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Curtis L. Carter [43]Curtis Lloyd Carter [1]
  1.  4
    Curtis L. Carter, Remembering the Philosopher Ted Cohen.
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  2.  3
    Curtis L. Carter, Somaesthetics and Dance.
    Dance is proposed as the most representative of somaesthetic arts in Thinking Through the Body: Essays in Somaesthetics and other writings of Richard Shusterman. Shuster- man offers a useful, but incomplete approach to somaesthetics of dance. In the examples provided, dance appears as subordinate to another art form or as a means to achieving bodily excellence. Missing, for example, are accounts of the role of dance as an independent art form, how somaesthetics would address differences in varying approaches to dance, (...)
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  3.  57
    Curtis L. Carter (2013). Carroll, Noël. Living in an Art World: Reviews and Essays on Dance, Performance, Theater, and the Fine Arts in the 1970s and 1980s. Louisville, KY: Chicago Spectrum Press, 2012, 338 Pp., $22.50 Paper. [REVIEW] Journal of Aesthetics and Art Criticism 71 (3):291-294.
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  4.  45
    Curtis L. Carter (2000). Improvisation in Dance. Journal of Aesthetics and Art Criticism 58 (2):181-190.
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  5.  3
    Curtis L. Carter, Off the Cuff with Monica Obniski.
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  6.  10
    Curtis L. Carter (2008). Symbol and Function in Contemporary Architecture. Proceedings of the Xxii World Congress of Philosophy 1:15-25.
    The focus here will be on the tension between architecture’s symbolic role and its function as a space to house and present art. ‘Symbolic’ refers both to a building as an aesthetic or sculptural form and secondly to its role in expressing civic identity. ‘Function’ refers to the intended purpose or practical use apart from its role as a form of art. As an art form, it serves important symbolic purposes; its practical purposes are linked to serving individual and community (...)
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  7.  2
    Curtis L. Carter, "Fashion is Freedom": Milwaukee Art Museum's '50 Years of Ebony Fashion.
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  8.  1
    Curtis L. Carter, Art Photography and Everyday Life.
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  9.  2
    Curtis L. Carter (2015). After Cassirer: Art and Aesthetic Symbols in Langer and Goodman. In Sebastian Luft & J. Tyler Friedman (eds.), The Philosophy of Ernst Cassirer: A Novel Assessment. De Gruyter 401-418.
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  10.  24
    Curtis L. Carter (1974). Langer and Hofstadter on Painting and Language: A Critique. Journal of Aesthetics and Art Criticism 32 (3):331-342.
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  11.  19
    Curtis L. Carter (2000). A Tribute to Nelson Goodman. Journal of Aesthetics and Art Criticism 58 (3):251-253.
    Presents a tribute to American philosopher Nelson Goodman who died on November 25, 1998 in Needham, Massachusetts. Contributions of Goodman to analytic philosophy; Career background; Range of interest from philosophy to art collecting; Major publications on the work of Goodman; Role of Goodman as a gallery director and private art collector.
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  12.  15
    Curtis L. Carter (1989). Art and the Absolute: A Study of Hegel's Aesthetics. Journal of the History of Philosophy 27 (1):163-165.
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  13.  2
    Curtis L. Carter (1986). Beauty Restored. By Mary Mothersill. Modern Schoolman 64 (1):53-57.
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  14.  2
    Curtis L. Carter (2009). On Criticism by Carroll, Noël. Journal of Aesthetics and Art Criticism 67 (4):421-423.
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  15.  2
    Curtis L. Carter (2007). Aesthetics Into the Twenty-First Century. Filozofski Vestnik 2.
    The new concerns facing aestheticians in the twenty-first century require serious attention if the discipline is to maintain continued viability as an intellectual discipline. Just as art changes as cultures develop, so must aesthetics. In support of this view is a personal account of evolving engagement with aesthetics and the factors that led to embracing change and a plurality of practices as essential to the health of aesthetic today. A brief examination of the state of aesthetics as it has evolved (...)
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  16.  4
    Curtis L. Carter (2008). Body Consciousness: A Philosophy of Mindfulness and Somaestheticsby Shusterman, Richard. Journal of Aesthetics and Art Criticism 66 (4):419-422.
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  17. Curtis L. Carter, Assemblage and Photography.
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  18. Curtis L. Carter, America's Past Master: Thomas Sully Honored in a Major Exhibit at Milwaukee Art Museum.
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  19. Curtis L. Carter, A Reexamination of the Death of Art in Hegel's Aesthetics.
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  20. Curtis L. Carter, Aesthetics, Video Art and Television.
    The author reviews two symposia: 'The Video Arts: Demonstration and Discussion', The American Society for Aesthetics, New York City, 28 Oct. 1978, and 'The Aestheticians Look at Television', National Association of Education Broadcasters, Washington, D.C., 30 Oct. 1978. He also presents an evaluation of the current state of video art in terms of philosophical aesthetics. Furthermore, he attempts to make a clear distinction between television and video art. The differences cited include corporate studio efforts vs efforts of individual artists, commercial (...)
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  21. Curtis L. Carter, Broader Perspectives for Dance.
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  22. Curtis L. Carter, Contemporary Ink Paintings.
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  23. Curtis L. Carter, Carlos Luna: Cuban Artist at the Crossroads.
    Carlos Luna: Cuban Artist at the Crossroads is an essay appearing in the exhibition catalogue Pablo Picasso Cermics, Carlos Luna Paintings for the exhibit of the same title installed at the Museum of Art/Fort Lauderdale from October 2, 2008 through February 23, 2009.
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  24. Curtis L. Carter, Dunn, Robert Ellis [Encyclopedia Entry].
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  25. Curtis L. Carter & Yang Yibo, Han and Tang Ideals and the Future of Chinese Arts.
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  26. Curtis L. Carter, Interview with Professor Curtis Carter on Milwaukee Painter Karl Priebe.
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  27. Curtis L. Carter, Janet Zweig's Pedestrian Drama: New Public Art on East Wisconsin Avenue.
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  28. Curtis L. Carter, Li Song: The Decay of the Sublime.
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  29. Curtis L. Carter, Milwaukee Art Museum Highlights Impressionist Masters: Degas, Van Gogh, Cézanne and More.
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  30. Curtis L. Carter, Meet William Rudolph, New Curator at Milwaukee Art Museum: Bringing a Vision to MAM's American Collections.
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  31. Curtis L. Carter, New Curator at Milwaukee Art Museum: Off the Cuff with Brandon Ruud.
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  32. Curtis L. Carter, Objects and Objectives of Contemporary Art.
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  33. Curtis L. Carter, Past, Present and Future: The New Museum of Wisconsin Art.
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  34. Curtis L. Carter, Reginald Baylor, Milwaukee Artist.
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  35. Curtis L. Carter, Richard Lippold: Space as a Metaphor for the Spiritual in Art.
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  36. Curtis L. Carter, Review of A Measured Pace: Toward a Philosophical Understanding of Dance by Francis Sparshott. [REVIEW]
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  37. Curtis L. Carter, Review of Beauty Restored by Mary Mothersill. [REVIEW]
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  38. Curtis L. Carter (2001). Sculpture. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge
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  39. Curtis L. Carter, Sculpture as a Public Art.
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  40.  3
    Curtis L. Carter (1973). Skepticism and Moral Principles. [Evanston, Ill.,New University Press.
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  41. Curtis L. Carter (1973). Skepticism and Moral Principles Modern Ethics in Review. [New University Press].
     
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  42. Curtis L. Carter, Sara Krajewski, INOVA's New Director.
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  43. Curtis L. Carter, The State of Dance in Education: Past and Present.
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