Hendrik Lorenz presents a comprehensive study of Plato's and Aristotle's conceptions of non-rational desire. They see this as something that humans share with animals, and which aims primarily at the pleasures of food, drink, and sex. Lorenz explores the cognitive resources that both philosophers make available for the explanation of such desires, and what they take rationality to add to the motivational structure of human beings. In doing so, he finds conceptions of the mind that are coherent and (...) deeply integrated with both philosophers' views about such topics as the relation between body and soul, or the nature of the virtues. (shrink)
The Brute Within proceeds in three parts, the first two (amounting to half the book) on Plato and the third on Aristotle. Each part, as well as the book itself, has an Introduction in which Lorenz helpfully signals what he is up to; the author frequently (though sometimes repetitively) summarizes his argument as he goes along. There is no mistaking his central claims: that in both Plato and Aristotle there are three types of desires--reason, spirit and appetite--such that the (...) last two may motivate conduct without any participation in reason at all. In human beings, reason may itself motivate conduct and also may share information with appetite and spirit to modify behavior. (shrink)
Ancient philosophical theories of soul are in many respects sensitive to ways of speaking and thinking about the soul psuchê] that are not specifically philosophical or theoretical. We therefore begin with what the word ‘soul’ meant to speakers of Classical Greek, and what it would have been natural to think about and associate with the soul. We then turn to various Presocratic thinkers, and to the philosophical theories that are our primary concern, those of Plato (first in the Phaedo, then (...) in the Republic), Aristotle (in the De Anima or On the Soul ), Epicurus, and the Stoics. These are by far the most carefully worked out theories of soul in ancient philosophy. Later theoretical developments — for instance, in the writings of Plotinus and other Platonists, as well as the Church Fathers — are best studied against the background of the classical theories, from which, in large part, they derive. (shrink)
The extensive research in logic conducted by using concepts and methods of game theory as documented in this collection of papers, allows to see dialogue logic in a number of new perspectives. This situation may gain further clarity by looking back to the inception of dialogue logic in the late fifties and early sixties.
Preface -- Part I: Philosophical logic and philosophy of language -- Rules versus theorems : a new approach for mediation -- Between intuitionistic and two-valued logic -- On the relation between the partition of a whole into parts and the attribution of properties to an object -- Basic objectives of dialogic logic in historical perspective -- Pragmatic and semiotic prerequisites for predication : a dialogue model -- Pragmatics and semiotics : the peircean version of ontology and epistemology -- Intentionality and (...) its language-dependency -- Meaning postulates and rules of argumentation : remarks concerning the pragmatic tie between meaning (of terms) and truth (of propositions) -- What do language games measure? -- Features of Indian logic -- Part II: Methods in philosophy, in art, and in science -- The concept of science : some remarks on the methodological issue construction versus description in the philosophy of science -- Is and ought revisited -- Competition and cooperation : are they antagonistic or complementary? -- Another version of methodological dualism -- The pre-established harmony between the two Adams -- On the way to conceptual and perceptual knowledge -- Self and other : remarks on human nature and human culture -- On the concept of symmetry -- Procedural principles of the Eerlangen School : on the interrelation between the principles of method, of dialogue, and of reason. (shrink)
Introduction: Setting the scene -- The soul, Dharma, and liberation -- The supreme person's descent -- The path of enlightened action -- The path of classical yoga -- The vision of the supreme, I -- Quitting the body, the ephemeral, and eternal worlds -- The vision of the supreme, II -- Seeing the supreme in this world -- The revelation -- Stages of devotion -- The vision of the supreme in the heart -- The three Gusas -- The journey from (...) bondage to liberation -- The divine and the demonic -- The manifestation of the three Gusas in human life -- Summary and conclusion: Surrender to Kusa alone. (shrink)
Zusammenfassung In der vorliegenden Arbeit wird Ã¼ber die verschiedenen Aspekte der sogenannten FitzGerald-Lorentz-Kontraktion berichtet. Nach einem kurzen AbriÃ der Entwicklung der Ãtherkonzeption wird eine Beschreibung des Michelson-Morley Versuchs gegeben und seine Rolle in der Entstehungsgeschichte der speziellen RelativitÃ¤tstheorie diskutiert. AnschlieÃend wird die Kontraktionshypothese vorgestellt und die Frage erÃ¶rtert, ob die Kontraktion âwirklich oder nur âscheinbar ist. Einige Gedankenexperimente werden vorgestellt, die zeigen, daÃ die Kontraktion bewegter KÃ¶rper kein bloÃer Schein ist. Ferner wird die noch bei Einstein unklare Beantwortung nach der (...) Frage der Sichtbarkeit der LÃ¤ngenkontraktion durch die Analyse der Begriffe âBeobachten und âSehen aufgehellt. AbschlieÃend wird auf die Frage nach der Falsifizierbarkeit der Kontraktionshypothese eingegangen, die von Popper aufgeworfen wurde. (shrink)
This paper offers a literary and ideological deconstruction of the Bhāgavata Purāa; it traces the Purāa's formation through the convergence of the Vedāntin, the Aesthetic and the Vaiava traditions, and argues that it is the doctrine of Pariāma which underlies the treatise. I first examine the Bhāgavata Purāa's literary components; the roots of these are traced back historically to the Vedānta and Ālvār traditions, and the Bhāgavata Purāa's nature as an opus universale, representing an all Indian cultural 'melting pot', is (...) highlighted. The paper then looks at the relations of Vaiavism and dramaturgy, both historically as well as theologically, and argues that the Bhāgavata Purāa was traditionally read as a drama. It proceeds to decipher the aesthetic theory underlying the Bhāgavata Purāa, and argues that it is Bharata's dramaturgical rasa theory. Within the rasa tradition, Abhinavagupta's and Bhoja's positions are highlighted and compared through three seminal points and it becomes apparent that the Bhāgavata Purāa's underlying aesthetic theory is close to the Pariāma doctrine of Bhoja where gāra is considered to be the supreme rasa. As Bhoja's date is no doubt later than the Bhāgavata Purāa's it is assumed that the Bhāgavata Purāa was influenced by one of Bhoja's predecessors. The paper ends by reinforcing this analysis by highlighting a later tradition which had actually accepted this point of view and that is the Gauiya Vaiava tradition. (shrink)
This volume asks which national histories underpinned which national identity constructions in almost every nation state in Europe during the nineteenth and twentieth centuries. It explores the construction of national identities through history writing and analyses their interrelationship with histories of ethnicity/race, class and religion.
Seinfeld (1989–1998) and it’s co-creator’s Curb Your Enthusiasm (2000–present), are each considered groundbreaking television. Critics regard their humor and intellectual comedy as Twain-like and creative. While both shows have been criticized for their character’s indifference and apolitical attitude, the programs resonate with those in society who more subtly consider law and politics. This project argues that Seinfeld and Curb present a unique theory of justice. These two shows constitute a common and current image of what is just in society. While (...) critics have argued that Seinfeld and Curb are not shows about nothing, I argue that these comedians offer us a legal philosophy. For those who view these characters as merely “self-absorbed, superficial, and immature,” I posit that they represent the obscure area between what John Locke termed “the state of nature” and what legal scholars call “legal culture.” I propose that these sitcoms demonstrate a way of speaking about law that provides a constitutive theory of law and justice. (shrink)