby Warburg. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 15.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  48. Fabrizio Desideri & Alice Barale (2010). Editoriale–Costellazioni tempestive. Warburg–Benjamin–Adorno. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 15.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  49. Ted Honderich (2005). On Benjamin Libet: Is the Mind Ahead of the Brain? Behind It? In On Determinism and Freedom. Edinburgh University Press.score: 12.0
    Benjamin Libet and also Libet and collaborators claim to advance a single hypothesis, with important consequences, about the time of a conscious experience in relation to the time when there occurs a certain physical condition in the brain. This condition is spoken of as
    _neural_
    _adequacy_ for the experience, or, as we can as well say, _neural adequacy_ .5 This finding has been taken to throw doubt on theories that take neural and mental events to be in (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  50. Donovan Miyasaki (2002). The Confusion of Marxian and Freudian Fetishism in Adorno and Benjamin. Philosophy Today 46 (4):429-43.score: 12.0
    Both Theodor Adorno and Walter Benjamin borrow from Freudian theory in their analyses of fetishism’s relation to the contemporary reception of cultural products. I will argue that both authors have confused the Marxian and Freudian theories of fetishism, resulting in mistaken conclusions about artistic reception. By disentangling the Marxian and Freudian elements in both authors’ positions, I want to show that 1) Adorno’s characterization of regressive listening implies, contrary to his intentions, that the current reception of artwork is in (...)
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
1 — 50 / 1000