Machine generated contents note: Introduction; 1. Antiochus' biography Myrto Hatzimichali; 2. Antiochus and the Academy Roberto Polito; 3. Antiochus and Asclepiades: medical and philosophical sectarianism at the end of the Hellenistic era Rebecca Flemming; 4. Antiochus as historian of philosophy David Sedley; 5. Antiochus' epistemology Charles Brittain; 6. Antiochus on contemplation and the happy life Georgia Tsouni; 7. Antiochus, Aristotle, and the Stoics on degrees of happiness T. H. Irwin; 8. Antiochus on social virtue Malcolm Schofield; 9. Antiochus on physics (...) Brad Inwood; 10. Antiochus' metaphysics G. R. Boys-Stones; 11. The neutralizing argument: Carneades, Antiochus, Cicero Malcolm Schofield; 12. Varro and Antiochus David Blank; 13. Other followers of Antiochus Carlos Le;vy; 14. Antiochus and Platonism Mauro Bonazzi; Appendix: a guide to the testimonies for Antiochus David Sedley; Bibliography. (shrink)
Machine generated contents note: 1. Plato on aporia and self-knowledge Andrea Wilson Nightingale; 2. Cross-examining happiness: reason and community in the Socratic dialogues of Plato Sara Ahbel-Rappe; 3. Inspiration, recollection, and mimesis in Plato's Phaedrus Kathryn A. Morgan; 4. Plato's Theaetetus as an ethical dialogue David Sedley; 5. Divine contemplating mind Allan Silverman; 6. Aristotle and the history of Skepticism Alan Code; 7. Stoic selection: objects, actions, and agents Stephen White; 8. Beauty and its relation to goodness in Stoicism Richard (...) Bett; 9. How dialectical was Stoic dialectic? Luca Castagnoli; 10. Socrates speaks in Seneca, De vita beata 24-28 James Ker; 11. Seneca's Platonism: the soul and its divine origin Gretchen Reydams-Schils; 12. The status of the individual in Plotinus Kenneth Wolfe; A. A. Long: Publications 1963-2009; Index locorum; General index. (shrink)
In this book, David Sedley examines this question and illuminates new historical perspectives on the pantheon of thinkers who laid the foundations of Western ...
Plato's Theaetetus is an acknowledged masterpiece, and among the most influential texts in the history of epistemology. Since antiquity it has been debated whether this dialogue was written by Plato to support his familiar metaphysical doctrines, or represents a self-distancing from these. David Sedley's book offers a via media, founded on a radical separation of the author, Plato, from his main speaker, Socrates. The dialogue, it is argued, is addressed to readers familiar with Plato's mature doctrines, and sets out to (...) show how these doctrines, far from being an abandonment of his Socratic heritage, are its natural outcome. The Socrates portrayed here is the same Socrates as already portrayed in Plato's early dialogues. While not a Platonist, he is exhibited - to put it in terms of an image made famous by this dialogue - as having been Platonism's midwife. In a comprehensive rereading of the text, Sedley tracks the ways in which Socrates is shown unwittingly preparing the ground for Plato's mature doctrines, and reinterprets the dialogue's individual arguments from this perspective. The book is addressed to all readers interested in Plato, and does not require knowledge of Greek. (shrink)
This wide-ranging introduction to the study of philosophy in the ancient world surveys the period's developments and evaluates a comprehensive series of major thinkers, ranging from Pythagoras to Epicurus. Tables, illustrations, and extensive advice on further reading contribute to an ideal book for survey courses on the history of ancient philosophy. It will be an invaluable guide for those interested in the philosophical thought of a rich and formative period.
This book is designed to appeal both to those interested in Roman poetry and to specialists in ancient philosophy. In it David Sedley explores Lucretius' complex relationship with Greek culture, in particular with Empedocles, whose poetry was the model for his own, with Epicurus, the source of his philosophical inspiration, and with the Greek language itself. He includes a detailed reconstruction of Epicurus' great treatise On Nature, and seeks to show how Lucretius worked with this as his sole philosophical source, (...) but gradually emancipated himself from its structure, transforming its raw contents into something radically new. By pursuing these themes, the book uncovers many unrecognised aspects of Lucretius' methods and achievements as a poetic craftsman. (shrink)