16 found
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David R. Bell [16]David Raymond Bell [1]
  1.  3
    David R. Bell & Mary Douglas (1972). Natural Symbols: Explorations in Cosmology. Philosophical Quarterly 22 (88):280.
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  2.  57
    David R. Bell (1969). What Hobbes Does with Words. Philosophical Quarterly 19 (75):155-158.
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  3.  7
    David R. Bell (1965). Studies in the Philosophy of David Hume. [REVIEW] Philosophical Books 6 (1):12-12.
  4.  3
    David R. Bell, W. H. Walsh & Eugene Kamenka (1971). Hegelian Ethics.Marxism and Ethics. Philosophical Quarterly 21 (82):88.
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  5. David R. Bell (1970). Authority: David R. Bell. Royal Institute of Philosophy Supplement 4:190-203.
    Some things are pervasive and yet elusive. If it can be agreed that the concept of my title and its instances are of this kind, then the observation may serve to justify the present enterprise. The elusiveness of authority is that so often pursued in philosophical enterprise, namely the repeated confident use of a general term by even the unsophisticated, accompanied by the Socratic puzzlement that sets in as soon as a rationale or account of this use is sought. Such (...)
     
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  6.  2
    David R. Bell & Calvin O. Schrag (1963). Existence and Freedom: Towards an Ontology of Human Finitude. Philosophical Quarterly 13 (52):272.
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  7. David R. Bell, Daniel Corsten & George Knox (2010). The Power. Philosophical Studies 30:380 - 382.
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  8.  1
    David R. Bell (1970). Authority. Royal Institute of Philosophy Lectures 4:190-203.
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  9.  1
    David R. Bell (1984). Critical Notice. Mind 93 (370):276 - 293.
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  10.  1
    David R. Bell (1964). Meinong's Theory of Objects and Values. Philosophical Books 5 (1):8-9.
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  11.  12
    David R. Bell (1972). Bertrand Russell. Valley Forge, Pa.,Judson Press.
  12. David Raymond Bell (2016). Learning, Play, and Creativity: Asobi, Suzuki Harunobu, and the Creative Practice. Journal of Aesthetic Education 50 (4):86-113.
    How was creativity understood in the distinctive artistic practices of eighteenth-century Japan? How were its artists able to maintain consistently inventive creative pathways over extended periods? Artistic creativity is sometimes assumed to derive from chance, opportune, or accidental events. For early Western creativity theorists like Graham Wallas,1 Alex Osborn,2 or Robert Fritz 3 such fortunate moments of illumination engendered creative innovation. The invention of synthetic dyes,4 Japanese haboku “splashed ink painting,” or Jackson Pollock’s spatters of paint all involved elements of (...)
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  13. David R. Bell (1965). One Dimensional Man. Philosophical Books 6 (2):17-20.
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  14. David R. Bell (1963). Philosophy, Politics and Society. Philosophical Books 4 (2):13-15.
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  15. David R. Bell (1965). Time and Modes of Being. Philosophical Books 6 (1):14-15.
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  16. David R. Bell & Milton K. Munitz (1966). The Mystery of Existence: An Essay in Philosophical Cosmology. Philosophical Quarterly 16 (65):416.
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