Search results for 'Daniel Alan Herwitz' (try it on Scholar)

1000+ found
Order:
  1. Pearce Alan, Rogers Mark, Corp Daniel, Major Brendan & Hoy Kate (2015). The Effect Of Acute Sports Concussion on Corticomotor Excitability in Australian Football Players. Frontiers in Human Neuroscience 9.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  2.  14
    Daniel Alan Herwitz (1993). Making Theory/Constructing Art: On the Authority of the Avant-Garde. University of Chicago Press.
    Artists and critics regularly enlist theory in the creation and assessment of artworks, but few have scrutinized the art theories themselves. Here, Daniel examines and critiques the norms, assumptions, historical conditions, and institutions that have framed the development and uses of art theory. Spurred by the theoretical claims of Arthur Danto, a leader in the philosophy of the avant-garde, Herwitz reexamines the art and theory of major figures in the avant-garde movement including John Cage, Jean-François Lyotard, Jean Baudrillard, (...)
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  3.  3
    Daniel Alan Herwitz (2008). Aesthetics: Key Concepts in Philosophy. Continuum.
    Introduction and the birth of aesthetics -- Taste and judgment -- Art and experience -- Modern definitions of art and the problem of new media -- Conclusion: Art and truth.
    Direct download  
     
    Export citation  
     
    My bibliography   2 citations  
  4.  1
    Daniel A. Herwitz (1988). The Security of the Obvious: On John Cage's Musical Radicalism. Critical Inquiry 14 (4):784-804.
    That [John] Cage’s challenge to our musical beliefs, attitudes, and practices is posed from the difficult perspective of a Zen master has often been discussed. What has been neglected both by Cage himself and by others is another equally potent challenge to the ordinary which Cage formulates in a related but distinct voice: that of the philosopher. Through his relentless inquiry into new music, Cage had defined certain radical possibilities for musical change. What is in effect his skepticism about music (...)
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  5. Daniel Herwitz (2012). Heritage, Culture, and Politics in the Postcolony. Cup.
    The act of remaking one's history into a heritage, a conscientiously crafted narrative placed over the past, is a thriving industry in almost every postcolonial culture. This is surprising, given the tainted role of heritage in so much of colonialism's history. Yet the postcolonial state, like its European predecessor of the eighteenth and nineteenth centuries, deploys heritage institutions and instruments, museums, courts of law, and universities to empower itself with unity, longevity, exaltation of value, origin, and destiny. Bringing the eye (...)
    No categories
     
    Export citation  
     
    My bibliography  
  6. Daniel Herwitz (2008). The Star as Icon: Celebrity in the Age of Mass Consumption. Columbia University Press.
    Herwitz portrays the star icon as caught between transcendence and trauma.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  7. Daniel Herwitz (2005). The Future of the Past in South Africa: On the Legacy of the TRC. Social Research: An International Quarterly 72 (3):531-548.
     
    Export citation  
     
    My bibliography  
  8.  25
    Daniel Herwitz (2002). Comedies of Mastery and Reconciliation: South Africa's Taxi, America's Rib. Common Knowledge 8 (1):80-101.
  9.  3
    Lydia Goehr & Daniel Herwitz (eds.) (2006). The Don Giovanni Moment: Essays on the Legacy of an Opera. Columbia University Press.
    The Don Giovanni Moment is the first book to examine the aesthetic and moral legacy of Mozart's masterpiece in the literature, philosophy, and culture of the nineteenth century.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  10.  12
    Daniel Herwitz (2005). Francis Fukuyama and the End of History. South African Journal of Philosophy 19 (3):223-234.
    Francis Fukuyama has argued that history has come to an end. His argument is a philosophical reading of history which derives philosophical implications from empirical views about human economy, society, recent history and the human conditions for self-realization and flourishing. It is this movement between empirical description and philosophical conceptualization that my paper explores, a movement which is both fascinating and problematical. The paper does not seek to “refute” Fukuyama, whose ideas have great currency with significant reason and assumes that (...)
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  11.  4
    Daniel Herwitz (1997). Neo-Natal: On Thinking New Times Philosophically. Theoria 44 (90):77-92.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  12.  8
    Alick Isaacs, Randall Collins, Bruno Latour, Peter Burke, G. Thomas Tanselle, Alexander Goehr, Anne Carson, Marcel Detienne, Daniel Herwitz, Frank R. Ankersmit, Vicki Hearne, Jeffrey M. Perl & Elizabeth Key Fowden (2002). Peace and Mind: Seriatim Symposium on Dispute, Conflict, and Enmity. Common Knowledge 8 (1):20-23.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  13.  14
    Daniel Herwitz (1998). Kant After Duchamp. Journal of Philosophy 95 (3):142-148.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  14.  3
    Daniel Herwitz (2002). The Defence of Extreme Realities. Film-Philosophy 6 (3).
    Rex Butler _Jean Baudrillard: The Defense of the Real_ London and New Delhi: Sage Publications and Thousand Oaks, 1999 ISBN 0-7619-5833-9 vii + 181 pp.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  15.  16
    Daniel Herwitz (1991). The Work of Art as Psychoanalytical Object: Wollheim on Manet. Journal of Aesthetics and Art Criticism 49 (2):137-153.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  16.  17
    Daniel Herwitz (2010). Andy Warhol. By Danto, Arthur C. Journal of Aesthetics and Art Criticism 68 (3):303-305.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  17. Daniel Herwitz (2000). Stephen R. Haynes and John Roth, Eds., The Death of God Movement and the Holocaust: Radical Theology Encounters the Shoah Reviewed By. [REVIEW] Philosophy in Review 20 (3):190-192.
    No categories
     
    Export citation  
     
    My bibliography  
  18.  1
    Daniel Herwitz (2015). David Grubbs.Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording. Durham, N.C.: Duke University Press, 2014. 248 Pp. [REVIEW] Critical Inquiry 41 (4):898-900.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  19.  1
    Daniel Herwitz (2015). Review ofThe Cambridge Companion to Nelson MandelaThe Cambridge Companion to Nelson Mandela. Ed. By Rita Barnard. New York: Cambridge University Press, 2014. 349 Pp. [REVIEW] Critical Inquiry 41 (3):707-709.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  20.  12
    Daniel Herwitz (2003). Review of Paul Crowther, The Transhistorical Image: Philosophizing Art and its History. [REVIEW] Notre Dame Philosophical Reviews 2003 (3).
    Direct download  
     
    Export citation  
     
    My bibliography  
  21.  10
    Daniel Herwitz (2006). Review of J. M. Bernstein, Against Voluptuous Bodies: Late Modernism and the Meaning of Painting. [REVIEW] Notre Dame Philosophical Reviews 2006 (9).
    No categories
    Direct download  
     
    Export citation  
     
    My bibliography  
  22.  7
    Daniel Herwitz (1993). The Journal of Aesthetics and Danto's Philosophical Criticism. Journal of Aesthetics and Art Criticism 51 (2):261-270.
    Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  23. Daniel Herwitz (2000). David Jones, Moral Responsibility in the Holocaust: A Study in the Ethics of Character Reviewed By. Philosophy in Review 20 (3):190-192.
     
    Export citation  
     
    My bibliography  
  24.  5
    Daniel Herwitz (2004). The Consolations of Art Gregg M. Horowitz, Sustaining Loss: Art and Mournful Life. Journal of Aesthetics and Art Criticism 62 (1):51–55.
  25.  1
    Daniel Herwitz (2009). Art and Ethical Criticism Edited by Garry L. Hagberg. Journal of Aesthetics and Art Criticism 67 (4):426-427.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  26.  1
    Daniel Herwitz (2004). Review: The Consolations of Art. [REVIEW] Journal of Aesthetics and Art Criticism 62 (1):51 - 55.
    Direct download  
     
    Export citation  
     
    My bibliography  
  27.  2
    Lydia Goehr & Daniel Herwitz (eds.) (2008). The Don Giovanni Moment: Essays on the Legacy of an Opera. Cup.
    Mozart's _Don Giovanni_ is an operatic masterpiece full of iconic and mythical tensions that still resonate today. The work redefines the terms of power, seduction, and morality, and the resulting conflict between the aesthetic and the ethical is deeply rooted in the Enlightenment and romanticism. _The_ Don Giovanni _Moment_ is the first book to examine the aesthetic and moral legacy of Mozart's opera in the literature, philosophy, and culture of the nineteenth century. The prominent scholars in this collection address the (...)
    No categories
    Direct download  
     
    Export citation  
     
    My bibliography  
  28. Daniel Herwitz & Michael Kelly (eds.) (2007). Action, Art, History: Engagements with Arthur C. Danto. Columbia University Press.
    This volume pays tribute to both Danto's brilliant capacity to move between philosophy and contemporary culture and his pathbreaking achievements in philosophy, art history, and art criticism.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  29. Daniel Herwitz (2015). Auxier, Randall E. And Hahn, Lewis Edwin, Eds. The Philosophy of Arthur C. Danto. Chicago, Il: Open Court Publishing Company, 2013, XXXII + 796 Pp., 31 B&W Illus., $99.95 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 73 (2):203-207.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  30. Daniel Herwitz (1999). Emmanuel Levinas, Discovering Existence with Husserl Reviewed By. Philosophy in Review 19 (3):200-204.
     
    Export citation  
     
    My bibliography  
  31. Daniel Herwitz (1999). Emmanuel Levinas, Discovering Existence with Husserl. [REVIEW] Philosophy in Review 19:200-204.
     
    Export citation  
     
    My bibliography  
  32. Daniel Herwitz (1999). Emmanuel Levinas, Entre Nous: Thinking of the Other Reviewed By. Philosophy in Review 19 (3):200-204.
     
    Export citation  
     
    My bibliography  
  33. Daniel Herwitz (1999). Emmanuel Levinas, Entre Nous: Thinking of the Other. [REVIEW] Philosophy in Review 19:200-204.
     
    Export citation  
     
    My bibliography  
  34. Daniel Herwitz (1999). Emmanuel Levinas, Of God Who Comes to Mind Reviewed By. Philosophy in Review 19 (3):200-204.
     
    Export citation  
     
    My bibliography  
  35. Daniel Herwitz (1999). Emmanuel Levinas, Of God Who Comes to Mind. [REVIEW] Philosophy in Review 19:200-204.
     
    Export citation  
     
    My bibliography  
  36. Daniel Herwitz (1998). Emmanuel Levinas, Proper Names Reviewed By. Philosophy in Review 18 (3):200-202.
     
    Export citation  
     
    My bibliography  
  37. Daniel Herwitz (1998). Emmanuel Levinas, Proper Names. [REVIEW] Philosophy in Review 18:200-202.
     
    Export citation  
     
    My bibliography  
  38. Daniel Herwitz (2000). Francis Fukuyama and the End of History. South African Journal of Philosophy 19 (3):222-234.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  39. Daniel Herwitz (1997). Making Theory/Constructing Art. Philosophical Quarterly 47 (187):248-250.
    No categories
     
    Export citation  
     
    My bibliography  
  40. Daniel Herwitz (2003). Race and Reconciliation: Essays From the New South Africa. Univ of Minnesota Press.
     
    Export citation  
     
    My bibliography  
  41.  4
    Michael E. Daniel (2007). Daniel Mannix: Wit and Wisdom [Book Review]. The Australasian Catholic Record 84 (1):114.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  42.  17
    Daniel Barnett (2009). Daniel Herwitz (2008) Aesthetics. Film-Philosophy 13 (1):130-138.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  43.  9
    T. Gregory Garvey (2013). Levine, Alan M. And Daniel S. Malachuk, Eds., A Political Companion to Ralph Waldo Emerson. Review of Metaphysics 67 (1):175-176.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  44.  7
    Wing-Fai Leung (2010). Daniel Herwitz (2008) The Star as Icon: Celebrity in the Age of Mass Consumption. Film-Philosophy 14 (1):367-370.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  45.  20
    Kathleen Eamon (2009). The Star as Icon: Celebrity in the Age of Mass Consumption by Herwitz, Daniel. Journal of Aesthetics and Art Criticism 67 (3):347-349.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  46.  7
    Gregg Horowitz (2009). Aesthetics: Key Concepts in Philosophy by Herwitz, Daniel. Journal of Aesthetics and Art Criticism 67 (3):343-345.
    Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  47. Gregg Horowitz (2009). Aesthetics: Key Concepts in Philosophy by Herwitz, Daniel. Journal of Aesthetics and Art Criticism 67 (3):343-345.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  48. Carrier (2011). The Star as Icon: Celebrity in the Age of Mass Consumption by Daniel Herwitz. Journal of Aesthetic Education 45 (2):117.
    Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  49.  5
    Rex Butler (2002). It is Never a Decision to Choose Between This and That: A Response to Herwitz. Film-Philosophy 6 (3).
    Daniel Herwitz 'The Defence of Extreme Realities' _Film-Philosophy_, vol. 6 no. 45, November 2002.
    Direct download (3 more)  
     
    Export citation  
     
    My bibliography  
  50. Daniel T. O'Hara & Alan Singer (1998). Thinking Through Art: Aesthetic Agency and Global Modernity. Duke University Press Books.
    In the eighteenth century the category of the aesthetic sought to bridge the gap between the prevalent dualities of Cartesian thought: art and science, history and science, prejudice and truth. This special issue of _boundary 2_ addresses current debates about the status of art in the context of global modernity. The range of arguments represented here cover a broad historical scope—from Cartesianism to present-day global modernity—of cultural discourse on the aesthetic to bring a focus to contemporary discussions of the corollary (...)
    No categories
     
    Export citation  
     
    My bibliography  
1 — 50 / 1000