In archaic societies myths were believed to tell true stories - stories about the ultimate origin of reality. For us, on the contrary, the term 'myth' denotes a false belief. Between the archaic notion of myth and ours stands Plato's. This volume is a collection of ten studies by eminent scholars that focus on the ways in which some of Plato's most famous myths are interwoven with his philosophy. The myths discussed include the eschatological myths of the Gorgias, the Phaedo, (...) the Republic and Laws 10, the central myths of the Phaedrus and the Statesman, and the so-called myth of the Noble Lie from the Republic. The mythical character of the Timaeus cosmology is also amply discussed. The volume also contains seventeen rare Renaissance illustrations of Platonic myths. The contributors argue that in Plato myth and philosophy are tightly bound together, despite Plato's occasional claim that they are opposed modes of discourse. (shrink)

For Martin Heidegger the "fall" of philosophy into metaphysics begins with Plato. Thus, the relationship between the two philosophers is crucial to an understanding of Heidegger--and, perhaps, even to the whole plausibility of postmodern critiques of metaphysics. It is also, as the essays in this volume attest, highly complex, and possibly founded on a questionable understanding of Plato. As editors Catalin Partenie and Tom Rockmore remark, a simple way to describe Heidegger's reading of Plato might be to say that what (...) began as an attempt to appropriate Plato (and through him a large portion of Western philosophy) finally ended in an estrangement from both Plato and Western philosophy. The authors of this volume consider Heidegger's thought in relation to Plato before and after the " Kehre " or turn. In doing so, they take up various central issues in Heidegger's Being and Time (1927) and thereafter, and the questions of hermeneutics, truth, and language. The result is a subtle and multifaceted reinterpretation of Heidegger's position in the tradition of philosophy, and of Plato's role in determining that position. (shrink)

Dragomir was not interested in writing philosophy, although his archive amounts to almost 100 notebooks, containing fragments, notes, essays and studies. This essay addresses Dragomir’s disregard for written philosophy and argues that his main message will lose its force in his posthumously published archive. His message, as it emerges from the way he lived his life, is, I argue, this: if we are to restore the lost harmony of our lives, philosophy, as essential as it may be, isn’t everything.

Après des études de droit et de philosophie à l'Université de Bucarest, Alexandru Dragomir part à Fribourg-en-Brisgau comme doctorant de Martin Heidegger. Il y reste deux ans; en 1943 il est rappelé en Roumanie et envoyé au front. Après la guerre, sous le nouveau régime, il ne peut pas poursuivre une carrière universitaire. Il meurt en 2002 à Bucarest sans avoir rien publié. Ce n'est qu'après sa mort que ses cahiers sont découverts et publiés. L'œuvre de Dragomir comprend cinq volumes, (...) parus à Bucarest, aux Éditions Humanitas. Deux sont parus en traduction française chez Vrin : Banalités métaphysiques et Cahiers du temps. Cet article présente sa personnalité et son œuvre, notamment les Cahiers du temps, qui renferment la recherche de toute sa vie. Dragomir y développe sa propre théorie sur la nature du temps, tout en faisant des commentaires des textes classiques de la philosophie qui portent sur ce sujet. Des traductions en allemand et en anglais des Cahiers du temps paraîtront bientôt. Between 1933 and 1939 Alexandru Dragomir studied philosophy and law at the University of Bucharest. In 1941 he was awarded a Humboldt Fellowship, which allowed him to enroll as a doctoral student at the University of Freiburg im Breisgau, Germany, under the supervision of Martin Heidegger. In 1943 he was drafted into the Romanian armed forces and left Freiburg without a degree. In Romania, under the communist regime, he could not pursue an academic career. He died in 2002 without publishing anything. His work has been published posthumously in five volumes by Humanitas Press. Two of the volumes have been published in French translation by Jean Vrin Press : Banalités métaphysiques [Metaphysical Banalities] and Cahiers du temps [Notebooks on Time]. This article offers an overview of Dragomir's personality and work, with an emphasis on his Notebooks on Time — his lifelong research on the nature of time. In these notebooks he develops his own views on time and comments on the classical philosophical texts that deal with the subject. (shrink)

Dragomir was not interested in writing philosophy, although his archive amounts to almost 100 notebooks, containing fragments, notes, essays and studies. This essay addresses Dragomir’s disregard for written philosophy and argues that his main message will lose its force in his posthumously published archive. His message, as it emerges from the way he lived his life, is, I argue, this: if we are to restore the lost harmony of our lives, philosophy, as essential as it may be, isn’t everything.

Book Reviews Catalin Partenie, Dialogue: Canadian Philosophical Review/Revue canadienne de philosophie, FirstView Article.

In the Platonic exegesis, the topic of 'hypothesis and dialectic' has been covered by the works of many scholars, although, compared to some other topics, it has not been overinterpreted. To the best of my knowledge, however, there is only one book that deals extensively and systematically with it - Richard Robinson's Plato's Earlier Dialectic. This one book of Robinson has remained, according to many Plato scholars, unsurpassed as to the punctiliousness with which its author describes the formal structure of (...) Plato's hypothetical methodology; that is why most of those who have dealt with this topic tended to take Robinson's book as the ultimate authority on the matter. Yet there is an aspect of this topic that Robinson explored less: the relation between Plato's hypothetical methodology and the Platonic metaphysics. This relation is the actual subject of my research. Now my research has two main claims. Whether with disappointment or with relief, we have to recognize that Plato's dialogues unfold a philosophical search rather than a metaphysical system. My attempt to determine what Plato's hypothetical dialectic is, follows in a way the logical route of his philosophical search.. (shrink)

This volume brings together ten of the most celebrated Platonic myths, from eight of Plato's dialogues ranging from the early Protagoras and Gorgias to the late Timaeus and Critias. They include the famous myth of the cave from Republic as well as 'The Judgement of Souls' and 'The Birth of Love'. Each myth is a self-contained story, prefaced by a short explanatory note, while the introduction considers Plato's use of myth and imagery.

There are two main discussions of poetry in Plato's Republic: the first one is in Books II and III, the other in Book X. Their conclusions are not entirely coherent. In Books II and III, only some poetry is considered imitative, and certain forms of it are allowed in the ideal city. In Book X all poetry is considered imitative, and all of it is banned from the city. Jeff Mitscherling's book deals with Plato's criticism of poetry and art. It (...) (i) reviews and discusses the main interpretations of the topic, paying special attention to those of Havelock (who argues that under attack is the Athenian educational system) and Gadamer (who argues the real target are the Sophists and their influence); (ii) discusses .. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Plato and the PoetsCatalin ParteniePierre Destrée and Fritz-Gregor Herrmann, editors. Plato and the Poets. Mnemosyne Supplements: Monographs on Greek and Latin Language and Literature, 328. Leiden-Boston: Brill, 2011. Pp. xxii + 434. Cloth, $217.00.This beautifully produced volume is a collection of nineteen essays, half of them being initially presented as papers given at a 2006 conference in Louvain. Seven chapters focus on the Republic and address a variety (...) of issues: the ancient quarrel between philosophy and poetry (Glenn W. Most); Plato’s criticism of poetry and his negative attitude toward women (Penelope Murray); mimêsis as appearance-making (Gabriel Richardson); the meaning of mimêsis (Jera Marušič); Plato’s criticism and appreciation of poetry (Stephen Halliwell); thumos and the criticism of poetry (Pierre Destrée); painting, poetry, and the cognitive division of the soul (Rachel Singpurwalla). One chapter deals with myth, invented story, and true account in the Timaeus (Gretchen Reydams-Schils). Two are devoted to the Laws—mimetic correctness and choric poetry (Antony Hatzistavrou), and tragedy and philosophy (Susan Sauvé Meyer). The remaining nine chapters deal with other dialogues, although they are often discussed in connection with the Republic; the topics they discuss include: theia moira, enthousiasmos, and mimêsis in Gorgias (Fritz-Gregor Herrmann); divine possession, inspiration, and mimêsis in Ion and Republic (with references to Plato’s entire corpus, Catherine Collobert); the poet and the rhapsode as hermêneus in Ion (Carlotta Capuccino); the poet, the mad lover, and the mad philosopher as the true interpreter in Ion and Phaedrus (Francisco Gonzalez); inspiration and Plato’s psychology in Ion, Phaedrus, Politicus, Philebus, Timaeus (Stefan Büttner); theia moira in Ion and Meno, and the poets’ incomplete ascension in Symposium (Dominic Scott); Plato’s use of poetry and poets in Symposium (Elizabeth Bel-fiore); poetry and image-making in Republic and Sophist (Noburu Notomi); and poetry, the tripartition of the soul and the Form of Beauty in Phaedrus (Elizabeth Pender).As Stephen Halliwell put it in his essay, there is the seemingly Platonic attitude “which criticizes, censors and even ‘banishes’ poets, and which speaks in terms of unmasking the false pretensions and the damaging influence of poetry. But there is also the Platonic stance which never ceases to allow the voices of poetry to be heard in Plato’s own writing, which presupposes not only extensive knowledge but also ‘love’ of poetry on the part of Plato’s readers, and which at certain key junctures claims for itself nothing less than the status of a new kind of philosophical poetry and art: the status, indeed, of ‘the greatest music’ [Phaedo 61a; cf. Phaedrus 248d, 259b] and even of ‘the finest and best tragedy’ [Laws 817b]” (241). All the contributors address, in one way or another, the puzzling contrast between these two views on poetry. Halliwell, for instance, claims that Book X of the Republic “offers not a simple repudiation of the best poets but a complicated counterpoint in which resistance and attraction to their work are intertwined, a counterpoint which (among other things) explores the problem of whether, and in what sense, it might be possible to be a ‘philosophical lover’ of poetry” (244). While Most argues that “there is little or no evidence for any consciousness” of a generic opposition between philosophy and poetry tout court before Plato, “this opposition may even be in the process of being constructed” in his Republic (19) (Notomi, too, discusses this topic, and refers to the view according to which the “ancient quarrel” was Plato’s invention). [End Page 291]In reading the nineteen essays of this volume, one realizes that in Plato there is not just one poetics, or two contrasting views on poetry, but—as the editors put it—“several models of what poetry is and what the poets do” (xxii). One would have liked that these several models be explicitly discussed in a concluding chapter. The editors, however, acknowledge that neither they nor their authors aimed at achieving a unified vision of the subject: “While certain recurring themes crystallize themselves with increasing complexity in the course of the various discussions, there remain both contradictions and incompatibilities between results... (shrink)

Book Reviews Catalin Partenie, Dialogue: Canadian Philosophical Review/Revue canadienne de philosophie, FirstView Article.