85 found
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  1. Berel Lang (1990). Act and Idea in the Nazi Genocide. University of Chicago Press.
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  2.  34
    Berel Lang (1970). Denotation and Aesthetic Inference. British Journal of Aesthetics 10 (3):248-260.
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  3.  7
    Berel Lang (2011). Between Genocide and “Genocide”. History and Theory 50 (2):285-294.
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  4.  20
    Berel Lang (1971). Aesthetic Proximity. International Philosophical Quarterly 11 (4):546-560.
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  5.  9
    Berel Lang (1996). Heidegger's Silence. Cornell University Press.
    UP. Berel Lang shows in this penetrating book how Heideggeer's own silence on the 'Jewish Question' --how (or if) the Jews were to live among the nations- ...
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  6.  91
    Berel Lang (1974). The Intentional Fallacy Revisited. British Journal of Aesthetics 14 (4):306-314.
  7.  18
    Berel Lang (1994). Forgiveness. American Philosophical Quarterly 31 (2):105 - 117.
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  8. Berel Lang (1990). The Anatomy of Philosophical Style: Literary Philosophy and the Philosophy of Literature. B. Blackwell.
     
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  9.  11
    Berel Lang (1970). Aesthetic Inquiry and Art's Body. [REVIEW] Journal of Philosophy 67 (23):986-994.
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  10.  8
    Berel Lang (2009). Reconciliation. The Monist 92 (4):604-619.
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  11. John P. Holdren, Paul R. Ehrlich, Anne Ehrlich, Gary Stahl, Berel Lang, Richard H. Popkin, Joseph Margolis, Patrick Morgan, John Hare, Russell Hardin, Richard A. Watson, Gregory S. Kavka, Jean Bethke Elshtain, Sidney Axinn, Terry Nardin, Douglas P. Lackey, Jefferson McMahan, Edmund Pellegrino, Stephen Toulmin, Dietrich Fischer, Edward F. McClennen, Louis Rene Beres, Arne Naess, Richard Falk & Milton Fisk (1986). Nuclear Weapons and the Future of Humanity: The Fundamental Questions. Rowman & Littlefield Publishers.
    The excellent quality and depth of the various essays make [the book] an invaluable resource....It is likely to become essential reading in its field.—CHOICE.
     
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  12. Berel Lang (1992). Intentions and the" Final Solution. Journal of Social Philosophy 22:105-13.
     
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  13. Arthur Coleman Danto & Berel Lang (1984). The Death of Art.
     
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  14.  13
    Berel Lang (2010). Six Questions on (or About) Holocaust Denial. History and Theory 49 (2):157-168.
    Six questions are outlined and then responded to about Holocaust denial. These consider Holocaust denial’s view of the Holocaust counterfactually—if it had occurred; the presumed adequacy of the binary choice between Holocaust denial and affirmation; the status and credence of their own assertions among denial advocates; the often implied historiographic uniqueness of Holocaust denial; the contributions to Holocaust history of the denial position; the measures—scholarly, legislative, practical—that have been or might be directed at the phenomenon of Holocaust denial.
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  15.  12
    Berel Lang (1980). Towards a Poetics of Philosophical Discourse. The Monist 63 (4):445-464.
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  16.  21
    Berel Lang (1985). Uniqueness and Explanation. Journal of Philosophy 82 (10):514-515.
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  17. Berel Lang (2002). Holocaust Representation: Art Within the Limits of History and Ethics. Journal of Aesthetics and Art Criticism 60 (4):367-369.
     
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  18.  5
    Berel Lang (1993). Rorty's Humanistic Pragmatism. International Studies in Philosophy 25 (3):133-134.
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  19.  17
    Berel Lang (1962). Langer's Arabesque and the Collapse of the Symbol. Review of Metaphysics 16 (2):349 - 365.
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  20.  17
    Berel Lang (1970). Civil Disobedience and Nonviolence: A Distinction with a Difference. Ethics 80 (2):156-159.
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  21.  19
    Berel Lang (1970). Book Review - Aesthetic Inquiry and Art's Body. [REVIEW] Journal of Philosophy 67 (23):986 - 994.
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  22.  9
    Berel Lang (1968). Bosanquet's Aesthetic: A History and Philosophy of the Symbol. Journal of Aesthetics and Art Criticism 26 (3):377-387.
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  23. Berel Lang (1984). The Concept of Genocide. Philosophical Forum 16 (1):1.
     
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  24.  25
    Berel Lang (2004). Oskar Rosenfeld and the Realism of Holocaust-History: On Sex, Shit, and Status. History and Theory 43 (2):278–288.
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  25.  20
    Berel Lang (1992). Intentions, Concepts of Intention, and the "Final Solution". Journal of Social Philosophy 23 (3):105-117.
  26.  7
    Berel Lang (1978). Style as Instrument, Style as Person. Critical Inquiry 4 (4):715-739.
    The question, How is style possible? assumes the existence of style and sufficient evidence for this assertion, as well as for determining what it means, appears in the talk about style, in the deployment of stylistic categories. That talk extends in common usage to such attenuated references as styles in dress, styles of social exchange, life-styles. To limit the discussion, I speak here primarily of artistic style, but it will be clear that the ramifications of the argument extend beyond the (...)
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  27.  7
    Berel Lang (1969). Ethical Emotivism and the Burden of Prima Facie Evidence. Man and World 2 (4):574-579.
  28.  48
    Berel Lang (ed.) (1987). The Concept of Style. Cornell University Press.
    ILLUSTRATIONS Chapter 2 1. Roy Lichtenstein, Little Big Painting 83 2. Luis Buriuel, Viridiana (Last Supper scene) 86 3. ...
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  29.  7
    Berel Lang (1983). Earthquake Prediction: Testing the Ground. Environmental Ethics 5 (1):3-19.
    The occurrence of earthquakes is usually ignored or discounted as an environmental issue, but the environmental relevance of the science of earthquake prediction is demonstrable. The social consequences of such predictions, when they are accurate, and even (once a general pattern of accuracy has been achieved) when they fail, have implications of such varied environmental issues as land-use control, building codes, social and economic costs (for predictions made when no earthquake occurs or for failures to predict earthquakes which do occur). (...)
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  30. Berel Lang (1981). Stanley Fish, Is There a Text In This Class? Reviewed By. Philosophy in Review 1 (2/3):67-71.
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  31.  14
    Berel Lang (2002). Moral Clichés (or, How Not to Teach Ethics). Teaching Philosophy 25 (3):247-250.
    This paper describes one form of not-knowing the good that interferes with teaching ethics, namely the use of moral clichés to justify one’s moral behavior. After identifying some of the key problems with an uncritical acceptance of moral clichés , two common features of moral clichés are articulated.
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  32.  20
    Berel Lang (1967). Kant and the Subjective Objects of Taste. Journal of Aesthetics and Art Criticism 25 (3):247-253.
  33. Berel Lang (1983). Philosophy and the Art of Writing Studies in Philosophical and Literary Style.
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  34.  6
    Berel Lang (1987). Virginia Woolf and the Politics of Style (Review). Philosophy and Literature 11 (2):370-371.
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  35.  11
    Berel Lang (1992). Philosophical Finesse. Review of Metaphysics 45 (3):639-640.
  36. Berel Lang (1995). The Style of Method: Repression and Representation in the Genealogy of Philosophy. In Caroline van Eck, James McAllister & Renée van de Vall (eds.), The Question of Style in Philosophy and the Arts. Cambridge University Press 18--36.
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  37. Berel Lang (1980). Philosophical Style an Anthology About the Writing and Reading of Philosophy. Monograph Collection (Matt - Pseudo).
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  38.  2
    Berel Lang (1982). Looking for the Styleme. Critical Inquiry 9 (2):405-413.
    Nature did not equip any of its creatures with wheels, but that means of locomotion was discovered anyway; an even swifter vehicle for the mind has been found in the atom—that irreducible unit which by virtue of its ubiquity provides reason with immediate access to alien objects, naturalizes nature, and urges an essential likeness beneath appearances so diverse that only an improbable imagination would even have placed them in a single world. The goal of atomism is to find one entity, (...)
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  39.  10
    Berel Lang (1991). Critical Theory, Marxism, and Modernity (Review). Philosophy and Literature 15 (1):157-159.
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  40. Leonard B. Meyer & Berel Lang (eds.) (1979). The Concept of Style. University of Pennsylvania Press.
     
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  41.  10
    Berel Lang (2005). Achieving Our Country. International Studies in Philosophy 37 (4):161-162.
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  42.  10
    Berel Lang (1993). The Logic of Reflection. Review of Metaphysics 47 (1):164-165.
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  43.  5
    Berel Lang (1995). Is It Possible to Misrepresent the Holocaust? History and Theory 34 (1):84-89.
    The essays by Hans Kellner, Wulf Kansteiner, and Robert Braun in the Forum, "Representing the Holocaust" attack historical realism as a legitimate form of such representation. Like any other part of narrative, "facts" do not speak for themselves in respect to the Holocaust or any other historical "event"; they are context-dependent and thus speak only in the voice of their interpreters. The symposiasts adopt this view on the assumption that an alternative to historical realism will yet reaffirm the primary data (...)
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  44.  13
    Berel Lang (1973). "What is Art?": Questions (and Answers) About the Question. Philosophy and Phenomenological Research 33 (4):524-530.
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  45.  11
    Berel Lang (1989). The Politics of Interpretation: Spinoza's Modernist Turn. Review of Metaphysics 43 (2):327 - 356.
  46.  10
    Berel Lang (2006). Die Schuldfrage Sixty Years After. Review of Metaphysics 60 (1):101-119.
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  47.  10
    Berel Lang (1988). Descartes and the Art of Meditation. Philosophy and Rhetoric 21 (1):19 - 37.
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  48.  14
    Berel Lang & Gary Stahl (1969). Mill's `Howlers' and the Logic of Naturalism. Philosophy and Phenomenological Research 29 (4):562-574.
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  49.  9
    Berel Lang (1984). Tolerance and Evil. Teaching Philosophy 7 (3):199-203.
  50.  4
    Berel Lang (1989). György Lukács and the Literary Pretext (Review). Philosophy and Literature 13 (1):176-178.
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