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E. K. Borthwick [62]E. Kerr Borthwick [22]
  1. E. K. Borthwick (2001). Socrates, Socratics, and the Word B E E Aim N. Classical Quarterly 51 (1):297-301.
  2. E. K. Borthwick (2001). The Cynic and the Statue. Classical Quarterly 51 (2):494-498.
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  3. E. K. Borthwick (1999). Aeschylus Vs. Euripides: A Textual Problem at Frogs 818–19. Classical Quarterly 49 (02):623-.
    The literary contest of the two tragedians in Frogs is introduced by four stanzas redolent of Homeric combat, with their predominantly dactylic metre and a number of high-flown epic words. I am surprised that several editors prefer the reading ὑψλøωυ at 818, as íππóλοøος surely has a resonance of íπποκορυστς of Iliad 2.1, etc. The readings and sense, however, of both halves of 819 have long been controversial. As Dover suggested in his 1993 edition the MSS ‘linch-pins of splinters’ is (...)
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  4. E. Kerr Borthwick (1994). R. G. Ussher (Ed.): The Characters of Theophrastus: Introduction, Commentary and Index. Pp. Xiii+330. London: Bristol Classical Press, 1993. Paper, £14.95. [REVIEW] The Classical Review 44 (01):203-.
  5. E. Kerr Borthwick (1993). A New Edition of Odyssey Xix–Xx R. B. Rutherford: Homer, Odyssey Books XIX and XX. Pp. Xi + 248. Cambridge: Cambridge University Press, 1992. £35 (Paper, £13.95). [REVIEW] The Classical Review 43 (02):230-231.
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  6. E. Kerr Borthwick (1993). The Oxford Odyssey Completed Joseph Russo, Manuel Fernández-Galiano, Alfred Heubeck: A Commentary on Homer's Odyssey, Vol. III: Books Xvii–Xxiv. Pp. Xii + 447; 8 Figs. (Oxford: Clarendon Press, 1992.) £55. [REVIEW] The Classical Review 43 (01):4-5.
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  7. E. Kerr Borthwick (1992). Observations on the Opening Scene of Aristophanes' Wasps. Classical Quarterly 42 (01):274-.
    The lack of stage directions in surviving Greek comedy which might give a clue to comic ‘business’ not clearly signalled or confirmed in the text is a considerable disadvantage to us, not least in some of the opening tableaux of Aristophanes. One thinks of restless father and snoring son in bed at the opening of Clouds, the jokes involving the incongruous entry of master, slave, donkey and baggage in Frogs, the preparations for launching the dung-beetle into space in Peace – (...)
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  8. E. Kerr Borthwick (1991). Bee Imagery in Plutarch. Classical Quarterly 41 (02):560-.
    There can be few Greek prose authors who outdo Plutarch in fondness for elaborate similes, and a determination to sustain at length vocabulary appropriate to both objects of comparison within the simile, once it is embarked upon. In the essay Quomodo adulescens he uses a favourite image, in which a young man aspiring to be educated in quality literature is recommended to follow the example of the bee, which extracts material for its honey from the most pungent plants: μν ον (...)
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  9. E. Kerr Borthwick (1991). Lionel Pearson: Aristoxenus, Elementa Rhythmica: The Fragment of Book II and the Additional Evidence for Aristoxenean Rhythmic Theory. Edited with Introduction, Translation, and Commentary. Pp. Liv + 98. Oxford: Clarendon Press, 1990. £25. [REVIEW] The Classical Review 41 (02):474-.
  10. E. Kerr Borthwick (1991). 'The Wise Man and the Bow' in Aristides Quintilianus. Classical Quarterly 41 (01):275-.
    In the second book of the De Musica, Aristides Quintilianus discourses at length on the educational value of music, drawing on many earlier sources, Pythagorean, Damonian, and of course Plato and Aristotle. In ch. 6 Plato's censorious views in the Republic are particularly referred to, but, like Aristotle in the eighth book of his Politics, Aristides takes a less severe attitude towards the pleasure-giving content of melody on appropriate occasions, and points to the natural human taste for such music: τς (...)
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  11. E. Kerr Borthwick (1990). Giovanni Comotti: Music in Greek and Roman Culture (Trans. Rosaria V. Munson). (Ancient Society and History.) Pp. Xii + 186; 13 Figs. Baltimore and London: Johns Hopkins University Press, 1989 (Original Italian Edition, Edizioni di Torino, 1979). £14.50. [REVIEW] The Classical Review 40 (01):185-.
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  12. E. Kerr Borthwick (1990). The Odyssey. The Classical Review 40 (02):203-.
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  13. E. Kerr Borthwick (1990). The Odyssey Alfred Heubeck, Stephanie West, J. B. Hainsworth: A Commentary on Homer's Odyssey, Vol. I: Introduction and Booksi–Viii. Pp. Xii + 396. Oxford: Clarendon Press, 1988. £45. A. Heubeck, A. Hoekstra: A Commentary on Homer's Odyssey, Vol. II: Books Ix–Xvi. Pp. Xii + 300. Oxford: Clarendon Press, 1989. £37.50. [REVIEW] The Classical Review 40 (02):203-205.
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  14. E. Kerr Borthwick (1989). Insects in Antiquity Ian C. Beavis: Insects and Other Invertebrates in Classical Antiquity. (Exeter University Publications.) Pp. Xv + 269. Oxford: Alden Press (for University of Exeter), 1988. £40. [REVIEW] The Classical Review 39 (02):362-364.
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  15. E. Kerr Borthwick (1989). J. M. Van Ophuijsen: Hephaestion, On Metre: A Translation and Commentary. (Mnemosyne, Suppl. 100.) Pp. Xiii + 186. Leiden: Brill, 1987. Paper, Fl. 76 ($34.50). [REVIEW] The Classical Review 39 (01):134-135.
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  16. E. Kerr Borthwick (1988). Annemarie Jeanette Neubecker: Philodemus, Über die Musik, IV. Buch: Text, Übersetzung und Kommentar. Pp. 234. Naples: Bibliopolis, 1986. [REVIEW] The Classical Review 38 (01):145-146.
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  17. E. Kerr Borthwick (1985). Aristides Quintilianus Thomas J. Mathiesen: Aristides Quintilianus, On Music. Translation with Introduction, Commentary and Annotations. (Music Theory Translation Series.) Pp. Xiii + 217. New Haven and London: Yale University Press, 1983. £24.50. [REVIEW] The Classical Review 35 (02):258-259.
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  18. E. Kerr Borthwick (1983). Mario Pintacuda: Interpretazioni musicali sul teatro di Aristofane. (Letteratura Classica, 9.) Pp. 139. Palermo: Palumbo, 1982. Paper, L. 12,000. [REVIEW] The Classical Review 33 (01):128-129.
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  19. E. Kerr Borthwick & G. Comotti (1982). Storia della musica. 1, 1. La musica nella cultura greca e romana. Journal of Hellenic Studies 102:263.
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  20. E. K. Borthwick (1980). A. H. M. Kessels: Studies on the Dream in Greek Literature. Pp. Xi + 269. Utrecht: HES Publishers, 1978. Paper. The Classical Review 30 (02):283-.
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  21. E. K. Borthwick (1980). A Note on Some Unusual Greek Words for Eyes. Classical Quarterly 30 (01):252-.
    In Proceedings of the Cambridge Philological Society N.S. 14 , 68, D. C. C. Young drew attention to a curious variant in the text of Longus 2.2.1, where, in a description of how, at the vintage, women ‘eyed’ Daphnis, A has concluding that ‘brothers’ must be a colloquial expression for ‘eyes’, he was however unable to cite any other example of this usage, but compared ‘picked men’, in Paulus Silentiarius , a locution found in a small range of other authors (...)
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  22. E. Kerr Borthwick (1980). Music and Drama – Ancient and Modern. The Classical Review 30 (02):184-.
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  23. E. Kerr Borthwick (1980). Music and Drama – Ancient and Modern Mario Pintacuda: La Musica Nella Tragedia Greca Pp. 235. Cefalù: Lorenzo Misuraca Editore, 1978. Paper, L. 4,000. Mario Pintacuda: Tragedia Antica E Musica D'Oggi. Pp. 61. Cefalù: Lorenzo Misuraca Editore, 1978. Paper, L. 1,500. Cesare Questa: Il Ratto Dal Serraglio: Euripide, Plauto, Mozart, Rossini. Pp. 176. Bologna: Patron Editore, 1979. Paper, L. 5,500. [REVIEW] The Classical Review 30 (02):184-186.
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  24. E. K. Borthwick & M. Kaimio (1979). Characterization of Sound in Early Greek Literature. Journal of Hellenic Studies 99:186.
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  25. E. K. Borthwick (1978). Dietmar Najock: Anonyma de Musica Scripta Bellermanniana. (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana.) Pp. xxvi + 38. Leipzig: Teubner, 1975. Cloth, 25 M. [REVIEW] The Classical Review 28 (01):195-.
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  26. E. K. Borthwick (1978). Flora R. Levin: The Harmonics of Nicomachus and the Pythagorean Tradition. Pp. Xi + 113. University Park, Pa.: The American Philological Association, 1975. Paper, $3.50. [REVIEW] The Classical Review 28 (02):386-387.
  27. E. K. Borthwick (1978). Naphtali Lewis: The Interpretation of Dreams and Portents. (Aspects of Antiquity.) Pp. Xi + 167. Toronto and Sarasota: Stevens & Hakkert, 1976. Cloth, $9 (Paper, $3.5O). [REVIEW] The Classical Review 28 (02):386-.
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  28. E. K. Borthwick (1978). 'Such Stuff as Dreams Are Made On' Robert J. White: The Interpretation of Dreams: Oneirocritica by Artemidorus. Translation and Commentary. Pp. 259. New Jersey: Noyes Press, 1975. Cloth, $ 15. Dario Del Corno: Artemidoro, Il Libro Dei Sogni. Pp. Lviii + 366. Milan: Adelphi Edizioni, 1975. Paper, L.6,000. [REVIEW] The Classical Review 28 (01):22-23.
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  29. E. K. Borthwick & A. K. Bowman (1977). Oxyrhynchus Papyri Xliv. Journal of Hellenic Studies 97 (2):191.
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  30. E. K. Borthwick (1976). 'Bellermann's Anonymus' Re-Edited Dietmar Najock: Drei anonyme griechische Traktate über die Musik (Eine kommentierte Neuausgabe des Bellermannschen Anonymus). (Göttinger Musikwissenschaftliche Arbeiten, Band 2). Pp. 229. Kassel: Barenreiter, 1972. Paper, DM.48. [REVIEW] The Classical Review 26 (01):113-114.
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  31. E. K. Borthwick (1976). Zoologica Pindarica. Classical Quarterly 26 (02):198-.
    Bowra , referring to the image of the , and to the striking impression , states ‘Pindar seems to fuse two unusually disparate images into a single result… While the sheddingof leaves implies that he would have grown old without winning any wide renown, the cock means that such renown as he would have got would have beenof little account in the Greek world at large.’ Gildersleeve's comment ad loc, ‘The thus becomes a flower’, implies a similar assumption, that the (...)
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  32. E. Kerr Borthwick (1976). The "Flower of the Argives" and a Neglected Meaning of "HANTHOS". Journal of Hellenic Studies 96:1-7.
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  33. E. Kerr Borthwick (1976). The Scene on the Panagjurischte Amphora: A New Solution. Journal of Hellenic Studies 96:148-151.
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  34. E. K. Borthwick, Manuel Bryennius & G. H. Jonker (1975). The Harmonics. Journal of Hellenic Studies 95:307.
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  35. E. K. Borthwick & T. J. Mathiesen (1975). A Bibliography of Sources for the Study of Ancient Greek Music. Journal of Hellenic Studies 95:236.
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  36. E. K. Borthwick & J. Roux (1974). Euripides. Les Bacchantes. 2. Commentaire. Journal of Hellenic Studies 94:181.
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  37. E. K. Borthwick (1973). Lucretius' Elephant Wall. Classical Quarterly 23 (02):291-.
    In an article1 entitled Lucrèce et les éléphants, Professor Ernout has referred to recent archaeological evidence that in palaeolithic times the skeletons of mammoths were used in the construction of primitive habitations, and observes that the well-known lines of Lucretius. 532 ff. about India being so prolific inelephants that the whole land ‘milibus e multis vallo munitur eburno’ mayrefer not to anything legendary , nor to themilitary use of elephants in large numbers for frontier defence, but to a recognitionof the (...)
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  38. E. K. Borthwick, Theocritus & K. J. Dover (1973). Select Poems. Journal of Hellenic Studies 93:230.
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  39. E. K. Borthwick (1972). Dio Chrysostom on the Mob at Alexandria. The Classical Review 22 (01):1-3.
  40. E. K. Borthwick (1972). Music, Mathematics, and Water-Organs. The Classical Review 22 (03):364-.
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  41. E. K. Borthwick (1972). Music, Mathematics, and Water-Organs Johannes Lohmann: Musiké und Logos: Aufsätze zur griechischen Philosophic und Musiktheorie. Pp. xv+129. Stuttgart: Musikwissenschaftliche Verlagsgesellschaft, 1970. Paper. Werner Walcker-Mayer: Die römische Orgel von Aquincum. Pp. 118; 46 figs. Stuttgart: Musikwissenschaftliche Verlagsgesellschaft, 1970. Paper, DM.24. [REVIEW] The Classical Review 22 (03):364-366.
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  42. E. K. Borthwick (1972). Texts From Herculaneum Francesco Sbordone (Ed.): Ricerche Sui Papiri Ercolanesi. Vol. I. Pp. 372; 6 Plates. Naples: Giannini, 1969. Paper, L.6,000. [REVIEW] The Classical Review 22 (03):396-397.
  43. E. K. Borthwick (1971). Aristophanes, Clouds 1371. The Classical Review 21 (03):318-320.
  44. E. K. Borthwick (1971). Emendations and Interpretations in the Greek Anthology. Classical Quarterly 21 (02):426-.
    Gow and Page are of the opinion that Planudes’ àένναος in the fifth line of this epigram may be not his conjecture but the true reading, and reject Jacobs' commonly received emendation àєί λáνος, with κηρο in the following line. But I have no doubt that for the two words μέν àλανóς we should read μєμαλαγαγμένος for ó μєμαλαγαγμένος κηρóς is the regular gloss1 on the waxy substance called μàλθα or μàλθα which was used in Athens—at the time of Sophocles (...)
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  45. E. K. Borthwick (1971). Ptolemy and Porphyry Reconsidered Bengt Alexanderson: Textual Remarks on Ptolemy's Harmonica and Porphyry's Commentary. (Studia Graeca Et Latina Gothoburgensia, Xxvii.) Pp. 64. Gothenburg: Almqvist & Wiksell, 1969. Paper, Kr.12. [REVIEW] The Classical Review 21 (03):367-368.
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  46. E. Kerr Borthwick (1970). Two Scenes of Combat in Euripides. Journal of Hellenic Studies 90:15-21.
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  47. E. K. Borthwick (1969). An Allusion to Sophron in [Lucian]? The Classical Review 19 (03):270-271.
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  48. E. K. Borthwick (1969). Musiga Romana Gunther Wille: Musica Romana: die Bedeutung der Musik im Leben der Römer. Pp. 799. Amsterdam: Schippers, 1967. Cloth, fl. 120. [REVIEW] The Classical Review 19 (03):343-346.
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  49. E. K. Borthwick (1969). The Verb AYω and its Compounds. Classical Quarterly 19 (02):306-.
    In a recent article Mr. D. A. West investigated the meaning of haurire, haustus, showing how the primary sense ‘to take by scooping, to draw’ is present in a number of passages which have been incorrectly interpreted in the light of extensions made only later of this usage. He noted in passing that ‘this sense may well survive in , the cognate of haurire’. In this article I hope to show that the recognition of this as the basic sense of (...)
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  50. E. K. Borthwick & T. B. L. Webster (1969). The Tragedies of Euripides. Journal of Hellenic Studies 89:128.
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