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Caroline Van Eck [6]Caroline van Eck [1]
  1. Caroline van Eck (2012). The Warburg Institute and Architectural History. Common Knowledge 18 (1):134-148.
    At first sight, classical architecture, with its continuous revivals and reworking of the forms of Greek and Roman building, would appear to offer a privileged field in which to apply Warburg's central notion of the survival of classical forms (Nachleben der Antike) and his view of art history's unfolding as a process of remembrance (or Mnemosyne). Yet Warburg himself did not write on architecture. The topic has also largely vanished from the pages of the Journal of the Warburg and Courtauld (...)
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  2. Caroline Van Eck & Edward Winter (2006). Dealing With The Visual: Art History, Aesthetics And Visual Culture. British Journal of Aesthetics 46 (1).
    "Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting."--BOOK JACKET.
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  3. Paul Taylor & Caroline Van Eck (1997). Piero Della Francesca's Giants. Journal of the Warburg and Courtauld Institutes 60:243-247.
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  4. ed van Eck, Caroline, ed McAllister, James & Renée deed Valvanl (1997). Book Review: The Question of Style in Philosophy and the Arts. [REVIEW] Philosophy and Literature 21 (1).
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  5. Caroline van Eck, James McAllister & Renée van de Vall (eds.) (1995). The Question of Style in Philosophy and the Arts. Cambridge University Press.
    The eighteenth and nineteenth centuries witnessed a change in the perception of the arts and of philosophy. In the arts this transition occurred around 1800, with, for instance, the breakdown of Vitruvianism in architecture, while in philosophy the foundationalism of which Descartes and Spinoza were paradigmatic representatives, which presumed that philosophy and the sciences possessed a method of ensuring the demonstration of truths, was undermined by the idea, asserted by Nietzsche and Wittgenstein, that there exist alternative styles of enquiry among (...)
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  6. Caroline van Eck (1994). Organicism in Nineteenth-Century Architecture: An Inquiry Into its Theoretical and Philosophical Background. Architectura & Natura Press.
     
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  7. Angela Roothaan & Caroline van Eck (1990). Anna Maria van Schurman's verhouding tot wetenschap in haar vroege en haar late werk. Algemeen Nederlands Tijdschrift Voor Wijsbegeerte 82:194.
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