Search results for 'Criticism History' (try it on Scholar)

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  1. Dorota Heck (2010). Four Dilemmas: Theory, Criticism, History, Faith: Sketches on the Threshold of Literary Anthropology. Księgarnia Akademicka.score: 138.0
    Dilemma one, Between the theoretical concepts and authorial intention -- Dilemma two, Good manners and eristic -- Dilemma three, Between strangeness and familiarity -- Dilemma four, Between scholarly research and faith.
     
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  2. Joshua Kates (2008). Fielding Derrida: Philosophy, Literary Criticism, History, and the Work of Deconstruction. Fordham University Press.score: 114.0
    Introduction: Fielding Derrida -- Jacques Derrida's early writings : alongside skepticism, phenomenology -- Analytic philosophy, and literary criticism -- Deconstruction as skepticism -- Derrida, Husserl, and the commentators : a developmental approach -- A transcendental sense of death : Derrida and the philosophy of language -- Literary theory's languages : the deconstruction of sense vs. the deconstruction of reference -- Jacques Derrida and the problem of philosophical and political modernity -- Jacob Klein and Jacques Derrida : the problem of (...)
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  3. Gunnar Andersson (1994). Criticism and the History of Science: Kuhn's, Lakatos's, and Feyrabend's Criticisms of Critical Rationalism. E.J. Brill.score: 96.0
    In "Criticism and the History of Science" Karl Popper's falsificationist conception of science is developed and defended against criticisms raised by Thomas ...
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  4. Kevin Karnes (2008). Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna. OUP USA.score: 96.0
    More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in (...)
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  5. Thomas Docherty (1992). Criticism, History, Foucault. History of European Ideas 14 (3):365-378.score: 96.0
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  6. Hugh Plommer (1976). The Ancient View of Greek Art J. J. Pollitt: The Ancient View of Greek Art: Criticism, History and Terminology. Pp. Xiv + 464. New Haven and London: Yale University Press, 1974. Cloth. [REVIEW] The Classical Review 26 (02):250-252.score: 90.0
  7. Friedrich Engels Whewell, Max Weber & Emile Durkheim Marx (1991). Science: Realism, Criticism, History. In Terrell Carver (ed.), The Cambridge Companion to Marx. Cambridge University Press. 106.score: 90.0
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  8. James Farr (1991). Science: Realism, Criticism, History. In Terrell Carver (ed.), The Cambridge Companion to Marx. Cambridge University Press. 106--123.score: 90.0
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  9. David Sullivan (1998). 'I'ing Cinema: Rothman's Readings of Cinematographic Visions and Visionaries: On William Rothman, The 'I' of the Camera: Essays in Film Criticism, History, and Aesthetics. Film-Philosophy 2 (1).score: 90.0
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  10. David Carrier (2002). Rosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism. Praeger.score: 84.0
    Machine generated contents note: Introduction: The Rise of Philosophical Art Criticism 1 -- Chapter 1. In the Beginning Was Formalism 17 -- Chapter 2. The Structuralist Adventure 33 -- Chapter 3. The Historicist, Antiessentialist Definition of Art 55 -- Chapter 4. Resentment and Its Discontents 71 -- Chapter 5. The Deconstruction of Structuralism 87 -- Afterword: The Fate of Philosophical Art Criticism 111.
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  11. Bruno Vanobbergen & Paul Smeyers (2007). On Cioran's Criticism of Utopian Thinking and the History of Education. Educational Philosophy and Theory 39 (1):44–55.score: 84.0
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  12. Paul E. Kerry (2010). Thomas Carlyle Resartus: Reappraising Carlyle's Contribution to the Philosophy of History, Political Theory, and Cultural Criticism. Fairleigh Dickinson University Press.score: 84.0
    Acknowledgments T HOMAS CARLYLE MIGHT HAVE HAD MANY CURMUDGEONLY QUALITIES, but this certainly does not extend to the scholars who research him. ...
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  13. Arthur Coleman Danto (1998). The Wake of Art: Essays: Criticism, Philosophy and the Ends of Taste. G+B Arts Int'l.score: 84.0
    Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical (...)
     
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  14. Jenefer M. Robinson (1981). Style and Significance in Art History and Art Criticism. Journal of Aesthetics and Art Criticism 40 (1):5-14.score: 78.0
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  15. Christopher Adair-Toteff (2013). Capitalism and Criticism Weber on Economic History. History of the Human Sciences 26 (1):128-139.score: 78.0
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  16. William Walker (1994). Locke, Literary Criticism, and Philosophy. Cambridge University Press.score: 78.0
    William Walker's original analysis of John Locke's An Essay Concerning Human Understanding offers a challenging and provocative assessment of Locke's importance as a thinker, bridging the gap between philosophical and literary-critical discussion of his work. He presents Locke as a foundational figure who defines the epistemological and ontological ground on which eighteenth-century and Romantic literature operate and eventually diverge. He is revealed as a crucial figure for emerging modernity, less the familiar empiricist innovator and more the proto-Nietzschean thinker whose text (...)
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  17. Gerhard Biller (1985). Enlightenment and Criticism of Prejudice. Studies on the History of the Theory of Prejudice. Philosophy and History 18 (1):25-26.score: 78.0
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  18. Jacob Soll (2003). Empirical History and the Transformation of Political Criticism in France From Bodin to Bayle. Journal of the History of Ideas 64 (2):297-316.score: 78.0
  19. Roy Harvey Pearce (1948). "Pure" Criticism and the History of Ideas. Journal of Aesthetics and Art Criticism 7 (2):122-132.score: 78.0
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  20. Michael T. Ghiselin (1976). Two Darwins: History Versus Criticism. Journal of the History of Biology 9 (1):121 - 132.score: 78.0
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  21. Uttara Natarajan (1998). Hazlitt and the Reach of Sense: Criticism, Morals, and the Metaphysics of Power. Oxford University Press.score: 78.0
    The "only pretension, of which I am tenacious," wrote Hazlitt, "is that of being a metaphysician"; but his metaphysics, and particularly what this book identifies as his power principle, has until now been neglected. This exciting book studies Hazlitt's development of the power principle as a counter to the pleasure principle of the Utilitarians, and examines the revelation of power in his philosophy of discourse, his account of imaginative structure, his theory of genius, and his moral theory.
     
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  22. Richard Shiff (1989). On Criticism Handling History. History of the Human Sciences 2 (1):63-87.score: 78.0
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  23. Neocolonial Age (1999). Gallagher, Shaun, Ed. Hegel, History, and Interpretation. State University of New York Press, 1997. Pp. 275. $19.95 Paper. Gauthier, Jeffrey A. Hegel and Feminist Social Criticism: Justice, Recognition, and the Feminine. State University of New York Press, 1997. Pp. 250. $18.95 Paper. [REVIEW] Philosophy and Social Criticism 25 (1):119-122.score: 78.0
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  24. C. de Deugd (1971). From Religion to Criticism. Amsterdam,Athenaeum-Polak & Van Gennep.score: 78.0
     
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  25. Brendan Dooley (forthcoming). From Literary Criticism to Systems Theory in Early Modern Journalism History. Journal of the History of Ideas.score: 78.0
     
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  26. James Harris (1752/1971). Upon the Rise and Progress of Criticism. New York,Garland Pub..score: 78.0
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  27. Alun Munslow (2006). Biography and History : Criticism, Theory and Practice. In A. L. Macfie (ed.), The Philosophy of History: Talks Given at the Institute of Historical Research, London, 2000-2006. Palgrave Macmillan.score: 78.0
     
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  28. Hugh Barr Nisbet (ed.) (1985). German Aesthetic and Literary Criticism. Cambridge University Press.score: 78.0
    This anthology, part of a three-volume series of which the other two volumes are already available, charts the emergence of aesthetics in Germany in the latter half of the eighteenth century as a distinct discipline emancipated from French domination. The unifying theme of the volume is classicism: Winckelmann's neo-classicism was based on a profound knowledge of the visual art of Greece and Rome; Lessing's Laocoon extended Winckelmann's principles to literature; Herder and Schiller, by contrast, went on to define and defend (...)
     
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  29. Richard Shusterman (1988). T.S. Eliot and the Philosophy of Criticism. Columbia University Press.score: 78.0
     
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  30. David Simpson (ed.) (1984). German Aesthetic and Literary Criticism. Cambridge University Press.score: 78.0
  31. Mario Wenning (2009). Utopia, Reconciliation, and Criticism in Hegel's Philosophy of History. In Will Dudley (ed.), Hegel and History. State University of New York Press.score: 78.0
  32. Hedwig Wingler (1983). Nihilism. History, System, Criticism. Philosophy and History 16 (1):35-36.score: 78.0
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  33. R. G. Collingwood (2005). The Philosophy of Enchantment: Studies in Folktale, Cultural Criticism, and Anthropology. Oxford University Press.score: 72.0
    This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood (1889-1943) on critical, anthropological, and cultural themes only hinted at in his previously available work. At the core are six essays on folktale and magic in which Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. The volume opens with three substantial introductory essays by the editors, authorities in their (...)
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  34. Stephen Toulmin (1959). Criticism in the History of Science: Newton on Absolute Space, Time, and Motion, I. Philosophical Review 68 (1):1-29.score: 72.0
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  35. John Douglas Minyard (1985). Lucretius and the Late Republic: An Essay in Roman Intellectual History. E.J. Brill.score: 72.0
    LUCRETIUS AND THE LATE REPUBLIC . Roman Intellectual History The history of human values is the history of changing notions about truth and reality, ...
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  36. Hardy Bouillon (1998). Gunnar Andersson, Criticism and the History of Science. Kuhn's, Lakatos's and Feyerabend's Criticisms of Critical Rationalism, (Philosophy of History and Culture, Vol. 13.). [REVIEW] Journal for General Philosophy of Science 29 (1):133-135.score: 72.0
  37. Stephen Toulmin (1959). Criticism in the History of Science: Newton on Absolute Space, Time, and Motion, II. Philosophical Review 68 (2):203-227.score: 72.0
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  38. Douglas Sturm (1982). Praxis and Promise: On the Ethics of Political Theology:A Theology of Liberation: History, Politics and Salvation. Gustavo Gutierrez, Caridad Inda, John Eagleson; Faith in History and Society: Toward a Practical Fundamental Theology. Johann Baptist Metz; Theology of the World. ; Christians and Marxists: The Mutual Challenge to Revolution. Jose Miguez Bonino; Doing Theology in a Revolutionary Situation. ; The Church in the Power of the Spirit: A Contribution to Messianic Ecclesiology. Jurgen Moltmann; The Crucified God: The Cross of Christ as the Foundation and Criticism of Christian Theology. ; Theology of Hope: On the Ground and the Implications of a Christian Eschatology. [REVIEW] Ethics 92 (4):733-.score: 72.0
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  39. Peter Szendy (2008). Listen: A History of Our Ears. Fordham University Press.score: 72.0
    Prelude and address. I'm listening -- Author's rights, listener's rights (journal of our ancestors) -- Writing our listenings: arrangement, translation, criticism -- Our instruments for listening before the law (second journal entry) -- Listening (to listening): the making of the modern ear -- Plastic listening.
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  40. Dee Reynolds (1995). Symbolist Aesthetics and Early Abstract Art: Sites of Imaginary Space. Cambridge University Press.score: 72.0
    This book presents an innovative analysis of the role of imagination as a central concept in both literary and art criticism. Dee Reynolds brings this approach to bear on works by Rimbaud, Mallarme;, Kandinsky, and Mondrian. It allows her to redefine the relationship between Symbolism and abstract art, and to contribute new methodological perspectives to comparative studies of poetry and painting. The late nineteenth and early twentieth century was a crucial period in the emergence of new modes of representation, (...)
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  41. Gert Buelens (ed.) (1997). Enacting History in Henry James: Narrative, Power, and Ethics. Cambridge University Press.score: 72.0
    The Jamesian mode of writing, it has been claimed, actively works against an understanding of the way truth, history and power circulate in his texts. In this collection of essays, leading scholars of James analyse the strategies James used to address these crucial issues. Enacting History in Henry James claims that, because the type of knowledge available in James's fiction is never of a cognitive kind, the reader can never know 'truth' in any verifiable sense. James's writing instead (...)
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  42. Suzy Anger (2005). Victorian Interpretation. Cornell University Press.score: 72.0
    Victorian scriptural hermeneutics : history, intention, and evolution -- Intertext 1 : Victorian legal interpretation -- Carlyle : between biblical exegesis and romantic hermeneutics -- Intertext 2 : Victorian science and hermeneutics : the interpretation of nature -- George Eliot's hermeneutics of sympathy -- Intertext 3 : Victorian literary criticism -- Subjectivism, intersubjectivity, and intention : Oscar Wilde and literary hermeneutics.
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  43. Eva L. Corredor (1996). Book Review: A History of Modern Criticism: 1750-1950, Volume 7: German, Russian, and Eastern European Criticism, 1900-1950. [REVIEW] Philosophy and Literature 20 (1):259-260.score: 72.0
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  44. Stephen P. Turner & David R. Carr (1978). The Process of Criticism in Interpretive Sociology and History. Human Studies 1 (1):138 - 152.score: 72.0
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  45. Clifford Andenberg (1983). Benedetto Croce: Poetry and Literature: An Introduction to Its Criticism and History. Translated with an Introduction and Notes by Giovanni Gullace. The Modern Schoolman 61 (1):56-57.score: 72.0
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  46. René Wellek (1996). Book Review: A History of Modern Criticism: 1750-1950, Volume 7: German, Russian, and Eastern European Criticism, 1900-1950. [REVIEW] Philosophy and Literature 20 (1).score: 72.0
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  47. René Wellek (1996). Book Review: A History of Modern Criticism: 1750-1950, Volume 8: French, Italian, and Spanish Criticism, 1900-1950. [REVIEW] Philosophy and Literature 20 (1).score: 72.0
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  48. Eva L. Corredor (1996). Book Review: A History of Modern Criticism: 1750-1950, Volume 8: French, Italian, and Spanish Criticism, 1900-1950. [REVIEW] Philosophy and Literature 20 (1):260-262.score: 72.0
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  49. Michael S. Roth (1988). Review: Cultural Criticism and Political Theory: Hayden White's Rhetorics of History. [REVIEW] Political Theory 16 (4):636 - 646.score: 72.0
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  50. David G. Ritchie (1898). Book Review:Anarchism: A Criticism and History of the Anarchist Theory. E. V. Zenker. [REVIEW] Ethics 9 (1):106-.score: 72.0
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