Search results for 'Carroll Guen' (try it on Scholar)

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  1.  9
    Carroll Guen (1989). Gadamer, Objectivity, and the Ontology of Belonging. Dialogue 28 (04):589-.
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  2. Peter Lauchlan Heath & Lewis Carroll (1974). The Philosopher's Alice Alice's Adventures in Wonderland and Through the Looking-Glass, by Lewis Carroll, with Illus. By John Tenniel. Introd. And Notes by Peter Heath. --. [REVIEW] St. Martin's Press.
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  3. Ab Carroll (forthcoming). Corporate Citizenship: Social Responsibility, Responsiveness, and Performance. In. CARROLL, AB; BUCHHOLTZ, AK. Business and Society.
     
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  4. Lewis Carroll & William Warren Bartley (1977). Lewis Carroll's Symbolic Logic Part I, Elementary, 1896, Fifth Edition, Part Ii, Advanced, Never Previously Published : Together with Letters From Lewis Carroll to Eminent Nineteenth-Century Logicians and to His "Logical Sister," and Eight Versions Of. Monograph Collection (Matt - Pseudo).
     
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  5.  4
    Lewis Carroll (1958). Symbolic Logic and the Game of Logic. Dover Publications.
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  6. John W. Carroll (2008). Laws of Nature. Philosophy and Phenomenological Research.
    John Carroll undertakes a careful philosophical examination of laws of nature, causation, and other related topics. He argues that laws of nature are not susceptible to the sort of philosophical treatment preferred by empiricists. Indeed he shows that emperically pure matters of fact need not even determine what the laws are. Similar, even stronger, conclusions are drawn about causation. Replacing the traditional view of laws and causation requiring some kind of foundational legitimacy, the author argues that these phenomena are (...)
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  7.  35
    Lewis Carroll, John Tenniel, Richard Clay, Macmillan & Co ) & Dalziel Brothers ), Through the Looking Glass.
    (Citation/Reference) Williams, S. H. Lewis Carroll handbook.
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  8.  69
    Archie B. Carroll (2003). Corporate Social Responsibility. Business Ethics Quarterly 13 (4):503-530.
    Extrapolating from Carroll’s four domains of corporate social responsibility (1979) and Pyramid of CSR (1991), an alternative approach to conceptualizing corporate social responsibility (CSR) is proposed. A three-domain approach is presented in which the three core domains of economic, legal, and ethical responsibilities are depicted in a Venn model framework. The Venn framework yields seven CSR categories resulting from the overlap of the three core domains. Corporate examples are suggested and classified according to the new model, followed by a (...)
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  9.  26
    Lewis Carroll, John Tenniel & Macmillan & Co ), Alice's Adventures in Wonderland and Through the Looking-Glass.
    (Statement of Responsibility) by Lewis Carroll ; with ninety-two illustrations by John Tenniel.
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  10.  12
    Lewis Carroll, John Tenniel, Gilbert H. McKibbin & Manhattan Press ), Through the Looking-Glass, and What Alice Found There.
    (Statement of Responsibility) by Lewis Carroll ; with illustrations in colors.
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  11.  28
    Noël Carroll (2001). Beyond Aesthetics: Philosophical Essays. Cambridge University Press.
    Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories - those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art - Noël Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. Throughout, the book combines philosophical theorizing with (...)
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  12.  20
    Noël Carroll (2008). On Criticism. Routledge.
    Drawing on his knowledge of the worlds of art, criticism, and philosophy, Noèel Carroll argues that appraisal and evaluation of art are an indispensable part of the conversation of life.
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  13. Noël Carroll (1996). Theorizing the Moving Image. Cambridge University Press.
    A selection of essays written by one of the leading critics of film over the last two decades, this volume examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, comedy, and such topics as 'sight gags', film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory, and heralding a (...)
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  14.  44
    G. B. & Noel Carroll (1991). The Philosophy of Horror or Paradoxes of the Heart. Philosophical Quarterly 41 (165):519.
    Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure (...)
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  15.  36
    Noël Carroll (2014). Humour: A Very Short Introduction. OUP Oxford.
    Humour is a universal feature of human life. In this Very Short Introduction Noel Carroll considers the nature and value of humour, from its leading theories and its relation to emotion and cognition, to ethical questions of its morality and its significance in shaping society.
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  16. Jim Woodward, Barry Loewer, John Carroll & Marc Lange (2011). Counterfactuals All the Way Down? Metascience 20 (1):27-52.
    Counterfactuals all the way down? Content Type Journal Article DOI 10.1007/s11016-010-9437-9 Authors Jim Woodward, History and Philosophy of Science, 1017 Cathedral of Learning, University of Pittsburgh, Pittsburgh, PA 15260, USA Barry Loewer, Department of Philosophy, Rutgers University, New Brunswick, NJ 08901, USA John W. Carroll, Department of Philosophy and Religious Studies, North Carolina State University, Raleigh, NC 27695-8103, USA Marc Lange, Department of Philosophy, University of North Carolina at Chapel Hill, CB#3125—Caldwell Hall, Chapel Hill, NC 27599-3125, USA Journal Metascience (...)
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  17.  28
    David Carroll (1987). Paraesthetics: Foucault, Lyotard, Derrida. Methuen.
    Paraesthetics' is a neologism invented by David Carroll to unlock the extra-aesthetic relationship between art and literature in the work of Michel Foucault, ...
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  18.  2
    Noel Carroll (2003). The Philosophy of Horror: Or, Paradoxes of the Heart. Routledge.
    Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure (...)
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  19.  4
    Peter Carroll (2015). Salesians on the Peripheries: A Tale of a Few Cities. Australasian Catholic Record, The 92 (2):154.
    Carroll, Peter This year we Salesians of Don Bosco are celebrating 200 years since the birth of our founder, St John Bosco, and it is impossible to understand who we are now without an awareness of the circumstances within which we were born. John Bosco's life spanned a turbulent period of massive change in the city of Turin, where he founded his ministry. It was the era of the Risorgimento, when city-states and larger kingdoms were recovering from the Napoleonic (...)
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  20. David Carroll (2007). Albert Camus the Algerian: Colonialism, Terrorism, Justice. Cup.
    In these original readings of Albert Camus' novels, short stories, and political essays, David Carroll concentrates on Camus' conflicted relationship with his Algerian background and finds important critical insights into questions of justice, the effects of colonial oppression, and the deadly cycle of terrorism and counterterrorism that characterized the Algerian War and continues to surface in the devastation of postcolonial wars today. During France's "dirty war" in Algeria, Camus called for an end to the violence perpetrated against civilians by (...)
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  21. David Carroll (2008). Albert Camus the Algerian: Colonialism, Terrorism, Justice. Cup.
    In these original readings of Albert Camus' novels, short stories, and political essays, David Carroll concentrates on Camus' conflicted relationship with his Algerian background and finds important critical insights into questions of justice, the effects of colonial oppression, and the deadly cycle of terrorism and counterterrorism that characterized the Algerian War and continues to surface in the devastation of postcolonial wars today. During France's "dirty war" in Algeria, Camus called for an end to the violence perpetrated against civilians by (...)
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  22. Noël Carroll (2012). Art in Three Dimensions. Oxford University Press Uk.
    Art in Three Dimensions is a collection of essays by one of the most eminent figures in philosophy of art. The animating idea behind Noël Carroll's work is that philosophers of art should eschew the sort of aestheticism that often implicitly governs their methodology. Instead, Carroll argues that philosophers of art need to refocus their attention on the ways in which art enters the life of culture and the lives of individual audience members. Philosophers of art should look (...)
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  23. Noël Carroll (2005). Beyond Aesthetics: Philosophical Essays. Cambridge University Press.
    Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories - those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art - Noël Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. Throughout, the book combines philosophical theorizing with (...)
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  24. Noël Carroll (2007). Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping. Wiley-Blackwell.
    In _Comedy Incarnate_, Noël Carroll surveys the characteristics of Buster Keaton’s unique visual style, to reveal the distinctive experience of watching Keaton’s films. Bold and provocative thesis written by one of America’s foremost film theorists Takes a unique look at the philosophies behind Keaton’s style Weighs visual elements over narrative form in the analysis of the Keaton’s work Provides a fresh vantage point for analysis of film and comedy itself.
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  25. Noël Carroll (2009). Comedy Incarnate: Buster Keaton, Physical Humor, and Bodily Coping. Wiley-Blackwell.
    In _Comedy Incarnate_, Noël Carroll surveys the characteristics of Buster Keaton’s unique visual style, to reveal the distinctive experience of watching Keaton’s films. Bold and provocative thesis written by one of America’s foremost film theorists Takes a unique look at the philosophies behind Keaton’s style Weighs visual elements over narrative form in the analysis of the Keaton’s work Provides a fresh vantage point for analysis of film and comedy itself.
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  26. John W. Carroll (1994). Laws of Nature. Cambridge University Press.
    John Carroll undertakes a careful philosophical examination of laws of nature, causation, and other related topics. He argues that laws of nature are not susceptible to the sort of philosophical treatment preferred by empiricists. Indeed he shows that empirically pure matters of fact need not even determine what the laws are. Similar, even stronger, conclusions are drawn about causation. Replacing the traditional view of laws and causation requiring some kind of foundational legitimacy, the author argues that these phenomena are (...)
     
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  27. John W. Carroll (2008). Laws of Nature. Cambridge University Press.
    John Carroll undertakes a careful philosophical examination of laws of nature, causation, and other related topics. He argues that laws of nature are not susceptible to the sort of philosophical treatment preferred by empiricists. Indeed he shows that emperically pure matters of fact need not even determine what the laws are. Similar, even stronger, conclusions are drawn about causation. Replacing the traditional view of laws and causation requiring some kind of foundational legitimacy, the author argues that these phenomena are (...)
     
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  28. Anthony J. Carroll (2007). Protestant Modernity: Weber, Secularization, and Protestantism. University of Scranton Press.
    Max Weber’s sociological theories of secularization have vastly influenced the study of Protestant belief. _Protestant Modernity_ offers a multifaceted understanding of secularization within the broader context of nineteenth-century liberal Protestantism. Anthony J. Carroll reconstructs Weber’s original writings to highlight Protestant motifs, reviews current secularization theories, and settles debates about contested meanings of secularization in this volume that will be essential reading for students and scholars of theology and the sociology of religion.
     
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  29. Sean B. Carroll (2009). Remarkable Creatures: Epic Adventures in the Search for the Origins of Species. Houghton Mifflin Harcourt.
    An award-wining biologist takes us on the dramatic expeditions that unearthed the history of life on our planet. Just 150 years ago,most of our world was an unexplored wilderness.Our sense of how old it was? Vague and vastly off the mark. And our sense of our own species’ history? A set of fantastic myths and fairy tales. Fossils had been known for millennia, but they were seen as the bones of dragons and other imagined creatures. In the tradition of The (...)
     
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  30. Noel Carroll (2015). The Philosophy of Horror: Or, Paradoxes of the Heart. Routledge.
    Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure (...)
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  31. Noel Carroll (1990). The Philosophy of Horror: Or, Paradoxes of the Heart. Routledge.
    Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure (...)
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  32. John E. Carroll (2008). The Wreck of Western Culture: Humanism Revisited. Intercollegiate Studies Institute.
    Humanism built Western civilization as we know it today. Its achievements include the liberation of the individual, democracy, universal rights, and widespread prosperity and comfort. Its ambassadors are the heroes of modern culture—Erasmus, Holbein, Shakespeare, Velázquez, Descartes, Kant, Freud. Those who sought to contain humanism’s pride within a frame of higher truth—Luther, Calvin, Poussin, Kierkegaard—could barely interrupt its torrential progress. Those who sought to reform humanism’s tenets from within—Marx, Darwin, and Nietzsche—were tested by the success of their own prophecies. So (...)
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  33. Eileen John, Dominic McIver Lopes, Noël Carroll & Jinhee Choi (eds.) (2008). Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack. Wiley-Blackwell.
    Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series: _ _ Philosophy of Literature_: Contemporary and Classic Readings_ _Edited by Eileen John and Dominic McIver Lopes ISBN: 9781405112086 _ Philosophy of Film and Motion Pictures_: An Anthology _Edited by No ë l Carroll and Jinhee Choi ISBN: 9781405120272.
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  34. Archie B. Carroll (1999). Corporate Social Responsibility Evolution of a Definitional Construct. Business and Society 38 (3):268-295.
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  35.  47
    R. L. Buckner & D. C. Carroll (2007). Self-Projection and the Brain. Trends in Cognitive Sciences 11 (2):49-57.
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  36.  20
    David H. Saiia, Archie B. Carroll & Ann K. Buchholtz (2003). Philanthropy as Strategy When Corporate Charity “Begins at Home”. Business and Society 42 (2):169-201.
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  37. Archie B. Carroll (2002). Business & Society: Ethics and Stakeholder Management. South-Western College Pub./Thomson Learning.
     
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  38.  68
    Archie B. Carroll (1998). The Four Faces of Corporate Citizenship. Business and Society Review 100 (1):1-7.
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  39. Lewis Carroll (1895). What the Tortoise Said to Achilles. Mind 4 (14):278-280.
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  40.  3
    A. Buchholtz, A. Carroll & D. Saiia (2003). Philanthropy as Strategy. Business and Society 42 (2):169-201.
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  41. Cynthia A. Freeland, Thomas E. Wartenberg, Richard Allen, Murray Smith, Noël Carroll & Oxford Clarendon (1999). Is Analytic Philosophy the Cure for Film Theory? Philosophy of the Social Sciences 29 (3):416-440.
  42. Noël Carroll (2002). The Wheel of Virtue: Art, Literature, and Moral Knowledge. Journal of Aesthetics and Art Criticism 60 (1):3–26.
    In this essay, then, I would like to address what I believe are the most compelling epistemic arguments against the notion that literature (and art more broadly) can function as an instrument of education and a source of knowledge.
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  43. Sean Carroll (2007). Endless Forms Most Beautiful: The New Science of Evo Devo. Journal of the History of Biology 40 (3):594-597.
     
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  44. Jane Addams, Berenice A. Carroll & Clinton F. Fink (2007). Newer Ideals of Peace. University of Illinois Press.
    A paradigm for peace discovered in the cosmopolitan neighborhoods of poor urban immigrants.
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  45. Noel Carroll (1984). Hume's Standard of Taste. Journal of Aesthetics and Art Criticism 43 (2):181-194.
  46.  28
    Elisabeth J. Teal & Archie B. Carroll (1999). Moral Reasoning Skills: Are Entrepreneurs Different? [REVIEW] Journal of Business Ethics 19 (3):229 - 240.
    Drawing on existing theory in the fields of business ethics, entrepreneurship, and psychology, this research provides an initial empirical exploration of whether entrepreneurs use cognitive reasoning processes which reflect a higher level of moral development than the level of moral development that has been empirically observed either in middle-level managers or in the general adult population. The Defining Issues Test was used to measure the level of moral reasoning skill of the entrepreneurs in this study. Although the study was limited (...)
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  47. David Carroll (2005). Jacques Derrida or the Gift of Writing -- When Something Happens. Substance 34 (1):60-71.
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  48. Noel Carroll (1997). A Philosophy of Mass Art. Clarendon Press.
    Few today can escape exposure to mass art. Nevertheless, despite the fact that mass art provides the primary source of aesthetic experience for the majority of people, mass art is a topic that has been neglected by analytic philosophers of art. The Philosophy of Mass Art addresses that lacuna. It shows why philosophers have previously resisted and/or misunderstood mass art and it develops new frameworks for understanding mass art in relation to the emotions, morality, and ideology.
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  49. Noël Carroll (2000). Art and Ethical Criticism: An Overview of Recent Directions of Research. Ethics 110 (2):350-387.
  50. Noël Carroll (1996). Moderate Moralism. British Journal of Aesthetics 36 (3):223-238.
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