Search results for 'Benjamin Sargent' (try it on Scholar)

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  1. Andrew E. Benjamin & Peter Osborne (eds.) (2000). Walter Benjamin's Philosophy: Destruction and Experience. Clinamen Press.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  2.  11
    Benjamin Sargent (2012). John Milbank and Biblical Hermeneutics: The End of the Historical-Critical Method? Heythrop Journal 53 (2):253-263.
    It is perhaps ironic that a methodology still convinced of its radical iconoclasm and progressive nature should at the same time be regarded as critically backward, a by-product of a disappearing philosophy. Such a view of the historical-critical method is held by John Milbank who argues that because of its dependence upon heretical philosophies that affirm the ontological autonomy of a world without reference to or participation in God, it should be confined to theological history. This essay will argue that (...)
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  3.  5
    Benjamin Sargent (2010). Proceeding Beyond Isolation: Bringing Milbank, Habermas and Ockham to the Interfaith Table. Heythrop Journal 51 (5):819-830.
  4. Walter Benjamin (1985). Special Section on Walter Benjamin ; Special Section on Film. University of Wisconsin-Milwaukee.
     
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  5. Juan Mayorga & Walter Benjamin (2003). Revoluci'on Conservadora y Conservaci'on Revolucionaria Pol'itica y Memoria En Walter Benjamin. Monograph Collection (Matt - Pseudo).
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  6.  35
    Andrew Benjamin (2012). Morality, Law and the Place of Critique: Walter Benjamin's The Meaning of Time in the Moral World. Critical Horizons 12 (3):281 - 301.
    Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
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  7.  3
    Andrew Benjamin (2003). Being Roman Now: The Time of Fashion A Commentary on Walter Benjamin's 'Theses on the Philosophy of History' XIV. Thesis Eleven 75 (1):39-53.
    Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield (...)
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  8. Andrew Benjamin (2010). Porosity at the Edge : Working Through Walter Benjamin's "Naples". In Walter Benjamin & Gevork Hartoonian (eds.), Walter Benjamin and Architecture. Routledge
     
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  9. Andrew Benjamin & Dimitris Vardoulakis (eds.) (2015). Sparks Will Fly: Benjamin and Heidegger. State University of New York Press.
    _Collected essays consider points of affinity and friction between Walter Benjamin and Martin Heidegger._.
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  10.  40
    Andrew E. Benjamin & Charles Rice (eds.) (2009). Walter Benjamin and the Architecture of Modernity. Re.Press.
    Walter Benjamin's Politics of 'bad tasteMichael Mac Modernity as an unfinished Project: Benjamin and Political RomanticismRobert Sinnerbrink Violence, ...
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  11. Walter Benjamin, Gershom Scholem & Theodor W. Adorno (2012). The Correspondence of Walter Benjamin, 1910-1940. University of Chicago Press.
     
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  12.  10
    Andrew Benjamin, The Absolute as Translatability: Working Through Walter Benjamin on Language.
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  13.  15
    Andrew Benjamin, Benjamin and the Baroque: Posing the Question of Historical Time.
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  14.  4
    Andrew Benjamin, Benjamin's Modernity.
  15.  14
    Andrew Benjamin, Working with Walter Benjamin: Recovering a Political Philosophy.
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  16.  9
    Beatrice Hanssen & Andrew Benjamin, Walter Benjamin's Critical Romanticism: An Introduction.
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  17. Andrew E. Benjamin (ed.) (1991). The Problems of Modernity: Adorno and Benjamin. Routledge.
  18. Walter Benjamin (2007). Walter Benjamin 160. In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg 160.
     
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  19. Walter Benjamin & Gevork Hartoonian (eds.) (2010). Walter Benjamin and Architecture. Routledge.
     
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  20. Harold Raymond Wayne Benjamin (1968). Wakan; the Spirit of Harold Benjamin. Minneapolis, Burgess Pub. Co..
     
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  21.  78
    John T. Sanders (2006). Benjamin Franklin and the League of the Haudenosaunee. In St Petersburg Center for the History of Ideas (ed.), The Philosophical Age, Almanac 32: Benjamin Franklin and Russia, to the Tercentenary of His Birth. St. Petersburg Center for the History of Ideas
    Benjamin Franklin's social and political thought was shaped by contacts with and knowledge of ancient aboriginal traditions. Indeed, a strong case can be made that key features of the social structure eventually outlined in the United States Constitution arose not from European sources, and not full-grown from the foreheads of European-American "founding fathers", but from aboriginal sources, communicated to the authors of the Constitution to a significant extent through Franklin. A brief sketch of the main argument to this effect (...)
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  22.  10
    Benjamin Aldes Wurgaft (2010). The Uses of Walter : Walter Benjamin and the Counterfactual Imagination. History and Theory 49 (3):361-383.
    Many authors, both scholarly and otherwise, have asked what might have happened had Walter Benjamin survived his 1940 attempt to escape Nazi-occupied Europe. This essay examines several implicitly or explicitly “counterfactual” thought experiments regarding Benjamin’s “survival,” including Hannah Arendt’s influential “Walter Benjamin: 1892–1940,” and asks why our attachment to Benjamin’s story has prompted so much counterfactual inquiry. It also explores the larger question of why few intellectual historians ask explicitly counterfactual questions in their work. While counterfactuals (...)
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  23. Abraham Akkerman (2012). Gender Myth and the Mind-City Composite: From Plato’s Atlantis to Walter Benjamin’s Philosophical Urbanism. GeoJournal (in Press; Online Version Published) 78.
    In the early twentieth century Walter Benjamin introduced the idea of epochal and ongoing progression in interaction between mind and the built environment. Since early antiquity, the present study suggests, Benjamin’s notion has been manifest in metaphors of gender in city-form, whereby edifices and urban voids have represented masculinity and femininity, respectively. At the onset of interaction between mind and the built environment are prehistoric myths related to the human body and to the sky. During antiquity gender projection (...)
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  24.  6
    Ninon Grangé (forthcoming). La guerre civile et le dialogue Schmitt-Benjamin. Astérion 13.
    Dans sa critique de la démocratie libérale de Weimar, Carl Schmitt s’oppose avant tout au pluralisme. La souveraineté de l’État qu’il veut maintenir prend la forme d’un présidentialisme renforcé ; il entend ainsi sauver la substance de la Constitution allemande contre la Constitution de Weimar. Walter Benjamin, sans se placer sur le même plan, critiquant le monde de l’après-guerre avant d’envisager une essence démocratique, rencontre Schmitt sur la notion de souveraineté. Alors que tout les éloigne, et malgré l’hommage explicite (...)
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  25.  3
    Susan Buck-Morss (1991). The Dialectics of Seeing: Walter Benjamin and the Arcades Project. The MIT Press.
    An English reconstruction and analysis of Benjamin's Passagen-Werk.
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  26.  14
    Alexei Procyshyn (2013). The Origins of Walter Benjamin's Concept of Philosophical Critique. Metaphilosophy 44 (5):655-681.
    Focusing on Walter Benjamin's earliest pieces dedicated to school reform and the student movement, this article traces the basic critical approaches informing his mature thought back to his struggle to critically implement and transform the theory of concept formation and value presentation developed by his Freiburg teacher, Heinrich Rickert. It begins with an account of Rickert's work, specifically of the concept of Darstellung (presentation) and its central role in Rickert's postmetaphysical theory of historical research (which he characterizes as exclusively (...)
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  27.  19
    Ari Hirvonen (2012). Marx and God with Anarchism: On Walter Benjamin's Concepts of History and Violence. [REVIEW] Continental Philosophy Review 45 (4):519-543.
    The article analyses relationships between profane and religious illumination, materialism and theology, politics and religion, Marxism and Messianism. For Walter Benjamin, every second is “the small gateway in time through which the Messiah might enter”. This is the starting point in the reading of Benjamin’s works, where we confront various liaisons and couplings of radical politics and messianic events. Through the reading of Benjamin and through the analysis of his conceptions of history and time, the article addresses (...)
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  28.  6
    Tupac Cruz (2007). Ur phänomen y su transposición:: Benjamin y el Idealismo goetheano. Ideas Y Valores 56 (135):51-76.
    Una lectura de la "Erkenntnis-kritische Vorrede" a Ursprung des deutsches Trauerspiels busca determinar en qué sentido Benjamin efectúa, en la teoría de las ideas allí esbozada, lo que él mismo llamó después una "tranposicion" del concepto goetheano de Urphänomen. El cotejo con algunos de los naturw..
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  29.  5
    Stefan Gandler (2003). ¿Por qué el ángel de la historia mira hacia atrás? Acerca de las tesis Sobre el concepto de historia de Walter Benjamín. Utopía y Praxis Latinoamericana 8 (20):7-39.
    El ángel de la historia, en las tesis de Walter Benjamin, mira hacia atrás por tres razones: Primero, porque epistemológicamente es inevitable y necesario mirar hacia atrás, o sea: el ángel no puede ver adelante y tiene que mirar hacia atrás para poder entender su entorno. Segundo, porque onto..
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  30.  2
    Marcos Santos Gómez (2010). Los oprimidos como luz. Benjamin, Kafka, teología de la liberación. Revista de Filosofía (Madrid) 34 (2):157-174.
    This article highlights the dialect of failure and hope you can find in the oppressed, which every utopical thought should take into consideration. To justify it, we start from Walter Benjamin’s ideas on History, and in particular, we consider the perspective of the oppressed in Kafka’s literature, although he considered hope as a weak hint among catastrophe. And finally, we show this dialect as a specific and explicit place of the Liberation Theology.
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  31.  2
    Luciano Ferreira Gatti (2011). O ideal de Baudelaire por Walter Benjamin. Trans/Form/Ação 31 (1):127-142.
    O artigo examina a interpretação feita por Walter Benjamin dos poemas de Charles Baudelaire marcados pela noção de ideal, a qual se opõe ao spleen. Benjamin encontra aí o esforço de rememoração de uma experiência plena, a qual constituiria, por sua vez, um elemento essencial à compreensão da modernidade como impossibilidade desta forma de experiência. Com as noções de beleza e de aura, o artigo busca ainda salientar a importância da categoria da distância para a configuração desta forma (...)
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  32.  2
    Eduardo Maura Zorita (2012). Benjamin y el tiempo. Daimon: Revista de Filosofia 57:137-149.
    En estas páginas se trata de explicar, a partir de la reflexión de Walter Benjamin (1892-1940), en qué sentido el espacio mercantil puede comprenderse en términos epistemológicos y ontológicos. Más específicamente, constituye un dominio calculable de los objetos propio de la modernidad capitalista. Se persigue enlazar esa problemática con la cuestión filosófica del tiempo y con la teoría crítica de la industria cultural.
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  33.  4
    Vladimir Milisavljević (2012). Une violence qui se présuppose: la question de la violence de Benjamin à Deleuze et Guattari. Actuel Marx 2 (2):78-91.
    A Violence which Presupposes Itself: The question of Violence from Benjamin to Deleuze and Guattari This text examines some parallels between Walter Benjamin’s “critique of violence” and the theory of violence proposed by Gilles Deleuze and Félix Guattari. Whatever the differences between these two approaches, they both share an important common feature, defining the violence of state and law in terms of a “violence which presupposes itself”. This circular structure of the concept of violence renders utterly problematic the (...)
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  34. Robert Sonné Cohen, Marx W. Wartofsky & Benjamin Nelson (1984). Methodology, Metaphysics, and the History of Science in Memory of Benjamin Nelson.
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  35.  7
    Alison Ross (2014). Walter Benjamin’s Concept of the Image. Routledge.
    In this book, Alison Ross engages in a detailed study of Walter Benjamin’s concept of the image, exploring the significant shifts in Benjamin’s approach to the topic over the course of his career. Using Kant’s treatment of the topic of sensuous form in his aesthetics as a comparative reference, Ross argues that Benjamin’s thinking on the image undergoes a major shift between his 1924 essay on ‘Goethe’s Elective Affinities ,’ and his work on The Arcades Project from (...)
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  36.  0
    Bartholomew Ryan (ed.) (2014). Kierkegaard's Indirect Politics: Interludes with Lukács, Schmitt, Benjamin and Adorno. Brill Rodopi.
    This book argues that a radical political gesture can be found in Søren Kierkegaard’s writings. The chapters navigate an interdisciplinary landscape by placing Kierkegaard’s passionate thought in conversation with the writings of Georg Lukács, Carl Schmitt, Walter Benjamin and Theodor Adorno. At the heart of the book’s argument is the concept of “indirect politics,” which names a negative space between methods, concepts, and intellectual acts in the work of Kierkegaard, as well as marking the dynamic relations between Kierkegaard and (...)
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  37.  58
    Benjamin Libet, Walter Sinnott-Armstrong & Lynn Nadel (eds.) (2010). Conscious Will and Responsibility: A Tribute to Benjamin Libet. Oxford University Press.
    Benjamin Libet, Do we have free will? -- Adina L. Roskies, Why Libet's studies don't pose a threat to free will? -- Alfred r. mele, libet on free will : readiness potentials, decisions, and awareness? -- Susan Pockett and Suzanne Purdy, Are voluntary movements initiated preconsciously? : the relationships between readiness potentials, urges, and decisions? -- William P. Banks and Eve A. Isham, Do we really know what we are doing? : implications of reported time of decision for theories (...)
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  38.  57
    Michael Löwy (2009). Capitalism as Religion: Walter Benjamin and Max Weber. Historical Materialism 17 (1):60-73.
  39.  8
    Marc Berdet (2012). Chiffonnier contre flâneur: Construction et position de la Passagenarbeit de Walter Benjamin. Archives de Philosophie 75 (3):425-447.
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  40.  0
    J. Hillis Miller (1987). The Ethics of Reading: Kant, de Man, Eliot, Trollope, and Benjamin. Journal of Aesthetics and Art Criticism 46 (2):312-314.
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  41.  4
    Elena Tavani (2010). L'esperienza estetica come esperienza di immagini. Walter Benjamin e Theodor W. Adorno. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
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  42.  4
    Guglielmo Bilancioni (2010). Aby Warburg e Walter Benjamin. Il metodo della memoria. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
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  43.  3
    Giuseppe Di Giacomo (2010). L'immagine-tempo da Warburg a Benjamin e Adorno. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
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  44.  3
    Raoul Kirchmayr (2010). Spazi per pensare. Topografia e immagine in Warburg e Benjamin. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
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  45.  1
    Fabrizio Desideri & Alice Barale (2010). Editoriale–Costellazioni tempestive. Warburg–Benjamin–Adorno. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
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  46.  1
    Marco Bertozzi (2010). Walter Benjamin: un melanconico allievo di Aby Warburg. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
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  47.  2
    Sônia Campaner Miguel Ferrari (2011). Kafka, Benjamin: o natural e o sobrenatural. Trans/Form/Ação 30 (2):151-165.
    Pretende-se explorar alguns aspectos da obra de Franz Kafka que vinculam as experiências do escritor às experiências do homem das grandes cidades modernas, e, por outro lado, colocam essas mesmas experiências “sob violenta tensão em relação às místicas”. Alguns elementos da obra de Kafka, como a impessoalidade, o anonimato, os inúmeros corredores ou repartições sufocantes, representam um diagnóstico, tido muitas vezes como sombrio, mas essencialmente crítico da modernidade. A partir da parábola Diante da Lei, inserida no romance O Processo e (...)
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  48.  2
    Antonio Valentini (2010). Tra Benjamin e Adorno: il valore testimoniale del realismo di Kafka. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
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  49.  2
    Giovanni Gurisatti (2010). Benjamin, Adorno E la “Fisiognomica”. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
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  50.  2
    Silvia Ferretti (2010). «… la fatica di ricostruire la naturale unità fra parola e immagine». Warburg, Benjamin e ciò che la storia non può dire. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).
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