1. Bert Cardullo (forthcoming). A Bergsonian Film:" The Picasso Mystery" by André Bazin. Journal of Aesthetic Education.
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  2. Dina Zoe Belluigi, Michael Belshaw, Michael Benton, Deborah Bradley, Bert Cardullo, Janine Certo, Wayne Brinda, Leslie Cunliffe, E. M. Dadlez & Rhett Diessner (2011). Index to Volume 45. Journal of Aesthetic Education 45 (4).
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  3. Bert Cardullo (2011). Art-House Cinema, Avant-Garde Film, and Dramatic Modernism. Journal of Aesthetic Education 45 (2):1-16.
    The most important modes of film practice, in my view, are art-house cinema and the avant-garde, both of which contrast with the classical Hollywood mode of film practice. While the latter is characterized by its commercial imperative, corporate hierarchies, and a high degree of specialization as well as a division of labor, the avant-garde is an “artisanal” or “personal” mode. Avant-garde films tend to be made by individuals or very small groups of collaborators, financed either by the filmmakers alone or (...)
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