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  1. Carrie Rohman (2013). A Hoard of Floating Monkeys: Creativity and Inhuman Becomings in Woolf's Nurse Lugton Story. Deleuze Studies 7 (4):515-536.
    This essay analyses how Virginia Woolf's critically under-examined children's story about Nurse Lugton connects the becoming-artistic of writing to animal becomings. Examining the links between creativity and the other-than-human via Gilles Deleuze and Elizabeth Grosz, I claim that the ‘animation’ of the stitched animal figures on Nurse Lugton's ‘canvas’ reveals that art is the enlivenment of vibratory and affective qualities, as opposed to a monumentalising of symbols or concepts. Moreover, the curtain in Woolf's story should be read as creative materiality (...)
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  2. Lori Gruen, Kari Weil, Kelly Oliver, Traci Warkentin, Stephanie Jenkins, Carrie Rohman, Emily Clark & Greta Gaard (2012). Introduction. Hypatia 27 (3):492-526.
  3. Lori Gruen, Kari Weil, Kelly Oliver, Traci Warkentin, Stephanie Jenkins, Carrie Rohman, Emily Clark & Greta Gaard (2012). Invited Symposium: Feminists Encountering Animals. Hypatia 27 (3):492 - 526.
  4. Carrie Rohman (2012). Disciplinary Becomings: Horizons of Knowledge in Animal Studies. Hypatia 27 (2):n/a-n/a.