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  1.  18
    Detlev Claussen (2005). TWA: The Friend From America. Telos: Critical Theory of the Contemporary 2005 (130):127-140.
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  2.  19
    Detlev Claussen (2011). Malentendu? Adorno: A History of Misunderstandings. Telos: Critical Theory of the Contemporary 2011 (155):7-20.
    ExcerptMisunderstandings are the medium for communicating the incommunicable. Theodor W. Adorno, “A Portrait of Walter Benjamin”You can hear the terror in the words. If you can't hear it, you cannot understand the words. The history of the critical response to Adorno can be read as a history of misunderstandings. “The whole is the false.”1 Who can understand this if he doesn't know Hegel's philosophy? Adorno formulated this aphorism in Minima Moralia in German even though he had been living in America (...)
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  3. Detlev Claussen (2008). Acknowledgments. In Theodor W. Adorno: One Last Genius. Harvard University Press 419-426.
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  4. Detlev Claussen (2008). 4. Adorno as “Non-Identical”Man. In Theodor W. Adorno: One Last Genius. Harvard University Press 115-144.
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  5. Detlev Claussen (2008). 7. Adorno as “Identical”Man. In Theodor W. Adorno: One Last Genius. Harvard University Press 220-260.
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  6. Detlev Claussen (2005). Adorno and Fritz Lang. Telos: Critical Theory of the Contemporary 130:127.
     
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  7. Detlev Claussen (2008). Appendix: Letters. In Theodor W. Adorno: One Last Genius. Harvard University Press 341-366.
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  8. Detlev Claussen (2008). 3. From Teddie Wiesengrund to Dr.Wiesengrund-Adorno. In Theodor W. Adorno: One Last Genius. Harvard University Press 65-114.
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  9. Detlev Claussen (2008). 6. Frankfurt Transfer. In Theodor W. Adorno: One Last Genius. Harvard University Press 176-219.
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  10. Detlev Claussen (2008). How to Read This Book. In Theodor W. Adorno: One Last Genius. Harvard University Press
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  11. Detlev Claussen (2008). Illustrations. In Theodor W. Adorno: One Last Genius. Harvard University Press
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  12. Detlev Claussen (2008). Index. In Theodor W. Adorno: One Last Genius. Harvard University Press 427-456.
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  13. Detlev Claussen (2008). 1. Instead of an Overture: No Heirs. In Theodor W. Adorno: One Last Genius. Harvard University Press 1-12.
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  14. Detlev Claussen (2008). Notes. In Theodor W. Adorno: One Last Genius. Harvard University Press 367-416.
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  15. Detlev Claussen (2008). Sources. In Theodor W. Adorno: One Last Genius. Harvard University Press 417-418.
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  16. Detlev Claussen (2008). 5. Transitions. In Theodor W. Adorno: One Last Genius. Harvard University Press 145-175.
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  17. Detlev Claussen (2004). The American Experience of the Critical Theorists. In John Abromeit & W. Mark Cobb (eds.), Herbert Marcuse: A Critical Reader. Routledge
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  18. Detlev Claussen (2008). 2. The House in Schöne Aussicht: A Frankfurt Childhood Around 1900. In Theodor W. Adorno: One Last Genius. Harvard University Press 13-64.
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  19. Detlev Claussen (2008). 8. The Palimpsest of Life. In Theodor W. Adorno: One Last Genius. Harvard University Press 261-340.
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  20. Detlev Claussen (2008). Theodor W. Belknap Press of Harvard University Press.
    Instead of an overture : no heirs -- The house in Schöne Aussicht : a Frankfurt childhood around 1910 -- From Teddie Wiesengrund to Dr. Wiesengrund-Adorno -- Adorno as "non-identical" man -- Transitions -- Bertolt Brecht : "to those who come after us" -- Theodor W. Adorno : "out of the firing-line" -- Hanns Eisler, the non-identical brother -- Fritz Lang, the American friend -- Frankfurt transfer -- Adorno as "identical" man -- The palimpsest of life.
     
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  21.  1
    Detlev Claussen (2008). Theodor W. Adorno: One Last Genius. Harvard University Press.
    Looks at the life and career of the the German philosopher who is credited as the developer of critical theory.
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  22. Martin Jay, Christina Gerhardt, Rob Kaufman, Detlev Claussen & J. M. Bernstein (2006). Adorno and Ethics. Duke University Press Books.
    Because of his preoccupation with the formal aspects of music and literature, Theodor W. Adorno is often regarded as the most aesthetically oriented thinker of the Frankfurt School theorists. It is Adorno’s perceived commitment to aestheticism—the study of art for art’s sake and the study of art as a source of sensuous pleasure, rather than as a vehicle for culturally constructed morality or meaning—that many scholars have criticized as hostile to genuine, concrete, substantive political, social, and ethical engagement with the (...)
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  23. Herbert Marcuse, Detlev Claussen & Peter-Erwin Jansen (1998). Feindanalysen Über Die Deutschen. Monograph Collection (Matt - Pseudo).
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