This paper analyzes Berkeley's arguments for the existence of God in the Principles of Human Knowledge, Three Dialogues, and Alciphron. Where most scholarship has interpreted Berkeley as offering three quite distinct attempted proofs of God's existence, I argue that these are all variations on the strategy of inference to the best explanation. I also consider how this reading of Berkeley connects his conception of God to his views about causation and explanation.
: This paper investigates the influence of Galileo's natural philosophy on the philosophical and methodological doctrines of Thomas Hobbes. In particular, I argue that what Hobbes took away from his encounter with Galileo was the fundamental idea that the world is a mechanical system in which everything can be understood in terms of mathematically-specifiable laws of motion. After tracing the history of Hobbes's encounters with Galilean science (through the "Welbeck group" connected with William Cavendish, earl of Newcastle and the "Mersenne (...) circle" in Paris), I argue that Hobbes's 1655 treatise De Corpore is deeply indebted to Galileo. More specifically, I show that Hobbes's mechanistic theory of mind owes a significant debt to Galileo while his treatment of the geometry of parabolic figures in chapter 16 of De Corpore was taken almost straight out of the account of accelerated motion Two New Sciences. (shrink)
Hobbes and Wallis's "battle of the books" illuminates the intimate relationship between science and crucial seventeenth-century debates over the limits of sovereign power and the existence of God.
In this first modern, critical assessment of the place of mathematics in Berkeley's philosophy and Berkeley's place in the history of mathematics, Douglas M. Jesseph provides a bold reinterpretation of Berkeley's work.
Duhem's portrayal of the history of mathematics as manifesting calm and regular development is traced to his conception of mathematical rigor as an essentially static concept. This account is undermined by citing controversies over rigorous demonstration from the eighteenth and twentieth centuries.
