Search results for 'Classicism' (try it on Scholar)

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  1. Paul Bishop (2005). Friedrich Nietzsche and Weimar Classicism. Camden House.score: 18.0
    Die Geburt der Tragödie and Weimar classicism -- The formative influence of Weimar classicism in the genesis of Zarathustra -- The aesthetic gospel of Nietzsche's Zarathustra -- From Leucippus to Cassirer : toward a genealogy of "sincere semblance".
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  2. Éva Forgács (2008). The Safe Haven of a New Classicism: The Quest for a New Aesthetics in Hungary 1904-1912. Studies in East European Thought 60 (1/2):75 - 95.score: 18.0
    Seen through the quest for a new metaphysics, the visual arts were interpreted in the framework of the particular sense of progress that the generation of György Lukács developed in the first decade of the twentieth century. They saw Impressionism as the veritable symptom of the deficiencies of their age and dreamed of a great, solid, lasting new Hungarian culture which would transcend the fragmentariness, sociological interests, and ethereality of Impressionism. Although exhibitions of contemporary modernist art were organized in Budapest (...)
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  3. Marcello Guarini (1996). Tensor Products and Split-Level Architecture: Foundational Issues in the Classicism-Connectionism Debate. Philosophy of Science 63 (3):S239-S247.score: 15.0
    This paper responds to criticisms levelled by Fodor, Pylyshyn, and McLaughlin against connectionism. Specifically, I will rebut the charge that connectionists cannot account for representational systematicity without implementing a classical architecture. This will be accomplished by drawing on Paul Smolensky's Tensor Product model of representation and on his insights about split-level architectures.
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  4. Cynthia Macdonald (1995). Classicism Vs. Connectionism. In Cynthia Macdonald & Graham F. Macdonald (eds.), Connectionism: Debates on Psychological Explanation. Blackwell.score: 15.0
     
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  5. Stephen H. Phillips (2002). Does Classicism Explain Universality? Minds and Machines 12 (3):423-434.score: 12.0
    One of the hallmarks of human cognition is the capacity to generalize over arbitrary constituents. Recently, Marcus (1998, 1998a, b; Cognition 66, p. 153; Cognitive Psychology 37, p. 243) argued that this capacity, called universal generalization (universality), is not supported by Connectionist models. Instead, universality is best explained by Classical symbol systems, with Connectionism as its implementation. Here it is argued that universality is also a problem for Classicism in that the syntax-sensitive rules that are supposed to provide causal (...)
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  6. Paul St Amour (2003). Cultural Pluralism and the Limitations of the Classicist Conception of Culture. Proceedings of the American Catholic Philosophical Association 77:259-271.score: 12.0
    Bernard Lonergan has attempted to clarify a major theoretical transition from a classicist conception of culture, which was operative for over two millennia,to a contemporary notion of culture which is empirical, historicist, and pluralist. I argue that this transition has significant implications for apprehending boththe difficulty and the possibility of intercultural understanding. While the need for intercultural understanding is timely and obvious, its actual achievement hasproven elusive. One major impediment, I argue, has been the effective persistence of classicist assumptions which (...)
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  7. Gualtiero Piccinini & Andrea Scarantino (2011). Information Processing, Computation, and Cognition. Journal of Biological Physics 37 (1):1-38.score: 9.0
    Computation and information processing are among the most fundamental notions in cognitive science. They are also among the most imprecisely discussed. Many cognitive scientists take it for granted that cognition involves computation, information processing, or both – although others disagree vehemently. Yet different cognitive scientists use ‘computation’ and ‘information processing’ to mean different things, sometimes without realizing that they do. In addition, computation and information processing are surrounded by several myths; first and foremost, that they are the same thing. In (...)
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  8. Brian P. McLaughlin (1993). The Connectionism/Classicism Battle to Win Souls. Philosophical Studies 71 (2):163-190.score: 9.0
  9. Nir Fresco (2012). The Explanatory Role of Computation in Cognitive Science. Minds and Machines 22 (4):353-380.score: 9.0
    Which notion of computation (if any) is essential for explaining cognition? Five answers to this question are discussed in the paper. (1) The classicist answer: symbolic (digital) computation is required for explaining cognition; (2) The broad digital computationalist answer: digital computation broadly construed is required for explaining cognition; (3) The connectionist answer: sub-symbolic computation is required for explaining cognition; (4) The computational neuroscientist answer: neural computation (that, strictly, is neither digital nor analogue) is required for explaining cognition; (5) The extreme (...)
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  10. Jonathan Opie & Gerard O'Brien (1999). A Connectionist Theory of Phenomenal Experience. Behavioral and Brain Sciences 22 (1):127-148.score: 9.0
    When cognitive scientists apply computational theory to the problem of phenomenal consciousness, as many of them have been doing recently, there are two fundamentally distinct approaches available. Either consciousness is to be explained in terms of the nature of the representational vehicles the brain deploys; or it is to be explained in terms of the computational processes defined over these vehicles. We call versions of these two approaches _vehicle_ and _process_ theories of consciousness, respectively. However, while there may be space (...)
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  11. Kenneth Aizawa (1997). The Role of the Systematicity Argument in Classicism and Connectionism. In S. O'Nuallain (ed.), Two Sciences of Mind. John Benjamins.score: 9.0
  12. Brian E. Butler (2009). Neo-Neo-Classicism: The Artistic and Political Challenge of Ian Hamilton Finlay, Geometer. geometer.score: 9.0
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  13. Gerard O'Brien & Jonathan Opie (1999). A Connectionist Theory of Phenomenal Experience. Behavioral and Brain Sciences 22 (1):127-48.score: 9.0
    When cognitive scientists apply computational theory to the problem of phenomenal consciousness, as many of them have been doing recently, there are two fundamentally distinct approaches available. Either consciousness is to be explained in terms of the nature of the representational vehicles the brain deploys; or it is to be explained in terms of the computational processes defined over these vehicles. We call versions of these two approaches vehicle and process theories of consciousness, respectively. However, while there may be space (...)
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  14. K. Akiba (1999). On Super- and Subvaluationism: A Classicist's Reply to Hyde. Mind 108 (432):727-732.score: 9.0
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  15. Anthony Blunt (1940). A Poussin-Castiglione Problem: Classicism and the Picturesque in 17th Century Rome. Journal of the Warburg and Courtauld Institutes 3 (1/2):142-147.score: 9.0
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  16. Willem A. DeVries (1993). Who Sees with Equal Eye,... Atoms or Systems Into Ruin Hurl'd? Philosophical Studies 71 (2):191-200.score: 9.0
    A comment the paper by Brian McLaughlin in the same volume, this paper raises questions about whether the classicism/connectionism debate is really well-formed.
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  17. Jane Costello (1955). Poussin's Drawings for Marino and the New Classicism: I. Ovid's Metamorphoses. Journal of the Warburg and Courtauld Institutes 18 (3/4):296-317.score: 9.0
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  18. A. J. S. Spawforth (1998). The Later Greek Élite Simon Swain: Hellenism and Empire. Language, Classicism and Power in the Greek World AD 50–250. Pp. Xii + 499. Oxford: Clarendon Press, 1996. Cased, £50. ISBN: 0-19-814772-. [REVIEW] The Classical Review 48 (01):107-109.score: 9.0
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  19. Edouard Roditi (1948). Torquato Tasso: The Transition From Baroque to Neo-Classicism. Journal of Aesthetics and Art Criticism 6 (3):235-245.score: 9.0
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  20. A. W. Gouldner (1973). Romanticism and Classicism: Deep Structures in Social Science. Diogenes 21 (82):88-107.score: 9.0
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  21. Paul Goodman (1934). Neo-Classicism, Platonism, and Romanticism. Journal of Philosophy 31 (6):148-163.score: 9.0
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  22. Stephen Happel (1980). Classicist Culture and the Nature of Worship. Heythrop Journal 21 (3):288–302.score: 9.0
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  23. R. D. Middleton (1962). The Abbé de Cordemoy and the Graeco-Gothic Ideal: A Prelude to Romantic Classicism. Journal of the Warburg and Courtauld Institutes 25 (3/4):278-320.score: 9.0
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  24. R. Osborne (1998). Aristocracy, Antiquity and History: Classicism in Political Thought. AM Kinneging. The Classical Review 48 (1):158-160.score: 9.0
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  25. Alicia J. Simpson (2011). (A.) Kaldellis The Christian Parthenon: Classicism and Pilgrimage in Byzantine Athens. Cambridge: Cambridge University Press, 2009. Pp. 252, Illus. £59. 9780521882286. [REVIEW] Journal of Hellenic Studies 131:284-285.score: 9.0
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  26. John Fizer (1975). Some Observations on the Alleged Classicism of Socialist Realism. Studies in East European Thought 15 (4):327-337.score: 9.0
  27. Giles C. Hooper (2003). From Classicism to Modernism: Western Musical Culture and the Metaphysics of Order. British Journal of Aesthetics 43 (3):326-329.score: 9.0
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  28. Anthony Jensen (2007). Friedrich Nietzsche and Weimar Classicism. New Nietzsche Studies 7 (3-4):168-171.score: 9.0
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  29. Alexandra Lianeri (2003). CLASSICS IN AMERCIA C. Winterer: The Culture of Classicism. Ancient Greece and Rome in American Intellectual Life 1780–1910 . Pp. X + 244. Baltimore and London: The John Hopkins University Press, 2002. Cased, £31, ISBN: 0-8018-6799-. [REVIEW] The Classical Review 53 (02):478-.score: 9.0
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  30. Alfred Neumeyer (1938). Monuments to 'Genius' in German Classicism. Journal of the Warburg Institute 2 (2):159-163.score: 9.0
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  31. Robin Osborne (1998). Things Old and New A. M. Kinneging: Aristocracy, Antiquity and History: Classicism in Political Thought. Pp. Xii + 348. New Brunswick, NJ and London: Transaction Publishers, 1996. $39.95. ISBN: 1-56000-222-. [REVIEW] The Classical Review 48 (01):158-160.score: 9.0
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  32. A. Spawforth (1998). Hellenism and Empire. Language, Classicism and Power in the Greek World. S Swain. The Classical Review 48 (1):107-109.score: 9.0
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  33. Richard Woodfield (1975). The Freedom of Shaftesbury's Classicism. British Journal of Aesthetics 15 (3):254-266.score: 9.0
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  34. John Dewey (1921). Classicism as an Evangel. Journal of Philosophy 18 (24):664-666.score: 9.0
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  35. Simon D. Goldhill (1988). Thomas G. Rosenmeyer: Deina Ta Polla: A Classicist's Checklist of Twenty Literary-Critical Positions. (Arethusa Monographs, 12.) Pp. 74. Buffalo, New York: State University of New York at Buffalo, 1988. Paper. [REVIEW] The Classical Review 38 (02):423-.score: 9.0
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  36. A. E. Hui (2011). Instruments of Music, Instruments of Science: Hermann von Helmholtz's Musical Practices, His Classicism, and His Beethoven Sonata. Annals of Science 68 (2):149-177.score: 9.0
    Summary The young Hermann Helmholtz, in an 1838 letter home, declared that he always appreciated music much more when he played it for himself. Though a frequent concert-goer, and celebrated for his highly influential 1863 work on the physiological basis of music theory, Die Lehre von den Tonempfindungen, it is likely that Helmholtz's enduring engagement with music began with his initial, personal experience of playing music for himself. I develop this idea, shifting the discussion of Helmholtz's work on sound sensation (...)
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  37. D. Hyde (1999). Pleading Classicism. Mind 108 (432):733-735.score: 9.0
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  38. Roland Mayer (1981). Classicism at Rome Hellmut Flashar (Ed.): Le Classicisme à Rome aux Lers Siècles Avant Et Aprés J.-C. (Entretiens Sur l'Antiquité Classique, 25.) Pp. Iv + 325; 13 Black and White Plates. Geneva: Fondation Hardt, 1979. 48 Sw.Frs. [REVIEW] The Classical Review 31 (02):222-223.score: 9.0
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  39. Alison Sharrock (2009). In Memoriam Don Fowler (S.J.) Heyworth, (P.G.) Fowler, (S.J.) Harrison (Edd.) Classical Constructions. Papers in Memory of Don Fowler, Classicist and Epicurean. Pp. Xvi + 368, Ills. Oxford: Oxford University Press, 2007. Cased, £55. ISBN: 978-0-19-921803-. [REVIEW] The Classical Review 59 (02):463-.score: 9.0
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  40. Rudolf Wittkower (1938). Domenico Guidi and French Classicism. Journal of the Warburg Institute 2 (2):188-190.score: 9.0
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  41. Sulochana Ruth Asirvatham (2005). Classicism and Romanitas in Plutarch's De Alexandri Fortuna Aut Virtute. American Journal of Philology 126 (1):107-125.score: 9.0
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  42. Gunnar Berefelt (1960). The Regeneration Problem in German Neo-Classicism and Romanticism. Journal of Aesthetics and Art Criticism 18 (4):475-481.score: 9.0
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  43. Paul Bishop (2004). Nietzsche's Anti-Christianity as a Return to (German) Classicism. In , Nietzsche and Antiquity: His Reaction and Response to the Classical Tradition. Camden House. 441--457.score: 9.0
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  44. Marcia L. Colish (forthcoming). Classicism and Catechesis in the Patriarch Treatises of Ambrose of Milan. Rivista di Storia Della Filosofia.score: 9.0
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  45. Adrian Del Caro (forthcoming). Dionysian Classicism, or Nietzsche's Appropriation of an Aesthetic Norm. Journal of the History of Ideas.score: 9.0
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  46. Dirk Eitzen (1997). Comedy and Classicism. In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press. 394--411.score: 9.0
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  47. Philipp Fehl (1976). Turner's Classicism and the Problem of Periodization in the History of Art. Critical Inquiry 3 (1):93.score: 9.0
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  48. Luigi Ferri (1894). National Character and Classicism in Italian Philosophy. International Journal of Ethics 5 (1):63-79.score: 9.0
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  49. Luigi Ferri (1895). National Character and Classicism in Italian Ethics. International Journal of Ethics 5 (3):340-360.score: 9.0
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  50. V. Forg├ ícs (2008). The Safe Haven of a New Classicism: The Quest for a New Aesthetics in Hungary 1904ÔÇô1912. Studies in East European Thought 60 (1-2):75.score: 9.0
     
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