This paper argues that the ‘brain’ has become a frequently invoked and symptomatic source of metaphorical imagery in our current technologically mediated and dominated culture, through which the distinction between the human and the technological has been and continues to be negotiated, particularly in the context of the increasing ubiquity of electronic and digital technologies. This negotiation has thrown up three distinct, though interrelated, figures. One is the ‘Brain in a Vat’, in which the brain can connect to and even (...) operate solely through electronic technologies. Another is the ‘Electronic’ or, more archaically, ‘Giant Brain’, in which the brain’s functions can be reproduced and exceeded by electronic computing technology. A third is the ‘World’ or ‘Global Brain’, in which the connectivity enabled by information–communications technologies produces and fosters forms of distributed intelligence. This paper will trace the development of these figures and show how they have developed in lockstep throughout the two or three centuries of exponentially accelerating technological advance. (shrink)

Artist Rod Dickinson’s work engages in a highly intelligent and provocative manner with the conditions of mediation and delusion that appear in the brain in a vat scenario. Over the last decade he has put together an impressive body of work about the apparatuses of social and informational control with which we are surrounded, involving an eclectic range of subject matter, including crop circles, Jim Jones and the suicides at the People’s Temple in Guyana, Stanley Milgram’s ‘Obedience to authority’ experiments, (...) and James Tilly Matthews’ imaginary ‘Air loom’, an eighteenth-century mind-influencing device. He is now involved in a number of projects, including a recreation of the Waco siege and a piece based on Joseph Conrad’s The secret agent. In this conversation with Charlie Gere he discusses questions of social control, brainwashing, truth, and knowledge in relation to his work. (shrink)

This book explores how the practice of art, in particular of avant-garde art, keeps our relation to time, history and even our own humanity open. Examining key moments in the history of both technology and art from the beginnings of industrialisation to today, Charlie Gere explores both the making and purpose of art and how much further it can travel from the human body.