Search results for 'Benjamin Sells' (try it on Scholar)

999 found
Sort by:
  1. Benjamin Sells (1999). Order in the Court: Crafting a More Just World in Lawless Times. Element.score: 240.0
     
    My bibliography  
     
    Export citation  
  2. Benjamin Sells (2002/1996). The Soul of the Law. Vega.score: 240.0
     
    My bibliography  
     
    Export citation  
  3. Andrew E. Benjamin & Charles Rice (eds.) (2009). Walter Benjamin and the Architecture of Modernity. Re.Press.score: 210.0
    Walter Benjamin's Politics of 'bad tasteMichael Mac Modernity as an unfinished Project: Benjamin and Political RomanticismRobert Sinnerbrink Violence, ...
    Direct download  
     
    My bibliography  
     
    Export citation  
  4. Andrew Benjamin (2012). Morality, Law and the Place of Critique: Walter Benjamin's The Meaning of Time in the Moral World. Critical Horizons 12 (3):281 - 301.score: 210.0
    Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
    Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  5. Andrew Benjamin (2003). Being Roman Now: The Time of Fashion A Commentary on Walter Benjamin's 'Theses on the Philosophy of History' XIV. Thesis Eleven 75 (1):39-53.score: 210.0
    Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield (...)
    No categories
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  6. Andrew Benjamin (2010). Porosity at the Edge : Working Through Walter Benjamin's "Naples". In Walter Benjamin & Gevork Hartoonian (eds.), Walter Benjamin and Architecture. Routledge.score: 210.0
     
    My bibliography  
     
    Export citation  
  7. Andrew E. Benjamin & Peter Osborne (eds.) (2000). Walter Benjamin's Philosophy: Destruction and Experience. Clinamen Press.score: 210.0
    Why read Walter Benjamin today? There as many answers to this question as there are "Walter Benjamins"--Benjamin as critic, Benjamin as modernist, Benjamin as marxist, Benjamin as Jew. . . . Yet it is Benjamin as philosopher that in one way or another stands behind all these. This collection explores, in Adorno's description, Benjamin's "philosophy directed against philosophy." The essays cover all aspects of Benjamin's writings, from his early work in the philosophy (...)
     
    My bibliography  
     
    Export citation  
  8. Andrew Benjamin, Working with Walter Benjamin: Recovering a Political Philosophy.score: 180.0
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  9. Andrew Benjamin, Benjamin and the Baroque: Posing the Question of Historical Time.score: 180.0
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  10. Beatrice Hanssen & Andrew Benjamin, Walter Benjamin's Critical Romanticism: An Introduction.score: 180.0
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  11. Andrew Benjamin, Benjamin's Modernity.score: 180.0
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  12. Andrew Benjamin, The Absolute as Translatability: Working Through Walter Benjamin on Language.score: 180.0
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  13. Andrew E. Benjamin (ed.) (1991). The Problems of Modernity: Adorno and Benjamin. Routledge.score: 180.0
  14. Walter Benjamin (2007). Walter Benjamin 160. In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. 160.score: 180.0
    No categories
     
    My bibliography  
     
    Export citation  
  15. Walter Benjamin & Gevork Hartoonian (eds.) (2010). Walter Benjamin and Architecture. Routledge.score: 180.0
     
    My bibliography  
     
    Export citation  
  16. Harold Raymond Wayne Benjamin (1968). Wakan; the Spirit of Harold Benjamin. Minneapolis, Burgess Pub. Co..score: 180.0
     
    My bibliography  
     
    Export citation  
  17. John T. Sanders (2006). Benjamin Franklin and the League of the Haudenosaunee. In St Petersburg Center for the History of Ideas (ed.), The Philosophical Age, Almanac 32: Benjamin Franklin and Russia, to the Tercentenary of His Birth. St. Petersburg Center for the History of Ideas.score: 27.0
    Benjamin Franklin's social and political thought was shaped by contacts with and knowledge of ancient aboriginal traditions. Indeed, a strong case can be made that key features of the social structure eventually outlined in the United States Constitution arose not from European sources, and not full-grown from the foreheads of European-American "founding fathers", but from aboriginal sources, communicated to the authors of the Constitution to a significant extent through Franklin. A brief sketch of the main argument to this effect (...)
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  18. Abraham Akkerman (2012). Gender Myth and the Mind-City Composite: From Plato’s Atlantis to Walter Benjamin’s Philosophical Urbanism. GeoJournal (in Press; Online Version Published) 78.score: 24.0
    In the early twentieth century Walter Benjamin introduced the idea of epochal and ongoing progression in interaction between mind and the built environment. Since early antiquity, the present study suggests, Benjamin’s notion has been manifest in metaphors of gender in city-form, whereby edifices and urban voids have represented masculinity and femininity, respectively. At the onset of interaction between mind and the built environment are prehistoric myths related to the human body and to the sky. During antiquity gender projection (...)
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  19. Ari Hirvonen (2012). Marx and God with Anarchism: On Walter Benjamin's Concepts of History and Violence. [REVIEW] Continental Philosophy Review 45 (4):519-543.score: 24.0
    The article analyses relationships between profane and religious illumination, materialism and theology, politics and religion, Marxism and Messianism. For Walter Benjamin, every second is “the small gateway in time through which the Messiah might enter”. This is the starting point in the reading of Benjamin’s works, where we confront various liaisons and couplings of radical politics and messianic events. Through the reading of Benjamin and through the analysis of his conceptions of history and time, the article addresses (...)
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  20. Alexei Procyshyn (2013). The Origins of Walter Benjamin's Concept of Philosophical Critique. Metaphilosophy 44 (5):655-681.score: 24.0
    Focusing on Walter Benjamin's earliest pieces dedicated to school reform and the student movement, this article traces the basic critical approaches informing his mature thought back to his struggle to critically implement and transform the theory of concept formation and value presentation developed by his Freiburg teacher, Heinrich Rickert. It begins with an account of Rickert's work, specifically of the concept of Darstellung (presentation) and its central role in Rickert's postmetaphysical theory of historical research (which he characterizes as exclusively (...)
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  21. Benjamin Aldes Wurgaft (2010). The Uses of Walter : Walter Benjamin and the Counterfactual Imagination. History and Theory 49 (3):361-383.score: 24.0
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  22. Stefan Gandler (2003). ¿Por Qué El Ángel de la Historia Mira Hacia Atrás? Acerca de Las Tesis Sobre El Concepto de Historia de Walter Benjamín. Utopía y Praxis Latinoamericana 8 (20):7-39.score: 24.0
    El ángel de la historia, en las tesis de Walter Benjamin, mira hacia atrás por tres razones: Primero, porque epistemológicamente es inevitable y necesario mirar hacia atrás, o sea: el ángel no puede ver adelante y tiene que mirar hacia atrás para poder entender su entorno. Segundo, porque onto..
    No categories
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  23. Tupac Cruz (2007). Ur phänomen y su transposición:: Benjamin y el Idealismo goetheano. Ideas Y Valores 56 (135):51-76.score: 24.0
    Una lectura de la "Erkenntnis-kritische Vorrede" a Ursprung des deutsches Trauerspiels busca determinar en qué sentido Benjamin efectúa, en la teoría de las ideas allí esbozada, lo que él mismo llamó después una "tranposicion" del concepto goetheano de Urphänomen. El cotejo con algunos de los naturw..
    No categories
    Translate to English
    | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  24. Luciano Ferreira Gatti (2011). O ideal de Baudelaire por Walter Benjamin. Trans/Form/Ação 31 (1):127-142.score: 24.0
    O artigo examina a interpretação feita por Walter Benjamin dos poemas de Charles Baudelaire marcados pela noção de ideal, a qual se opõe ao spleen. Benjamin encontra aí o esforço de rememoração de uma experiência plena, a qual constituiria, por sua vez, um elemento essencial à compreensão da modernidade como impossibilidade desta forma de experiência. Com as noções de beleza e de aura, o artigo busca ainda salientar a importância da categoria da distância para a configuração desta forma (...)
    Translate to English
    | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  25. Marcos Santos Gómez (2010). Los oprimidos como luz. Benjamin, Kafka, teología de la liberación. Revista de Filosofía (Madrid) 34 (2):157-174.score: 24.0
    This article highlights the dialect of failure and hope you can find in the oppressed, which every utopical thought should take into consideration. To justify it, we start from Walter Benjamin’s ideas on History, and in particular, we consider the perspective of the oppressed in Kafka’s literature, although he considered hope as a weak hint among catastrophe. And finally, we show this dialect as a specific and explicit place of the Liberation Theology.
    No categories
    Translate to English
    | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  26. Eduardo Maura Zorita (2012). Benjamin y el tiempo. Daimon 57:137-149.score: 24.0
    En estas páginas se trata de explicar, a partir de la reflexión de Walter Benjamin (1892-1940), en qué sentido el espacio mercantil puede comprenderse en términos epistemológicos y ontológicos. Más específicamente, constituye un dominio calculable de los objetos propio de la modernidad capitalista. Se persigue enlazar esa problemática con la cuestión filosófica del tiempo y con la teoría crítica de la industria cultural.
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  27. Alison Ross (2014). Walter Benjamin's Concept of the Image. Routledge.score: 24.0
    In this book, Alison Ross engages in a detailed study of Walter Benjamin’s concept of the image, exploring the significant shifts in Benjamin’s approach to the topic over the course of his career. Using Kant’s treatment of the topic of sensuous form in his aesthetics as a comparative reference, Ross argues that Benjamin’s thinking on the image undergoes a major shift between his 1924 essay on ‘Goethe’s Elective Affinities ,’ and his work on The Arcades Project from (...)
     
    My bibliography  
     
    Export citation  
  28. Benjamin Libet, Walter Sinnott-Armstrong & Lynn Nadel (eds.) (2010). Conscious Will and Responsibility: A Tribute to Benjamin Libet. Oxford University Press.score: 21.0
    Benjamin Libet, Do we have free will? -- Adina L. Roskies, Why Libet's studies don't pose a threat to free will? -- Alfred r. mele, libet on free will : readiness potentials, decisions, and awareness? -- Susan Pockett and Suzanne Purdy, Are voluntary movements initiated preconsciously? : the relationships between readiness potentials, urges, and decisions? -- William P. Banks and Eve A. Isham, Do we really know what we are doing? : implications of reported time of decision for theories (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  29. Michael Löwy (2009). Capitalism as Religion: Walter Benjamin and Max Weber. Historical Materialism 17 (1):60-73.score: 21.0
  30. Marc Berdet (2012). Chiffonnier contre flâneur: Construction et position de la Passagenarbeit de Walter Benjamin. Archives de Philosophie 75 (3):425-447.score: 21.0
    Translate to English
    | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  31. Guglielmo Bilancioni (2010). Aby Warburg e Walter Benjamin. Il metodo della memoria. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 21.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  32. Giuseppe Di Giacomo (2010). L'immagine-tempo da Warburg a Benjamin e Adorno. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 21.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  33. Raoul Kirchmayr (2010). Spazi per pensare. Topografia e immagine in Warburg e Benjamin. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 21.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  34. Elena Tavani (2010). L'esperienza estetica come esperienza di immagini. Walter Benjamin e Theodor W. Adorno. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 21.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  35. Sônia Campaner Miguel Ferrari (2011). Kafka, Benjamin: o natural e o sobrenatural. Trans/Form/Ação 30 (2):151-165.score: 21.0
    Pretende-se explorar alguns aspectos da obra de Franz Kafka que vinculam as experiências do escritor às experiências do homem das grandes cidades modernas, e, por outro lado, colocam essas mesmas experiências “sob violenta tensão em relação às místicas”. Alguns elementos da obra de Kafka, como a impessoalidade, o anonimato, os inúmeros corredores ou repartições sufocantes, representam um diagnóstico, tido muitas vezes como sombrio, mas essencialmente crítico da modernidade. A partir da parábola Diante da Lei, inserida no romance O Processo e (...)
    Translate to English
    | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  36. Silvia Ferretti (2010). «… la fatica di ricostruire la naturale unità fra parola e immagine». Warburg, Benjamin e ciò che la storia non può dire. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 21.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  37. Giovanni Gurisatti (2010). Benjamin, Adorno E la “Fisiognomica”. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 21.0
    No categories
    Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  38. Vladimir Milisavljević (2012). Une violence qui se présuppose: la question de la violence de Benjamin à Deleuze et Guattari. Actuel Marx 2 (2):78-91.score: 21.0
    Translate to English
    | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  39. Antonio Valentini (2010). Tra Benjamin e Adorno: il valore testimoniale del realismo di Kafka. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 21.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  40. Marco Bertozzi (2010). Walter Benjamin: un melanconico allievo di Aby Warburg. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 21.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  41. Fabrizio Desideri & Alice Barale (2010). Editoriale–Costellazioni tempestive. Warburg–Benjamin–Adorno. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 3 (2).score: 21.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  42. Ted Honderich (2005). On Benjamin Libet: Is the Mind Ahead of the Brain? Behind It? In On Determinism and Freedom. Edinburgh University Press.score: 18.0
    Benjamin Libet and also Libet and collaborators claim to advance a single hypothesis, with important consequences, about the time of a conscious experience in relation to the time when there occurs a certain physical condition in the brain. This condition is spoken of as
    _neural_
    _adequacy_ for the experience, or, as we can as well say, _neural adequacy_ .5 This finding has been taken to throw doubt on theories that take neural and mental events to be in (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  43. Donovan Miyasaki (2002). The Confusion of Marxian and Freudian Fetishism in Adorno and Benjamin. Philosophy Today 46 (4):429-43.score: 18.0
    Both Theodor Adorno and Walter Benjamin borrow from Freudian theory in their analyses of fetishism’s relation to the contemporary reception of cultural products. I will argue that both authors have confused the Marxian and Freudian theories of fetishism, resulting in mistaken conclusions about artistic reception. By disentangling the Marxian and Freudian elements in both authors’ positions, I want to show that 1) Adorno’s characterization of regressive listening implies, contrary to his intentions, that the current reception of artwork is in (...)
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  44. Howard Caygill (1998). Walter Benjamin: The Colour of Experience. Routledge.score: 18.0
    In this major reinterpretation, Howard Caygill argues that all of Benjamin's work is characterized by its focus on a concept of experience derived from Kant but applied by Benjamin to objects as diverse as urban experience, visual art, literature and philosophy. The book analyzes the development of Benjamin's concept of experience in his early writings showing that it emerges from an engagement with visual experience, and in particular the experience of colour. By representing Benjamin as (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  45. Leonardo V. Distaso (2009). On the Common Origin of Music and Philosophy: Plato, Nietzsche, and Benjamin. Topoi 28 (2):137-142.score: 18.0
    The essay shows the common ground between music and philosophy from the origin of Western philosophy to the crisis of metaphysical thinking, in particular with Nietzsche and Benjamin. At the beginning, the relationship between philosophy and music is marked by the hegemony of the word on the sound. This is the nature of the Platonic idea of music. With Nietzsche and Benjamin this hegemony is denied and a new vision of the relationship becomes possible. The sound is the (...)
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  46. L. Bovens & J. L. Ferreira (2010). Monty Hall Drives a Wedge Between Judy Benjamin and the Sleeping Beauty: A Reply to Bovens. Analysis 70 (3):473-481.score: 18.0
    Consider van Fraassen's ( 1981) Judy Benjamin (JB) problem. Judy is dropped in an area that is divided vertically in Blue (B) and Red (R) and horizontally in Headquarters (Q) and Second Company (S). These divisions define four quadrants, as in Figure 1 (roman script headings). Judy initially believes that there is an equal chance of being in each quadrant. She is then told by a fully reliable source that if she is in R, then there is a chance (...)
    Direct download (13 more)  
     
    My bibliography  
     
    Export citation  
  47. Re'em Segev (2008). Responsibility and Moral Luck: Comments on Benjamin Zipursky, 'Two Dimensions of Responsibility in Crime, Tort, and Moral Luck'. Theoretical Inquiries in Law Forum 9 (1):39-46.score: 18.0
    The essence of the moral luck question is whether the responsibility of persons is determined only in light of actions that are within their control or also in light of factors, such as the consequences of their actions, which are beyond their control. Most people seem to have contrasting intuitions regarding this question. On the one hand, there is a common intuition that the responsibility of persons should be judged only in light of what is within their control. On the (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  48. Marc de Wilde (2011). Meeting Opposites: The Political Theologies of Walter Benjamin and Carl Schmitt. Philosophy and Rhetoric 44 (4):363-381.score: 18.0
    On 9 December 1930, Walter Benjamin sent a copy of his book The Origin of German Tragic Drama to Carl Schmitt, accompanied by a letter in which he expressed his indebtedness to Schmitt: "You will very quickly recognize how much my book is indebted to you for its presentation of the doctrine of sovereignty in the seventeenth century. Perhaps I may say, in addition, that I have also derived from your later works, especially Die Diktatur, a confirmation of my (...)
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  49. Michael B. Gill (1999). The Religious Rationalism of Benjamin Whichcote. Journal of the History of Philosophy 37 (2):271-300.score: 18.0
    I. Introduction Most philosophers today have never heard of Benjamin Whichcote (1609-83), and most of the few who have heard of him know only that he was the founder of Cambridge Platonism.1 He is well worth learning more about, however. For Whichcote was a vital influence on both Ralph Cudworth and the Third Earl of Shaftesbury, through whom he helped shape the views of Clarke and Price, on the one hand, and Hutcheson and Hume, on the other. Whichcote should (...)
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  50. Peter D. Fenves (2011). The Messianic Reduction: Walter Benjamin and the Shape of Time. Stanford University Press.score: 18.0
    Introduction : the course of the argument -- Substance poem versus function poem : two poems of Friedrich Hölderlin -- Entering the phenomenological school and discovering the color of shame -- Existence toward space : two "Rainbows" from around 1916 -- The problem of historical time : conversing with Scholem, criticizing Heidegger in 1916 -- Meaning in the proper sense of the word : "On language as such and on human language" and related logico-linguistic studies -- Pure knowledge and the (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
1 — 50 / 999