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  1. Darren Hudson Hick (2014). Authorship, Co‐Authorship, and Multiple Authorship. Journal of Aesthetics and Art Criticism 72 (2):147-156.
    In this article, I use the example of the novel Micro, authored by Michael Crichton and Richard Preston, to tease out the relationships between an author and his work and with other authors of that work. The case presents a complication for a number of contemporary views on authorship and co-authorship, which suggest that Crichton is either not an author of the novel or an author but not a co-author—both, I suggest, are counterintuitive views. After working through the leading views (...)
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  2. Darren Hudson Hick & Craig Derksen (2012). Righteous Art Anger. Journal of Aesthetics and Art Criticism 70 (4):373-382.
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  3. Darren Hudson Hick (2010). Expressing Ideas: A Reply to Roger A. Shiner. Journal of Aesthetics and Art Criticism 68 (4):405-408.
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  4. Darren Hudson Hick (2010). Forgery and Appropriation in Art. Philosophy Compass 5 (12):1047-1056.
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  5. Craig Derksen & Darren Hudson Hick (2009). Performance Hero. Contemporary Aesthetics 7.
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  6. Darren Hudson Hick (2009). Making Sense of the Copyrightability of Plots: A Case Study in the Ontology of Art. Journal of Aesthetics and Art Criticism 67 (4):399 - 407.
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  7. Darren Hudson Hick (2008). A Reply to Paisley Livingston. Journal of Aesthetics and Art Criticism 66 (4):395-398.
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  8. Darren Hudson Hick (2008). When is a Work of Art Finished? Journal of Aesthetics and Art Criticism 66 (1):67–76.
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