1. Bram Ieven (2011). Deleuze Modernist. Deleuze Studies 5 (1):84-96.
    This article discusses the distinction between Figure and Form that Deleuze introduces in Francis Bacon: The Logic of Sensation. He uses the distinction to articulate the difference between two trajectories in modernist painting: the first focusing on sensation, the second on cerebral abstraction. I argue that the distinction between Form and Figure –– and the disjunction of two types of modernist painting initiated by this distinction –– is not as easy to maintain as might appear at first sight. Mapping the (...)
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  2. Ray Brassier & Bram Ieven (2009). Transitzone/Against an Aesthetics of Noise. nY (May 10).
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  3. Bram Ieven (2009). Elephant. Wijsgerig Perspectief 49 (4):42-43.
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