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  1. Christopher Fynsk (forthcoming). The Claim of History. Diacritics.
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  2. Christopher Fynsk (2002). Rethinking the University: Leverage and Deconstruction (Review). Symploke 10 (1):201-201.
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  3. Christopher Fynsk (2001). Derrida and Philosophy: Acts of Engagement. In Tom Cohen (ed.), Jacques Derrida and the Humanities: A Critical Reader. Cambridge University Press. 152--171.
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  4. Christopher Fynsk (2000). Infant Figures: The Death of the Infans and Other Scenes of Origin. Stanford University Press.
    This volume juxtaposes philosophical and psychoanalytic speculation with literary and artistic commentary in order to approach a set of questions concerning the human relation to language. The multifold writing of the volume takes the form of a 'triptych' (following the model of works by Francis Bacon) rather than that of a thesis. The central section of the volume contains an extended dialogue on two textual passages from works by Maurice Blanchot and Jacques Lacan. The first part of the volume's triptych (...)
     
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  5. Christopher Fynsk (1994). Reading the Poetics After the Remarks. Research in Phenomenology 24 (1):57-68.
  6. Christopher Fynsk (1992). Heidegger's Estrangements. International Studies in Philosophy 24 (1):85-86.
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  7. Christopher Fynsk (1991). But Suppose We Were to Take the Rectorial Address Seriously... Gérard Granel's de L'Université. Graduate Faculty Philosophy Journal 14 (2/1):335-362.
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  8. Christopher Fynsk (1989). Notes and Comments. History of European Ideas 10 (4):479-479.
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  9. Christopher Fynsk (1989). Noise at the Threshold. Research in Phenomenology 19 (1):101-120.
  10. Christopher Fynsk (1987). The Tain of the Mirror. Review of Metaphysics 41 (1):137-139.
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  11. Christopher Fynsk (1986). Heidegger: Thought and Historicity. Cornell University Press.
    Christopher Fynsk offers a sustained critical reading of works written by Martin Heidegger in the period 1927-1947.
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