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  1. Brigitte Sassen (2013). Common Sense as the Answer to the Paradox of Taste. In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter 249-260.
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  2. Brigitte Sassen, 18th Century German Philosophy Prior to Kant. Stanford Encyclopedia of Philosophy.
  3. Brigitte Sassen (2008). Varieties of Subjective Judgments: Judgments of Perception. Kant-Studien 99 (3):269-284.
  4. Brigitte Sassen, Marc Zobrist, Chong-Fuk Lau, Michael Rohlf, Alexei N. Krouglov & Margit Ruffing (2008). Berichte und Diskussionen. Kant-Studien 99 (1-4):387.
  5. Brigitte Sassen (2006). Review of Kenneth R. Westphal, Kant's Transcendental Proof of Realism. [REVIEW] Notre Dame Philosophical Reviews 2006 (2).
  6. Brigitte Sassen (2004). Kant on Molyneux's Problem. British Journal for the History of Philosophy 12 (3):471 – 485.
  7. Paul Guyer, Nick Zangwill, Christopher Janaway, Anthony Savile, Eva Schaper, Malcolm Budd, Donald W. Crawford, Brigitte Sassen, Lambert Zuidevaart, Jane Kneller, Peter McLaughlin & Henry E. Allison (2003). Kant's Critique of the Power of Judgment: Critical Essays. Rowman & Littlefield Publishers.
    Includes twelve of the most important modern critical discussions of the Critique of the Power of Judgment, written by the leading Kant scholars and aestheticians of the twentieth century.
     
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  8. Brigitte Sassen (2003). Catherine Chalier, What Ought I to Do? Morality in Kant and Levinas Reviewed By. Philosophy in Review 23 (4):238-240.
  9. Brigitte Sassen (2003). Catherine Chalier, What Ought I to Do? Morality in Kant and Levinas. [REVIEW] Philosophy in Review 23:238-240.
     
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  10. Brigitte Sassen (2001). Review: Ertl, Kants Auflösung der 'dritten Antinomie': Zur Bedeutung des Schöpfungskonzepts für die Freiheitslehre. [REVIEW] Kantian Review 5 (1):132-136.
  11. Brigitte Sassen (2001). Tamar Japaridze, The Kantian Subject: Sensus Communis, Mimesis, Work of Mourning Reviewed By. Philosophy in Review 21 (1):47-48.
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  12. Brigitte Sassen (ed.) (2000). Kant's Early Critics: The Empiricist Critique of the Theoretical Philosophy. Cambridge University Press.
    This book offers first time translations of the initial (1781-89) critical reactions to Kant's philosophy. Also included is a selection of writings by Kant's contemporaries who took on the task of defending the critical philosophy against early attacks. The first aim of this collection is to show in detail how Kant was understood and misunderstood by his contemporaries. The second aim is to reveal the sorts of arguments that Kant and his first disciples mounted in their defense of the theoretical (...)
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  13. Brigitte Sassen (1997). Critical Idealism in the Eyes of Kant's Contemporaries. Journal of the History of Philosophy 35 (3):421-455.
    Critical Idealism in the Eyes of Kant's Contemporaries BRIGITTE SASSEN THE IDEALISM DEBATES between Kant and his contemporaries were protracted and vehement. Interestingly, all parties in the debates -- Kant's critics, defend- ers, and Kant himself -- began with basically the same conception of idealism as a position that is either skeptical with regard to the inde- pendent existence of the external world , or that denies the existence of ma- terial substance outright .' Positions quickly diverge, however, when it (...)
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  14. Brigitte Sassen (1994). Randall R. Dipert, Artifacts, Art Works, and Agency Reviewed By. Philosophy in Review 14 (2):89-91.
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  15. Brigitte Sassen (1994). Randall R. Dipert, Artifacts, Art Works, and Agency. [REVIEW] Philosophy in Review 14:89-91.
     
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  16. Brigitte Sassen (1993). Imagination and Interpretation in Kant: The Hermeneutical Import of the Critique of Judgment Rudolf A. Makkreel Chicago: University of Chicago Press, 1990, Xi + 187 Pp., $31.20. [REVIEW] Dialogue 32 (02):416-.
  17. Brigitte Sassen (1993). "Imagination and Interpretation in Kant: The Hermeneutical Import of the" Critique of Judgment, by Rudolf A. Makkreel. [REVIEW] Dialogue 32:416.
  18. Brigitte Sassen (1991). On the Nature and Scope of Creativity: A Kantian Approach. Dissertation, The Pennsylvania State University
    The aim of this dissertation is twofold: first, to provide an account of the notion of creativity, and second, to consider some aspects of the scope of the concept of creativity, in particular whether it makes sense to speak of creativity in science. ;With regard to the first issue, I argue that creativity consists in the production of a radically new intelligibility and that for this production special, creative processes are required. The latter point is established through an analysis of (...)
     
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