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Profile: Clive Cazeaux (Cardiff Metropolitan University)
  1. Clive Cazeaux (forthcoming). Aesthetics After Metaphysics: From Mimesis to Metaphor. British Journal of Aesthetics:ayt031.
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  2. Clive Cazeaux (2012). Sensation as Participation in Visual Art. Aesthetic Pathways 2 (2):2-30.
    Can an understanding be formed of how sensory experience might be presented or manipulated in visual art in order to promote a relational concept of the senses, in opposition to the customary, capitalist notion of sensation as a private possession, as a sensory impression that is mine? I ask the question in the light of recent visual art theory and practice which pursue relational, ecological ambitions. As Arnold Berleant, Nicolas Bourriaud, and Grant Kester see it, ecological ambition and artistic form (...)
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  3. Clive Cazeaux (2011). Living Metaphor. Studi Filosofici 34 (1):291-308.
    The concept of ‘living metaphor’ receives a number of articulations within metaphor theory. A review of four key theories – Nietzsche, Ricoeur, Lakoff and Johnson, and Derrida – reveals a distinction between theories which identify a prior, speculative nature working on or with metaphor, and theories wherein metaphor is shown to be performatively always, already active in thought. The two cannot be left as alternatives because they exhibit opposing theses with regard to the ontology of metaphor, but neither can an (...)
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  4. Clive Cazeaux (2007). Metaphor and Continental Philosophy: From Kant to Derrida. Routledge.
    Kant and Heidegger on the creation of objectivity -- The power of judgment : metaphor in the structure of Kant's third Critique -- Sensation, categorization, and embodiment : Locke, Merleau-Ponty, and Lakoff and Johnson -- Heidegger and the senses -- Conflicting perspectives : epistemology and ontology in Nietzsche's will to power -- Cutting nature at the joints : metaphor and epistemology in the science wars -- Opening and belonging : between subject and object in Heidegger and Bachelard -- Metaphor and (...)
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  5. Clive Cazeaux (2005). Phenomenology and Radio Drama. British Journal of Aesthetics 45 (2):157-174.
    Radio drama is often considered an incomplete or ‘blind’ artform because it creates worlds through sound alone. The charge of incompleteness, I suggest, rests upon the orthodox empiricist conception of sensation as the receipt of separate modalities of sensory impression. However, alternative theories of sensation are offered by phenomenology and—of particular importance to this study—the restructuring of cognition that takes place in these theories plays a central role in phenomenology's account of artistic expression. The significance of this phenomenological link between (...)
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  6. Clive Cazeaux (2004). Kant and Metaphor in Contemporary Aesthetics. Kantian Review 8 (1):1-37.
  7. Clive Cazeaux (2003). From an Aesthetic Point of View: Philosophy, Art and the Senses. British Journal of Aesthetics 43 (3):329-332.
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  8. Clive Cazeaux (2001). Review: Banham, Kant and the Ends of Aesthetics. [REVIEW] Kantian Review 5 (1):141-147.
  9. Clive Cazeaux (ed.) (2000). The Continental Aesthetics Reader. Routledge.
    The Continental Aesthetics Reader is the first comprehensive anthology of classic writings on art and aesthetics from the major figures in Continental thought. The Reader is divided into six sections, each clearly placed in its historical and philosophical context: Nineteenth Century German Aesthetics, Phenomenology and Hermeneutics, Marxism and Critical Theory, Poststructuralism and Postmodernism, and Psychoanalysis and Feminism. The collection features the most widely read and representative writings of each movement by 34 major thinkers: Kant * Sartre * Benjamin * Lyotard (...)
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  10. Clive Cazeaux (1999). Book Reviews. [REVIEW] British Journal of Aesthetics 39 (1):72-75.
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  11. Clive Cazeaux (1999). Synaesthesia and Epistemology in Abstract Painting. British Journal of Aesthetics 39 (3):241-251.
  12. Clive Cazeaux (1998). Book Reviews. [REVIEW] British Journal of Aesthetics 38 (3):72-75.
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  13. Clive Cazeaux (1998). Review: Ameriks & Naragon (Tr & Ed), Lectures on Metaphysics. [REVIEW] Kantian Review 2:150-155.
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  14. Clive Cazeaux (1998). Review: Ameriks & Naragon (Trans & Ed), Immanuel Kant, Lectures on Metaphysics. [REVIEW] Kantian Review 2:150-155.
  15. Clive Cazeaux (1995). Metaphor and Heidegger's Kant. Review of Metaphysics 49 (2):341 - 364.
  16. Ruth F. Chadwick & Clive Cazeaux (eds.) (1992). Kant's Critique of Judgement. Routledge.
  17. Ruth F. Chadwick & Clive Cazeaux (eds.) (1992). Kant's Critique of Pure Reason. Routledge.