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E. K. Borthwick [62]E. Kerr Borthwick [22]
  1.  11
    E. K. Borthwick (1963). Plato and Aristotle on Musical Theory Lukas Richter: Zur Wissenschaftslehre von der Musik bei Platon und Aristoteles. Pp. xi + 202. Berlin: Akademie-Verlag, 1961. Paper, DM 29.50. [REVIEW] The Classical Review 13 (02):160-161.
  2.  3
    E. K. Borthwick & T. B. L. Webster (1969). The Tragedies of Euripides. Journal of Hellenic Studies 89:128.
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  3.  4
    E. Kerr Borthwick (1980). Music and Drama – Ancient and Modern. The Classical Review 30 (02):184-.
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  4.  4
    E. K. Borthwick (1972). Music, Mathematics, and Water-Organs. The Classical Review 22 (03):364-.
  5.  4
    E. K. Borthwick (1972). Music, Mathematics, and Water-Organs Johannes Lohmann: Musiké und Logos: Aufsätze zur griechischen Philosophic und Musiktheorie. Pp. xv+129. Stuttgart: Musikwissenschaftliche Verlagsgesellschaft, 1970. Paper. Werner Walcker-Mayer: Die römische Orgel von Aquincum. Pp. 118; 46 figs. Stuttgart: Musikwissenschaftliche Verlagsgesellschaft, 1970. Paper, DM.24. [REVIEW] The Classical Review 22 (03):364-366.
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  6.  4
    E. K. Borthwick (1966). Three Notes on Euripides' Bacchae. The Classical Review 16 (02):136-138.
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  7.  4
    E. Kerr Borthwick (1990). The Odyssey. The Classical Review 40 (02):203-.
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  8.  22
    E. K. Borthwick (2001). The Cynic and the Statue. Classical Quarterly 51 (2):494-498.
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  9.  8
    E. K. Borthwick (1959). The New Oxford History of Music The New Oxford History of Music. Vol. I: Ancient and Oriental Music. Edited by Egon Wellesz Pp.Xxiii + 530; 15 Plates. London: Oxford University Press, 1957. Clothe, 63s. Net. [REVIEW] The Classical Review 9 (01):53-55.
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  10.  17
    E. K. Borthwick (1956). Plutarch De Musica François Lasserre: Plutarque, De la Musique. Texte, traduction, commentaire, précédés d'une étude sur l'education musicale dans la Grèce antique. (Bibliotheca Helvetica Romana, i.) Pp.185. Lausanne: Urs Graf-Verlag, 1954. Paper, 25 Sw. Fr. [REVIEW] The Classical Review 6 (02):122-124.
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  11.  19
    E. K. Borthwick (2001). Socrates, Socratics, and the Word B E E Aim N. Classical Quarterly 51 (1):297-301.
  12.  3
    E. Kerr Borthwick (1970). Two Scenes of Combat in Euripides. Journal of Hellenic Studies 90:15-21.
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  13.  13
    E. Kerr Borthwick (1985). Aristides Quintilianus Thomas J. Mathiesen: Aristides Quintilianus, On Music. Translation with Introduction, Commentary and Annotations. (Music Theory Translation Series.) Pp. Xiii + 217. New Haven and London: Yale University Press, 1983. £24.50. [REVIEW] The Classical Review 35 (02):258-259.
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  14.  13
    E. K. Borthwick (1957). Philodemus De Musica Annemarie Jeanette Neubecker: Die Bewertung der Musik bei Stoikern und Epikureern. Eine Analyse von Philodems Schrift De musica. Pp. 103. Berlin: Akademie-Verlag, 1956. Paper, DM. 11. [REVIEW] The Classical Review 7 (3-4):215-217.
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  15.  15
    E. K. Borthwick (1978). Flora R. Levin: The Harmonics of Nicomachus and the Pythagorean Tradition. Pp. Xi + 113. University Park, Pa.: The American Philological Association, 1975. Paper, $3.50. [REVIEW] The Classical Review 28 (02):386-387.
  16.  5
    E. K. Borthwick (1969). An Allusion to Sophron in [Lucian]? The Classical Review 19 (03):270-271.
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  17.  11
    E. K. Borthwick (1968). Greek Musical Ethos Warren D. Anderson: Ethos and Education in Greek Music: The Evidence of Poetry and Philosophy. Pp. 306. Cambridge, Mass.: Harvard University Press (London: Oxford University Press), 1966. Cloth, 44s. Net. [REVIEW] The Classical Review 18 (02):200-203.
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  18.  14
    E. Kerr Borthwick (1991). Lionel Pearson: Aristoxenus, Elementa Rhythmica: The Fragment of Book II and the Additional Evidence for Aristoxenean Rhythmic Theory. Edited with Introduction, Translation, and Commentary. Pp. Liv + 98. Oxford: Clarendon Press, 1990. £25. [REVIEW] The Classical Review 41 (02):474-.
  19.  15
    E. Kerr Borthwick (1990). Giovanni Comotti: Music in Greek and Roman Culture (Trans. Rosaria V. Munson). (Ancient Society and History.) Pp. Xii + 186; 13 Figs. Baltimore and London: Johns Hopkins University Press, 1989 (Original Italian Edition, Edizioni di Torino, 1979). £14.50. [REVIEW] The Classical Review 40 (01):185-.
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  20.  15
    E. Kerr Borthwick (1988). Annemarie Jeanette Neubecker: Philodemus, Über die Musik, IV. Buch: Text, Übersetzung und Kommentar. Pp. 234. Naples: Bibliopolis, 1986. [REVIEW] The Classical Review 38 (01):145-146.
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  21.  12
    E. K. Borthwick (1967). Lasus of Hermione G. Aurelio Privitera: Laso di Ermione nella cultura ateniese e nella tradizione storiografica. Pp. 126. Rome: Edizioni dell'Ateneo, 1965. Stiff paper, L. 1,200. [REVIEW] The Classical Review 17 (02):146-147.
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  22.  5
    E. K. Borthwick (1972). Texts From Herculaneum Francesco Sbordone (Ed.): Ricerche Sui Papiri Ercolanesi. Vol. I. Pp. 372; 6 Plates. Naples: Giannini, 1969. Paper, L.6,000. [REVIEW] The Classical Review 22 (03):396-397.
  23.  5
    E. K. Borthwick (1966). Death of a Fighting Cock. The Classical Review 16 (01):4-5.
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  24.  5
    E. K. Borthwick (1956). The Oslo Musical Fragment S. Eitrem Leiv Amundsen, and R. P. Winnington-Ingram: Fragments of Unknown Greek Tragic Texts with Musical Notation. Pp. 87; 2 Plates. Oslo: Brøgger, 1955. Paper. [REVIEW] The Classical Review 6 (3-4):211-213.
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  25.  8
    E. K. Borthwick (1969). Musiga Romana Gunther Wille: Musica Romana: die Bedeutung der Musik im Leben der Römer. Pp. 799. Amsterdam: Schippers, 1967. Cloth, fl. 120. [REVIEW] The Classical Review 19 (03):343-346.
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  26.  13
    E. K. Borthwick (1980). A. H. M. Kessels: Studies on the Dream in Greek Literature. Pp. Xi + 269. Utrecht: HES Publishers, 1978. Paper. The Classical Review 30 (02):283-.
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  27.  9
    E. Kerr Borthwick (1993). The Oxford Odyssey Completed Joseph Russo, Manuel Fernández-Galiano, Alfred Heubeck: A Commentary on Homer's Odyssey, Vol. III: Books Xvii–Xxiv. Pp. Xii + 447; 8 Figs. (Oxford: Clarendon Press, 1992.) £55. [REVIEW] The Classical Review 43 (01):4-5.
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  28.  12
    E. K. Borthwick (1978). 'Such Stuff as Dreams Are Made On' Robert J. White: The Interpretation of Dreams: Oneirocritica by Artemidorus. Translation and Commentary. Pp. 259. New Jersey: Noyes Press, 1975. Cloth, $ 15. Dario Del Corno: Artemidoro, Il Libro Dei Sogni. Pp. Lviii + 366. Milan: Adelphi Edizioni, 1975. Paper, L.6,000. [REVIEW] The Classical Review 28 (01):22-23.
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  29.  11
    E. Kerr Borthwick (1994). R. G. Ussher (Ed.): The Characters of Theophrastus: Introduction, Commentary and Index. Pp. Xiii+330. London: Bristol Classical Press, 1993. Paper, £14.95. [REVIEW] The Classical Review 44 (01):203-.
  30.  10
    E. K. Borthwick (1956). Plutarch De Musica. The Classical Review 6 (02):122-.
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  31.  2
    E. K. Borthwick (1968). Seeing Weasels: The Superstitious Background of the Empusa Scene in the Frogs. Classical Quarterly 18 (02):200-.
    Every Greek scholar knows the celebrated lapsus linguae committed by the tragic actor Hegelochus at the Great Dionysia of 408 B.C., when he faltered in his enunciation of line 279 of Euripides' Orestes and gave the impression to the mirthful audience of having said I am surprised, however, that the commentators on this line have only partially explained the reason for its having seemed exceptonally funny.
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  32.  10
    E. K. Borthwick (1955). Otto Luschnat: Zum Text von Philodems Schrift De Musica. Pp. 36. Berlin: Akademie-Verlag, 1953. Paper, DM. 8.20. The Classical Review 5 (02):200-201.
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  33.  9
    E. Kerr Borthwick (1989). J. M. Van Ophuijsen: Hephaestion, On Metre: A Translation and Commentary. (Mnemosyne, Suppl. 100.) Pp. Xiii + 186. Leiden: Brill, 1987. Paper, Fl. 76 ($34.50). [REVIEW] The Classical Review 39 (01):134-135.
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  34.  8
    E. Kerr Borthwick (1990). The Odyssey Alfred Heubeck, Stephanie West, J. B. Hainsworth: A Commentary on Homer's Odyssey, Vol. I: Introduction and Booksi–Viii. Pp. Xii + 396. Oxford: Clarendon Press, 1988. £45. A. Heubeck, A. Hoekstra: A Commentary on Homer's Odyssey, Vol. II: Books Ix–Xvi. Pp. Xii + 300. Oxford: Clarendon Press, 1989. £37.50. [REVIEW] The Classical Review 40 (02):203-205.
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  35.  7
    E. K. Borthwick (1965). Suetonius' Nero and A Pindaric Scholium. The Classical Review 15 (03):252-256.
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  36.  9
    E. Kerr Borthwick (1980). Music and Drama – Ancient and Modern Mario Pintacuda: La Musica Nella Tragedia Greca Pp. 235. Cefalù: Lorenzo Misuraca Editore, 1978. Paper, L. 4,000. Mario Pintacuda: Tragedia Antica E Musica D'Oggi. Pp. 61. Cefalù: Lorenzo Misuraca Editore, 1978. Paper, L. 1,500. Cesare Questa: Il Ratto Dal Serraglio: Euripide, Plauto, Mozart, Rossini. Pp. 176. Bologna: Patron Editore, 1979. Paper, L. 5,500. [REVIEW] The Classical Review 30 (02):184-186.
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  37.  7
    E. K. Borthwick (1966). Music in Etruria and Rome Günter Fleischhauer: Musikgeschichte in Bildern: Band ii, Musik des Altertums: Lieferung 5, Etrurien und Rom. Pp. 196; 80 plates. Mainz: B. Schotts Söhne, 1964. Cloth, DM. 43. [REVIEW] The Classical Review 16 (02):209-210.
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  38.  10
    E. Kerr Borthwick (1989). Insects in Antiquity Ian C. Beavis: Insects and Other Invertebrates in Classical Antiquity. (Exeter University Publications.) Pp. Xv + 269. Oxford: Alden Press (for University of Exeter), 1988. £40. [REVIEW] The Classical Review 39 (02):362-364.
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  39.  10
    E. K. Borthwick (1999). Aeschylus Vs. Euripides: A Textual Problem at Frogs 818–19. Classical Quarterly 49 (02):623-.
    The literary contest of the two tragedians in Frogs is introduced by four stanzas redolent of Homeric combat, with their predominantly dactylic metre and a number of high-flown epic words. I am surprised that several editors prefer the reading ὑψλøωυ at 818, as íππóλοøος surely has a resonance of íπποκορυστς of Iliad 2.1, etc. The readings and sense, however, of both halves of 819 have long been controversial. As Dover suggested in his 1993 edition the MSS ‘linch-pins of splinters’ is (...)
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  40.  9
    E. K. Borthwick (1978). Dietmar Najock: Anonyma de Musica Scripta Bellermanniana. (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana.) Pp. xxvi + 38. Leipzig: Teubner, 1975. Cloth, 25 M. [REVIEW] The Classical Review 28 (01):195-.
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  41.  9
    E. K. Borthwick (1978). Naphtali Lewis: The Interpretation of Dreams and Portents. (Aspects of Antiquity.) Pp. Xi + 167. Toronto and Sarasota: Stevens & Hakkert, 1976. Cloth, $9 (Paper, $3.5O). [REVIEW] The Classical Review 28 (02):386-.
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  42.  8
    E. K. Borthwick (1976). 'Bellermann's Anonymus' Re-Edited Dietmar Najock: Drei anonyme griechische Traktate über die Musik (Eine kommentierte Neuausgabe des Bellermannschen Anonymus). (Göttinger Musikwissenschaftliche Arbeiten, Band 2). Pp. 229. Kassel: Barenreiter, 1972. Paper, DM.48. [REVIEW] The Classical Review 26 (01):113-114.
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  43.  7
    E. K. Borthwick (1962). Greek Musical Fragments Egert Pöhlmann: Griechische Musikfragmente. Ein Weg Zur Altgriechischen Musik. (Erlanger Beiträge, Viii.) Pp. Vi+84; 1 Plate. Nürnberg: Hans Carl, 1960. Paper, DM. 12.50. [REVIEW] The Classical Review 12 (02):159-161.
  44.  5
    E. K. Borthwick (1966). Musical Thought in Ancient Greece Edward A. Lippman: Musical Thought in Ancient Greece. Pp. Xiii + 215. London: Columbia University Press, 1964. Cloth, 37s. 6d. [REVIEW] The Classical Review 16 (02):207-208.
  45.  2
    E. K. Borthwick (1967). Two Textual Problems in Euripides' Antiope, Fr. 188. Classical Quarterly 17 (01):41-.
    In a recent article I drew attention to the fact that the well-known fable of the improvident cicada and the industrious ant has a close resemblance to the story of the twin brothers Amphion and Zethus and their classic debate on the respective merits of the artistic and practical life in Euripides' Antiope, which is reflected not only in the argument of Callicles and Socrates in the Gorgias and Horace, Ep. i. 18.
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  46.  3
    E. K. Borthwick & M. Kaimio (1979). Characterization of Sound in Early Greek Literature. Journal of Hellenic Studies 99:186.
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  47.  3
    E. Kerr Borthwick (1976). The "Flower of the Argives" and a Neglected Meaning of "HANTHOS". Journal of Hellenic Studies 96:1-7.
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  48.  6
    E. K. Borthwick (1971). Ptolemy and Porphyry Reconsidered Bengt Alexanderson: Textual Remarks on Ptolemy's Harmonica and Porphyry's Commentary. (Studia Graeca Et Latina Gothoburgensia, Xxvii.) Pp. 64. Gothenburg: Almqvist & Wiksell, 1969. Paper, Kr.12. [REVIEW] The Classical Review 21 (03):367-368.
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  49.  7
    E. K. Borthwick (1968). Beetle, Bell, Goldfinch, and Weasel in Aristophanes' Peace. The Classical Review 18 (02):134-139.
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  50.  3
    E. K. Borthwick & J. Roux (1974). Euripides. Les Bacchantes. 2. Commentaire. Journal of Hellenic Studies 94:181.
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