Search results for 'Damien Galanaud' (try it on Scholar)

172 found
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  1.  33
    Lionel Naccache, Stanislas Dehaene, L. Jonathan Cohen, Marie-Odile Habert, Elodie Guichart-Gomez, Damien Galanaud & Jean-Claude Willer (2005). Effortless Control: Executive Attention and Conscious Feeling of Mental Effort Are Dissociable. Neuropsychologia 43 (9):1318-1328.
  2.  10
    Laure Damien, Marie-Hélène Gorisse & Shahid Rahman (2004). Dialogique temporelle et hybridation. Philosophia Scientiae 8 (2):17-38.
    The aim of the paper is to offer a dialogical interpretation of standard temporal logic. This interpretation will use hybrid languages which were used by Patrick Blackburn to characterize modal logic as dialogical logic.RésuméL’objectif de cet article est de donner une interprétation dialogique de la logique temporelle standard. Dans ce cadre, nous utiliserons les langages hybrides dont Patrick Blackburn s’est servi pour caractériser la logique modale comme logique dialogique.
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  3.  9
    Laure Damien, Marie-Hélène Gorisse & Shahid Rahman (2004). La Dialogique Temporelle Ou Patrick Blackburn Par Lui Même. Philosophia Scientiae 8 (2):39-59.
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  4.  2
    Robert Damien & Franck Lessay (2004). Présentation. Cités 17 (1):9.
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  5.  1
    Laure Damien, Marie-Hélène Gorisse & Shahid Rahman (2004). Dialogique temporelle et hybridation. Philosophia Scientae 8:17-38.
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  6.  4
    Robert Damien (2003). Le Prince Pornocrate. Cités 16 (4):177-.
    Dans la galerie des monstres que l’histoire tératologique de la politique développera, une dimension constamment rémane : la sursexualisation du Prince, la déification de et par la puissance virile. Le membre dressé du Prince devient la métaphore euphorique de l’érection d’un pouvoir, son porte-bonheur. Symbole de sa toute-puissance, lieu privilégié de son affirmation, le sexe..
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  7.  3
    A. Anderson, B. Burningham, C. Charles, D. Damien, E. Emerson, F. Frank, G. Graham, H. Hector, I. Inca & Niq Kiq (2010). Another Test. Studies in Ethics, Law, and Technology 4 (1).
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  8.  1
    Robert Damien (2001). Présentation. Cités 6 (2):9.
    De « Star Academy » en « Nouvelle Star », en passant par « Popstars » et quelques autres émissions, promotionnelles de chaînes TV plutôt que de talents à découvrir, souvent entrelardées de prétendues télé-réalité, la chanson serait censée se bien porter si l’on en croit du moins l’inévitable sanction de l’audimat assaisonnée à la non moins incontournable participation..
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  9.  1
    Robert Damien & B. Hufschmitt (eds.) (2006). Bachelard: Confiance Raisonnée Et Défiance Rationnelle. Presses Universitaires de Franche-Comté.
    Les travaux rassemblés dans cet ouvrage concernent évidemment l'étude de ces thèmes dans l'œuvre de Bachelard, au niveau systématique comme au niveau historique, dans l'analyse comme dans la critique.
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  10. Robert Damien (2006). Bible et bibliothèque, lecture et lecteur dans l'encyclopédie: la naissance d'un électeur. Corpus 51:131-152.
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  11.  4
    Robert Damien & Christian Lazzeri (eds.) (2006). Conflit, Confiance. Presses Universitaires de Franche-Comté.
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  12. R. Damien (1999). Des Mythes Fondateurs de la Raison Politique: Gabriel Naude Ou Les Benefices de L'Imposture. Corpus 35:51-71.
     
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  13. Robert Damien & Didier Deleule (2004). Présentation. Cités 19 (3):9.
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  14. Robert Damien & Paul Mathias (2009). Présentation. Cités 39 (3):9.
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  15. Robert Damien (2010). Présentation. Cités 43 (3):7.
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  16. R. Damien (1999). Paysage et lecture chez Machiavel. Archives de Philosophie 62 (2):281-295.
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  17. Robert Damien (2004). Proudhon, philosophe des modernités? Corpus 47:209-227.
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  18. André Damien (2005). Réflexions À Propos de la Séparation des Églises Et de L'État. Revue D'Histoire Et de Philosophie Religieuses 85 (2):195-205.
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  19. Robert Damien (2002). Silhon, conseiller de Richelieu, l'homme-providence. Corpus 42:11-20.
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  20.  6
    Matilde Greci (2014). Esperienze Estetiche Nella Quotidianità. Il Caso Delle Tavole da Skateboard: Damien Hirst E Supreme, Palace E Tate Britain. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 7 (1):129-139.
    A reflection on the aesthetic status of some typical objects of everyday life, and the relationship we have with them, may originate from the development of “aesthetic experience” by John Dewey and Neopragmatism. The continuity between the common practices and aesthetic ones determines the significance of ordinary objects if they are linked to a project of enrichment and fulfillment of experience. A case that thematizes the richness of these practices in the contemporary world, and also the related theoretical and critical (...)
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  21.  2
    Damien W. Riggs (2009). Book Review: The Sexual Demon of Colonial Power: Pan-African Embodiment and Erotic Schemes of Empire by Greg Thomas Bloomington, IN: Indiana University Press, 2007 Reviewed by Damien W. Riggs. [REVIEW] Body and Society 15 (3):120-121.
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  22.  3
    Damien Keown, John Powers & Charles S. Prebish (eds.) (2010). Destroying Mara Forever: Buddhist Ethics Essays in Honor of Damien Keown. Snow Lion Publications.
    Several contributions in the book show how these principles apply to contemporary problems and moral issues.
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  23.  12
    Francis E. Keenan (1933). Damien of Molokai. Thought: A Journal of Philosophy 8 (2):341-346.
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  24.  3
    K. E. Gover (2015). Freeman, Damien, and Derek Matravers, Eds. Figuring Out Figurative Art: Contemporary Philosophers on Contemporary Paintings. New York: Routledge, 2015, Xv + 210 Pp., 15 Color + 2 B&W Illus., $155.00 Cloth, $39.95 Paper. [REVIEW] Journal of Aesthetics and Art Criticism 73 (4):465-467.
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  25.  8
    E. Ramirez (1963). Saint Pierre Damien, Ermite et Homme d'Église. Augustinianum 3 (1):183-183.
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  26.  4
    Steven A. Epstein (2006). Damien Coulon, Barcelone Et le Grand Commerce d'Orient au Moyen Âge: Un Siècle de Relations Avec l'Égypte Et la Syrie-Palestine (Ca. 1330–Ca. 1430). (Bibliothèque de la Casa de Velázquez, 27.) Madrid: Casa de Velázquez; Barcelona: Institut Europeu de la Mediterrània, 2004. Pp. Xii, 933 Plus 1 Foldout Map; Tables, 23 Graphs, and Maps. [REVIEW] Speculum 81 (4):1173-1174.
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  27.  8
    Denise Cush (2010). Book Review: Buddhist Studies From India to America: Essays in Honor of Charles S. Prebish, Edited by Damien Keown. Routledge Critical Studies in Buddhism. Abingdon and New York: Routledge, 2005. 292pp. [REVIEW] Buddhist-Christian Studies 27:118-121.
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  28.  6
    Hugo Meynell (2013). Art's Emotions: Ethics, Expression and Aesthetic Experience. By Damien Freeman. Pp. Xi, 210, Durham, UK, Acumen Publishing, 2012. [REVIEW] Heythrop Journal 54 (6):1086-1087.
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  29.  2
    Scott G. Bruce (2007). Damien Carraz, L'ordre du Temple dans la basse vallée du Rhône : Ordres militaires, croisades et sociétés méridionales. Preface by Alain Demurger. Lyons: Presses universitaires de Lyon, 2005. Paper. Pp. 662; 29 black-and-white figures and tables. €35. [REVIEW] Speculum 82 (4):970-971.
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  30.  1
    Review by: Rutger Claassen (2015). Review: Jérôme Ballet, Damien Bazin, Jean-Luc Dubois, and François-Régis Mahieu, Freedom, Responsibility and Economics of the Person. [REVIEW] Ethics 126 (1):196-200.
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  31.  17
    Dermot Feenan (1998). Damien Keown: Buddhism and Bioethics. Theoretical Medicine and Bioethics 19 (4):401-405.
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  32.  5
    L. S. Cousins (1994). Damien Keown. The Nature of Buddhist Ethics. Pp. Xi+269. £40.00. [REVIEW] Religious Studies 30 (2):252.
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  33. Josiane Boulad-Ayoub (1996). Robert Damien, Bibliothèque et État. Naissance d'une raison politique dans la France du XVIIe siècle Reviewed by. Philosophy in Review 16 (2):86-88.
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  34.  2
    Ronald Moore (2013). Freeman, Damien. Art's Emotions: Ethics, Expression and Aesthetic Experience. McGill‐Queen's University Press, 2012, Xii + 210 Pp., $27.95 Paper. [REVIEW] Journal of Aesthetics and Art Criticism 71 (2):229-232.
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  35.  1
    Samantha Vice (2003). Book Review: Damien Cox, Marguerite La Caze and Michael P. Levine, Integrity and the Fragile Self Ashgate, 2003. [REVIEW] Philosophical Papers 32 (2).
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  36.  1
    David R. Loy (1996). Buddhism and Bioethics, by Damien Keown. Bioethics 10:250-256.
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  37. Michael Barnhart (1997). Review of Buddhism and Bioethics by Damien Keown; and of Ethics in Early Buddhism by David J. Kalupahana. [REVIEW] Philosophy East and West 47 (4):611-616.
     
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  38. Rutger Claassen (2015). Ballet, Jérôme; Bazin, Damien; Dubois, Jean-Luc; and Mahieu, François-Régis.Freedom, Responsibility and Economics of the Person.New York: Routledge, 2014. Pp. 171. $155.00. [REVIEW] Ethics 126 (1):196-200.
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  39. Rutger Claassen (2015). Review: Jérôme Ballet, Damien Bazin, Jean-Luc Dubois, and François-Régis Mahieu, Freedom, Responsibility and Economics of the Person. [REVIEW] Ethics 126 (1):196-200.
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  40. Frank J. Hoffman (1993). Review of Damien Keown, The Nature of Buddhist Ethics. CHOICE (1993).
     
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  41. Philip J. Ivanhoe (1997). 'Karma, Character, and Consequentialism'by Damien Keown. Journal of Religious Ethics 25 (2).
     
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  42. Bernadetta Kwaśniak (2008). André Cantin, Saint Pierre Damien (1007-1072). Autrefois, Aujourd'hui. Roczniki Filozoficzne:517-521.
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  43. Lassus la (1976). Solitude et communion dans l'Eglise d'après Saint Pierre Damien. Revue Thomiste 76 (1):22-33.
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  44. M. L. M. L. (1901). L'association de Saint-Luc, Saint-Côme et Saint-Damien, à Marseille. Revue Thomiste 9 (1):191.
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  45. Colin Lyas (1971). "Realism": Damien Grant. [REVIEW] British Journal of Aesthetics 11 (3):293.
     
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  46. Avishag Zafrani (2015). Essais philosophiques. Du credo ancien à l’homme technologique Hans Jonas Édité par Damien Bazin et Olivier Depré. Traduction de l’anglais par D. Bazin, S. Bergès, S. Courtine-Denamy, J. Delord, M.-L. Eddi, G. Fiasse, N. Frogneux, Th. Lievens, D. Lories, B. de Montera, M.-G. Pinsart, P.-H. Poirier, L. Ravez, L. Rizzerio, M. Scopello et J.-L. Solère. Paris, Vrin, 2013 , 456 p. [REVIEW] Dialogue 54 (1):185-188.
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  47.  2
    Wolfram Bergande (2016). The Liquidation of Art in Contemporary Art. Nordic Journal of Aesthetics 24 (48).
    In this paper, the concept of liquidation from the chapter on Self-consciousness in Hegel’s Phenomenology of Spirit is reconstructed and then used to deconstruct the systematic transition from sculpture to painting in the passage on the “System of the individual arts” in G.W.F. Hegel’s Aesthetics: Lectures on Fine Art. The aim is to show that such a deconstructed version of Hegel’s art philosophy provides a valid conceptual framework for the analysis of modern, particularly postmodern and contemporary art, which results as (...)
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  48.  34
    Damien Keown (2005). Buddhist Ethics: A Very Short Introduction. Oxford University Press.
    The latter half of the twentieth century witnessed a growing interest in Buddhism, and it continues to capture the imagination of many in the West who see it as either an alternative or a supplement to their own religious beliefs. Numerous introductory books have appeared in recent years to cater to this growing interest, but almost none devotes attention to the specifically ethical dimensions of the tradition. For various complex cultural and historical reasons, ethics has not received as much attention (...)
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  49. Damien Freeman (2011). Art's Emotions: Ethics, Expression and Aesthetic Experience. Routledge.
    Despite the very obvious differences between looking at Manet’s Woman with a Parrot and listening to Elgar’s Cello Concerto, both experiences provoke similar questions in the thoughtful aesthete: why does the painting seem to express reverie and the music, nostalgia? How do we experience the reverie and nostalgia in such works of art? Why do we find these experiences rewarding in similar ways? As our awareness of emotion in art, and our engagement with art’s emotions, can make such a special (...)
     
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  50. Damien Freeman (2011). Art's Emotions: Ethics, Expression and Aesthetic Experience. Routledge.
    Despite the very obvious differences between looking at Manet's Woman with a Parrot and listening to Elgar's Cello Concerto, both experiences provoke similar questions in the thoughtful aesthete: why does the painting seem to express reverie and the music, nostalgia? How do we experience the reverie and nostalgia in such works of art? Why do we find these experiences rewarding in similar ways? As our awareness of emotion in art, and our engagement with art's emotions, can make such a special (...)
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