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  1. Donald Brook (2004). Art History? History and Theory 43 (1):1–17.
    This article is presented in two parts. In part I, I call into question the viability of a currently received opinion about the foundations of the subject called “Art History,” primarily by challenging assumptions that are implicit in conventional uses of the terms “art” and “work of art.” It is widely supposed that works of art are items of a kind, that this kind is the bearer of the name “art,” and that it has a history. In part II, I (...)
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  2. Donald Brook (2002). Art and History. Journal of Aesthetics and Art Criticism 60 (4):331–340.
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  3. Donald Brook (1997). On Non-Verbal Representation. British Journal of Aesthetics 37 (3):232-258.
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  4. Donald Brook (1992). Are Art, Representation, Education : A Selection of Writings on Related Themes. Monograph Collection (Matt - Pseudo).
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  5. Donald Brook (1989). How Did We Get From Simulation to Symbol? Australasian Journal of Philosophy 67 (4):452 – 468.
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  6. Donald Brook (1986). On the Alleged Transparency of Photographs. British Journal of Aesthetics 26 (3):277-282.
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  7. Donald Brook (1983). Painting, Photography and Representation. Journal of Aesthetics and Art Criticism 42 (2):171-180.
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  8. Donald Brook (1980). A New Theory of Art. British Journal of Aesthetics 20 (4):305-321.
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  9. Donald Brook (1979). A Transinstitutional Nonvoluntary Modelling Theory of Art. Educational Philosophy and Theory 11 (2):37–54.
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  10. Donald Brook (1978). Children's Art and People's Art. Educational Philosophy and Theory 10 (1):19–30.
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  11. Donald Brook (1969). Perception and the Appraisal of Sculpture. Journal of Aesthetics and Art Criticism 27 (3):323-330.
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  12. Donald Brook (1965). White at the Shooting Gallery. Mind 74 (294):256.
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  13. Donald Brook (1963). Sculptural Thinking—I Rogers on Sculptural Thinking. British Journal of Aesthetics 3 (4):353-357.
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  14. Donald Brook & Maxwell Wright (1963). Henze on Logic, Creativity and Art. Australasian Journal of Philosophy 41 (3):378 – 385.
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