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Profile: Claire Colebrook (Pennsylvania State University)
  1.  29
    Claire Colebrook (2002). Gilles Deleuze. Routledge.
    One of the twentieth-century's most exciting and challenging intellectuals, Gilles Deleuze's writings covered literature, art, psychoanalysis, philosophy, genetics, film and social theory. This book not only introduces Deleuze's ideas, it also demonstrates the ways in which his work can provide new readings of literary texts. This guide goes on to cover his work in various fields, his theory of literature and his overarching project of a new concept of becoming.
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  2.  59
    Claire Colebrook (2006). Deleuze: A Guide for the Perplexed. Continuum.
    Cinema, thought and time -- Deleuze's cinema books -- Technology -- Essences -- Space and time -- Bergson, time, and life -- The movement-image -- The history of time and space and the history of cinema -- The movement-image and semiotics -- Styles of sign -- The whole of movement -- Image and life -- Becoming-inhuman, becoming imperceptible -- The deduction of the movement-image -- Art and time -- Destruction of the sensory motor apparatus and the spiritual automaton -- Time (...)
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  3.  36
    Claire Colebrook (2002). Understanding Deleuze. Allen & Unwin.
    An accessible introduction to the contemporary thought of Deleuze.
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  4. Claire Colebrook (2005). Resistance, Flight, Creation: Feminist Enactments of French Philosophy (Review). Hypatia 20 (1):217-220.
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  5.  7
    Claire Colebrook (2014). Archiviolithic: The Anthropocene and the Hetero-Archive. Derrida Today 7 (1):21-43.
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  6.  28
    Claire Colebrook (2010). Deleuze and the Meaning of Life. Continuum.
    Introduction: The problem of vitalism : active/passive -- Brain, system, model : the affective turn -- Vitalism and theoria -- Inorganic art -- Inorganic vitalism -- The vital order after theory -- On becoming -- Living systems, extended minds, gaia -- Conclusion.
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  7.  16
    Claire Colebrook (2012). A Globe of One's Own: In Praise of the Flat Earth. Substance 41 (1):30-39.
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  8.  22
    Claire Colebrook (1997). Feminist Philosophy and the Philosophy of Feminism: Irigaray and the History of Western Metaphysics. Hypatia 12 (1):79 - 98.
    Irigaray demonstrates that metaphysics depends upon the specific negation and exclusion of the female body. Readings of Irigaray's Speculum of the Other Woman tend to highlight the status of this excluded materiality: is there an essential female body which precedes negation or is the feminine only an effect of exclusion? I approach Irigaray's work by way of another question: is it possible to move beyond a feminist critique of metaphysics and towards a feminist philosophy?
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  9.  51
    Claire Colebrook (2011). Matter Without Bodies. Derrida Today 4 (1):1-20.
    Materialism is at once the most general of concepts, capable of gesturing to anything that seems either foundational or physicalist, and yet is also one of the most rhetorical of gestures: operating as a way of reducing, criticising or ‘‘exorcising’’ forms of idealism and ideology. Derrida's early, supposedly ‘‘textualist’’ works appear to endorse a materiality of the letter (including syntax, grammar, trace and writing) while the later works focus on matter as split between that which is posited and that which (...)
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  10.  61
    Claire Colebrook (2000). From Radical Representations to Corporeal Becomings: The Feminist Philosophy of Lloyd, Grosz, and Gatens. Hypatia 15 (2):76-93.
    : Contrasting the work of Genevieve Lloyd, Elizabeth Grosz, and Moira Gatens with the poststructuralist philosophy of Judith Butler, this paper identifies a distinctive "Australian" feminism. It argues that while Butler remains trapped by the matter/representation binary, the Spinozist turn in Lloyd and Gatens, and Grosz's work on Bergson and Deleuze, are attempts to think corporeality.
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  11. Rosi Braidotti, Claire Colebrook & Patrick Hanafin (eds.) (2009). Deleuze and Law: Forensic Futures. Palgrave Macmillan.
  12.  9
    Claire Colebrook (2015). The Becoming-Photographic of Cinema. Philosophy of Photography 6 (1):5-24.
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  13.  39
    Claire Colebrook (2014). Not Kant, Not Now. Speculations:127-157.
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  14. Claire Colebrook (2005). How Can We Tell the Dancer From the Dance?: The Subject of Dance and the Subject of Philosophy. Topoi 24 (1):5-14.
    One of the most important aspects of Gilles Deleuzes philosophy is his criticism of the traditional concept of praxis. In Aristotelian philosophy praxis is properly oriented towards some end, and in the case of human action the ends of praxis are oriented towards the agents good life. Human goods are, for both Aristotle and contemporary neo-Aristotelians, determined by the potentials of human life such as rationality, communality, and speech. Deleuzes account of action, by contrast, liberates movement from an external end. (...)
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  15.  23
    Claire Colebrook (2000). Questioning Representation. Substance 29 (2):47-67.
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  16.  1
    Claire Colebrook (2000). From Radical Representations to Corporeal Becomings: The Feminist Philosophy of Lloyd, Grosz, and Gatens. Hypatia 15 (2):76-93.
  17.  68
    Claire Colebrook (2009). Derrida, Deleuze and Haptic Aesthetics. Derrida Today 2 (1):22-43.
    In On Touching Derrida locates Jean-Luc Nancy (and, briefly, Gilles Deleuze) within a tradition of haptic ethics and aesthetics that runs from Aristotle to the present. In his early work on Husserl, Derrida had already claimed that phenomenology's commitment to the genesis of sense and the sensible is at one and the same time a commitment to pure and rigorous philosophy at the same time as it threatens to over-turn the primacy of conceptuality and cognition.Whereas Nancy (and those other figures (...)
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  18.  7
    Claire Colebrook (2003). Happiness, Theoria, and Everyday Life. Symploke 11 (1):132-151.
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  19.  21
    Claire Colebrook (1997). Feminism and Autonomy: The Crisis of the Self-Authoring Subject. Body and Society 3 (2):21-41.
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  20.  43
    Claire Colebrook (2010). The Secret of Theory. Deleuze Studies 4 (3):287-300.
    This article focuses on the concept of the secret in Deleuze and Guattari's philosophy, with specific attention to the related concepts of becoming-woman and literature. It contrasts Deleuze and Guattari's immanent mode of reading with oedipal theories of the text and hermeneutics. Whereas Deleuze and Guattari argue for the positivity of the secret, where there is content that is not disclosed and that therefore creates lines of perception and interpretation, the oedipal mode of reading regards the secret as a (negative) (...)
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  21.  16
    Claire Colebrook (2013). Modernism Without Women: The Refusal of Becoming-Woman (and Post-Feminism). Deleuze Studies 7 (4):427-455.
    Just as becoming-woman is a divided concept, looking back to a seemingly redemptive figure of the feminine beyond rigid being, but also forward to a positive annihilation of fixed genders, so modernism was also a doubled movement. But modernism was a pulverisation of ‘the’ subject for the sake of a plural and multiplying point of view, and like ‘becoming-woman’, should be read as a defiant and affirmative refusal.
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  22.  32
    Claire Colebrook (2010). Creative Evolution and the Creation of Man. Southern Journal of Philosophy 48 (s1):109-132.
    This paper argues that Darwin's theory of evolution offers two modes of understanding the relation between life and human knowledge. On the one hand, Darwin can be included within a general turn to “life,” in which human self-knowledge is part of a general unfolding of increasing awareness and anthropological reflexivity; life creates an organism, man, capable of discerning the logic of organic existence. On the other hand, Darwin offers the possibility of understanding life beyond the self-maintenance of organism and, therefore, (...)
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  23.  33
    Claire Colebrook (2009). On the Uses and Abuses of Repetition. Angelaki 14 (1):41 – 49.
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  24.  29
    Claire Colebrook (2008). Review of Gregg Lambert, Who's Afraid of Deleuze and Guattari?. [REVIEW] Notre Dame Philosophical Reviews 2008 (3).
  25.  20
    Claire Colebrook (2007). The Work of Art That Stands Alone. Deleuze Studies 1 (1):22-40.
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  26.  22
    Claire Colebrook (2008). Cixous and Derrida. Angelaki 13 (2):109 – 124.
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  27.  14
    Claire Colebrook (2008). Introduction Part I. Deleuze Studies 2 (Suppl):1-19.
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  28.  5
    Claire Colebrook (2014). Patricia Pisters The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture, Stanford: Stanford University Press. Deleuze Studies 8 (1):147-152.
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  29.  2
    Claire Colebrook (1998). The Future-To-Come. Philosophy Today 42 (4):347-360.
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  30.  6
    Claire Colebrook (2005). Book Review: Dorothea Olkowski. Resistance, Flight, Creation: Feminist Enactments of French Philosophy. Ithaca: Cornell University Press, 2000. [REVIEW] Hypatia 20 (1):217-220.
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  31.  1
    Claire Colebrook (2012). Destroying Cosmopolitanism for the Sake of the Cosmos. In Rosi Braidotti, Patrick Hanafin & Bolette Blaagaard (eds.), After Cosmopolitanism. Routledge 166.
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  32.  1
    Claire Colebrook (1998). Ethics, Positivity, and Gender. Philosophy Today 42 (1):40-52.
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  33. Rosi Braidotti, Claire Colebrook & Patrick Hanafin (2009). Introduction: Deleuze and Law : Forensic Futures. In Rosi Braidotti, Claire Colebrook & Patrick Hanafin (eds.), Deleuze and Law: Forensic Futures. Palgrave Macmillan
     
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  34. Claire Colebrook & Jason Maxwell (2015). Agamben. Polity.
    Giorgio Agamben emerged in the twenty-first century as one of the most important theorists in the continental tradition. Until recently, 'continental' philosophy has been tied either to the German tradition of phenomenology or to French post-structuralist concerns with the conditions of language and textuality. Agamben draws upon and departs from both these lines of thought by directing his entire corpus to the problem of life political life, human life, animal life and the life of art. Influenced by the work of (...)
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  35. Claire Colebrook (2005). Book Review: Dorothea Olkowski. Resistance, Flight, Creation: Feminist Enactments of French Philosophy. Ithaca: Cornell University Press, 2000. [REVIEW] Hypatia: A Journal of Feminist Philosophy 20 (1):217-220.
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  36.  4
    Claire Colebrook & Jami Weinstein (eds.) (2008). Deleuze and Gender. Edinburgh.
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  37. Claire Colebrook (2010). Dynamic Potentiality: The Body That Stands Alone. In Elena Tzelepis & Athena Athanasiou (eds.), Rewriting Difference: Luce Irigaray and "the Greeks". State University of New York Press
  38. Claire Colebrook (1999). Ethics and Representation From Kant to Post-Structuralism. Monograph Collection (Matt - Pseudo).
     
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  39. Claire Colebrook (1998). Ethics, Positivity, and Gender: Foucault, Aristotle, and the Care of the Self: A Foucault Symposium. Philosophy Today 42 (1):40-52.
     
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  40. Claire Colebrook (2004). Gender. Palgrave Macmillan.
    This book offers a clear introductory overview of the concept of gender. It places gender in its historical contexts and traces its development from the Enlightenment to the present, before moving on to the evolution of the concept of gender from within the various stances of feminist criticism, and recent developments in queer theory and post-feminism. Close analysis of key literary texts, including Frankenstein , Paradise Lost and A Midsummer Night's Dream , shows how specific styles of literature enable reflection (...)
     
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  41. Claire Colebrook (2007). Graphematics, Politics and Irony. In Martin McQuillan (ed.), The Politics of Deconstruction: Jacques Derrida and the Other of Philosophy. Pluto Press 192--211.
     
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  42. Claire Colebrook (ed.) (2014). Jacques Derrida: Key Concepts. Routledge.
    Jacques Derrida: Key Concepts presents a broad overview and engagement with the full range of Derrida's work - from the early phenomenological thinking to his preoccupations with key themes, such as technology, psychoanalysis, friendship, Marxism, racism and sexism, to his ethico-political writings and his deconstruction of democracy. Presenting both an examination of the key concepts central to his thinking and a broader study of how that thinking shifted over a lifetime, the book offers the reader a clear, systematic and fresh (...)
     
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  43. Claire Colebrook (2009). Legal Theory After Deleuze. In Rosi Braidotti, Claire Colebrook & Patrick Hanafin (eds.), Deleuze and Law: Forensic Futures. Palgrave Macmillan
     
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  44. Claire Colebrook (2012). The Art of the Future. In Alexandre Lefebvre & Melanie Allison White (eds.), Bergson, Politics, and Religion. Duke University Press
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  45. Claire Colebrook (2010). Toxic Feminism: Hope and Hopelessness After Feminism. Journal for Cultural Research 14 (4):323-335.
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  46. Claire Colebrook (2008). The Nick of Time: Politics, Evolution, and the Untimely Time Travels: Feminism, Nature Power: Politics, Evolution, and the Untimely Time Travels: Feminism, Nature Power. Journal of the British Society for Phenomenology 39:331-333.
     
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  47. Claire Colebrook (2008). The Nick of Time: Politics, Evolution, and the Untimely Time Travels: Feminism, Nature Power. Journal of the British Society for Phenomenology 39 (3):331-333.
     
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  48. Claire Colebrook (2004). The Real and the Phantom of Happiness. Journal of the British Society for Phenomenology 35:246-260.
     
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