Search results for 'Computer art Philosophy' (try it on Scholar)

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  1.  31
    Dominic Lopes (2009). A Philosophy of Computer Art. Routledge.
    The machine in the ghost -- A computer art form -- Live wires: computing interaction -- Work to rule -- Artist to audience -- Computer art poetics -- Atari to art -- Envoi.
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  2. Dominic Lopes (2009). A Philosophy of Computer Art. Routledge.
    What is computer art? Do the concepts we usually employ to talk about art, such as ‘meaning’, ‘form’ or ‘expression’ apply to computer art? _A Philosophy of Computer Art_ is the first book to explore these questions. Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as (...)
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  3.  42
    Timothy Binkley (2010). A Philosophy of Computer Art by Lopes, Dominic Mciver. Journal of Aesthetics and Art Criticism 68 (4):409-411.
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  4.  36
    Charles Ess (2008). Luciano Floridi's Philosophy of Information and Information Ethics: Critical Reflections and the State of the Art. [REVIEW] Ethics and Information Technology 10 (2-3):89-96.
    I describe the emergence of Floridi’s philosophy of information (PI) and information ethics (IE) against the larger backdrop of Information and Computer Ethics (ICE). Among their many strengths, PI and IE offer promising metaphysical and ethical frameworks for a global ICE that holds together globally shared norms with the irreducible differences that define local cultural and ethical traditions. I then review the major defenses and critiques of PI and IE offered by contributors to this special issue, and highlight (...)
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  5. Peter Swirski (2013). From Literature to Biterature: Lem, Turing, Darwin, and Explorations in Computer Literature, Philosophy of Mind, and Cultural Evolution. Mcgill-Queen's University Press.
    From Literature to Biterature is based on the premise that in the foreseeable future computers will become capable of creating works of literature. Among hundreds of other questions, it considers: Under which conditions would machines become capable of creative writing? Given that computer evolution will exceed the pace of natural evolution a million-fold, what will such a state of affairs entail in terms of art, culture, social life, and even nonhuman rights? Drawing a map of impending (...)
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  6. Andrew E. Benjamin (ed.) (1995). Complexity: Architecture, Art, Philosophy. Distributed to the Trade in the United States of America by National Book Network.
    JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. (...)
     
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  7.  1
    Iris Vidmar (2014). Swirski, Peter. From Literature to Biterature: Lem, Turing, Darwin, and Explorations in Computer Literature, Philosophy of Mind, and Cultural Evolution. McGill‐Queen's University Press, 2013, 235 Pp., 43 B&W Illus., $26.96 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 72 (4):461-463.
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  8.  25
    William J. Rapaport (2005). Philosophy of Computer Science : An Introductory Course Philosophy of Computer Science : An Introductory Course. Teaching Philosophy 28 (4):319-341.
    There are many branches of philosophy called "the philosophy of X," where X = disciplines ranging from history to physics. The philosophy of artificial intelligence has a long history, and there are many courses and texts with that title. Surprisingly, the philosophy of computer science is not nearly as well-developed. This article proposes topics that might constitute the philosophy of computer science and describes a course covering those topics, along with suggested readings and (...)
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  9. Darren Abramson (2011). Philosophy of Mind Is (in Part) Philosophy of Computer Science. Minds and Machines 21 (2):203-219.
    In this paper I argue that whether or not a computer can be built that passes the Turing test is a central question in the philosophy of mind. Then I show that the possibility of building such a computer depends on open questions in the philosophy of computer science: the physical Church-Turing thesis and the extended Church-Turing thesis. I use the link between the issues identified in philosophy of mind and philosophy of (...) science to respond to a prominent argument against the possibility of building a machine that passes the Turing test. Finally, I respond to objections against the proposed link between questions in the philosophy of mind and philosophy of computer science. (shrink)
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  10. Noël Carroll (1999). Philosophy of Art: A Contemporary Introduction. Routledge.
    Philosophy of Art is a textbook for undergraduate students interested in the topic of philosophical aesthetics. It aims to introduce the techniques of analytic philosophy in addition to a selection of the major topics in this field of inquiry. These include the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art, as well as historical approaches to the nature of art. Throughout the book, abstract philosophical theories are illustrated by examples of (...)
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  11. Matthew Kieran (ed.) (2005). Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell Pub..
    Contemporary Debates in Aesthetics and the Philosophy of Art features pairs of newly commissioned essays by some of the leading theorists working in the field today. Brings together fresh debates on eleven of the most controversial issues in aesthetics and the philosophy of art Topics addressed include the nature of beauty, aesthetic experience, artistic value, and the nature of our emotional responses to art. Each question is treated by a pair of opposing essays written by eminent scholars, and (...)
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  12.  2
    Roberto Maiocchi (1991). Can You Make a Computer Understand and Produce Art? AI and Society 5 (3):183-201.
    Although artificial intelligence techniques have been successfully applied to reproduce many rational features of human behaviour, a great barrier has been encountered in simulating human activities where intuition and emotion are involved. Art making and viewing are processes where typically rational and mechanical aspects interact with aesthetic and cognitive criteria. Can you make a computer understand and autonomously produce art?The main purpose of this paper is to present the most relevant approaches in the study of art perception and creation (...)
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  13.  25
    Francis Halsall, Julia Jansen & Tony O'Connor (eds.) (2009). Rediscovering Aesthetics: Transdisciplinary Voices From Art History, Philosophy, and Art Practice. Stanford University Press.
    Rediscovering Aesthetics brings together prominent international voices from art history, philosophy and artistic practice who reflect on current notions, ...
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  14.  33
    Christopher Janaway (ed.) (2005). Reading Aesthetics and Philosophy of Art: Selected Texts with Interactive Commentary. Blackwell Pub..
    Designed for readers with no or little prior knowledge of the subject, this concise anthology brings together key texts in aesthetics and the philosophy of art.
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  15.  77
    Peter Lamarque & Stein Haugom Olsen (eds.) (2004). Aesthetics and the Philosophy of Art: The Analytic Tradition: An Anthology. Blackwell Pub..
    "Aesthetics and the Philosophy of Art" also features a selection of key papers from subsequent contributors that illustrate how the debates developed and how ...
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  16.  7
    Jordi Vallverdú (ed.) (2010). Thinking Machines and the Philosophy of Computer Science: Concepts and Principles. Information Science Reference.
    "This book offers a high interdisciplinary exchange of ideas pertaining to the philosophy of computer science, from philosophical and mathematical logic to epistemology, engineering, ethics or neuroscience experts and outlines new problems ...
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  17.  74
    Noël Carroll (2011). History and the Philosophy of Art. Journal of the Philosophy of History 5 (3):370-382.
    In this essay I trace the role of history in the philosophy of art from the early twentieth century to the present, beginning with the rejection of history by formalists like Clive Bell. I then attempt to show how the arguments of people like Morris Weitz and Arthur Danto led to a re-appreciation of history by philosophers of art such as Richard Wollheim, Jerrold Levinson, Robert Stecker and others.
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  18.  15
    Patrick John Coppock, Graeme Kirkpatrick, Olli Tapio Leino & Anita Leirfall (2014). Introduction to the Special Issue on the Philosophy of Computer Games. Philosophy and Technology 27 (2):151-157.
    The seven articles that constitute this special issue illustrate scholarly interactions between philosophy and game studies. The wide range of game types/genres and the multiple philosophical issues concerning them are rich and productive. They indicate well the significant contribution that philosophical approaches can make to further development of scholarly understandings of computer games and gaming. Each article breaks new conceptual ground in ways likely to resonate within the new discipline of computer game studies but also, beyond this, (...)
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  19. Timothy Taubes (1993). Art & Philosophy. Prometheus Books.
     
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  20. Aaron Smuts (2005). Video Games and the Philosophy of Art. American Society for Aesthetics Newsletter.
    The most cursory look at video games raises several interesting issues that have yet to receive any consideration in the philosophy of art, such as: Are videogames art and, if so, what kind of art are they? Are they more closely related to film, or are they similar to performance arts, such as dance? Perhaps they are more akin to competitive sports and games like diving and chess? Can we even define “video game” or “game”? We often say (...)
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  21. Roald Hoffmann (2012). Roald Hoffmann on the Philosophy, Art, and Science of Chemistry. Oxford University Press.
    Machine generated contents note: -- Preface -- Acknowledgments -- Introduction, by Michael Weisberg and Jeffrey Kovac. -- 1 Trying to Understand, Making Bonds, by Roald Hoffmann -- Part 1: Chemical Reasoning and Explanation -- 2. Why Buy That Theory?, by Roald Hoffmann. -- 3. What Might Philosophy of Science Look Like If Chemists Built It?, by Roald Hoffmann -- 4. Unstable, by Roald Hoffmann -- 5. Nearly Circular Reasoning, by Roald Hoffmann -- 6. Ockham's Razor and Chemistry, by (...)
     
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  22.  3
    Yoni Van Den Eede, Gert Goeminne & Marc Van den Bossche (forthcoming). The Art of Living with Technology: Turning Over Philosophy of Technology’s Empirical Turn. Foundations of Science:1-12.
    In this article we seek to lay bare a couple of potential conceptual and methodological issues that, we believe, are implicitly present in contemporary philosophy of technology. At stake are the sustained pertinence of and need for coping strategies as to ‘how to live with technology ’ notwithstanding PhilTech’s advancement in its non-essentialist analysis of ‘technology’ as such; the issue of whether ‘living with technology’ is a technological affair or not ; and the tightly related question concerning the status (...)
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  23. Arthur Coleman Danto (1981). The Transfiguration of the Commonplace: A Philosophy of Art. Harvard University Press.
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  24. Arthur Coleman Danto (1998). The Wake of Art: Essays: Criticism, Philosophy and the Ends of Taste. G+B Arts Int'l.
    Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical (...)
     
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  25. Souleymane Bachir Diagne (2011). African Art as Philosophy: Senghor, Bergson, and the Idea of Negritude. Seagull Books.
    Le;opold Se;dar Senghor (1906–2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy , Souleymane Bachir Diagne takes a unique approach to reading Senghor’s influential works, taking as the starting point for his analysis Henri Bergson’s idea that in order to understand philosophers one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that (...)
     
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  26. Kuisma Korhonen & Pajari Räsänen (eds.) (2010). The Event of Encounter in Art and Philosophy: Continental Perspectives. Gaudeamus.
     
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  27.  7
    Frederik le Roy (ed.) (2011). Tickle Your Catastrophe!: Imagining Catastrophe in Art, Architecture and Philosophy. Academia Press.
    A collection of essays that takes stock of the current impact of the image and imagination of the catastrophe in art, science and philosophy.
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  28. Mary Sanders Pollock & Catherine Rainwater (eds.) (2005). Figuring Animals: Essays on Animal Images in Art, Literature, Philosophy, and Popular Culture. Palgrave Macmillan.
    Figuring Animals is a collection of fifteen essays concerning the representation of animals in literature, the visual arts, philosophy, and cultural practice. At the turn of the new century, it is helpful to reconsider our inherited understandings of the species, some of which are still useful to us. It is also important to look ahead to new understandings and new dialogue, which may contribute to the survival of us all. The contributors to this volume participate in this dialogue in (...)
     
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  29. Wessel Stoker & W. van der Merwe (eds.) (2012). Looking Beyond?: Shifting Views of Transcendence in Philosophy, Theology, Art, and Politics. Rodopi.
    Philosophy : historical approaches -- Contemporary philosophy -- Philosophical theology -- Christian theology -- Politics -- Art.
     
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  30. Bernadette Wegenstein (2010). The Medium is the Body : Computer-Animated Architecture and Media Art. In Henk Oosterling & Ewa Płonowska Ziarek (eds.), Intermedialities: Philosophy, Arts, Politics. Lexington Books
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  31. Richard Wright (2009). Computer Programming and the Death of Constructivist Art. Philosophy of Mathematics Education Journal 24.
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  32.  19
    Arnold Hauser (1958/1959). The Philosophy of Art History. New York, Knopf.
    First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in (...)
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  33. Bettina Bäumer, Sadananda Das & Ernst Fürlinger (eds.) (2005). Samarasya: Studies in Indian Art, Philosophy, and Interreligious Dialogue: In Honour of Bettina Bäumer. D.K. Printworld.
     
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  34.  14
    Aaron Ridley (2006). Routledge Philosophy Guidebook to Nietzsche on Art. Routledge.
    Presenting some of Nietzsche's most significant thoughts on art and literature, this enthralling account traces the development of his thinking throughout his ...
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  35.  13
    Georg Simmel (2005). Rembrandt: An Essay in the Philosophy of Art. Routledge.
    First published in 1916 in German, Rembrandt is one of Simmel's most important works. Is has never been translated into English--until now. Simmel attacks such questions as "What do we see in a work of Art?" and "What do Rembrandt's portraits tell us about human nature?" This is a major work by a major thinker concerning one of the world's most important painters.
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  36.  5
    Joseph Margolis (1980). Art and Philosophy. Humanities Press.
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  37.  17
    Virgil C. Aldrich (1963). Philosophy of Art. Englewood Cliffs, N.J.,Prentice-Hall.
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  38.  28
    Curt John Ducasse (1966). The Philosophy of Art. New York, Dover Publications.
    1929. Contents: Art and the Creation of Beauty; Art the Language of Feeling.
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  39.  25
    Raymond Turner, The Philosophy of Computer Science. Stanford Encyclopedia of Philosophy.
  40. Richard Francis Kuhns (1983). Psychoanalytic Theory of Art: A Philosophy of Art on Developmental Principles. Columbia University Press.
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  41.  3
    Giovanni Gentile (1972). The Philosophy of Art. Ithaca,Cornell University Press.
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  42.  6
    Catherine Z. Elgin (ed.) (1997). Nelson Goodman's Philosophy of Art. Garland Pub..
    A challenger of traditions and boundaries A pivotal figure in 20th-century philosophy, Nelson Goodman has made seminal contributions to metaphysics, epistemology, aesthetics, and the philosophy of language, with surprising connections that cut across traditional boundaries. In the early 1950s, Goodman, Quine, and White published a series of papers that threatened to torpedo fundamental assumptions of traditional philosophy. They advocated repudiating analyticity, necessity, and prior assumptions. Some philosophers, realizing the seismic effects repudiation would cause, argued that philosophy (...)
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  43.  60
    Peter Goldie & Elisabeth Schellekens (eds.) (2007). Philosophy and Conceptual Art. Oxford University Press.
    This volume is most probably the first collection of papers by analytic Anglo-American philosophers tackling these concerns head-on.
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  44. Milton Charles Nahm (1975/1974). Readings in Philosophy of Art and Aesthetics. Englewood Cliffs, N.J.,Prentice-Hall.
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  45. Rainer Rochlitz (1996). The Disenchantment of Art: The Philosophy of Walter Benjamin. Guilford Press.
    Fifty years after his death, Walter Benjamin remains one of the great cultural critics of this century. Despite his renown, however, Benjamin's philosophical ideas remain elusive/m-/often considered a disaggregated set of thoughts not meant to cohere. This book provides a more systematic perspective on Benjamin, laying claim to his status as a philosopher and situating his work in the context of its time. Exploring Benjamin's theory of language, spoken and nonspoken, Rainer Rochlitz shows how Benjamin reconceptualized traditional ideas of language, (...)
     
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  46.  1
    Warren E. Steinkraus (1974). Philosophy of Art. Benziger.
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  47.  32
    Johann Joachim Winckelmann (2005). Essay on the Philosophy and History of Art. Continuum.
    v. 1. Description of the torso in the Belvedere in Rome, Essay on the capacity for the sentiment for the beautiful in art, Reflections on the painting and sculpture of the Greeks -- v. 2. The history of ancient art (vols. I, II) -- v. 3. The history of ancient art (vols. III, IV).
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  48.  19
    Dominic Preston (2014). Some Ontology of Interactive Art. Philosophy and Technology 27 (2):267-278.
    Lopes (2010) offers an account of computer art, which he argues is a new art form. Part of what makes computer art distinctive, according to Lopes, is its interactivity, a quality found in few non-computer artworks. Given the rise in prominence of such artworks, most notably videogames, they are surely worthy of philosophical inquiry. I believe their ontology and properties are particularly worthy of study, as an understanding of these will prove crucial to critical understanding and evaluation (...)
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  49. Jerome[from old catalog] Stolnitz (1960). Aesthetics and Philosophy of Art Criticism. Boston, Houghton Mifflin.
     
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  50. Meyer Schapiro (1994). Theory and Philosophy of Art: Style, Artist, and Society. George Braziller.
     
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