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E. K. Borthwick [62]E. Kerr Borthwick [22]
  1.  1
    E. K. Borthwick & T. B. L. Webster (1969). The Tragedies of Euripides. Journal of Hellenic Studies 89:128.
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  2.  6
    E. K. Borthwick (1963). Plato and Aristotle on Musical Theory Lukas Richter: Zur Wissenschaftslehre von der Musik bei Platon und Aristoteles. Pp. xi + 202. Berlin: Akademie-Verlag, 1961. Paper, DM 29.50. [REVIEW] The Classical Review 13 (02):160-161.
  3.  19
    E. K. Borthwick (2001). The Cynic and the Statue. Classical Quarterly 51 (2):494-498.
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  4.  17
    E. K. Borthwick (2001). Socrates, Socratics, and the Word B E E Aim N. Classical Quarterly 51 (1):297-301.
  5.  12
    E. K. Borthwick (1956). Plutarch De Musica François Lasserre: Plutarque, De la Musique. Texte, traduction, commentaire, précédés d'une étude sur l'education musicale dans la Grèce antique. (Bibliotheca Helvetica Romana, i.) Pp.185. Lausanne: Urs Graf-Verlag, 1954. Paper, 25 Sw. Fr. [REVIEW] The Classical Review 6 (02):122-124.
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  6.  3
    E. K. Borthwick (1959). The New Oxford History of Music The New Oxford History of Music. Vol. I: Ancient and Oriental Music. Edited by Egon Wellesz Pp.Xxiii + 530; 15 Plates. London: Oxford University Press, 1957. Clothe, 63s. Net. [REVIEW] The Classical Review 9 (01):53-55.
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  7.  2
    E. K. Borthwick (1967). Two Textual Problems in Euripides' Antiope, Fr. 188. Classical Quarterly 17 (01):41-.
    In a recent article I drew attention to the fact that the well-known fable of the improvident cicada and the industrious ant has a close resemblance to the story of the twin brothers Amphion and Zethus and their classic debate on the respective merits of the artistic and practical life in Euripides' Antiope, which is reflected not only in the argument of Callicles and Socrates in the Gorgias and Horace, Ep. i. 18.
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  8.  11
    E. Kerr Borthwick (1990). Giovanni Comotti: Music in Greek and Roman Culture (Trans. Rosaria V. Munson). (Ancient Society and History.) Pp. Xii + 186; 13 Figs. Baltimore and London: Johns Hopkins University Press, 1989 (Original Italian Edition, Edizioni di Torino, 1979). £14.50. [REVIEW] The Classical Review 40 (01):185-.
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  9.  9
    E. Kerr Borthwick (1991). Lionel Pearson: Aristoxenus, Elementa Rhythmica: The Fragment of Book II and the Additional Evidence for Aristoxenean Rhythmic Theory. Edited with Introduction, Translation, and Commentary. Pp. Liv + 98. Oxford: Clarendon Press, 1990. £25. [REVIEW] The Classical Review 41 (02):474-.
  10.  10
    E. Kerr Borthwick (1988). Annemarie Jeanette Neubecker: Philodemus, Über die Musik, IV. Buch: Text, Übersetzung und Kommentar. Pp. 234. Naples: Bibliopolis, 1986. [REVIEW] The Classical Review 38 (01):145-146.
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  11.  6
    E. K. Borthwick (1968). Greek Musical Ethos Warren D. Anderson: Ethos and Education in Greek Music: The Evidence of Poetry and Philosophy. Pp. 306. Cambridge, Mass.: Harvard University Press (London: Oxford University Press), 1966. Cloth, 44s. Net. [REVIEW] The Classical Review 18 (02):200-203.
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  12.  9
    E. K. Borthwick (1980). A. H. M. Kessels: Studies on the Dream in Greek Literature. Pp. Xi + 269. Utrecht: HES Publishers, 1978. Paper. The Classical Review 30 (02):283-.
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  13.  7
    E. K. Borthwick (1967). Lasus of Hermione G. Aurelio Privitera: Laso di Ermione nella cultura ateniese e nella tradizione storiografica. Pp. 126. Rome: Edizioni dell'Ateneo, 1965. Stiff paper, L. 1,200. [REVIEW] The Classical Review 17 (02):146-147.
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  14.  8
    E. K. Borthwick (1978). Flora R. Levin: The Harmonics of Nicomachus and the Pythagorean Tradition. Pp. Xi + 113. University Park, Pa.: The American Philological Association, 1975. Paper, $3.50. [REVIEW] The Classical Review 28 (02):386-387.
  15.  2
    E. K. Borthwick & M. Kaimio (1979). Characterization of Sound in Early Greek Literature. Journal of Hellenic Studies 99:186.
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  16.  8
    E. K. Borthwick (1999). Aeschylus Vs. Euripides: A Textual Problem at Frogs 818–19. Classical Quarterly 49 (02):623-.
    The literary contest of the two tragedians in Frogs is introduced by four stanzas redolent of Homeric combat, with their predominantly dactylic metre and a number of high-flown epic words. I am surprised that several editors prefer the reading ὑψλøωυ at 818, as íππóλοøος surely has a resonance of íπποκορυστς of Iliad 2.1, etc. The readings and sense, however, of both halves of 819 have long been controversial. As Dover suggested in his 1993 edition the MSS ‘linch-pins of splinters’ is (...)
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  17.  6
    E. Kerr Borthwick (1985). Aristides Quintilianus Thomas J. Mathiesen: Aristides Quintilianus, On Music. Translation with Introduction, Commentary and Annotations. (Music Theory Translation Series.) Pp. Xiii + 217. New Haven and London: Yale University Press, 1983. £24.50. [REVIEW] The Classical Review 35 (02):258-259.
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  18.  2
    E. Kerr Borthwick & G. Comotti (1982). Storia della musica. 1, 1. La musica nella cultura greca e romana. Journal of Hellenic Studies 102:263.
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  19.  2
    E. Kerr Borthwick (1976). The "Flower of the Argives" and a Neglected Meaning of "HANTHOS". Journal of Hellenic Studies 96:1-7.
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  20.  6
    E. K. Borthwick (1957). Philodemus De Musica Annemarie Jeanette Neubecker: Die Bewertung der Musik bei Stoikern und Epikureern. Eine Analyse von Philodems Schrift De musica. Pp. 103. Berlin: Akademie-Verlag, 1956. Paper, DM. 11. [REVIEW] The Classical Review 7 (3-4):215-217.
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  21.  4
    E. K. Borthwick (1969). Musiga Romana Gunther Wille: Musica Romana: die Bedeutung der Musik im Leben der Römer. Pp. 799. Amsterdam: Schippers, 1967. Cloth, fl. 120. [REVIEW] The Classical Review 19 (03):343-346.
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  22.  5
    E. Kerr Borthwick (1993). The Oxford Odyssey Completed Joseph Russo, Manuel Fernández-Galiano, Alfred Heubeck: A Commentary on Homer's Odyssey, Vol. III: Books Xvii–Xxiv. Pp. Xii + 447; 8 Figs. (Oxford: Clarendon Press, 1992.) £55. [REVIEW] The Classical Review 43 (01):4-5.
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  23.  6
    E. Kerr Borthwick (1989). Insects in Antiquity Ian C. Beavis: Insects and Other Invertebrates in Classical Antiquity. (Exeter University Publications.) Pp. Xv + 269. Oxford: Alden Press (for University of Exeter), 1988. £40. [REVIEW] The Classical Review 39 (02):362-364.
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  24.  5
    E. Kerr Borthwick (1980). Music and Drama – Ancient and Modern Mario Pintacuda: La Musica Nella Tragedia Greca Pp. 235. Cefalù: Lorenzo Misuraca Editore, 1978. Paper, L. 4,000. Mario Pintacuda: Tragedia Antica E Musica D'Oggi. Pp. 61. Cefalù: Lorenzo Misuraca Editore, 1978. Paper, L. 1,500. Cesare Questa: Il Ratto Dal Serraglio: Euripide, Plauto, Mozart, Rossini. Pp. 176. Bologna: Patron Editore, 1979. Paper, L. 5,500. [REVIEW] The Classical Review 30 (02):184-186.
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  25.  1
    E. K. Borthwick (1969). An Allusion to Sophron in [Lucian]? The Classical Review 19 (03):270-271.
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  26.  3
    E. K. Borthwick (1965). Suetonius' Nero and A Pindaric Scholium. The Classical Review 15 (03):252-256.
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  27.  5
    E. K. Borthwick (1978). Dietmar Najock: Anonyma de Musica Scripta Bellermanniana. (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana.) Pp. xxvi + 38. Leipzig: Teubner, 1975. Cloth, 25 M. [REVIEW] The Classical Review 28 (01):195-.
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  28.  4
    E. Kerr Borthwick (1989). J. M. Van Ophuijsen: Hephaestion, On Metre: A Translation and Commentary. (Mnemosyne, Suppl. 100.) Pp. Xiii + 186. Leiden: Brill, 1987. Paper, Fl. 76 ($34.50). [REVIEW] The Classical Review 39 (01):134-135.
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  29.  4
    E. K. Borthwick (1956). Plutarch De Musica. The Classical Review 6 (02):122-.
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  30.  4
    E. K. Borthwick (1976). 'Bellermann's Anonymus' Re-Edited Dietmar Najock: Drei anonyme griechische Traktate über die Musik (Eine kommentierte Neuausgabe des Bellermannschen Anonymus). (Göttinger Musikwissenschaftliche Arbeiten, Band 2). Pp. 229. Kassel: Barenreiter, 1972. Paper, DM.48. [REVIEW] The Classical Review 26 (01):113-114.
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  31.  4
    E. K. Borthwick (1955). Otto Luschnat: Zum Text von Philodems Schrift De Musica. Pp. 36. Berlin: Akademie-Verlag, 1953. Paper, DM. 8.20. The Classical Review 5 (02):200-201.
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  32.  3
    E. Kerr Borthwick (1990). The Odyssey Alfred Heubeck, Stephanie West, J. B. Hainsworth: A Commentary on Homer's Odyssey, Vol. I: Introduction and Booksi–Viii. Pp. Xii + 396. Oxford: Clarendon Press, 1988. £45. A. Heubeck, A. Hoekstra: A Commentary on Homer's Odyssey, Vol. II: Books Ix–Xvi. Pp. Xii + 300. Oxford: Clarendon Press, 1989. £37.50. [REVIEW] The Classical Review 40 (02):203-205.
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  33.  4
    E. K. Borthwick (1978). Naphtali Lewis: The Interpretation of Dreams and Portents. (Aspects of Antiquity.) Pp. Xi + 167. Toronto and Sarasota: Stevens & Hakkert, 1976. Cloth, $9 (Paper, $3.5O). [REVIEW] The Classical Review 28 (02):386-.
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  34.  4
    E. Kerr Borthwick (1994). R. G. Ussher (Ed.): The Characters of Theophrastus: Introduction, Commentary and Index. Pp. Xiii+330. London: Bristol Classical Press, 1993. Paper, £14.95. [REVIEW] The Classical Review 44 (01):203-.
  35.  1
    E. K. Borthwick (1972). Texts From Herculaneum Francesco Sbordone (Ed.): Ricerche Sui Papiri Ercolanesi. Vol. I. Pp. 372; 6 Plates. Naples: Giannini, 1969. Paper, L.6,000. [REVIEW] The Classical Review 22 (03):396-397.
  36.  1
    E. K. Borthwick (1966). Death of a Fighting Cock. The Classical Review 16 (01):4-5.
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  37.  1
    E. K. Borthwick & T. J. Mathiesen (1975). A Bibliography of Sources for the Study of Ancient Greek Music. Journal of Hellenic Studies 95:236.
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  38.  1
    E. K. Borthwick (1956). The Oslo Musical Fragment S. Eitrem Leiv Amundsen, and R. P. Winnington-Ingram: Fragments of Unknown Greek Tragic Texts with Musical Notation. Pp. 87; 2 Plates. Oslo: Brøgger, 1955. Paper. [REVIEW] The Classical Review 6 (3-4):211-213.
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  39.  1
    E. K. Borthwick (1976). Zoologica Pindarica. Classical Quarterly 26 (02):198-.
    Bowra , referring to the image of the , and to the striking impression , states ‘Pindar seems to fuse two unusually disparate images into a single result… While the sheddingof leaves implies that he would have grown old without winning any wide renown, the cock means that such renown as he would have got would have beenof little account in the Greek world at large.’ Gildersleeve's comment ad loc, ‘The thus becomes a flower’, implies a similar assumption, that the (...)
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  40.  4
    E. K. Borthwick (1973). Lucretius' Elephant Wall. Classical Quarterly 23 (02):291-.
    In an article1 entitled Lucrèce et les éléphants, Professor Ernout has referred to recent archaeological evidence that in palaeolithic times the skeletons of mammoths were used in the construction of primitive habitations, and observes that the well-known lines of Lucretius. 532 ff. about India being so prolific inelephants that the whole land ‘milibus e multis vallo munitur eburno’ mayrefer not to anything legendary , nor to themilitary use of elephants in large numbers for frontier defence, but to a recognitionof the (...)
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  41.  1
    E. Kerr Borthwick (1991). 'The Wise Man and the Bow' in Aristides Quintilianus. Classical Quarterly 41 (01):275-.
    In the second book of the De Musica, Aristides Quintilianus discourses at length on the educational value of music, drawing on many earlier sources, Pythagorean, Damonian, and of course Plato and Aristotle. In ch. 6 Plato's censorious views in the Republic are particularly referred to, but, like Aristotle in the eighth book of his Politics, Aristides takes a less severe attitude towards the pleasure-giving content of melody on appropriate occasions, and points to the natural human taste for such music: τς (...)
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  42.  4
    E. K. Borthwick (1978). 'Such Stuff as Dreams Are Made On' Robert J. White: The Interpretation of Dreams: Oneirocritica by Artemidorus. Translation and Commentary. Pp. 259. New Jersey: Noyes Press, 1975. Cloth, $ 15. Dario Del Corno: Artemidoro, Il Libro Dei Sogni. Pp. Lviii + 366. Milan: Adelphi Edizioni, 1975. Paper, L.6,000. [REVIEW] The Classical Review 28 (01):22-23.
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  43.  3
    E. K. Borthwick (1967). Limed Reeds in Theocritus, Aristophanes, and Propertius. Classical Quarterly 17 (01):110-.
    Both the meaning of and the identity of the are in some doubt here. Gow's view that ‘Lacon thinks of labourers and cicadas vying with one another in the heat’ and that means ‘provoke to further exertions, put him on his mettle’ agrees in general with the scholiast.
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  44.  3
    E. K. Borthwick (1962). Greek Musical Fragments Egert Pöhlmann: Griechische Musikfragmente. Ein Weg Zur Altgriechischen Musik. (Erlanger Beiträge, Viii.) Pp. Vi+84; 1 Plate. Nürnberg: Hans Carl, 1960. Paper, DM. 12.50. [REVIEW] The Classical Review 12 (02):159-161.
  45.  1
    E. K. Borthwick (1968). Two Unnoticed Euripides Fragments? Classical Quarterly 18 (02):198-.
    In my article ‘Two Textual Problems in Euripides’ Antiope, Fr. 188' , in which I compared the debate of Amphion the unpractical musician and his industrious brother Zethus to the fable of the cicada and the ant, I drew attention to a passage of Olympiodorus' commentary on the Gorgias which had been overlooked in the testimonia to Euripides' play, and which begins.
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  46.  2
    E. K. Borthwick (1966). Music in Etruria and Rome Günter Fleischhauer: Musikgeschichte in Bildern: Band ii, Musik des Altertums: Lieferung 5, Etrurien und Rom. Pp. 196; 80 plates. Mainz: B. Schotts Söhne, 1964. Cloth, DM. 43. [REVIEW] The Classical Review 16 (02):209-210.
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  47.  1
    E. K. Borthwick & J. Roux (1974). Euripides. Les Bacchantes. 2. Commentaire. Journal of Hellenic Studies 94:181.
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  48.  3
    E. Kerr Borthwick (1991). Bee Imagery in Plutarch. Classical Quarterly 41 (02):560-.
    There can be few Greek prose authors who outdo Plutarch in fondness for elaborate similes, and a determination to sustain at length vocabulary appropriate to both objects of comparison within the simile, once it is embarked upon. In the essay Quomodo adulescens he uses a favourite image, in which a young man aspiring to be educated in quality literature is recommended to follow the example of the bee, which extracts material for its honey from the most pungent plants: μν ον (...)
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  49.  3
    E. K. Borthwick (1968). Beetle, Bell, Goldfinch, and Weasel in Aristophanes' Peace. The Classical Review 18 (02):134-139.
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  50.  2
    E. K. Borthwick (1971). Ptolemy and Porphyry Reconsidered Bengt Alexanderson: Textual Remarks on Ptolemy's Harmonica and Porphyry's Commentary. (Studia Graeca Et Latina Gothoburgensia, Xxvii.) Pp. 64. Gothenburg: Almqvist & Wiksell, 1969. Paper, Kr.12. [REVIEW] The Classical Review 21 (03):367-368.
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