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  1. Dominic Montserrat (1999). A Hard Look J. R. Clarke: Looking at Lovemaking. Constructions of Sexuality in Roman Art, 100 BC to AD 250 . Pp. Xvii + 372, 107 Figs, 16 Pls. Berkeley, Los Angeles, and London: University of California Press, 1998. Cased, £27.50. ISBN: 0-520-20024-. [REVIEW] The Classical Review 49 (01):227-.
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  2. Dominic Montserrat (1999). Fragments as Fetishes G. W. Most (Ed.): Collecting Fragments: Fragmente Sammeln . (Aporemata: Kritische Studien Zur Philologiegeschichte, 1.) Pp. X + 338. Göttingen: Vandenhoeck & Rupprecht, 1997. Paper, DM 98. ISBN: 3-525-25900-X. [REVIEW] The Classical Review 49 (01):90-.
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  3. Dominic Montserrat (1999). Review: Fragments as Fetishes. [REVIEW] The Classical Review 49 (1):90-91.
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  4. Dominic Montserrat & N. Kampen (1999). Sexuality in Ancient Art: Near East, Egypt, Greece, and Italy. Journal of Hellenic Studies 119:228.
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  5. Dominic Montserrat (1998). R. B. Parkinson: The Tale of Sinuhe and Other Egyptian Poems 1940–1640 BC. Pp. Ix + 317. Oxford: Clarendon Press, 1997. ISBN: 0-19-814963-8. [REVIEW] The Classical Review 48 (2):508.
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  6. Dominic Montserrat & R. Garland (1996). The Eye of the Beholder: Deformity and Disability in the Graeco-Roman World. Journal of Hellenic Studies 116:225.
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  7. Dominic Montserrat & A. Moreau (1994). L'Initiation. Journal of Hellenic Studies 114:209.
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