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  1. Cecilia Sjöholm (2014). Between Signsystems and Affects. Nordic Journal of Aesthetics 23 (46).
    Gotthold Ephraim Lessing’s Laocoon saw that the signification of art cannot be dissociated from its media. A visual work of art and a literary work originates in different spatial and temporal conditions, Lessing argued, serving thereby to liberate art from the tradition of ut pictura poesis . Lessing’s impact has been discussed in the tradition of modernism through Babbitt, Eisenstein and Greenberg, and there been associated with the notion that the work of art is autonomous. In Lessing’s own text, however, (...)
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  2. Cecilia Sjöholm (2010). Foucault, Lacan, and the Question of Technique. In Jens de Vleminck (ed.), Sexuality and Psychoanalysis: Philosophical Criticisms. Leuven University Press. 10--183.
  3. Cecilia Sjöholm (2010). Naked Life: Arendt and the Exile at Colonus. In S. E. Wilmer & Audrone Zukauskaite (eds.), Interrogating Antigone in Postmodern Philosophy and Criticism. Oup Oxford.
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  4. Cecilia Sjöholm (2005). Robin May Schott, Discovering Feminist Philosophy; Knowledge, Ethics Politics, Rowman & Littlefield, 2003, Pp. X +157. SATS: Northern European Journal of Philosophy 6 (2):187-193.
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  5. Cecilia Sjoholm (2005). Kristeva and the Political. Routledge.
    Julia Kristeva is one of the most influential French thinkers of the twentieth century and is best known for her work in linguistics. Even though her work has been very influential, the political implications of her writings have so far been neglected. Kristeva and the Political is the first book to explore the relation of Kristeva's work to the political and casts new light on her work, connecting her to recent developments in literary theory, political theory, and cultural studies. In (...)
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  6. Cecilia Sjöholm (2004). The Antigone Complex: Ethics and the Invention of Feminine Desire. Stanford University Press.
    What if psychoanalysis had chosen Antigone rather than Oedipus? This book traces the relation between ethics and desire in important philosophical texts that focus on femininity and use Antigone as their model. It shows that the notion of feminine desire is conditioned by a view of women as being prone to excesses and deficiencies in relation to ethical norms and rules. Sjöholm explains Mary Wollstonecraft’s work, as well as readings of Antigone by G.W.F. Hegel, Martin Heidegger, Luce Irigaray, Jacques Lacan, (...)
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  7. Cecilia Sjöholm (2004). The Temporality of Intimacy: Kristeva's Return to the Political. Southern Journal of Philosophy 42 (S1):73-87.
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  8. Cecilia Sjöholm (2002). Family Values: Butler, Lacan and the Rise of Antigone. Radical Philosophy 111:24-32.
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  9. Cecilia Sjöholm (2001). L'expression d'un autre en moi (Première partie) (résumé). Chiasmi International 3:185-185.
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  10. Cecilia Sjöholm (2001). The Expression of Another in Me (Part One). Chiasmi International 3:173-184.
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  11. Cecilia Sjöholm (2000). Crossing Lovers: Luce Irigaray's Elemental Passions. Hypatia 15 (3):92 - 112.
    Luce Irigaray's Elemental Passions could be read as a response to Merleau-Ponty's article "The Intertwining-The Chiasm" in The Visible and the Invisible. Like Merleau-Ponty, Irigaray describes corporeal intertwining or vision and touch. Counteracting the narcissistic strain in Merleau-Ponty's chiasm, she assumes that sexual difference must precede the intertwining. The subject is marked by the alterity or the "more than one" and encoded as a historically contingent gendered conflict.
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