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  1. David H. Fleming (2013). Alain Badiou (2013) Cinema and Alex Ling (2010) Badiou and Cinema. Film-Philosophy 17 (1):467-479.
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  2. David H. Fleming (2013). Affective Teaching for Effective Learning: A Deleuzian Pedagogy for the (Corporate Era and) Chinese Context. Educational Philosophy and Theory:1-14.
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  3. David H. Fleming (2013). Charcoal Matter with Memory: Images of Movement, Time and Duration in the Animated Films of William Kentridge. Film-Philosophy 17 (1):402-423.
    In his temporal philosophy based on the writing of Henri Bergson, Gilles Deleuze describes duration ( durée ) as a becoming that endures in time. Reifications of this complex philosophical concept become artistically expressed, I argue, in the form and content of South African artist William Kentridge's series of 'charcoal drawings for projection.' These exhibited art works provide intriguing and illuminating 'philosophical' examples of animated audio-visual media, which expressively plicate distinct images of movement and time. The composition of Kentridge's films (...)
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  4. David H. Fleming (2012). Homay King (2010) Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier. Film-Philosophy 16 (1):251-255.
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  5. David H. Fleming & William Brown (2011). Deterritorialisation and Schizoanalysis in David Fincher's Fight Club. Deleuze Studies 5 (2):275-299.
    Taking a schizoanalytic approach to audio-visual images, this article explores some of the radical potentia for deterritorialisation found within David Fincher's Fight Club (1999). The film's potential for deterritorialisation is initially located in an exploration of the film's form and content, which appear designed to interrogate and transcend a series of false binaries between mind and body, inside and outside, male and female. Paying attention to the construction of photorealistic digital spaces and composited images, we examine the actual (and possible) (...)
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