Search results for 'Classicism' (try it on Scholar)

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  1. Paul Bishop (2005). Friedrich Nietzsche and Weimar Classicism. Camden House.score: 24.0
    Die Geburt der Tragödie and Weimar classicism -- The formative influence of Weimar classicism in the genesis of Zarathustra -- The aesthetic gospel of Nietzsche's Zarathustra -- From Leucippus to Cassirer : toward a genealogy of "sincere semblance".
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  2. Éva Forgács (2008). The Safe Haven of a New Classicism: The Quest for a New Aesthetics in Hungary 1904-1912. Studies in East European Thought 60 (1/2):75 - 95.score: 24.0
    Seen through the quest for a new metaphysics, the visual arts were interpreted in the framework of the particular sense of progress that the generation of György Lukács developed in the first decade of the twentieth century. They saw Impressionism as the veritable symptom of the deficiencies of their age and dreamed of a great, solid, lasting new Hungarian culture which would transcend the fragmentariness, sociological interests, and ethereality of Impressionism. Although exhibitions of contemporary modernist art were organized in Budapest (...)
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  3. Marcello Guarini (1996). Tensor Products and Split-Level Architecture: Foundational Issues in the Classicism-Connectionism Debate. Philosophy of Science 63 (3):S239-S247.score: 21.0
    This paper responds to criticisms levelled by Fodor, Pylyshyn, and McLaughlin against connectionism. Specifically, I will rebut the charge that connectionists cannot account for representational systematicity without implementing a classical architecture. This will be accomplished by drawing on Paul Smolensky's Tensor Product model of representation and on his insights about split-level architectures.
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  4. Cynthia Macdonald (1995). Classicism Vs. Connectionism. In Cynthia Macdonald & Graham F. Macdonald (eds.), Connectionism: Debates on Psychological Explanation. Blackwell.score: 21.0
     
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  5. Stephen H. Phillips (2002). Does Classicism Explain Universality? Minds and Machines 12 (3):423-434.score: 18.0
    One of the hallmarks of human cognition is the capacity to generalize over arbitrary constituents. Recently, Marcus (1998, 1998a, b; Cognition 66, p. 153; Cognitive Psychology 37, p. 243) argued that this capacity, called universal generalization (universality), is not supported by Connectionist models. Instead, universality is best explained by Classical symbol systems, with Connectionism as its implementation. Here it is argued that universality is also a problem for Classicism in that the syntax-sensitive rules that are supposed to provide causal (...)
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  6. Paul St Amour (2003). Cultural Pluralism and the Limitations of the Classicist Conception of Culture. Proceedings of the American Catholic Philosophical Association 77:259-271.score: 18.0
    Bernard Lonergan has attempted to clarify a major theoretical transition from a classicist conception of culture, which was operative for over two millennia,to a contemporary notion of culture which is empirical, historicist, and pluralist. I argue that this transition has significant implications for apprehending boththe difficulty and the possibility of intercultural understanding. While the need for intercultural understanding is timely and obvious, its actual achievement hasproven elusive. One major impediment, I argue, has been the effective persistence of classicist assumptions which (...)
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  7. Brian P. McLaughlin (1993). The Connectionism/Classicism Battle to Win Souls. Philosophical Studies 71 (2):163-190.score: 15.0
  8. Kenneth Aizawa (1997). The Role of the Systematicity Argument in Classicism and Connectionism. In S. O'Nuallain (ed.), Two Sciences of Mind. John Benjamins.score: 15.0
  9. Brian E. Butler (2009). Neo-Neo-Classicism: The Artistic and Political Challenge of Ian Hamilton Finlay, Geometer. Geometer.score: 15.0
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  10. K. Akiba (1999). On Super- and Subvaluationism: A Classicist's Reply to Hyde. Mind 108 (432):727-732.score: 15.0
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  11. Anthony Blunt (1940). A Poussin-Castiglione Problem: Classicism and the Picturesque in 17th Century Rome. Journal of the Warburg and Courtauld Institutes 3 (1/2):142-147.score: 15.0
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  12. Jane Costello (1955). Poussin's Drawings for Marino and the New Classicism: I. Ovid's Metamorphoses. Journal of the Warburg and Courtauld Institutes 18 (3/4):296-317.score: 15.0
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  13. Edouard Roditi (1948). Torquato Tasso: The Transition From Baroque to Neo-Classicism. Journal of Aesthetics and Art Criticism 6 (3):235-245.score: 15.0
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  14. A. J. S. Spawforth (1998). The Later Greek Élite Simon Swain: Hellenism and Empire. Language, Classicism and Power in the Greek World AD 50–250. Pp. Xii + 499. Oxford: Clarendon Press, 1996. Cased, £50. ISBN: 0-19-814772-. [REVIEW] The Classical Review 48 (01):107-109.score: 15.0
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  15. A. W. Gouldner (1973). Romanticism and Classicism: Deep Structures in Social Science. Diogenes 21 (82):88-107.score: 15.0
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  16. R. Osborne (1998). Aristocracy, Antiquity and History: Classicism in Political Thought. AM Kinneging. The Classical Review 48 (1):158-160.score: 15.0
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  17. Stephen Happel (1980). Classicist Culture and the Nature of Worship. Heythrop Journal 21 (3):288–302.score: 15.0
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  18. D. Hyde (1999). Pleading Classicism. Mind 108 (432):733-735.score: 15.0
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  19. Luigi Ferri (1894). National Character and Classicism in Italian Philosophy. International Journal of Ethics 5 (1):63-79.score: 15.0
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  20. John Fizer (1975). Some Observations on the Alleged Classicism of Socialist Realism. Studies in East European Thought 15 (4):327-337.score: 15.0
  21. Paul Goodman (1934). Neo-Classicism, Platonism, and Romanticism. Journal of Philosophy 31 (6):148-163.score: 15.0
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  22. Roland Mayer (1981). Classicism at Rome Hellmut Flashar (Ed.): Le Classicisme à Rome aux Lers Siècles Avant Et Aprés J.-C. (Entretiens Sur l'Antiquité Classique, 25.) Pp. Iv + 325; 13 Black and White Plates. Geneva: Fondation Hardt, 1979. 48 Sw.Frs. [REVIEW] The Classical Review 31 (02):222-223.score: 15.0
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  23. R. D. Middleton (1962). The Abbé de Cordemoy and the Graeco-Gothic Ideal: A Prelude to Romantic Classicism. Journal of the Warburg and Courtauld Institutes 25 (3/4):278-320.score: 15.0
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  24. Alfred Neumeyer (1938). Monuments to 'Genius' in German Classicism. Journal of the Warburg Institute 2 (2):159-163.score: 15.0
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  25. Alicia J. Simpson (2011). (A.) Kaldellis The Christian Parthenon: Classicism and Pilgrimage in Byzantine Athens. Cambridge: Cambridge University Press, 2009. Pp. 252, Illus. £59. 9780521882286. [REVIEW] Journal of Hellenic Studies 131:284-285.score: 15.0
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  26. Sulochana Ruth Asirvatham (2005). Classicism and Romanitas in Plutarch's De Alexandri Fortuna Aut Virtute. American Journal of Philology 126 (1):107-125.score: 15.0
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  27. Marcia L. Colish (forthcoming). Classicism and Catechesis in the Patriarch Treatises of Ambrose of Milan. Rivista di Storia Della Filosofia.score: 15.0
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  28. Adrian Del Caro (forthcoming). Dionysian Classicism, or Nietzsche's Appropriation of an Aesthetic Norm. Journal of the History of Ideas.score: 15.0
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  29. Giles C. Hooper (2003). From Classicism to Modernism: Western Musical Culture and the Metaphysics of Order. British Journal of Aesthetics 43 (3):326-329.score: 15.0
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  30. Anthony Jensen (2007). Friedrich Nietzsche and Weimar Classicism. New Nietzsche Studies 7 (3-4):168-171.score: 15.0
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  31. Alexandra Lianeri (2003). CLASSICS IN AMERCIA C. Winterer: The Culture of Classicism. Ancient Greece and Rome in American Intellectual Life 1780–1910 . Pp. X + 244. Baltimore and London: The John Hopkins University Press, 2002. Cased, £31, ISBN: 0-8018-6799-. [REVIEW] The Classical Review 53 (02):478-.score: 15.0
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  32. Hugh Lloyd-Jones (1986). Ward W. Briggs Jr, Hubert W. Benario(Edd.): Basil Lanneau Gilder Sleeve: An American Classicist. (AJP Monographs in Classical Philology.) Pp. Xii + 115; 1 Plate. Baltimore and London: The Johns Hopkins University Press, 1985. $12.95. [REVIEW] The Classical Review 36 (02):357-358.score: 15.0
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  33. Stephanie Mora (2000). Delacroix's Art Theory and His Definition of Classicism. Journal of Aesthetic Education 34 (1):57-75.score: 15.0
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  34. Robin Osborne (1998). Things Old and New A. M. Kinneging: Aristocracy, Antiquity and History: Classicism in Political Thought. Pp. Xii + 348. New Brunswick, NJ and London: Transaction Publishers, 1996. $39.95. ISBN: 1-56000-222-. [REVIEW] The Classical Review 48 (01):158-160.score: 15.0
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  35. J. G. F. Powell (1999). Welsh Classicism C. Davies: Welsh Literature and the Classical Tradition . Pp. Xiii + 195. Cardiff: University of Wales Press, 1995. £20. ISBN: 0-7083-1321-. [REVIEW] The Classical Review 49 (01):242-.score: 15.0
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  36. Claudia Rapp (2010). Late Greek Literature (S.F.) Johnson (Ed.) Greek Literature in Late Antiquity. Dynamism, Didacticism, Classicism. Pp. Xii + 215. Aldershot and Burlington, VT: Ashgate, 2006. Cased, £50, US$99.95. ISBN: 978-0-7546-5683-. [REVIEW] The Classical Review 60 (01):93-.score: 15.0
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  37. Alison Sharrock (2009). In Memoriam Don Fowler (S.J.) Heyworth, (P.G.) Fowler, (S.J.) Harrison (Edd.) Classical Constructions. Papers in Memory of Don Fowler, Classicist and Epicurean. Pp. Xvi + 368, Ills. Oxford: Oxford University Press, 2007. Cased, £55. ISBN: 978-0-19-921803-. [REVIEW] The Classical Review 59 (02):463-.score: 15.0
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  38. A. Spawforth (1998). Hellenism and Empire. Language, Classicism and Power in the Greek World. S Swain. The Classical Review 48 (1):107-109.score: 15.0
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  39. F. Scott Spencer (forthcoming). Book Review: Acts In Its Ancient Literary Context: A Classicist Looks at the Acts of the Apostles. [REVIEW] Interpretation 63 (1):95-95.score: 15.0
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  40. Rudolf Wittkower (1938). Domenico Guidi and French Classicism. Journal of the Warburg Institute 2 (2):188-190.score: 15.0
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  41. Richard Woodfield (1975). The Freedom of Shaftesbury's Classicism. British Journal of Aesthetics 15 (3):254-266.score: 15.0
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  42. John Dewey (1921). Classicism as an Evangel. Journal of Philosophy 18 (24):664-666.score: 15.0
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  43. Dirk Eitzen (1997). Comedy and Classicism. In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press. 394--411.score: 15.0
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  44. Birte Giesler (2006). The Artificial Woman in the Mirror: Gender Performance and Classicism in Friederike Helene Unger's Prince Bimbam — A Fairytale for Young and Old (Prinz Bimbam — Ein Mährchen für Alt Und Jung, 1802). Lumen: Selected Proceedings From the Canadian Society for Eighteenth-Century Studies 25:121.score: 15.0
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  45. Maud W. Gleason (1998). Hellenism and Empire: Language, Classicism, and Power in the Greek World, A.D. 50-250 (Review). American Journal of Philology 119 (2):307-309.score: 15.0
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  46. Simon D. Goldhill (1988). Thomas G. Rosenmeyer: Deina Ta Polla: A Classicist's Checklist of Twenty Literary-Critical Positions. (Arethusa Monographs, 12.) Pp. 74. Buffalo, New York: State University of New York at Buffalo, 1988. Paper. [REVIEW] The Classical Review 38 (02):423-.score: 15.0
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  47. A. E. Hui (2011). Instruments of Music, Instruments of Science: Hermann von Helmholtz's Musical Practices, His Classicism, and His Beethoven Sonata. Annals of Science 68 (2):149-177.score: 15.0
    Summary The young Hermann Helmholtz, in an 1838 letter home, declared that he always appreciated music much more when he played it for himself. Though a frequent concert-goer, and celebrated for his highly influential 1863 work on the physiological basis of music theory, Die Lehre von den Tonempfindungen, it is likely that Helmholtz's enduring engagement with music began with his initial, personal experience of playing music for himself. I develop this idea, shifting the discussion of Helmholtz's work on sound sensation (...)
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  48. Susie Kilshaw (2011). Reconstructing the Body: Classicism, Modernism, and the First World War. By Ana Carden-Coyne. Pp. 360. (Oxford University Press, Oxford, 2009.) £60.00, ISBN 978-0-19954646-6, Hardback. [REVIEW] Journal of Biosocial Science 43 (3):381-382.score: 15.0
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  49. Eric Mechoulan (2004). Report on Lydie Salvayre's Subversive Classicism. Substance 33 (2):46-58.score: 15.0
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  50. Stéphane Schmitt (2001). Type Et Métamorphose Dans la Morphologie de Goethe, Entre Classicisme Et Romantisme/Type and Metamorphosis in Goethe's Morphology: Between Classicism and Romanticism. Revue d'Histoire des Sciences 54 (4):495-521.score: 15.0
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