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  1. Christopher Perricone (forthcoming). Shooting the Wounded: An Essay on Criticism. Journal of Aesthetic Education.
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  2. Christopher Perricone (2011). Aesthetic Judgment: It's All About How Much. Journal of Speculative Philosophy 25 (4):323-342.
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  3. Christopher Perricone (2011). Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution by Swirski, Peter. Journal of Aesthetics and Art Criticism 69 (2):251-253.
  4. Christopher Perricone (2011). What Women Want: (Among Other Things) Quality Art. Journal of Aesthetic Education 45 (3):88-102.
    Toward the end of “Of the Standard of Taste,” Hume summarizes what it means to be “a true judge in the finer arts.” He says: “Strong sense, united to delicate sentiment, improved by practice, perfected by comparison, and cleared of all prejudice, can alone entitle critics to this valuable character.”1 Throughout the essay, he also claims that his position is commonsensical and naturalistic—that is, notwithstanding the diversity of opinion among critics, there is a “structure of the mind . . . (...)
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  5. Peter Kivy, Noël Carroll, Susan L. Feagin, Donald Crawford, Richard Shusterman, Estelle R. Jorgensen, Haroldo Abraam Fontaine, Christopher Perricone, Michael Weh & Sk Wertz (2010). 1. Front Matter Front Matter (Pp. Iv). Journal of Aesthetic Education 44 (1).
     
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  6. Christopher Perricone (2010). Tragedy: A Lesson in Survival. Journal of Aesthetic Education 44 (1):pp. 70-83.
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  7. Christopher Perricone (2007). The Place of Touch in the Arts. Journal of Aesthetic Education 41 (1):90-104.
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  8. Christopher Perricone (2006). The Aspiration to the Condition of Touch. Philosophy and Literature 30 (1):229-237.
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  9. Christopher Perricone (2006). The Influence of Darwinism on John Dewey's Philosophy of Art. Journal of Speculative Philosophy 20 (1):20-41.
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  10. Christopher Perricone (2004). Art Selection, or the Preservation of Artworks in the Struggle for Art. Journal of Aesthetic Education 38 (2):53-66.
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  11. Christopher Perricone (2004). Does the Philosophy of Art Have a Mind/Body Problem? Philosophy Now 46:23-26.
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  12. Christopher Perricone (2003). Bugged Out: A Reflection on Art Experience. Journal of Aesthetic Education 37 (2):19-30.
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  13. Christopher Perricone (2002). Theodulph of Orleans (760–821): "On the Seven Liberal Arts as Shown in a Certain Picture". Philosophical Forum 33 (3):220–227.
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  14. Christopher Perricone (2001). George Santayana's Roots in Ancient Rome. Transactions of the Charles S. Peirce Society 37 (2):223 - 242.
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  15. Christopher Perricone (2000). Poetic Philosophy. Philosophy Today 44 (3):245-258.
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  16. Christopher Perricone (2000). The Body and Arsitotle's Idea of Moral Virtue. Dialogos 35 (75):111-122.
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  17. Christopher Perricone (1998). Christopher Gowans: Innocence Lost: An Examination of Inescapable Wrongdoing. [REVIEW] Journal of Value Inquiry 32 (1):127-132.
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  18. Christopher Perricone (1998). Poetic Philosophy: The Heidegger-Williams Connection. Journal of Speculative Philosophy 12 (1):47 - 67.
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  19. Christopher Perricone (1997). Book Review. [REVIEW] Journal of Value Inquiry 31 (1).
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  20. Christopher Perricone (1997). George Klein, Pietapieta. Journal of Value Inquiry 31 (3):425-428.
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  21. Christopher Perricone (1997). John Passmore, Serious Art. Journal of Value Inquiry 31:127-130.
     
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  22. Christopher Perricone (1996). Poetic Philosophy: The Bergson-Whitman Connection. Journal of Speculative Philosophy 10 (1):41 - 61.
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  23. Christopher Perricone (1995). Book Review: The Last Puritan: A Memoir in the Form of a Novel. [REVIEW] Philosophy and Literature 19 (1):186-187.
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  24. Christopher Perricone (1995). The Body and Hume's Standard of Taste. Journal of Aesthetics and Art Criticism 53 (4):371-378.
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  25. Christopher Perricone (1995). Tragic Pleasures. International Studies in Philosophy 27 (4):103-104.
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  26. Christopher Perricone (1994). Leon Golden., Aristotle on Tragic and Comic Mimesis, American Classical Studies# 29. International Studies in Philosophy 26 (4):132-133.
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  27. Christopher Perricone (1994). Poetic Philosophy: The Santayana-Eliot Connection. Transactions of the Charles S. Peirce Society 30 (3):637 - 665.
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  28. Christopher Perricone (1994). The Layers of Artistic Illusion. Journal of Value Inquiry 28 (2):233-243.
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  29. Christopher Perricone (1991). Art and the Metamorphosis of Art Into History. British Journal of Aesthetics 31 (4):310-321.
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  30. Christopher Perricone (1991). The Powers of Art: Reflections on "The Dynamo and the Virgin". Journal of Speculative Philosophy 5 (4):256 - 275.
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  31. Christopher Perricone (1990). Artist and Audience. Journal of Value Inquiry 24 (3):199-212.
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  32. Christopher Perricone (1989). St. Augustine's Idea of Aesthetic Interpretation. Ancient Philosophy 9 (1):95-107.
  33. Christopher Perricone (1988). Santayana's Criticisms of Emersonian Idealism and the Grounds of Common Sense. Transactions of the Charles S. Peirce Society 24 (2):239 - 264.
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  34. Christopher Perricone (1987). The Artistic Point of View. Journal of Value Inquiry 21 (3):199-207.
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  35. Christopher Perricone (1983). Distraction and Santayana's Idea of Progress. Transactions of the Charles S. Peirce Society 19 (2):167 - 181.
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  36. Christopher Perricone (1983). George Santayana's View of the Place of Art in a Cultural World. Southern Journal of Philosophy 21 (4):547-563.
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