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Cain Todd [17]Cain Samuel Todd [2]Cain S. Todd [1]
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Profile: Cain Samuel Todd (Lancaster University, Université de Fribourg, University of Geneva)
  1. Cain Todd & Sabine Roeser (eds.) (forthcoming). Emotion and Value. Oxford.
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  2. Cain Todd (2013). Imagination, Attention and Depiction. Rivista di Estetica 53 (2):89-108.
     
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  3. Cain Todd (2013). Immaginazione, attenzione e raffigurazione. Rivista di Estetica 53 (53):89-108.
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  4. Cain Todd (2012). Attending Emotionally to Fiction. Journal of Value Inquiry 46 (4):449-465.
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  5. Cain Todd (2012). Expression and Objectivity in the Case of Wine: Defending the Aesthetic Terroir of Tastes and Smells. Rivista di Estetica 52 (51):95-115.
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  6. Cain Todd (2012). Fitting Attitudes And Essentially Contestable Concepts. Filosofia Unisinos 13 (2 - suppl.).
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  7. Cain Todd (2012). Matters of Taste. The Philosophers' Magazine 59 (59):95-100.
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  8. Cain Todd (2012). Phylloxera, 'Big Science' and the Nature of Scientific Debate. Metascience 21 (3):759-761.
    Phylloxera, ‘big science’ and the nature of scientific debate Content Type Journal Article Category Book Review Pages 1-3 DOI 10.1007/s11016-012-9668-z Authors Cain Todd, Department of Politics, Philosophy and Religion, County South, Lancaster University, Lancaster, LA1 4YL UK Journal Metascience Online ISSN 1467-9981 Print ISSN 0815-0796.
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  9. Cain Todd (2012). Percevoir l'Expression Émotionnelle Dans les Objets Inanimés : L'Exemple du Vin. Dialogue 51 (1):129-139.
    ABSTRACT: Amongst inanimate objects, it is generally accepted that at least some art forms, such as music and painting, are capable of being genuinely expressive of emotion, even though it is difficult to understand exactly how. In contrast, although expressive properties can be attributed to non-artworks, such as natural objects or wine, it has often been claimed that such objects cannot be genuinely expressive. Focussing on wine, I argue that once we understand properly the nature of expressiveness, if we allow (...)
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  10. Marc Benamou, Todd Berliner, Margaret A. Boden, Shahar Bram, Jean Francois Lyotard, Max Paddison, Irene Deliege, Joel Rudinow & Cain Todd (2011). ANKER, STEVE, GERITZ, KATHY and SEID, STEVE (Eds). Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945-2000.(Berkeley: University of California Press). 2010. Pp. 351.£ 20.95 (Pbk). [REVIEW] British Journal of Aesthetics 51 (1):115.
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  11. Cain Samuel Todd (2009). Imaginability, Morality, and Fictional Truth: Dissolving the Puzzle of 'Imaginative Resistance'. Philosophical Studies 143 (2):187-211.
    This paper argues that there is no genuine puzzle of ‘imaginative resistance’. In part 1 of the paper I argue that the imaginability of fictional propositions is relative to a range of different factors including the ‘thickness’ of certain concepts, and certain pre-theoretical and theoretical commitments. I suggest that those holding realist moral commitments may be more susceptible to resistance and inability than those holding non-realist commitments, and that it is such realist commitments that ultimately motivate the problem. However, I (...)
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  12. Cain S. Todd (2008). Unmasking the Truth Beneath the Beauty: Why the Supposed Aesthetic Judgements Made in Science May Not Be Aesthetic at All. International Studies in the Philosophy of Science 22 (1):61 – 79.
    In this article I examine the status of putative aesthetic judgements in science and mathematics. I argue that if the judgements at issue are taken to be genuinely aesthetic they can be divided into two types, positing either a disjunction or connection between aesthetic and epistemic criteria in theory/proof assessment. I show that both types of claim face serious difficulties in explaining the purported role of aesthetic judgements in these areas. I claim that the best current explanation of this role, (...)
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  13. Cain Todd (2007). Art and Intention: A Philosophical Study – Paisley Livingston. Philosophical Quarterly 57 (226):153–156.
    Do the artists intentions have anything to do with the making and appreciation of works of art? In Art and Intention, Paisley Livingston develops a broad and balanced perspective on perennial disputes between intentionalists and anti-intentionalists in philosophical aesthetics and critical theory. He surveys and assesses a wide range of rival assumptions about the nature of intentions and the status of intentionalist psychology. With detailed reference to examples from diverse media, art forms, and traditions, he demonstrates that insights into the (...)
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  14. Cain Todd (2007). Aesthetic, Ethical, and Cognitive Value. South African Journal of Philosophy 26 (2):216-227.
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  15. Cain Todd (2007). Values of Beauty: Historical Essays in Aesthetics – Paul Guyer. Philosophical Quarterly 57 (227):313–316.
  16. Cain Todd, Imagination, Attitude, and Experience.
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  17. Cain Samuel Todd (2004). Quasi-Realism, Acquaintance, and the Normative Claims of Aesthetic Judgement. British Journal of Aesthetics 44 (3):277-296.
    My primary aim in this paper is to outline a quasi-realist theory of aesthetic judgement. Robert Hopkins has recently argued against the plausibility of this project because he claims that quasi-realism cannot explain a central component of any expressivist understanding of aesthetic judgements, namely their supposed ‘autonomy’. I argue against Hopkins’s claims by contending that Roger Scruton’s aesthetic attitude theory, centred on his account of the imagination, provides us with the means to develop a plausible quasi-realist account of aesthetic judgement. (...)
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  18. Cain Todd (2003). Paul Crowther, The Transhistorical Image: Philosophizing Art and its History Reviewed By. Philosophy in Review 23 (5):329-331.
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  19. Cain Todd (2003). Recreative Minds: Imagination in Philosophy and Psychology. British Journal of Aesthetics 43 (4):419-422.
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  20. Cain Todd, The Transhistorical Image : Philosophizing Art and its History.
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